Kooperativer Bibliotheksverbund

UID:

Format: 1 Online-Ressource (XXII, 314 Seiten)

Edition: 1. Auflage

ISBN: 9783110668926 , 9783110668995

Series Statement: Perspectives on Jewish texts and contexts 15

Content: Frontmatter -- Open Access Transformation in Jewish Studies -- Contents -- Introduction: Levinas and Literature, a Marvellous Hypocrisy -- The Anarchy of Literature -- Part I: Eros -- Eros, Emmanuel Levinas’s Novel? -- Eros, Once Again: Danielle Cohen-Levinas in Conversation with Jean-Luc Nancy -- The Debacle or The Real Under Reduction: The “Scene of Alençon” -- From Eros to the Question of the Death of God -- Part II: Biblical Texts -- Languages of the Universal. Levinas’ (scandalous) Doctrine of Literature -- The Genesis of Totality and Infinity: The Secret Drama -- Literature as a Burning Bush -- Part III: Poetry -- Levinas and the Poetic Word: Writing with Baudelaire? -- “Lès-Poésie?”: Levinas Reads La folie du jour -- Poetic Language and Prophetic Language in Levinas’s Works -- The Poem, the Place, the Jew: Emmanuel Levinas on Paul Celan -- Part IV: Novel Writers -- The Literary Instant and the Condition of Being Hostage: Levinas, Proust, and the Corporeal Meaning of Time -- Ideology, Literature, and Philosophy: Levinas as a Reader of Léon Bloy -- Goodness without Witnesses: Vasily Grossman and Emmanuel Levinas -- Reading Fiction with Levinas: Ian McEwan’s novel Atonement -- Part V: Literary Theory -- Emmanuel Levinas: Metaphor without Metaphysics -- Apparition: Aesthetics of Disproportion in Levinas and Adorno

Content: The posthumous publication of Emmanuel Levinas’s wartime diaries, postwar lectures, and drafts for two novels afford new approaches to understanding the relationship between literature, philosophy, and religion. This volume gathers an international list of experts to examine new questions raised by Levinas’s deep and creative experiment in thinking at the intersection of literature, philosophy, and religion. Chapters address the role and significance of poetry, narrative, and metaphor in accessing the ethical sense of ordinary life; Levinas's critical engagement with authors such as Leon Bloy, Paul Celan, Vassily Grossman, Marcel Proust, and Maurice Blanchot; analyses of Levinas’s draft novels Eros ou Triple opulence and La Dame de chez Wepler; and the application of Levinas's thought in reading contemporary authors such as Ian McEwen and Cormac McCarthy. Contributors include Danielle Cohen-Levinas, Kevin Hart, Eric Hoppenot, Vivian Liska, Jean-Luc Nancy and François-David Sebbah, among others

Additional Edition: ISBN 9783110629668

Additional Edition: ISBN 3110629666

Additional Edition: Erscheint auch als Druck-Ausgabe Levinas and literature Berlin : De Gruyter, 2021 ISBN 9783110629668

Additional Edition: ISBN 3110629666

Language: English

Keywords: Lévinas, Emmanuel 1906-1995 ; Literatur ; Philosophie ; Aufsatzsammlung ; Hochschulschrift ; Electronic books.

DOI: 10.1515/9783110668926

URL: Open Access

URL: Open Access

URL: Cover

URL: Cover  (lizenzpflichtig)

URL: https://doi.org/10.1515/9783110668926

URL: Open Access

URL: Cover

URL: Click here to view book

Author information: Fagenblat, Michael

Author information: Cools, Arthur 1967-

UID:

Format: 1 Online-Ressource (176 pages)

Edition: 1st ed

ISBN: 9781350386884

Series Statement: Explorations in Philosophy and Theology

Content: In the first English language translation of this classic late 20th-century text within French Catholic thought, Poetics of the Sensible brings together insights from Neoplatonism and phenomenology with a distinctive and innovative approach. Taking a stance within the generative conception of human language represented by continental thinkers such as Humboldt and Herder and powerfully articulated today by Charles Taylor, Stanislas Breton expands the sense of the "poetic"-the constructive meaning-bearing capacity that is a core characteristic of humanity-to include the body and its senses phenomenologically intertwined with the world. Defying Heidegger's prohibition on the question of God alongside contemporary thinkers such as Jean-Luc Marion, Jean-Louis Chrétien and Emmanuel Falque, he boldly writes of God, of the angel, of the icon, and of prayer in a refusal to bracket his religious faith. Against a Neoplatonic backdrop, Breton promotes the dense material dimensions of embodied signification as paradoxically harbouring meaning that is greater than that of conceptual abstraction alone. Illuminating Breton's poetic and allusive discourse, Poetics of the Sensible showcases his unique voice in French philosophy, phenomenology and the philosophy of religion and is essential reading for scholars and students alike

Note: Includes bibliographical references and index , Preface by Jean Greisch Translator's Note Introduction 1. Sensible, Sense, Sensibility 2. The Meta Function 3. Mask and Metastasis 4. The Angel's Wing: The Feast of the Ascension and of Metaphor 5. The Metamorphoses of Fire 6. Tastes, Fragrances, Colors 7. The Abode 8. Figure, Image, Icon Notes Bibliography Index

Additional Edition: ISBN 9781350386853

Additional Edition: ISBN 9781350386860

Additional Edition: ISBN 9781350386877

Additional Edition: ISBN 9781350387058

Language: English

DOI: 10.5040/9781350386884

URL: lizenzpflichtig

UID:

Format: 1 Online-Ressource

ISBN: 9789004457621 , 9789042003996

Series Statement: Poznań Studies in the Philosophy of the Sciences and the Humanities 62

