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  • 1
    Online Resource
    Online Resource
    New York : Bloomsbury Academic
    UID:
    b3kat_BV044939752
    Format: 1 Online-Ressource (x, 310 Seiten)
    ISBN: 978-1-5013-1505-3 , 978-1-5013-1504-6 , 978-1-5013-1503-9
    Series Statement: New directions in German studies Vol. 17
    Content: "Figures of Natality reads metaphors and narratives of birth in the age of Goethe (1770-1832) as indicators of the new, the unexpected, and the revolutionary. Using Hannah Arendt's concept of natality, Joseph O'Neil argues that Goethe, Schiller, and Kleist see birth as challenging paradigms of Romanticism as well as of Enlightenment, resisting the assimilation of the political to economics, science, or morality. They choose instead to preserve the conflicts and tensions at the heart of social, political, and poetic revolutions. In a historical reading, these tensions evolve from the idea of revolution as Arendt reads it in British North America to the social and economic questions that shape the French Revolution and from there to the question of the German nation. Alongside this geopolitical evolution, the ways of representing the political change, too, moving from the new as revolutionary eruption to economic metaphors of birth. More pressing still is the question of revolutionary subjectivity and political agency, and Goethe, Kleist, and Schiller have an answer that is remarkably close to that of Walter Benjamin, as that "secret index" through which each past age is "pointed toward redemption." Figures of Natality uncovers this index at the heart of scenes and products of birth in the age of Goethe."--
    Content: "Examines the work of Goethe, Kleist, and Schiller in the light of Hannah Arendt's concept of natality"--
    Note: Includes bibliographical references and index , Machine generated contents note: Chapter 1: Lyric Births: Poetic Revolution and Maieutic Technique -- Chapter 2: Genre, Generation, and the Retreat of the Political -- Chapter 3: Ghostly Births: The Specter of Romanticism and the Maieutics of the Medium -- Chapter 4: "Not as in a mirror": Wilhelm Meister and the Haunting of Sovereignty -- Chapter 5: Kleist's Machiavellian Mothers: Institution, Relation, Distribution -- Conclusion: Split Summits and Bifurcated Maieutics: The Political Difference and the Future of Democracy
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 9781501315022
    Language: English
    Subjects: German Studies
    RVK:
    Keywords: Deutschland ; Literatur ; Geburt ; Geschichte 1800-1900 ; Electronic books
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: O'Neil, Joseph D.
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  • 2
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Cornell University Press
    UID:
    gbv_1832261069
    Format: 1 Online-Ressource (232 p.)
    ISBN: 9781501701054
    Content: In Lyric Orientations, Hannah Vandegrift Eldridge explores the power of lyric poetry to stir the social and emotional lives of human beings in the face of the ineffable nature of our mortality. She focuses on two German-speaking masters of lyric prose and poetry: Friedrich Hölderlin (1770-1843) and Rainer Maria Rilke (1875-1926). While Hölderlin and Rilke are stylistically very different, each believes in the power of poetic language to orient us as social beings in contexts that otherwise can be alienating. They likewise share the conviction that such alienation cannot be overcome once and for all in any universal event. Both argue that to deny the uncertainty created by the absence of any such event (or to deny the alienation itself) is likewise to deny the particularly human condition of uncertainty and mortality.By drawing on the work of Stanley Cavell, who explores how language in all its formal aspects actually enables us to engage meaningfully with the world, Eldridge challenges poststructuralist scholarship, which stresses the limitations-even the failure-of language in the face of reality. Eldridge provides detailed readings of Hölderlin and Rilke and positions them in a broader narrative of modernity that helps make sense of their difficult and occasionally contradictory self-characterizations. Her account of the orienting and engaging capabilities of language reconciles the extraordinarily ambitious claims that Hölderlin and Rilke make for poetry-that it can create political communities, that it can change how humans relate to death, and that it can unite the sensual and intellectual components of human subjectivity-and the often difficult, fragmented, or hermetic nature of their individual poems.In Lyric Orientations, Hannah Vandegrift Eldridge explores the power of lyric poetry to stir the social and emotional lives of human beings in the face of the ineffable nature of our mortality. She focuses on two German-speaking masters of lyric prose and poetry: Friedrich Hölderlin (1770-1843) and Rainer Maria Rilke (1875-1926). While Hölderlin and Rilke are stylistically very different, each believes in the power of poetic language to orient us as social beings in contexts that otherwise can be alienating. They likewise share the conviction that such alienation cannot be overcome once and for all in any universal event. Both argue that to deny the uncertainty created by the absence of any such event (or to deny the alienation itself) is likewise to deny the particularly human condition of uncertainty and mortality.By drawing on the work of Stanley Cavell, who explores how language in all its formal aspects actually enables us to engage meaningfully with the world, Eldridge challenges poststructuralist scholarship, which stresses the limitations-even the failure-of language in the face of reality. Eldridge provides detailed readings of Hölderlin and Rilke and positions them in a broader narrative of modernity that helps make sense of their difficult and occasionally contradictory self-characterizations. Her account of the orienting and engaging capabilities of language reconciles the extraordinarily ambitious claims that Hölderlin and Rilke make for poetry-that it can create political communities, that it can change how humans relate to death, and that it can unite the sensual and intellectual components of human subjectivity-and the often difficult, fragmented, or hermetic nature of their individual poems
    Note: English
    Language: Undetermined
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  • 3
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press
    UID:
    gbv_1778830722
    Format: 1 Online-Ressource (184 p.)
