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  • 1
    UID:
    gbv_1677672609
    Format: 164 Seiten, ca. 50 ungezählte Seiten , 20 x 28 cm
    ISBN: 9788578501440 , 8578501446
    Uniform Title: Photographs Selections
    Content: Graffiti: laberynth of the eyes. Introduction = Introdução -- Explanatry note = Nota explicativa -- São Paulo -- Nova York -- Berlim -- Dos sons do laberinto.
    Content: Photographer Edward Longman (born 1952, São Paulo), and journalist Gabriela Longman (born 1983, São Paulo) created a book that is the result of their work since 2014 on the streets of São Paulo, New York and Berlin. The editorial project was conceived from the conversations between father and daughter about how they could work together. With a chapter devoted to each of these cities, "This book seeks to situate the graffiti not in Heaven nor in hell, but seeks to exalt its qualities, especially the ideal of freedom, experimentation and risk involved [...]. It's not just a book of photography - although the images extrapolate, similar to a documentary record- this is not a travelogue, or an artistic catalog and is not a newspaper article- even if these categories are mixed here and along with the graffiti mingle many times in posters, walls and roofs," writes Gabriella in the introduction
    Note: Includes bibliographical references , In Portuguese and English
    Language: Portuguese
    Keywords: Bildband
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  • 2
    AV-Medium
    AV-Medium
    Los Angeles, Calif. : Vanguard Cinema
    Show associated volumes
    UID:
    kobvindex_ZLB13313938
    Format: 1 DVD Video (ca. 70 Min)
    Content: Nigel Noble's bluntly downbeat documentary "The Charcoal People" presents a hard-headed picture of how the laws of supply and demand in Brazil are contributing to the destruction of the Amazon rain forest. "Charcoal people" is the nickname for thousands of migrant workers across the country who earn a meager living making the charcoal that is an ingredient of the pig iron used in Brazil's steel industry... The film documents the process by which whole forests are reduced to blocks of charred timber. The timber is shipped by truck to work camps, where it is fed into rows of giant kilns (it takes a day to build one) that resemble brick-and-mortar igloos. High among the hazards the workers must contend with are the infernal heat and choking smoke generated by the kilns. As the workers tell their stories, the struggles they describe aren't all that different from those of exploited laborers all over the world, be they coal miners or sweat-shop employees. Those who ask for raises are often considered troublemakers and fired. One worker recalls a boss who kept the workers in debt by forcing them to buy their supplies from the company store. Not all the testimony is meant to appall. More than one person interviewed actually finds some satisfaction in the work. The cost to the environment, of course, is steep. Just how steep is suggested late in the film by aerial shots of a hideously scarred, smoky section of rain forest. But the movie leaves little doubt that as long as there is an industry hungry for their labor, the charcoal people and the destruction they wreak will continue. (New York Times)
    Note: Portug. mit engl. Untertiteln
    Language: Portuguese
    Keywords: Amazonas-Gebiet ; Köhlerei ; Alltag ; DVD-Video ; Amazonas-Gebiet ; Rodung ; Umweltschaden ; DVD-Video ; DVD-Video
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  • 3
    Online Resource
    Online Resource
    New York, NY : Filmakers Library
    UID:
    gbv_1818195720
    Format: 1 Online-Ressource (58 min.)
