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  • Portuguese  (3)
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  • 1
    AV-Medium
    AV-Medium
    Los Angeles, Calif. : Vanguard Cinema
    Show associated volumes
    UID:
    kobvindex_ZLB13313938
    Format: 1 DVD Video (ca. 70 Min)
    Content: Nigel Noble's bluntly downbeat documentary "The Charcoal People" presents a hard-headed picture of how the laws of supply and demand in Brazil are contributing to the destruction of the Amazon rain forest. "Charcoal people" is the nickname for thousands of migrant workers across the country who earn a meager living making the charcoal that is an ingredient of the pig iron used in Brazil's steel industry... The film documents the process by which whole forests are reduced to blocks of charred timber. The timber is shipped by truck to work camps, where it is fed into rows of giant kilns (it takes a day to build one) that resemble brick-and-mortar igloos. High among the hazards the workers must contend with are the infernal heat and choking smoke generated by the kilns. As the workers tell their stories, the struggles they describe aren't all that different from those of exploited laborers all over the world, be they coal miners or sweat-shop employees. Those who ask for raises are often considered troublemakers and fired. One worker recalls a boss who kept the workers in debt by forcing them to buy their supplies from the company store. Not all the testimony is meant to appall. More than one person interviewed actually finds some satisfaction in the work. The cost to the environment, of course, is steep. Just how steep is suggested late in the film by aerial shots of a hideously scarred, smoky section of rain forest. But the movie leaves little doubt that as long as there is an industry hungry for their labor, the charcoal people and the destruction they wreak will continue. (New York Times)
    Note: Portug. mit engl. Untertiteln
    Language: Portuguese
    Keywords: Amazonas-Gebiet ; Köhlerei ; Alltag ; DVD-Video ; Amazonas-Gebiet ; Rodung ; Umweltschaden ; DVD-Video ; DVD-Video
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  • 2
    Online Resource
    Online Resource
    New York, NY : Filmakers Library
    UID:
    gbv_1818195720
    Format: 1 Online-Ressource (58 min.)
    Content: Street life in Rio de Janeiro is astoundingly varied. There are more ways to earn a living than any North American can imagine. In this colorful film, Sergio Bloch, who has a special affinity for recording the pulse of urban life in his native Brazil, presents a variety of performers, vendors and special artisans. The film begins with a knife grinder, who not only sharpens tools, but plays Happy Birthday on his grinding wheel to attract customers. There is an animal trainer whose dogs perform tricks, a street photographer who really wanted to be a student, a herbalist who forages within city limits for plants that bring the Amazon to a city square. Some of the physical stunts are amazing: a one-legged soccer acrobat, jugglers who have 50 seconds at traffic lights for their acts. These and many others tell how they came to earn their livelihood in these unique ways--some are the third generation in their trade, others fell on hard times and needed work. These are not street people as we know them here--they are people who use public spaces as their studios, workshops, stages, offices and food centers. For anthropology and Latin American studies here is glimpse into the unique life of a sprawling metropolis with roots in the past
    Note: Originally released as DVD , Title from resource description page (viewed May 24, 2011) , Zielgruppe: For College; Adult audiences , This edition in Portuguese with English subtitles
    Language: Portuguese
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  • 3
    Online Resource
    Online Resource
    s.l. : Universidade do Estado do Rio de Janeiro
    UID:
    gbv_1869249593
    Content: Nombreux sont les films ayant pour héros un chien fou. Ils s’apparentent à des sous-genres horrifiques spécifiques comme ceux de l’animal tueur ou encore de l’éco horreur. Le film d’éco horreur est particulièrement populaire en Australie, pays très concerné par les questions écologiques et dont est originaire le dingo. Ce chien sauvage en voie d’extinction a d’ailleurs fait l’objet d’un film de Fred Schepisi, Evil Angels (1998) dont l’histoire est tirée d’un événement réel qui avait alors suscité une réaction viscérale au sein de la population australienne. Après la disparition mystérieuse d’un bėbé que ses parents avaient amené avec eux en camping, la mère fut accusée d’infanticide pour la seule raison qu’elle soutenait avoir vu un dingo enlever son enfant. L’opinion publique refusant de croire que cet animal emblématique de l’espace australien et de sa conquête masculine puisse s’attaquer à un humain, on a préféré diaboliser la femme plutôt que la bête. Le dingo est toutefois devenu une figure de la monstruosité lorsque, preuve à l’appui, on a constaté que cet animal avait bel et bien tué le bébé. Cela a eu pour effet d’entraîner une confusion dans la perception du dingo et de son statut légal. Comme le soulignent James Gorman et Christine Kennealy, “in some parts of Australia dingoes are pests, but in other parts they are protected. Their status can change with shifts in public opinion”.[1] De tels faits nous permettent de constater que le dingo n’est pas seulement un être de chair et de sang, mais aussi une construction culturelle, sociale et imaginaire, dotée d’une part de symbolisme voire d’affabulation, ne serait-ce que parce que l’animal se donne à percevoir dans la relation qu’il a avec l’homme et la civilisation. [1] James Gorman et Christine Kennealy, Australia’s Changing View of the Dingo, New York Times, 6 mars 2012, p. D1.
    In: https://www.e-publicacoes.uerj.br/ojs/index.php/soletras/article/view/19105/15913
    Language: Portuguese
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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