Content: The book covers almost the whole range of semiotics: the conceptions of meaning, the appearance of meaning units in semiosis, the dichotomy analyticity/syntheticity, the formal condition of good translation, the metaphorical change in fine arts, the figurativeness in modern literary theories, the metaphor in computer translation, the conditionals with egocentric predicates, the evolution of the notion of cause, the temporal relation in conditionals, the structure of passive voice, the semantics of to think, the reasoning and rationality, the non-formalized reasoning, the operation of acceptance, the principle of non-contradiction, the relation semiotics/logic/philosophy, the interdisciplinarity and exactness, the notion of imprecision, the interpretation of some semiotic notions (i.a. semantic field of terms) in terms of mathematics, the description of categorial grammars in terms of model theory, the human knowledge as moral problem, the conceptualization of the development of knowledge by means of the notion of meme, the cultural relations between some European countries, the typology of scientists, the semiotic studies of some Spanish, Irish, Czech, Polish and Norwegian works of literature, the semiotic aspects of music, television and the whole sphere of artifacts, the history of semiotics (Plato, Gonsung Long, Descartes, Fu Yen, Peirce, Brwal, Lotman, Langer)

Note: Includes bibliographical references and index , Introduction, How to Move in the World of Signs -- PART I: THEORETICAL SEMIOTICS -- Andrzej BOGUS_AWSKI: Conditionals and Egocentric Mental Predicates -- Wojciech BUSZKOWSKI: On Families of Languages Generated by Categorial Grammar -- Katalin G -- HAVAS: Changing the World - Changing the Meaning -- On the Meanings of the Principle of Non-Contradiction -- Henryk HITZ: On Translation -- Solomon MARCUS: Imprecision, Between Variety and Uniformity: The Conjugate Pairs -- Jaroslav PEREGRIN, Petr SGALL: Meaning and Propositional Attitudes -- Olgierd Adrian WOJTASIEWICZ: Some Applications of Metric Space in Theoretical Linguistics -- PART II: METHODOLOGY -- Evandro AGAZZI: Rationality and Certitude -- Irena BELLERT: Human Reasoning and Artificial Intelligence -- When Are Computers Dumb in Simulating Human Reasoning? Tomasz BIGAJ: Analyticity and Existence in Mathematics -- Geoffrey B -- KEENE: Taking up the Logical Slack in Natural Language -- András Kertész: Interdisciplinarity and the Myth of Exactness -- Jan SRZEDNICKI: Norm as the Basis of Form -- Juri S -- STEPANOV: Cause in the Light of Semiotics -- Jerzy A -- WOJCIECHOWSKI: The Development of Knowledge as a Moral Problem -- PART III: HISTORY OF SEMIOTICS -- Erhard ALBRECHT: Philosophy of Language, Logic and Semiotics -- Gérard DELEDALLE: A Philosopher's Reply to Questions Concerning Peirce's Theory of Signs -- Janice DELEDALLE-RHODES: The Transposition of the Linguistic Sign in Peirce's Contributions to The Nation -- Robert E -- INNIS: From Feeling to Mind: A Note on Langer's Notion of Symbolic Projection -- Roberta KEVELSON: Peirce's Semiotics as Complex Inquiry: Conflicting Methods -- Jerzy KOPANIA: The Cartesian Alternative of Philosophical Thinking -- Xiankun LI: Why Gonsung Long (Kungsun Lung) Said White Horse Is Not Horse -- Lucia MELAZZO: A Report on Ancient Discussion -- Ding-fu NI; Semantic Thoughts of J -- Stuart Mill and Chinese Characters -- Irene PORTIS-WINNER: Lotman's Semiosphere: Some Comments -- Joëlle RÉTHORÉ: Another Close Look at the Interpretant -- Edward STANKIEWICZ: The Semiotic Turn of Breal's Semantique -- PART IV: LINGUISTICS -- Klaus HEGER: Passive and Other Voices Seen from an Onomasiological Point of View -- Laszlo I KOMLÓSZI: The Semiotic System of Events, Intrinsic Temporal and Deictic Tense Relations in Natural Language -- On the Conceptualization of Temporal Schemata -- Wac_aw M -- OSADNIK, Ewa HORODECKA: Polysystem Theory, Translation Theory and Semiotics -- Anna WIERZBICKA: THINK - a Universal Human Concept and a Conceptual Primitive -- PART V: CULTURAL SEMIOTICS -- Gianfranco BETTETINI: Communication as a Videogame -- W_odzimierz KRYSI??N??SKI: Joyce, Models, and Semiotics of Passions -- Hanna KSIAZEK-KONICKA: Visual Thinking in the Poetry of Julian Przybo_ and Miron Bia_oszewskI Urszula NIKLAS: The Space of Metaphor -- Maria Caterina RUTA: Captivity as Event and Metaphor in Some of Cervantes' Writings -- Eero TARASTI: From Aesthetics to Ethics: Semiotic Observations on the Moral Aspects of Art, Especially Music -- Ladislav TONDL: Is It Justified to Consider the Semiotics of Technological Artefacts? Vilmos VOIGT: Poland, Finland and Hungary (A Tuatara's View) -- Thomas G -- WINNER: Czech Poetism: A New View of Poetic Language -- Johan WREDE: Metaphorical Imagery - Ambiguity, Explicitness and Life -- Else M -- BARTH: A Case Study in Empirical Logic and Semiotics -- Fundamental Modes of Thought of Nazi Politician Vidkun Quisling, Based on Unpublished Drafts and Notebooks -- Paul BOUISSAC: Why Do Memes Die? Wojciech KALAGA: Thresholds of Signification -- Adam PODGÓRECKI: Do Social Sciences Evaporate?