    Content: Street life in Rio de Janeiro is astoundingly varied. There are more ways to earn a living than any North American can imagine. In this colorful film, Sergio Bloch, who has a special affinity for recording the pulse of urban life in his native Brazil, presents a variety of performers, vendors and special artisans. The film begins with a knife grinder, who not only sharpens tools, but plays Happy Birthday on his grinding wheel to attract customers. There is an animal trainer whose dogs perform tricks, a street photographer who really wanted to be a student, a herbalist who forages within city limits for plants that bring the Amazon to a city square. Some of the physical stunts are amazing: a one-legged soccer acrobat, jugglers who have 50 seconds at traffic lights for their acts. These and many others tell how they came to earn their livelihood in these unique ways--some are the third generation in their trade, others fell on hard times and needed work. These are not street people as we know them here--they are people who use public spaces as their studios, workshops, stages, offices and food centers. For anthropology and Latin American studies here is glimpse into the unique life of a sprawling metropolis with roots in the past
    Note: Originally released as DVD , Title from resource description page (viewed May 24, 2011) , Zielgruppe: For College; Adult audiences , This edition in Portuguese with English subtitles
    Language: Portuguese
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  • 4
    UID:
    kobvindex_ZLB34552405
    Format: 2 Blu-ray Disc (131 min + Bonus) , 1 Beilage , 1,85:1
    Edition: Special edition
    ISBN: 9781681438221
    Series Statement: The Criterion collection : [BD] 1073
    Content: In his breakthrough second feature, Bong Joon Ho explodes the conventions of the policier with thrillingly subversive, genre-defying results. Based on the true story of a string of serial killings that rocked a rural community in the 1980s, Memories of Murder stars New Korean Cinema icon Song Kang Ho as the local officer who reluctantly joins forces with a seasoned Seoul detective (Kim Sang Kyung) to investigate the crimes—leading each man on a wrenching, yearslong odyssey of failure and frustration that will drive him to the existential edge. Combining a gripping procedural with a vivid social portrait of the everyday absurdity of life under military rule, Bong fashions a haunting journey into ever-deepening darkness that begins as a black-comic satire and ends as a soul-shattering encounter with the abyss. (Criterion)
    Content: Extras: Five short featurettes covering different aspects of the filmmaking process. These range in length from two minutes to nearly eight minutes and all consist of on-location footage, on-set clips, and interviews with the director and crew. The next section looks at nine characters from the film, with clips from the movie, comments from the director, and interviews with the relevant actors. These range in length from three to six minutes. More interviews and on-set footage are presented in two further making-of segments running for seventeen and twelve minutes respectively. Features about the set and production design, clothing and make-up, the film's invisible use of CG effects, and the original score come next, clocking in at eleven, twelve, five and fourteen minutes respectively. The next section provides a break from all the interviews, instead consisting of fifty-six on-set photographs and a single on-set painting presented in four separate galleries, divided according to the photographer or artist. Seven deleted scenes, totalling around fourteen minutes in duration, come next. These are available either with or without commentary. The scenes all serve to further develop characters or flesh out certain plot points but are otherwise inessential. A section devoted to promotional material contains two theatrical trailers, a TV spot, publicity photo-shoot coverage, and footage from the press screening. The latter features a few faces that should be familiar to Korean cinema aficionados. The last option on the disc gives access to a list of credits over a montage of on-location footage. Finally, an Easter Egg gives access to a seven-minute featurette in which Bong Joon-ho discusses the research he made into the Hwaseong serial murders before embarking on the film. (DVD Times für die koreanische Ausgabe)
    Note: Orig.: Republik Korea, 2003 , Untertitel: englisch
    Language: Korean
    Keywords: Salinui chueok ; Interview ; DVD-Video ; Interview ; DVD-Video
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  • 5
    UID:
    kobvindex_ZLB34552400
    Format: 2 DVD-Video (131 min + Bonus) , 1 Beilage , 1,85:1
    Edition: Special edition
    ISBN: 9781681438238
    Series Statement: The Criterion collection : [DVD-Video] 1073
