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  • Bloomsbury Academic  (2)
  • American Studies  (2)
  • Aufsatzsammlung  (2)
  • Jugendbuch
  • 1
    UID:
    b3kat_BV044939761
    Format: 1 Online-Ressource (xvi, 256 Seiten)
    Edition: 1st ed
    ISBN: 978-1-5013-0774-4 , 9781501307720
    Content: "Was Ezra Pound the first theorist of world literature? Or did he inaugurate a form of comparative literature that could save the discipline from its untimely demise? Would he have welcomed the 2008 financial crisis? What might he say about America's economic dependence on China? Would he have been appalled at the rise of the "digital humanities," or found it amenable to his own quasi-social scientific views about the role of literature in society? What, if anything, would he find to value in today's economic and aesthetic discourses? Ezra Pound in the Present collects new essays by prominent scholars of modernist poetics to engage the relevance of Pound's work for our times, testing whether his literature was, as he hoped it would be, "news that stays news.""--
    Content: "Prominent experts in the field of modernist poetry argue for the relevance of Ezra Pound's work to current conversations about globalization, finance capital, comparative literature, the digital humanities and affect theory"--
    Note: Includes bibliographical references and index; Published Online 2017 , Machine generated contents note: -- List of Figures -- Preface -- Acknowledgments -- List of Abbreviations I. Pound's Methods -- 1. Why Pound's Imagist Poems Still Matter -- Charles Altieri (University of California, Berkeley, USA) -- 2. Not-So-Distant Reading -- Josephine Park (University of Pennsylvania, USA) -- 3. Paleolithic Media: Deep Time and Ezra Pound's Methods -- Aaron Jaffe (University of Louisville, USA) II. Pound's Worlds -- 4. "I am all for the triangle": The Geopolitical Aesthetic of Pound's Japan -- Christopher Bush (Northwestern University, USA) -- 5. Ezra Pound and the Globalization of Literature -- Jean-Michel Rabaté (University of Pennsylvania, USA) -- 6. Ezra Pound and the Comparative Literature of the Present, or, Triptych Rome/London/Pisa -- Christine Froula (Northwestern University, USA) II. Pound's Value -- 7. Ezra Pound and the Critique of Value -- Paul Stasi (University at Albany, USA) -- 8. Ezra Pound's Effective Demand: Keynes, Causality, and The Cantos -- C.D. Blanton (University of California, Berkeley, USA) Bibliography -- Notes on Contributors -- Index
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-5013-0773-7
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-5013-0771-3
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: Pound, Ezra 1885-1972 ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    London : Bloomsbury Academic
    UID:
    b3kat_BV046992637
    Format: 1 Online-Ressource (VI, 264 Seiten) , Illustrationen
    Edition: First edition
    ISBN: 9781350141223 , 9781350141216
    Content: "Hitherto classified as a form of genre fiction, or as a particular aesthetic quality of literature by H. P. Lovecraft, the weird has now come to refer to a broad spectrum of artistic practices and expressions including fiction, film, television, photography, music, and visual and performance art. Largely under-theorized so far, The American Weird brings together perspectives from literary, cultural, media and film studies, and from philosophy, to provide a thorough exploration of the weird mode. Separated into two sections - the first exploring the concept of the weird and the second how it is applied through various media - this book generates new approaches to fundamental questions: Can the weird be conceptualized as a generic category, as an aesthetic mode or as an epistemological position? May the weird be thought through in similar ways to what Sianne Ngai calls the zany, the cute, and the interesting? What are the transformations it has undergone aesthetically and politically since its inception in the early twentieth century? Which strands of contemporary critical theory and philosophy have engaged in a dialogue with the discourses of and on the weird? And what is specifically "American" about this aesthetic mode? As the first comprehensive, interdisciplinary study of the weird, this book not only explores the writings of Lovecraft, Caitlín Kiernan, China Miéville, and Jeff VanderMeer, but also the graphic novels of Alan Moore, the music of Captain Beefheart, the television show Twin Peaks and the films of Lily Amirpour, Matthew Barney, David Lynch, and Jordan Peele."
    Note: Includes index
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-3501-4120-9
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-3501-4119-3
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-3501-8538-8
    Language: English
    Subjects: American Studies
    RVK:
    RVK:
    Keywords: USA ; Gothic novel ; Horrorliteratur ; Das Unheimliche ; Film ; Fantastische Literatur ; USA ; Popkultur ; Das Unheimliche ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Zappe, Florian 1977-
    Library Location Call Number Volume/Issue/Year Availability
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