Additional Edition: Erscheint auch als Druck-Ausgabe In the World of Signs : Essays in honour of Professor Jerzy Pelc Leiden : BRILL, 1998 ISBN 9789042003996

Language: English

DOI: 10.1163/9789004457621

URL: lizenzpflichtig

UID:

Format: 1 Online-Ressource

ISBN: 9781943208531 , 1943208530

Content: "Scholars, critics, and creators describe certain videogames as being "poetic," yet what that means or why it matters is rarely discussed. In Game Poems: Videogame Design as Lyric Practice, independent game designer Jordan Magnuson explores the convergences between game making and lyric poetry and makes the surprising proposition that videogames can operate as a kind of poetry apart from any reliance on linguistic signs or symbols. This rigorous and accessible short book first examines characteristics of lyric poetry and explores how certain videogames can be appreciated more fully when read in light of the lyric tradition-that is, when read as "game poems." Magnuson then lays groundwork for those wishing to make game poems in practice, providing practical tips and pointers along with tools and resources. Rather than propose a monolithic framework or draw a sharp line between videogame poems and poets and their nonpoetic counterparts, Game Poems brings to light new insights for videogames and for poetry by promoting creative dialogue between disparate fields. The result is a lively account of poetic game-making praxis"--

Note: Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction. Why Poetry as a Lens for Videogames? -- Part I. What Is a "Game Poem"? -- Chapter 1. Thinking in Terms of Lyric Poetry -- Chapter 2. Game Poems are Short -- Chapter 3. Game Poems are Subjective -- Chapter 4. Game Poems Make Use of Poetic Address -- Chapter 5. Game Poems Exist in a Ritual Space Rather Than a Narrative Space -- Chapter 6. Game Poems are Hyperbolic -- Chapter 7. Game Poems are Bound to Metaphor and Ambiguous Imagery -- Chapter 8. Game Poems Juxtapose Signified Meaning With Material Meaning -- Chapter 9. The Value of Identifying Game Poems -- Part II. Making Game Poems in Practice -- Chapter 10. What is the Material of the Videogame Poet? -- Chapter 11. Thinking in Terms of Language and Signifiers -- Chapter 12. One Vision of Poetic Intervention -- Chapter 13. Recasting the Language of Videogames -- Chapter 14. Making Game Poems in Practice: A Beginner's Guide -- Chapter 15. Why We Need Game Poems: A Brief Conclusion -- Appendix I Tools and Resources for Finding and Making Game Poems -- Notes -- Bibliography.

Language: English

URL: kostenfrei

URL: Inhaltsverzeichnis

UID:

Format: 1 online resource (382 pages)

ISBN: 9783110410167

Content: This handbook introduces key elements of the philological research area called paremiology. It presents the main subject area as well as the current status of paremiological research. Each chapter is written by a leading scholar-specialist in their area of proverbial research. The book successfully represents a measured balance between the popular and scientific approach.

