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  • 1
    UID:
    almahu_BV047560230
    Format: 627 Seiten : , Illustrationen ; , 23 cm.
    ISBN: 978-1-941366-32-5 , 1-941366-32-5
    Content: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Note: Includes bibliographical references
    Language: English
    Subjects: Art History
    RVK:
    RVK:
    Keywords: Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Godfrey, Mark, 19XX-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    gbv_1843596482
    Format: 226 Seiten
    ISBN: 9789492852878 , 949285287X
    Content: The monograph Hannah van Bart contains over more than 100 art works (paintings and drawings) and gives an intriguing look at the work of Dutch artist Hannah van Bart (1963). The publication is published in collaboration with the Centraal Museum Utrecht on the occasion of the solo exhibition of Hannah van Bart at Oud Amelisweerd country house. Hannah van Bart is represented by Marianne Boesky Gallery New York & Aspen, and Vielmetter Los Angeles. With a foreword by Artistic director of Centraal Museum Bart Rutten, an interview by London-based art critic Allie Biswas with Hannah van Bart, and an essay on the work of the artist by writer and art critic Hans den Hartog Jager. 00Anyone viewing Hannah van Bart's paintings for a length of time will be prompted to return to them again and again. Her works are invigorating and have enormous psychological depth. Beauty and discomfort go hand in hand. Not the pursuit of capturing a moment, like you see in photography or a studio sketch, but a long process of turning things over in one's mind, painting and erasing, adding and taking away. This process provides an interestingly hard edge to her paintings.00Exhibition: Landhuis Oud Amelisweerd, Bunnink, The Netherlands (01.04. - 20.08.2023)
    Note: Seite 226: This book was published on the occasion of the solo exhibition by Hannah van Bart at Oud Amelisweerd country house, organised by the Centraal Museum (April1st-August 20th 2023) , Text englisch und niederländisch
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Bart, Hannah van 1963- ; Zeichnung ; Malerei ; Bildband ; Ausstellungskatalog
    Author information: Hartog Jager, Hans den 1968-
    Library Location Call Number Volume/Issue/Year Availability
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