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  • 1
    Online Resource
    Online Resource
    [England] : Teachers TV/UK Department of Education
    UID:
    gbv_1067270469
    Format: 1 Online-Ressource (14 min)
    Edition: Previously released as DVD
    ISBN: 9781503425361
    Series Statement: Education in Video: Volumes I + II
    Content: Manor Primary topped the National Value Added tables in 2005 with 100% of their pupils achieving a level 4 in Maths and Science. But this school doesn't abandon teaching while preparing pupils for the tests. They rigorously apply targets and have a team approach to planning. With this they offer active lessons weaving test papers into practical lessons. These techniques help to prepare their pupils so they are ready to do their best in the test
    Note: Title from resource description page (viewed May 9, 2014) , Zielgruppe - Audience: For Primary School audiences , Previously released as DVD. , This edition in English
    Additional Edition: Available in another form C/1144/001
    Language: English
    Keywords: Film
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 2
    UID:
    gbv_1822217164
    Format: 1 Online-Ressource (1 video file 28 min.) , sound, color
    Uniform Title: Matilde di Shabran Selections
    Content: Watch the making of this beautiful Matilde di Shabran production staged by Mario Martone. It features two incredible soloists: Juan Diego Flórez and Olga Peretyatko. This superb production of the opera Matilde di Shabran features soloists Juan Diego Flórez and Olga Peretyatko and conductor Michele Mariotti at the head of the Orchestra del Teatro Comunale di Bologna. In this making of, director Mario Martone explains his stage work as the artists justify their interpretive choices. Juan Diego Flórez sings Corroding. The Deutschlandradio said about his performance : "perhaps the best Rossini tenor of our time." The New York Times said that Matilde is "gorgeously sung by Olga Peretyatko." Mario Martone's production gives pride of place to two imposing spiral staircases that not only allow grand entrances and exits, but also occasional displays of athleticism! Working with Rossini's music is one of the best experiences that a director can have and I think that for an orchestra director, a singer, and for the public, it's also an extraodinary experience. Indeed, Rossini's music gives a unique experience of creativity, of vitality, and I'd like to add some sensuality too. This is an opera in which the orchestra plays a dominant role and it's not subordinate to the singing
    Note: Italian dialogue; sung in Italian; English subtitles
    Language: Italian
    Keywords: Webcast
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  • 3
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    UID:
    b3kat_BV046996631
    Format: 1 Online-Ressource (XXII, 225 Seiten) , Illustrationen
    Edition: 1st edition
    ISBN: 9783030493165
    Series Statement: The Palgrave Macmillan Animal Ethics Series
    Content: This book critically examines how Walt Disney Animation Studios has depicted - and sometimes failed to depict - different forms of harming and objectifying non-human animals in their films. Each chapter addresses a different form of animal harm and objectification through the theories of speciesism, romanticism, and the 'collapse of compassion' effect, from farming, hunting and fishing, to clothing, work, and entertainment. Stanton lucidly presents the dichotomy between depictions of higher order, anthropomorphised and neotonised animal characters and that of lower-order species, showing furthermore how these depictions are closely linked to changing social attitudes about acceptable forms of animal harm. An engaging and novel contribution to the field of Critical Animal Studies, this book explores the use of animals not only in Disney's best known animated films such as 101 Dalmatians, but also lesser known features including Home on the Range and Fun and Fancy Free. A quantitative appendix supplying data on how often each animal species appears and the amount of times animal harm or objectification is depicted in over fifty films provides an invaluable resource and addition to scholars working in both Disney and animal studies
    Note: 1. WDAS' Portrayal of Food Farming- 2. Hunting and Fishing in WDAS films -- 3. Clothing and Other Objects Made from Animals -- 4. Pets and Working Animals in WDAS Films -- 5. Animal "Entertainers" in WDAS Films
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783030493158
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783030493172
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783030493189
    Language: English
    Subjects: General works
    RVK:
    Keywords: Walt Disney Animation Studios ; Film ; Tiere ; Zeichentrickfilm
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    Online Resource
    Online Resource
    [Place of publication not identified] : [publisher not identified]
    UID:
    gbv_1822222265
    Format: 1 Online-Ressource (1 video file 26 min.) , sound, color
    Uniform Title: Marco Polo Selections
    Content: Marco Polo is the first full-length opera composed by Tan Dun. With this creation, he won the coveted Grawemeyer Award in 1998. In this documentary, we can enjoy interviews of all the creative team and the principal singers, at the occasion of the live recording of the performance at Het Muziektheater, Amsterdam, in November 2008. When questioned about his choice of subject, Tan Dun replied: "It's a ripe subject for the times and global culture. My personal experience as a traveler from East to West is similar to Polo's from West to East. I thought the best thing was to draw on my own experience, on my feelings about culture and about the idea of journey. Marco Polo is a symbol of journey, of travel from past to the future, from external space to internal space, from one medium to another. All crossover journeys excite me, and Polo is a great excuse to explore them."