    Content: In his breakthrough second feature, Bong Joon Ho explodes the conventions of the policier with thrillingly subversive, genre-defying results. Based on the true story of a string of serial killings that rocked a rural community in the 1980s, Memories of Murder stars New Korean Cinema icon Song Kang Ho as the local officer who reluctantly joins forces with a seasoned Seoul detective (Kim Sang Kyung) to investigate the crimes—leading each man on a wrenching, yearslong odyssey of failure and frustration that will drive him to the existential edge. Combining a gripping procedural with a vivid social portrait of the everyday absurdity of life under military rule, Bong fashions a haunting journey into ever-deepening darkness that begins as a black-comic satire and ends as a soul-shattering encounter with the abyss. (Criterion)
    Content: Extras: Five short featurettes covering different aspects of the filmmaking process. These range in length from two minutes to nearly eight minutes and all consist of on-location footage, on-set clips, and interviews with the director and crew. The next section looks at nine characters from the film, with clips from the movie, comments from the director, and interviews with the relevant actors. These range in length from three to six minutes. More interviews and on-set footage are presented in two further making-of segments running for seventeen and twelve minutes respectively. Features about the set and production design, clothing and make-up, the film's invisible use of CG effects, and the original score come next, clocking in at eleven, twelve, five and fourteen minutes respectively. The next section provides a break from all the interviews, instead consisting of fifty-six on-set photographs and a single on-set painting presented in four separate galleries, divided according to the photographer or artist. Seven deleted scenes, totalling around fourteen minutes in duration, come next. These are available either with or without commentary. The scenes all serve to further develop characters or flesh out certain plot points but are otherwise inessential. A section devoted to promotional material contains two theatrical trailers, a TV spot, publicity photo-shoot coverage, and footage from the press screening. The latter features a few faces that should be familiar to Korean cinema aficionados. The last option on the disc gives access to a list of credits over a montage of on-location footage. Finally, an Easter Egg gives access to a seven-minute featurette in which Bong Joon-ho discusses the research he made into the Hwaseong serial murders before embarking on the film. (DVD Times für die koreanische Ausgabe)
    Note: Orig.: Republik Korea, 2003 , Untertitel: englisch
    Language: Korean
    Keywords: Salinui chueok ; Interview ; DVD-Video ; Interview ; DVD-Video
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  • 6
    UID:
    kobvindex_ZLB13721641
    Format: 2 DVD Videos (ca. 112/98 Min.) , Tonformat: DD/5.1 Surround , NTSC , 1 Beil. , Bildformat: 1.85:1 Anamorphic Widescreen ; 4:3 Screen
    Content: A "wonderfully fluid" (Variety) film, TAKE CARE OF MY CAT tenderly and unsentimentally charts the paths of a quintet of modern South Korean women as they navigate the hazards of young adulthood. First time director Jae-eun Jeong brings a beguiling freshness to a coming of age story (Kevin Thomas, LA Times) with panache and visual poetry. Kino takes great pride in presenting a smash international festival hit that the Chicago Tribune's Michael Wilmington gushed, "is so breezy, pretty and gifted, it really won my heart." While twins Bi-ryu and Ohn-jo (Eun-shil & Eun-joo Lee) cheerfully resign themselves to the diminished expectations and drab realities of bleak Inchon, narcissistic Hae-joo (Yo-won Lee) surrenders to the seductive undertow of office ladder-climbing at a Seoul brokerage. Melancholy Ji-young (Ji-young Ok) desperately staves off an avalanche of big-city bad luck, leaving the charismatic but circumspect Tae-hee (Doo-na Bae) to spiritedly hold the group together even while challenging the family that exploits her. Director Jae-eun Jeong's meticulous, deeply moving examination of courage, loss and yearning on the perilous threshold of maturity demonstrates she is "as savvy about young women as she is about cinema." (Chicago Tribune) Doo-na Bae's multiple award winning performance has a rich ring of truth and engages the heart with an assuredly crafted simplicity virtually extinct in youth films. From the title cat that passes from girl to girl to the cell-phone text-messages that appear on screen as the five friends seek to stay connected, TAKE CARE OF MY CAT blossoms into both a sincere, emotionally lucid cinematic vision and a brisk pop-movie treat. (Kino, New York)
    Content: Extras: Disc 1: Audio Commentary with director Jung Jae-eun, Bae Doo-na, Ok Ji-young and the Lee twin. Interview by director Jung Jae-eun with Bae Doo-na, Ok Ji-young, Lee Yo-won and the twins (14 min.). Deleted Scenes (15 min.). Making of (3 min.). Disc 2: 2 short films by Jung Jae-eun(with english subtitles and short introduction from Jung Jae-eun about the films, 25 and 20 min.).