    ISBN: 9781469657240
    Series Statement: UNC Studies in the Germanic Languages and Literatures
    Content: The poetry of Wilhelm Müller, to whom Heine expressed indebtedness for his renewal of the forms of the German "Volkslied", had rarely been discussed in depth prior to this volume originally published in 1970. Cottrell's study is an interpretation of Müller's three most successful song-cycles: "Die schöne Müllerin", "Die Winterreise", and "Frühlingskranz". The first two, interpreted in chapters one and two, are famed through Schubert's musical settings. Chapter three offers an interpretation of the "Frühlingskranz". A last chapter considers Müller's poetic imagination. Full texts of the poems discussed are included in the Appendix and are indexed by titles and first lines
    Note: English
    Language: English
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  • 4
    UID:
    gbv_1806498553
    Format: 1 Online-Ressource
    ISBN: 9789004485792 , 9789042012073
    Series Statement: Brill Book Archive Part 1, ISBN: 9789004472495 147
    Content: This study of contemporary German poetry represents the first attempt to examine comprehensively and at some length the lyric response to the unification period. It sets out to investigate, by means of close textual analysis, whether the German 'Wende' was also a turning-point for poetry, exploring how GDR poets responded both to the revolutionary events of 1989 and subsequently to the new, united Germany. An introductory chapter considers what is distinct about poetry as a genre, especially under censorship or amid historic change, as well as outlining the post-unification 'Literaturstreit'. The following chapter offers a survey of the poet's role in the GDR from 1949 until 1989. Two central chapters then gather the poetry of the 'Wende' and unification as a corpus of work and characterize it, through the elucidation of recurring themes, motifs and techniques. The volume strikes a balance between giving a general overview of poetry written in 1989-1996 and focusing on individual poets whose work is particularly compelling. After identifying broad trends across a wide range of individual poems, collections and anthologies, single chapters therefore examine in greater depth the work of Volker Braun and Durs Grünbein. The concluding chapter addresses the issue of a separate GDR literature. Finally, an extensive, structured bibliography is provided, covering the poetry, literary criticism and cultural history of the period
    Note: Includes bibliographical references and index , Acknowledgements -- Abbreviations -- 1: Introduction -- 2: The Poet's Role in the GDR 1949-1989 -- 3: History and Poetry: 'Wende-Zeitgedichte' -- 4: 'Die Stimmen der Verlierer': Post-Unification Poetry by ex-GDR Poets -- 5: The End of a Role: Volker Braun's Post-'Wende' Poetry -- 6: The Beginning of a Role: Durs Grünbein's Post-'Wende' Poetry -- 7: Conclusion -- Bibliography -- Index of Names -- Index of Subjects.
    Additional Edition: Erscheint auch als Druck-Ausgabe The Poet's Role : Lyric Responses to German Unification by Poets from the GDR Leiden : BRILL, 2001 ISBN 9789042012073
    Language: English
    URL: DOI
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  • 5
    UID:
    gbv_1778494412
    Format: 1 Online-Ressource (381 p.)
    ISBN: 9783110520521
    Series Statement: Lyrikologie
    Content: In the German speaking world, questions concerning the voice or speaker of lyrical poems are often oversimplified through recourse to the disputed concept of “the lyrical I.” This volume addresses questions surrounding the expressive agent in lyric poems and thus contributes to the controversial debate about adequate forms for conceptualizing lyric poetry at the intersection between philological traditions and practices specific to lyric poetry
    Note: German
    Language: German
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  • 6
    UID:
    gbv_1832289427
    Format: 1 Online-Ressource (381 p.)
    ISBN: 9783110520521 , 9783110496406
    Series Statement: Lyrikologie Band 1
    Content: In the German speaking world, questions concerning the voice or speaker of lyrical poems are often oversimplified through recourse to the disputed concept of "the lyrical I." This volume addresses questions surrounding the expressive agent in lyric poems and thus contributes to the controversial debate about adequate forms for conceptualizing lyric poetry at the intersection between philological traditions and practices specific to lyric poetry
    Note: German
    Language: Undetermined
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  • 7
    Online Resource
    Online Resource
    [Cambridge] : ProQuest Information and Learning Co.