    Note: In English, French and Chinese
    Language: English
    Keywords: Webcast
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  • 5
    UID:
    gbv_1822219221
    Format: 1 Online-Ressource (1 video file 57 min.) , sound, color
    Uniform Title: Variationen mit einer Fuge piano op. 35 E♭ major
    Content: The Russian pianist and pedagogue Boris Berman dedicates a masterclass to Beethoven's Eroica Variations and their famous theme. Boris Berman is known in more than fifty countries as one of the best piano teachers of our time. Before appearing with the Major orchestras, he was a student of Lev Oborin, an eminent professor at the Moscow Conservatory who trained many high-classed pianists such as Vladimir Ashkenazy. Then, Berman made himself known as a soloist and recitalist travelling the Soviet Union and working with renowned contemporary composers. He gave the first Russian performances of Schönberg's, Stockhausen's, Berio's or Ligeti's works. Since 1979, he has lived in the United States where he has taught at Brandeis, Boston or Indiana University, but also at the Yale School of Music where he is currently posted. Indeed, Berman is more than qualified to hold that masterclass dedicated to a famous work, Beethoven's Eroica Variations. This cycle of 15 variations and a fugue is gone back to 1802, when the 32 years old composer is fighting against his increasing deafness. It is during these difficult times that he managed to exorcise his doubts and fears by composing his Variations and Fugue for Piano in E Major, Op. 35. The dancing theme we find is this work, which already existed in his ballet The Creatures of Prometheus, is once again present the next year in the final theme of his third symphony called "Eroica". The Variations are commonly known as new Eroica Variations. Also, given the blackness in which Beethoven was leaving during this period, it is surprising to see how this work is full of rare humour and joy. The Masterclass Media Foundation archives offer to students and music lovers around the world filmed masterclasses, given by the best talents, on the greatest works of the classical repertoire. Their primary purpose is to provide a valuable educational resource in order to perpetuate passion and knowledge from one generation to another
    Note: Commentary in English
    Language: English
    Keywords: Webcast
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  • 6
    UID:
    gbv_182222330X
    Format: 1 Online-Ressource (1 video file 2 hr., 3 min., 25 sec.) , sound, color
    Uniform Title: Sonatas viola, piano op. 147
    Content: The virtuosity and strong personality of Yuri Bashmet irradiate this masterclass dedicated to a work that suits him perfectly, since it was composed by his eminent countryman Dmitri Shostakovich. Yuri Bashmet is the absolute reference for viola. By giving a new life to this instrument often used to play chamber music, the musician inspired a whole generation of composers from Gubaidulina to Schnittke. The Times describes the violist as "without doubt, one of the world's greatest living musicians," since he closely worked with icons such as Rostropovich or Richter. Currently director of the December Nights Festival in Moscow, chief conductor of the Youth Symphony Orchestra of Russia, he is also director of the Moscow Soloists, an ensemble he created in 1992. Completed in July 1975, a few weeks before the composer's death, Shostakovich's Sonata for viola and piano in C Major, Op.147 has the paculiuarity of being composed by three movements, two of which are slow and structure a more dancing, almost folkloric, central movement. The viola's range gives to the whole piece a strongly expressive character. In order to compose this work, the master took inspiration not only in his native Russia's folklore, but also in many other composers, since the Sonata's last movement reveals borrowings from Beethoven, Berg, Rachmaninoff or Wagner's famous works. The Masterclass Media Foundation Archives offer to students and music lovers around the world filmed masterclasses, given by the best talents, on the greatest works of the classical repertoire. Their primary purpose is to provide a valuable educational resource in order to perpetuate passion and knowledge from one generation to another
    Note: Commentary in English
    Language: English
    Keywords: Webcast
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  • 7
    UID:
    gbv_1822226627
    Format: 1 Online-Ressource (1 video file 54 min.) , sound, color
    Uniform Title: Trios piano, violin, cello no. 2, op. 87 C major