    Note: Ländercode: 3 , Orig.: Südkorea, 2001 , Korean. mit engl., korean. Untertiteln
    Language: Korean
    Keywords: Goyangileul butaghae ; Kommentar ; DVD-Video ; Kommentar ; DVD-Video
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  • 7
    UID:
    kobvindex_ZLB13780609
    Format: 1 DVD Video (ca. 112 Min.) , Tonformat: Dolby Surround , NTSC , Bildformat: 1.85:1 Letterboxed
    Content: A "wonderfully fluid" (Variety) film, TAKE CARE OF MY CAT tenderly and unsentimentally charts the paths of a quintet of modern South Korean women as they navigate the hazards of young adulthood. First time director Jae-eun Jeong brings a beguiling freshness to a coming of age story (Kevin Thomas, LA Times) with panache and visual poetry. Kino takes great pride in presenting a smash international festival hit that the Chicago Tribune's Michael Wilmington gushed, "is so breezy, pretty and gifted, it really won my heart." While twins Bi-ryu and Ohn-jo (Eun-shil & Eun-joo Lee) cheerfully resign themselves to the diminished expectations and drab realities of bleak Inchon, narcissistic Hae-joo (Yo-won Lee) surrenders to the seductive undertow of office ladder-climbing at a Seoul brokerage. Melancholy Ji-young (Ji-young Ok) desperately staves off an avalanche of big-city bad luck, leaving the charismatic but circumspect Tae-hee (Doo-na Bae) to spiritedly hold the group together even while challenging the family that exploits her. Director Jae-eun Jeong's meticulous, deeply moving examination of courage, loss and yearning on the perilous threshold of maturity demonstrates she is "as savvy about young women as she is about cinema." (Chicago Tribune) Doo-na Bae's multiple award winning performance has a rich ring of truth and engages the heart with an assuredly crafted simplicity virtually extinct in youth films. From the title cat that passes from girl to girl to the cell-phone text-messages that appear on screen as the five friends seek to stay connected, TAKE CARE OF MY CAT blossoms into both a sincere, emotionally lucid cinematic vision and a brisk pop-movie treat. (Covertext)
    Note: Korean. mit engl. Untertiteln
    Language: Korean
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  • 8
    Online Resource
    Online Resource
    s.l. : Universidade do Estado do Rio de Janeiro
    UID:
    gbv_1869249593
    Content: Nombreux sont les films ayant pour héros un chien fou. Ils s’apparentent à des sous-genres horrifiques spécifiques comme ceux de l’animal tueur ou encore de l’éco horreur. Le film d’éco horreur est particulièrement populaire en Australie, pays très concerné par les questions écologiques et dont est originaire le dingo. Ce chien sauvage en voie d’extinction a d’ailleurs fait l’objet d’un film de Fred Schepisi, Evil Angels (1998) dont l’histoire est tirée d’un événement réel qui avait alors suscité une réaction viscérale au sein de la population australienne. Après la disparition mystérieuse d’un bėbé que ses parents avaient amené avec eux en camping, la mère fut accusée d’infanticide pour la seule raison qu’elle soutenait avoir vu un dingo enlever son enfant. L’opinion publique refusant de croire que cet animal emblématique de l’espace australien et de sa conquête masculine puisse s’attaquer à un humain, on a préféré diaboliser la femme plutôt que la bête. Le dingo est toutefois devenu une figure de la monstruosité lorsque, preuve à l’appui, on a constaté que cet animal avait bel et bien tué le bébé. Cela a eu pour effet d’entraîner une confusion dans la perception du dingo et de son statut légal. Comme le soulignent James Gorman et Christine Kennealy, “in some parts of Australia dingoes are pests, but in other parts they are protected. Their status can change with shifts in public opinion”.[1] De tels faits nous permettent de constater que le dingo n’est pas seulement un être de chair et de sang, mais aussi une construction culturelle, sociale et imaginaire, dotée d’une part de symbolisme voire d’affabulation, ne serait-ce que parce que l’animal se donne à percevoir dans la relation qu’il a avec l’homme et la civilisation. [1] James Gorman et Christine Kennealy, Australia’s Changing View of the Dingo, New York Times, 6 mars 2012, p. D1.
    In: https://www.e-publicacoes.uerj.br/ojs/index.php/soletras/article/view/19105/15913
    Language: Portuguese
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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