    UID:
    gbv_352159685
    Format: Online-Ressource
    Edition: [Elektronische Ressource]
    Edition: German literature collections
    Content: Collection of German lyric poetry. Covers works from the 15th to the 20th centuries, and includes material from all volumes published within Reclams Universalbibliothek since 1945
    Additional Edition: CD-ROM-Ausg. Die deutsche Lyrik in Reclams Universal-Bibliothek Cambridge [u.a.] : Chadwyck-Healey [u.a.], 2000 ISBN 0859644049
    Additional Edition: ISBN 0859643964
    Language: German
    Subjects: German Studies
    RVK:
    Keywords: Deutsch ; Lyrik ; Geschichte ; Datenbank ; Anthologie ; Quelle
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  • 8
    UID:
    gbv_165219553X
    Format: Online-Ressource (IX, 389 S.)
    ISBN: 9783110259469 , 9783110275148
    Series Statement: Beihefte zur Zeitschrift für romanische Philologie 370
    Content: This study is a significant addition to our understanding of the structures of lyric poetry in the Middle Ages. The book discusses the Tagelied and the until recently often overlooked Romanian dream poem, focusing on erotic variants and their poetic treatment. This anthology of Romance alba and somni poetry also includes the verse of troubadours and trouvères, Galician-Portuguese cantigas, Middle Latin selections, and texts from the scuola siciliana. Original German translations provide a basis for comparative analysis. Grazyna Maria Bosy, Universität Bonn.
    Note: Zsfassung in franz. Sprache S. 274 - 282. - Enth. Textbeispiele in Mittellat., Altokzitan., Altfranz., Galego-Portug. und Altitalien , Teilw. zugl.: Bonn, Univ. und Paris, Univ. Sobonne-Paris IV, Diss., 2010 u.d.T.: Bosy, Grażyna Maria: Reflexionen zur mittelalterlichen Ästhetik der variatio: romanische alba- und somni-Dichtungen , 1. Alba und somni: Poetisches Spiel zwischen Imitation und Variation; 2. Forschungsstand und Methode; 2.1. Wege der Forschung; 2.1.1. Das trobadoreske Gattungssystem: Untersuchungen von Diez bis Paden; 2.1.2. Der somni oder das Dilemma der Forschungsdiskussion; 2.1.3. Bilanz nach fast 200 Jahren alba-Forschung; 2.2. Methodische Überlegungen; 2.2.1. Originalität durch Variation; 2.2.2. Gattung als thematische Einheit; 2.2.3. Die Korpusbildung: Zwischen Induktion und Deduktion; 3. Das polyphone Spiel der Möglichkeiten: Alba- und somni-Motivik; 3.1. Zu den Motivausprägungen der alba , 3.1.1. Joc novel mi tol l'alba3.1.2. Liebesbegegnung und Liebeserwachen im Zeichen der alba; 3.1.3. Alva dos alvores: Profane und religiöse Lichtmetaphorik; 3.2. Somni als Motiv; 3.2.1. Die Erfüllung des joi im songe érotique; 3.2.2. Das Erwachen: Der Liebestraum ex negativo; 3.2.3. Tota noih me vir' e-m lansa: Liebeskrankheit und Liebeswahn; 3.2.4. Consirar - remirar - trobar; 4. Externe Klassifikations- und Deutungsmuster für alba und somni: Zwei exemplarische Studien; 4.1. Mittelalterliches Gattungsbewusstsein? Interne und externe Gattungszuweisungen; 4.1.1. Zuweisungen der Trobadors , 4.1.2. Handschriftenrubriken, Überschriften, vidas und razos4.1.3. Poetologische Metatexte; 4.2. Exkurs: Auf der Suche nach mittelalterlichen Traumdiskursen; 4.2.1. Unde veniunt somnia? Traumtypologien und Traumtheorien im Mittelalter; 4.2.2. Zur Bedeutung der Somnialia-Danielis-Tradition; 4.2.3. Der Traum im Medium illuminierter Handschriften; 5. Romanische alba- und somni-Dichtung: Typologie und Deutung; 5.1. Romanische Tagelieder; 5.1.1. Variationen der erotischen alba; 5.1.1.1. Entre moi et mon amin: Abschiedsklagen der Liebenden , 5.1.1.2. Dynamisierung und Perspektivierung der Klage im höfischen Kontext5.1.1.3. Die Poetik der erotischen alba: Die joi-dol-Erfahrung; 5.1.2. Intertextuelle Spiele; 5.1.2.1. Gattungszitat und thematische Variation; 5.1.2.2. Cossirs: Die einsamen Klagen; 5.2. Romanische Traumlieder; 5.2.1. Somnia: Allegorische Traumbilder; 5.2.2. Disputatio in somnio; 5.2.3. Liebesträume und erotische Phantasien: Subform des insomnium; 5.2.4. Die Bilder der imaginatio und das visum; 6. Analogien und Interferenzen: Bemerkungen zur inhärenten Poetik der erotischen alba- und somni-Dichtung , 7. Zusammenfassung der Ergebnisse7.1. Ergebnisse und Desiderata; 7.2. Résultats et desiderata; 8. Anthologie ausgewählter Tage- und Traumlieder; 8.1. Profane alba-Dichtung; a) mittellateinisch; b) altokzitanisch; c) altfranzösisch; d) galego-portugiesisch; e) altitalienisch; 8.2. Die Formen des somni; a) mittellateinisch; b) altokzitanisch; c) altfranzösisch; d) galego-portugiesisch; e) altitalienisch; 9. Abbildungen; 10. Bibliographie; 11. Index nominum et rerum