    Content: Brahms served by the best, the famous Istomin-Stern-Rose Trio Founded in the sixties thanks to the initiative of Pablo Casals, the Istomin-Stern-Rose Trio (piano, violin and cello) is composed of soloists who have each conducted brilliant careers. During a quarter of a century, they have put their talent at the service of one of the finest repertoires, that of the trio which includes nuggets such as Brahms's Second and Third Trios. All three Americans, Isaac Stern, Eugen Istomin and Leonard Rose, have left in the minds of those who have heard them perform unforgettable memories. Following the example of famous predecessors such as the Cortot-Thibaud-Casals or Rubinstein-Heifetz-Piatigorsky trios, they too have become legendary. Over the years, whenever they met again, even after a long absence, their complicity was such that they only needed a few measures for that small spark that united them to come alive. "We laughed a lot, recalls Istomin, we also bickered and even severely quarrelled two or three times, but the unity of our musical ideal never wavered." The First Trio Op. 8€(which features in the first film dedicated to our three musketeers) was written by a young Brahms aged twenty-one, whereas the€Second and Third Trios, € which we hear recorded here in 1974 by French television, were composed thirty years later. As soon as we hear Stern, Istomin and Rose in these absolute masterpieces, we are immediately struck by their ability to attain such a degree of intimate and natural communication. "One for all and all for one," the motto of the three musketeers applies to their playing, which solves the most complicated of all equations: how to be entirely oneself while blending into a single entity
    Language: Undetermined
    Keywords: Webcast
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  • 8
    Online Resource
    Online Resource
    [London] : Teachers TV/UK Department of Education
    UID:
    gbv_1067280820
    Format: 1 Online-Ressource (80 min)
    Edition: Previously released as DVD
    Series Statement: Great lesson ideas 1-5
    Content: At Eleanor Palmer School in north London, headteacher Kate Frood and her enthusiastic staff have created some absorbing activities to engage their primary pupils with maths, and share three of their best ideas - good solid maths learning cleverly interwoven with some traditional fun and games.Year 5 create factor bugs to help them understand factors, prime and square numbers. Year 3 discover that by writing down different times tables, underlining the last digits and joining them up around a circle results in some very interesting patterns. They also see a relationship between the different times tables. Year 5 use a counting stick to help them improve their multiplication skills. It's a simple but effective tool which helps embed numerical understanding
    Content: At Eleanor Palmer School in north London, headteacher Kate Frood and her enthusiastic staff use maths games to engage and invigorate their primary pupils, and share three of their best ideas - good solid maths learning cleverly interwoven with some traditional fun and games.A Year 3 class plays Four Rolls to a Hundred where in two teams they have to roll a die, then choose whether or not to multiply the roll by ten to get them as close to 100 as they can. Code Breaking challenges Year 6 to try to establish the value of the word TABLE having been given the numeric value of just some of the letters. Can they do it? Year 1 practise their counting on skills in a simple but fun dice game they call Bird Race . Each roll moves them up the board towards the finish
    Content: Teachers at Cuffley School share three of their best maths ideas about measures.Year 2 are working in pairs - they estimate the volume of water contained in a variety of different sized bottles. In the playground they draw a chalk circle and estimate between them how much water will fill the circle. When they pour the water out into the circle they make some exciting discoveries. At The Wroxham School Year 4 are making muffins. They use scales to measure accurately according to the recipe. If they don t, the muffins may not taste so good. The judging panel includes the headteacher. Whose muffins will be judged best - and why? Back at Cuffley School Year 3's teacher has turned herself into a witch! She asks the excited class to measure different volumes of coloured potions accurately to make up a litre of their very own magic potion. At the end of the lesson all the potions are poured into the witch's cauldron and the children are turned into newts