Note: Intro -- OLE_LINK2 -- OLE_LINK3 -- OLE_LINK9 -- OLE_LINK12 -- OLE_LINK13 -- OLE_LINK10 -- OLE_LINK11 -- OLE_LINK1 -- OLE_LINK7 -- OLE_LINK8 -- OLE_LINK6 -- List of contributing authors -- Hrisztalina Hrisztova-Gotthardt, Melita Aleksa Varga -- Introduction -- References -- Neal R. Norrick -- 1 Subject Area, Terminology, Proverb Definitions, Proverb Features -- 1.1 The Subject Area of Paremiology -- 1.2 Terminology -- 1.2.1 The Proverb and Its Kin -- 1.2.2 Self-containedness -- 1.2.3 Traditionality -- 1.2.4 Didactic Content -- 1.2.5 Fixed Form -- 1.2.6 Poetic Features -- 1.3 Proverb Definitions -- 1.4 Proverb Features -- 1.4.1 Polysemy -- 1.4.2 Pun -- 1.4.3 Hyperbole -- 1.4.4 Irony -- 1.4.5 Tautology -- 1.4.6 Paradox -- 1.4.7 Connotation -- 1.4.8 Imagery -- 1.4.9 Syntactic Features -- 1.4.10 Discourse Features -- 1.5 Conclusion -- References -- Wolfgang Mieder -- 2 Origin of Proverbs -- 2.1 Introduction -- 2.2 The Creation of Proverbs -- 2.3 Four Major Sources for Common European Proverbs -- 2.4 Origin of Some Modern Proverbs -- 2.5 New Theories on the Creation of Proverbs -- 2.6 Conclusion -- References -- Outi Lauhakangas -- 3 Categorization of Proverbs -- 3.1 Introduction -- 3.2 The Specificity of Proverbs -- 3.3 Whose Tradition Are Proverbs? -- 3.4 Practical and Ideological Needs to Categorize Proverb Material -- 3.5 Differences in the Accuracy of Proverb Material -- 3.6 From Intuitive Orderliness to Systematic Categorization -- 3.7 G. L. Permyakov's Logico-semiotic Classification of Proverbs and Proverbial Phrases -- 3.8 The Matti Kuusi International Type System of Proverbs -- 3.9 Comparison Between Permyakov's Logico-semiotic Categorization and Kuusi's Type System -- 3.9.1 Permyakov's is not worth in Kuusi's System -- 3.9.2 Permyakov's absence of in Kuusi's System. , 3.10 Automatic Data Processing and New Possibilities to Construct Proverb Databases -- 3.11 Summary -- References -- Peter Grzybek -- 4 Semiotic and Semantic Aspects of the Proverb -- 4.1 Semiotics and the Proverb -- 4.2 Semiotics and Its Dimensions -- 4.2.1 Pragmatics -- 4.2.2 Syntactics -- 4.2.3 Semantics -- 4.3 Metalanguage -- 4.4 "Indirectness" and "Non-literalness" -- 4.5 Holistic vs. Componential Analysis, Analytical vs. Synthetic Clichés -- 4.6 Sign Concepts: System-based vs. Process-oriented Semiotics -- 4.7 Logics and Analogics -- 4.8 Analogy, Double Analogy, and the Concept of Situativity -- 4.9 From Proverb Semantics to Semantic Proverb Classification -- 4.10 Theoretical and Empirical Paremiology and the Semiotics of Culture -- References -- Marcas Mac Coinnigh -- 5 Structural Aspects of Proverbs -- 5.1 Structure and Style -- 5.2 Sentences and Phrases -- 5.2.1 Sentence Type -- 5.2.2 Sentence Function -- 5.3 Syntax and Structure -- 5.3.1 Proverbial Formulae -- 5.3.2 The Wellerism -- 5.3.3 Anti-proverbs -- 5.4 Structural Markers -- 5.4.1 Syntactic Parallelism -- 5.5 Emphatic Word Order -- 5.5.1 Clefting -- 5.5.2 Left-dislocation -- 5.5.3 Topicalisation -- 5.5.4 Sub-Clausal Fronting -- 5.6 Parataxis -- 5.6.1 Relationship Between Juxtaposed Phrases / Clauses -- 5.7 Concluding Remarks -- References -- Vida Jesenšek -- 6 Pragmatic and Stylistic Aspects of Proverbs -- 6.1 Introduction and Theoretical Framework -- 6.2 Stylistic of Proverbs -- 6.2.1 Proverbs and Rhetorical Devices -- 6.2.2 Proverbs and Stylistic Registers -- 6.2.3 Proverbs and Stylistic Colouring -- 6.2.4 Proverbs and the Feature of Expressivity -- 6.3 Pragmatic Aspects of Proverbs -- 6.3.1 Argumentative Functions of Proverbs -- 6.3.2 Proverbs as Items of Speech Acts in Non-argumentative Contexts. , 6.3.3 Proverbs in Text-constituting and Text-structuring Functions -- 6.4 Conclusion and Outlook -- References -- Anna Lewandowska, Gerd Antos -- 7 Cognitive Apects of Proverbs -- 7.1 Introduction -- 7.2 Lakoff and Johnson's Conceptual Metaphor Theory -- 7.3 Metaphorical Concepts -- 7.4 Epistemological Essentials -- 7.5 Proverb Concepts (PCs) -- 7.6 Structural Elements of Proverb Concepts -- 7.6.1 Linguistically Concise Form -- 7.6.2 Syntactic-semantic Structure -- 7.6.3 Holism -- 7.6.4 Structural Simplicity -- 7.6.5 Cultural Frame -- 7.6.6 Ability to Project -- 7.6.7 Ability to Implicate -- 7.7 The Relation of MCs to PCs -- References -- Peter and#x10E;určo -- 8 Empirical Research and Paremiological Minimum -- 8.1 What a Paremiological Minimum Ought to Be? -- 8.2 Why Do We Need a Paremiological Minimum or Optimum? -- 8.3 How to Get a Paremiological Optimum? An Empirical Approach -- 8.4 The Concept of a Paremiological Optimum. A Complex Approach -- 8.5 An Example: Paremiological Optimum of Slovak Language -- 8.5.1 Method -- 8.5.2 Questionnaire -- 8.5.3 Empirical Survey Findings -- 8.5.4 Corpus Analysis Findings -- 8.6 Paremiological Optimum of Slovak Language - correlation of the knowledge/familiarity and the corpus frequency -- 8.7 Conclusions -- References -- Kathrin Steyer -- 9 Proverbs from a Corpus Linguistic Point of View -- 9.1 Introduction -- 9.2 Why Corpora? -- 9.3 Corpus Linguistic Approaches to Proverb Study -- 9.3.1 Corpus-based Questions About Proverbs -- 9.3.1.1 Proverb - Yes or No? -- 9.3.1.2 Fixedness and Variance -- 9.3.1.3 Proverb Frequency -- 9.3.1.4 Meaning and Usage -- 9.3.2 Proverbs - Corpus Driven -- 9.4 Summary and Outlook -- References -- Appendix 1 -- Tamás Kispál -- 10 Paremiography: Proverb Collections -- 10.1 Definition of Proverbs, Proverb Collections and Proverb Dictionaries. , 10.1.1 Definition of Proverbs -- 10.1.2 Definition of Proverb Collections and Proverb Dictionaries -- 10.2 Usage of Printed Proverb Collections -- 10.2.1 Which One to Use? -- 10.2.2 How to Find a Proverb in a Proverb Collection? -- 10.2.3 What Kind of Information is Contained Under a Proverb Entry? -- 10.2.3.1 Information on Standard Proverb Forms and Variants -- 10.2.3.2 Information on Meaning of Proverbs -- 10.2.3.3 Information on Usage of Proverbs -- 10.2.3.4 Proverb Exercises -- 10.3 Usage of Electronic Proverb Collections -- 10.3.1 How to Find a Proverb in an Electronic Proverb Collection? -- 10.3.2 What Kind of Information Contains a Proverb Entry? -- 10.3.2.1 Information on Standard Proverb Forms and Variants -- 10.3.2.2 Information on the Meaning of Proverbs -- 10.3.2.3 Information on Usage of Proverbs -- 10.3.2.4 Exercises on Proverbs -- 10.4 Conclusion -- References -- Roumyana Petrova -- 11 Contrastive Study of Proverbs -- 11.1 Introduction -- 11.2 Comparative and Contrastive Approach -- 11.3 The Beginnings: Contrastive Paremiography -- 11.4 Contrastive Paremiology: What Is It All About? -- 11.5 New Approaches to Contrastive Paremiology: Tertium Comparationis -- 11.6 Contrastive Paremiology and the Ethnic Aspect of Proverbs -- 11.7 Modern Contrastive Paremiology: A Short Overview -- 11.8 New Approaches to Contrastive Paremiology -- 11.8.1 The Semantic Approach -- 11.8.2 The Linguocultural Approach -- 11.8.3 The Cognitive Approach -- 11.8.4 The Culturematic Method -- 11.9 Concluding Remarks -- References -- Charles Clay Doyle -- 12 Proverbs in Literature -- 12.1 Introduction -- 12.2 Proverbs in Poetry -- 12.3 Proverbs in Prose Fiction -- 12.4 Proverbs in Plays -- 12.5 Proverbs in Other Kinds of Literature -- 12.6 Conclusion -- References -- Anna Konstantinova -- 13 Proverbs in Mass Media. , 13.1 Introduction -- 13.2 Proverbs in the Media Discourse: General Remarks -- 13.3 Traditional Proverbs in Mass Media -- 13.4 Modification of Proverbs in Mass Media -- 13.5 The Role of Proverbs on the Structural Level of Media Texts -- 13.6 The Role of Proverbs on the Semantic Level of Media Texts -- References -- Sabine Fiedler -- 14 Proverbs and Foreign Language Teaching -- 14.1 Introduction -- 14.2 Proverbs in Foreign Language Learning and Teaching -- 14.2.1 On the Significance of Including Proverbs into Foreign Language Teaching -- 14.2.2 The Motivational Potential of Proverbs -- 14.2.3 Proverbs as a Basis for Language Learning and Teaching -- 14.2.4 Proverbs and Figurative Language -- 14.2.5 Proverbs as a Mirror of Culture -- 14.2.6 Proverbs and Fluency -- 14.3 Towards a Proverb Optimum -- 14.3.1 Selection Criteria -- 14.3.2 A Questionnaire Study -- 14.3.2.1 The Knowledge of Proverbs Among Advanced Learners of English -- 14.3.2.2 Mother Tongue Influences -- 14.3.2.3 The Role of Context -- 14.3.3 Some Implications for the Learning and Teaching of Proverbs -- 14.3.3.1 Teaching Proverbs in an Appropriate Context -- 14.3.3.2 Sources of Reference -- 14.3.3.3 Receptive and Productive Knowledge -- 14.3.3.4 The Contrastive Perspective -- 14.4 Final Remarks -- References -- Appendix 1 -- Appendix 2 -- Anna T. Litovkina -- 15 Anti-proverbs -- 15.1 Introduction -- 15.2 Terminology -- 15.3 Occurrence of Anti-proverbs -- 15.4 Proverbs Most Popular for Variation -- 15.5 Anti-proverbs with International Distribution -- 15.6 Types of Proverb Alterations -- 15.7 Themes Treated in Proverb Transformations -- 15.8 Background of Research -- 15.9 Summary -- 15.10 Implications for Further Research -- References -- Glossary of Key Terms Appearing in the Book -- Index. , Table 3.1: G. L. Permyakov's (1979: 180-195) logico-semiotic arch-invariants represented by logico-thematic groups and subgroups A-C. (The subclasses and oriental proverb variants are not presented in this table.).