    Additional Edition: ISBN 9783110259469
    Additional Edition: Druckausg. Bosy, Grażyna Maria, 1979 - Romanische alba- und somni-Dichtungen Berlin [u.a.] : de Gruyter, 2012 ISBN 9783110259469
    Language: German
    Subjects: Romance Studies
    RVK:
    RVK:
    RVK:
    Keywords: Romanische Sprachen ; Lyrik ; Morgenrot ; Traum ; Geschichte 1100-1400 ; Electronic books ; Hochschulschrift
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    Author information: Bosy, Grażyna Maria 1979-
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  • 9
    UID:
    gbv_1794545786
    Format: 1 Online-Ressource (828 p.)
    ISBN: 9783947732616
    Content: In the period around 1600, the Swiss humanist and lawyer Melchior Goldast von Haiminsfeld (1576/78–1635) focuses his scholarly work on the literature of the Middle Ages. His attention is particularly drawn to the most important medieval lyric manuscript in German, the Codex Manesse. Goldast makes extensive notes on the manuscript, quotes from it and edits parts of it, thus making it known to a wider public for the first time. Rather than an enthusiasm for the poetry of the Middle Ages, however, it is above all his interest in the politics of the day that motivates the Calvinist Goldast
    Content: In der Zeit um 1600 setzt sich der Schweizer Humanist und Jurist Melchior Goldast von Haiminsfeld (1576/78–1635) intensiv mit der Literatur des Mittelalters auseinander. Seine besondere Aufmerksamkeit findet die bedeutendste mittelalterliche Lyrikhandschrift in deutscher Sprache, der ›Codex Manesse‹. Goldast fertigt umfangreiche Notizen zu der Handschrift an, zitiert und ediert sie in Teilen in seinen gedruckten Werken und macht sie so erstmals einer größeren Öffentlichkeit bekannt. Mehr als die Begeisterung für die Lyrik des Mittelalters sind es aber vor allen Dingen tagespolitische Wirkinteressen, die den Calvinisten Goldast bei seiner Arbeit antreiben
    Note: German
    Language: German
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  • 10
    Online Resource
    Online Resource
    Bern : Peter Lang International Academic Publishing Group
    UID:
    gbv_1778793169
    Format: 1 Online-Ressource (221 p.)
    ISBN: 9783954794416
    Series Statement: Arbeiten und Texte zur Slavistik
    Content: The first monograph on the Russian lyric poet Dimitrij Klenovskij (1892-1976) is presented here. He is one of the few who remained in Germany after fleeing from the Soviet Union in World War II until his death. Important Russian poets such as Anna Achmatova and Ivan Bunin counted him among the best Russian poets, Gleb Struve and Johannes von Gunther paid him a high esteem as a literary scholar, but in the Slavic literature he was hardly noticed as an emigrant. His poetry is in many ways in search of the "mystery of being" and, through its main themes examined here - his life with death and with the spiritual helpers, the angels - penetrate into depths that are essential for the recognition of man's existence beitragen.dern
    Content: Hier wird die erste Monographie über den russischen Lyriker Dimitrij Klenovskij (1892-1976) vorgelegt. Er ist einer der wenigen, die nach der Flucht aus der Sowjetunion im Zweiten Weltkrieg bis zum Tode in Deutschland blieben. Bedeutende russische Dichter wie Anna Achmatova und Ivan Bunin zählten ihn zu den besten russischen Lyrikern, hohe Anerkennung zollten ihm Gleb Struve und Johannes von Günther als Literaturwissenschaftler, doch in der Slavistik fand er als Emigrant kaum Beachtung. Seine Lyrik ist in vielfältiger Weise auf der Suche nach dem "Geheimnis des Seins" und kann über ihre hier untersuchten Hauptmotive - sein Leben mit dem Tod und mit den geistigen Helfern, den Engeln - in Tiefen dringen, die wesentlich zum Erkennen des Daseins des Menschen beitragen
    Note: Russian , German
    Language: Russian
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