    Content: Teachers at Cuffley School share three of their best lesson ideas about data handling.Year 3 turn data about their favourite school meals into a human bar graph. At The Wroxham School, Year 4 are doing Olympic Maths. They have to measure and record long jumps, high jumps and target practice using a beanbag. They photograph and video their results then turn their data into Venn diagrams and graphs for analysis, and find their Olympic Maths Champions! Year 3 are collecting data about time. They have a Tardis in their classroom. The children go inside to estimate when thirty seconds has elapsed. Other activities include: counting how many times you can write your name and how many times you can jump on the spot in 30 seconds. At the end of the lesson the data is turned into a graph on the interactive whiteboard
    Content: Teachers at Cuffley School share three of their best maths ideas about shape and space.Years 2 and 3 explore the characteristics of different shapes using elastic. Firstly they use elastic bands on their fingers. Then with long pieces of elastic they make large shapes in the classroom using their bodies. At The Wroxham School Year 1 go on a shape hunt. This school has a Jeep on the school field and a motorbike and sidecar in the library! The children are enthused by finding mathematical shapes in the real world. Back at Cuffley School Year 3 are turning 2D in to 3D shapes. Using drinking straws and modelling dough they have to construct 3D shapes from 2D diagrams, drawing on their geometrical knowledge. In the plenary the children play a game where they have to listen to the properties of a shape being described, then guess what 3D shape it is.All the activities in this programme show aspects of geometry, shape and space using creative and absorbing ideas
    Note: Title from resource description page (viewed Mar. 5, 2012) , Previously released as DVD. , This edition in English
    Additional Edition: Available in another form C/3555/001-C/3555/005
    Language: English
    Keywords: Film
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 9
    Online Resource
    Online Resource
    [London] : Teachers TV/UK Department of Education
    UID:
    gbv_1067276033
    Format: 1 Online-Ressource (14 min)
    Edition: Alexandria, VA Alexander Street Press 2012 VAST: Academic Video Online Previously released as DVD
    Edition: Electronic reproduction; Available via World Wide Web
    Series Statement: Reading aloud with Michael Rosen 3
    Content: Reading Aloud features books that inspire teachers and their pupils, presented by author, poet and broadcaster Michael Rosen.Three books are presented to stimulate both teachers and pupils, including the award-winning picture book Baby Brains. Also in this programme, author Simon James discusses how his caricature of a clever kid came to life in a Worcester classroom. The Reading Aloud panel discuss the best selling poetry anthology Staying Alive , compiled by Neil Astley.Michael Rosen investigates whether the people of Birmingham turn to poetry at times of stress
    Note: Title from resource description page (viewed Mar. 5, 2012) , Electronic reproduction; Available via World Wide Web , Previously released as DVD. , This edition in English
    Additional Edition: Available in another form C/0745/003
    Language: English
    Keywords: Film
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 10
    UID:
    gbv_1822218659
    Format: 1 Online-Ressource (1 video file 1 hr., 11 min.) , sound, color
    Uniform Title: Winterreise
    Content: Christoph Prégardien is a specialist of Schubert's Lieder and performed several recordings of Winterreise (Winter Journey), in piano and orchestral versions. Here he is now at the Verbier Festival, accompanied by the German pianist Menahem Pressler. "As a stranger I arrived/as a stranger I shall leave"Wilhelm Müller The pianist who was described as a "poet" by the New York Times is the best accompanist that could be for these verses by Wilhelm Müller. The German poet depicts Romantics torments and spleen at the beginning of the XIXth century, in the same style as a Musset. The winter symbolizes here death that would hit Schubert at the age of 30, only one year after the release of this Lieder cycle. This concert, recorded on the 31st of July in Verbier, was broadcast on medici.tv on August 1, 2012
    Note: Sung in German
    Language: German
    Keywords: Webcast
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