Additional Edition: Print version: Hrisztova-Gotthardt, Hrisztalina Introduction to Paremiology Warschau/Berlin : Walter de Gruyter GmbH,c2015 ISBN 9783110410150

Language: English

Keywords: Electronic books.

URL: FULL  ((Currently Only Available on Campus))

UID:

Format: 1 Online-Ressource (VI, 359 Seiten) , Illustrationen

ISBN: 9789027257598

Series Statement: Metaphor in language, cognition, and communication volume 9

Content: "The last half century witnessed an upheaval in scientific investigation of human meaning-making and meaning-sharing. Dynamism in Metaphor and Beyond, is offered as a snapshot of the status of this multidisciplinary endeavor-a peak under the umbrella of what Cognitive Linguistics, Psycholinguistics, Figurative Language Studies and related fields have morphed into. This volume honors Raymond W. Gibbs, who played no small role in this upheaval. The themes and insights emerging from the chapters (i.e., among others, a need for account integration, a new appreciation of the dynamic nature of figurative [and all] meaning-making, a need for continued broadening of the communicative techniques in our studied topics, greater attention to emotion, a deepened appreciation of social motivations and psychological processes involved, etc.) may guide us in our continued grappling with meaning-making and meaning-sharing, via metaphor, through figurative language, and via other communicative phenomena associated with them"--

Note: Includes bibliographical references and index , Art: My dancing mind (acrylic on paper, 42 x 60 cm) / Lynne Cameron -- Prologue: On the dangers of metaphoring / Jacob L. Mey -- Introduction / Herbert Colston, Teenie Matlock and Gerard Steen -- New windows into cognition and communication. Metaphor in The Cancer Poetry Project / Gerard Steen -- Narrative experiences of metaphor / Richard J. Gerrig and Zared R. Shawver -- Researching embodied metaphor production through improvisational dance practice / Alan Cienki and Michael O'Connor -- Feeling for speaking: how expressive body movements ground verbal descriptions of emotions / Cornelia Müller and Benjamin Marienfeld -- Multimodal body, multimodal mind, multimodal communication / Mark Turner -- Fictive motion in the wild: chapter for Dynamism in metaphor and beyond / Teenie Matlock -- Account expansion, flexibility, or integration. Dynamism in action: extended CMT and the dynamic systems theory of metaphor: a comparison / Zoltán Kövecses -- Communication, comprehension, and interpretation / Deirdre Wilson -- Between embodiment and usage: conventionalized figurative expressions and the notion of 'idiom set' / Beate Hampe -- Metaphors and meaning-making in young people's talk about climate change / Alice Deignan and Elena Semino -- Experiential viewpoint, simile and dynamicity in discourse / Barbara Dancygier -- Metaphor and elaboration in context / Paul H. Thibodeau and Stephen J. Flusberg -- Influencers and drivers: bigger pictures. Figurativity: cognitive, because it's social / Herbert L. Colston and Carina Rasse -- Conceptual blending and memes / Seana Coulson -- How to talk about motion without verbs / Jean M. Mandler -- Defaultness vs. constructionism - The case of default constructional sarcasm and default non-constructional literalness / Rachel Giora -- Relevance theory perspectives on web-mediated communication / Charles Forceville and Natalia Sánchez-Querubín -- Language happens / Michael J. Spivey.

Additional Edition: ISBN 9789027211415

Additional Edition: Erscheint auch als Druck-Ausgabe Dynamism in metaphor and beyond Amsterdam : John Benjamins Publishing Company, 2022 ISBN 9789027211415

Language: English

Keywords: Metapher ; Bedeutung ; Kognitive Grammatik ; Aufsatzsammlung

DOI: 10.1075/milcc.9

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Inhaltsverzeichnis

URL: Cover

URL: Cover

URL: Cover

URL: Cover

URL: Cover

UID:

Format: Online-Ressource (257 p)

ISBN: 9781906924577

Content: Intro -- Half-title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgements -- Contributors -- Foreword: Göran Printz-Påhlson, a Life in and beyond Letters -- Inbetween: Locating Göran Printz-Påhlson -- 'The Overall Wandering of Mirroring Mind': Some Notes on Göran Printz-Påhlson -- The Words of the Tribe: Primitivism, Reductionism, and Materialism in Modern Poetics -- Part One: Linguistic Primitivism in Modernism and Romanticism -- Part Two: Linguistic Reductionism in Poetry Criticism -- Part Three: The Material Word: From Imagism to New Criticism to Intertextualism -- Part Four: The Polity of Metaphor and the Purity of Diction -- Other Prose -- Part Five: Style, Irony, Metaphor, and Meaning -- Part Six: Realism as Negation -- Part Seven: Historical Drama and Historical Fiction: The Example of Strindberg -- Part Eight: The Canon of Literary Modernism: A Note on Abstractionin the Poetry of Erik Lindegren -- Part Nine: The Tradition of Contemporary Swedish Poetry -- Part Ten: Kierkegaard the Poet -- Part Eleven: Surface and Accident: John Ashbery -- Part Twelve: The Voyages of John Matthias -- Letters of Blood: Poems -- Letters of Blood -- One -- My Interview with I.A. Richards -- Generation -- Televisiondreamroutines -- The Longest-Running Show on Television -- The Enormous Comics -- Poem Unnamed -- Botchuana -- Two -- Aelius Lamia: Tankas for Robert Hass -- Odradek -- Turing Machine -- Broendal -- Two Prose Poems -- Sir Charles Babbage Returns to Trinity College -- Man-Made Monster Surreptitiously Regarding Idyllic Scene -- Joe Hill in Prison -- Remember the Rosenbergs -- When Beaumont and Tocqueville First Visited Sing-Sing -- Three Baroque Arias from Gradiva -- Three -- Comedians -- Acrobats on the Radio: Letter to Newcomb -- To John at the Summer Solstice, Before His Return -- Four -- The Green-Ey'd Monster.

Note: Description based upon print version of record , ""Half-title""; ""Title""; ""Copyright""; ""Dedication""; ""Contents""; ""Acknowledgements""; ""Contributors""; ""Foreword: Göran Printz-Påhlson, a Life in and beyond Letters""; ""Inbetween: Locating Göran Printz-Påhlson""; ""�The Overall Wandering of Mirroring Mind�: Some Notes on Göran Printz-Påhlson""; ""The Words of the Tribe: Primitivism, Reductionism, and Materialism in Modern Poetics""; ""Part One: Linguistic Primitivism in Modernism and Romanticism""; ""Part Two: Linguistic Reductionism in Poetry Criticism"" , ""Part Three: The Material Word: From Imagism to New Criticism to Intertextualism""""Part Four: The Polity of Metaphor and the Purity of Diction""; ""Other Prose""; ""Part Five: Style, Irony, Metaphor, and Meaning""; ""Part Six: Realism as Negation""; ""Part Seven: Historical Drama and Historical Fiction: The Example of Strindberg""; ""Part Eight: The Canon of Literary Modernism: A Note on Abstractionin the Poetry of Erik Lindegren""; ""Part Nine: The Tradition of Contemporary Swedish Poetry""; ""Part Ten: Kierkegaard the Poet""; ""Part Eleven: Surface and Accident: John Ashbery"" , ""Part Twelve: The Voyages of John Matthias""""Letters of Blood: Poems""; ""Letters of Blood""; ""One""; ""My Interview with I.A. Richards""; ""Generation""; ""Televisiondreamroutines""; ""The Longest-Running Show on Television""; ""The Enormous Comics""; ""Poem Unnamed""; ""Botchuana""; ""Two""; ""Aelius Lamia: Tankas for Robert Hass""; ""Odradek""; ""Turing Machine""; ""Broendal""; ""Two Prose Poems""; ""Sir Charles Babbage Returns to Trinity College""; ""Man-Made Monster Surreptitiously Regarding Idyllic Scene""; ""Joe Hill in Prison""; ""Remember the Rosenbergs"" , ""When Beaumont and Tocqueville First Visited Sing-Sing""""Three Baroque Arias from Gradiva""; ""Three""; ""Comedians""; ""Acrobats on the Radio: Letter to Newcomb""; ""To John at the Summer Solstice, Before His Return""; ""Four""; ""The Green-Ey�d Monster""; ""Select Bibliography of Works by Göran Printz-Påhlson""; ""A Note on the Text""

Additional Edition: ISBN 9781906924584

Additional Edition: ISBN 9781906924577

Additional Edition: Print version Letters of Blood and Other Works in English

Language: English

Keywords: Electronic books

URL: Volltext

URL: Volltext  (lizenzpflichtig)

UID:

Format: Online-Ressource (xxxvii, 219 Seiten)

Edition: Online-Ausg.

ISBN: 1906924562 , 1906924570 , 9781906924584 , 9781906924591 , 9781906924607

Content: "This collection brings together for the first time select works in English by the major Swedish modernist poet and critic Göran Printz-Påhlson. It was Printz-Påhlson who introduced poetic modernism to Scandinavia, and his essays and poems delve deeply into English, American, and continental modernist traditions. As well as Letters of Blood, the collection includes the full text of The Words of the Tribe, a major statement on modern poetics, in which Printz-Påhlson explores the significance of primitivism in Romanticism and Modernism, and the nature of metaphor and literary materialism. The collection also includes essays on style, irony, realism, and the relationship between historical drama and historical fiction, as well as studies of American poetry. Printz-Påhlson's poetry in English continues to explore these themes by different, often surprisingly innovative, means."--Publisher's website

Content: Acknowledgements -- Contributors -- Foreword by Elinor Shaffer -- Inbetween: Locating Göran Printz-Påhlson by Robert Archambeau -- 'The Overall Wandering of Mirroring Mind': Some Notes on Göran Printz-Påhlson by Lars-Håkan Svensson -- The Words of the Tribe: Primitivism, Reductionism, and Materialism in Modern Poetics -- Part One: Linguistic Primitivism in Modernism and Romanticism -- Part Two: Linguistic Reductionism in Poetry Criticism -- Part Three: The Material Word: From Imagism to New Criticism to Intertextualism -- Part Four: The Polity of Metaphor and the Purity of Diction -- Other Prose -- Part Five: Style, Irony, Metaphor and Meaning -- Part Six: Realism as Negation -- Part Seven: Historical Drama and Historical Fiction: The Example of Stindberg -- Part Eight: The Canon of Literary Modernism: A Note on Abstraction in the Poetry of Erik Lindegren -- Part Nine: The Tradition of Contemporary Swedish Poetry -- Part Ten: Kierkegaard the Poet -- Part Eleven: Surface and Accident: John Ashbery -- Part Twelve: The Voyages of John Matthias -- Letters of Blood: Poems -- One: My Interview with I.A. Richards -- Generation -- Televisiondreamroutines -- The Longest-Running Show on Television -- The Enormous Comics -- Poem Unnamed -- Botchuana -- Two: Aelius Lamia: Tanka for Robert Hass -- Odradek -- Turing Machine -- Broendal -- Two Prose Poems -- Sir Charles Babbage Returns to Trinity College -- Man-Made Monster Surreptitiously Regarding Idyllic Scene -- Joe Hill in Prison -- Remember the Rosenbergs -- When Beaumont and Tocqueville First Visited Sing-Sing -- Three Baroque Arias from Gradiva -- Three: Comedians -- Acrobats on the Radio -- To John at Summer Solstice, Before His Return -- Part Four: -- The Green-Ey'd Monster -- Select Bibliography of Works by Göran Printz-Påhlson -- A Note on the Text

Note: "Select bibliography of works by Göran Printz-Påhlson": p. 213-216 , Available through Open Book Publishers , Open access resource providing free access , Acknowledgements -- Contributors -- Foreword by Elinor Shaffer -- Inbetween: Locating Göran Printz-Påhlson by Robert Archambeau -- 'The Overall Wandering of Mirroring Mind': Some Notes on Göran Printz-Påhlson by Lars-Håkan Svensson -- The Words of the Tribe: Primitivism, Reductionism, and Materialism in Modern Poetics -- Part One: Linguistic Primitivism in Modernism and Romanticism -- Part Two: Linguistic Reductionism in Poetry Criticism -- Part Three: The Material Word: From Imagism to New Criticism to Intertextualism -- Part Four: The Polity of Metaphor and the Purity of Diction -- Other Prose -- Part Five: Style, Irony, Metaphor and Meaning -- Part Six: Realism as Negation -- Part Seven: Historical Drama and Historical Fiction: The Example of Stindberg -- Part Eight: The Canon of Literary Modernism: A Note on Abstraction in the Poetry of Erik Lindegren -- Part Nine: The Tradition of Contemporary Swedish Poetry -- Part Ten: Kierkegaard the Poet -- Part Eleven: Surface and Accident: John Ashbery -- Part Twelve: The Voyages of John Matthias -- Letters of Blood: Poems -- One: My Interview with I.A. Richards -- Generation -- Televisiondreamroutines -- The Longest-Running Show on Television -- The Enormous Comics -- Poem Unnamed -- Botchuana -- Two: Aelius Lamia: Tanka for Robert Hass -- Odradek -- Turing Machine -- Broendal -- Two Prose Poems -- Sir Charles Babbage Returns to Trinity College -- Man-Made Monster Surreptitiously Regarding Idyllic Scene -- Joe Hill in Prison -- Remember the Rosenbergs -- When Beaumont and Tocqueville First Visited Sing-Sing -- Three Baroque Arias from Gradiva -- Three: Comedians -- Acrobats on the Radio -- To John at Summer Solstice, Before His Return -- Part Four: -- The Green-Ey'd Monster -- Select Bibliography of Works by Göran Printz-Påhlson -- A Note on the Text , Mode of access: World Wide Web.

Additional Edition: ISBN 9781906924560

Additional Edition: ISBN 9781906924577

Language: English

Subjects: Scandinavian Studies

DOI: 10.11647/OBP.0017

URL: Volltext  (Connect to e-book)

URL: kostenfrei

URL: Cover

UID:

Format: 1 online resource (168 pages)

ISBN: 9781419743030 , 9781683358183

Note: Cover -- Title Page -- Copyright Page -- Dedication -- Contents -- Introduction -- Chapter One: Creating a World -- 1.0 Where does a story begin? -- 1.1 Moments of change -- the control-seeking brain -- 1.2 Curiosity -- 1.3 The model-making brain -- how we read -- grammar -- filmic word order -- simplicity -- active versus passive language -- specific detail -- show-not-tell -- 1.4 World-making in fantasy and science fiction -- 1.5 The domesticated brain -- theory of mind in animism and religion -- how theory-of-mind mistakes create drama -- 1.6 Salience -- creating tension with detail -- 1.7 Neural models -- poetry -- metaphor -- 1.8 Cause and effect -- literary versus mass-market storytelling -- 1.9 Change is not enough -- Chapter Two: The Flawed Self -- 2.0 The flawed self -- the theory of control -- 2.1 Personality and plot -- 2.2 Personality and setting -- 2.3 Personality and point of view -- 2.4 Culture and character -- Western versus Eastern story -- 2.5 Anatomy of a flawed self -- the ignition point -- 2.6 Fictional memories -- moral delusions -- antagonists and moral idealism -- antagonists and toxic self-esteem -- the hero-maker narrative -- 2.7 David and Goliath -- 2.8 How flawed characters create meaning -- Chapter Three: The Dramatic Question -- 3.0 Confabulation and the deluded character -- the dramatic question -- 3.1 Multiple selves -- the three-dimensional character -- 3.2 The two levels of story -- how subconscious character struggle creates plot -- 3.3 Modernist stories -- 3.4 Wanting and needing -- 3.5 Dialogue -- 3.6 The roots of the dramatic question -- social emotions -- heroes and villains -- moral outrage -- 3.7 Status play -- 3.8 King Lear -- humiliation -- 3.9 Stories as tribal propaganda -- 3.10 Antiheroes -- empathy -- 3.11 Origin damage -- Chapter Four: Plots, Endings and Meaning -- 4.0 Goal directedness. , constriction and release -- video games -- personal projects -- eudaemonia -- 4.1 The story event -- the standard five-act plot -- plot as recipe versus plot as symphony of change -- 4.2 The final battle -- 4.3 Endings -- control -- the God moment -- 4.4 Story as a simulacrum of consciousness -- transportation -- 4.5 The power of story -- 4.6 The value of story -- 4.7 The lesson of story -- 4.8 The consolation of story -- Appendix: The Sacred Flaw Approach -- A Note on the Text -- Acknowledgments -- Notes and Sources -- Index of Searchable Terms.

Additional Edition: Print version: Storr, Will The Science of Storytelling New York, NY : Abrams, Inc.,c2020 ISBN 9781419743030

Language: English

Keywords: Electronic books.

URL: FULL  ((OIS Credentials Required))

UID:

Format: 1 Online-Ressource (XVI, 226 Seiten) , Illustrationen

Edition: 1st edition

ISBN: 9783030552961

Content: "McNeil succeeds in giving to eternal recurrence the pivotal place in Nietzsche's philosophy that it had for Nietzsche himself." - David E. Cooper, Professor of Philosophy Emeritus, Durham University, UK. "McNeil throws fresh light on what is arguably Nietzsche's most controversial doctrine, using Heidegger's interpretation as an investigative tool to bring exciting new insights to bear on our understanding of this doctrine." - Paul Bishop, William Jacks Chair in Modern Languages and Professor of German, University of Glasgow, UK. "...a wide-ranging and well-informed guide to Nietzsche's most challenging doctrine.

Content: [...] Students of Nietzsche's thought will welcome the book's survey of recent debates over the concept of eternal recurrence." -Robin Small, Professor of Philosophy of Education Emeritus, University of Auckland, New Zealand This book examines the cogency and value of Nietzsche's idea of eternal recurrence, as an antidote to the nihilism resulting from the catastrophic event of 'the death of God'. Its significance to Nietzsche's philosophy as a whole (when presented either as an imaginative thought experiment, a cosmological hypothesis, or a poetic metaphor) is analysed, alongside the manifold criticisms the idea has attracted. In this original reading of eternal recurrence, McNeil explores the strength of metaphorical meaning contained within Heraclitean and Stoic cosmologies, revealing their influence on Nietzsche's own cosmology, along with their holistic approach to life which Nietzsche endorsed.

Content: Furthermore, an extensive critique of Heidegger's interpretation of eternal recurrence is given. McNeil argues that Heidegger ignores not only the life-affirming Dionysian aspects of the concept, but also the Heraclitean sense of play evident in the cosmology, and the importance of this for developing a positive, celebratory attitude towards our lives and creative projects. Bevis E. McNeil is Senior Lecturer in Criminological and Forensic Psychology at Leeds Beckett University, and was formerly Tutor and Lecturer in Philosophy at Durham University, UK. He has taught extensively on Nietzsche, the idea of eternal recurrence, and Stoic philosophy and cosmology

Note: 1. Nietzsche and the Idea of Eternal Recurrence -- 2. Nietzsche's Cosmology of Eternal Recurrence -- 3. Heidegger's Interpretation of Nietzsche's philosophy of Eternal Recurrence -- 4. Nietzsche contra Heidegger: On the Importance of Heraclitean Play for Eternal Recurrence and the Overhuman

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783030552954

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783030552978

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783030552985

Language: English

Subjects: Philosophy

Keywords: Nietzsche, Friedrich 1844-1900 ; Ewige Wiederkehr

DOI: 10.1007/978-3-030-55296-1

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig