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  • 1
    Online Resource
    Online Resource
    Icon Books Ltd
    UID:
    kobvindex_ZLB34039878
    ISBN: 9781785781179
    Content: " 'A sublime piece of literary detective work that shows us once and for all how to be precisely the sort of reader that Austen deserves.' Caroline Criado-Perez, Guardian Almost everything we think we know about Jane Austen is wrong. Her novels don't confine themselves to grand houses and they were not written just for readers' enjoyment. She writes about serious subjects and her books are deeply subversive. We just don't read her properly - we haven't been reading her properly for 200 years. Jane Austen, The Secret Radical puts that right. In her first, brilliantly original book, Austen expert Helena Kelly introduces the reader to a passionate woman living in an age of revolution,to a writer who used what was regarded as the lightest of literary genres, the novel, to grapple with the weightiest of subjects –,feminism, slavery, abuse, the treatment of the poor, the power of the Church, even evolution –,at a time, and in a place, when to write about such things directly was seen as akin to treason. Uncovering a radical, spirited and political engaged Austen, Jane Austen, The Secret Radical will encourage you to read Jane, all over again. "
    Content: Rezension(1): "〈a href=http://www.publishersweekly.com target=blank〉〈img src=https://images.contentreserve.com/pw_logo.png alt=Publisher's Weekly border=0 /〉〈/a〉: February 13, 2017 Kelly, an Oxford lecturer, enters the busy Jane Austen industry on a path already hewn but not overly traveled: the argument that Austen encoded radical beliefs into her famously well-mannered novels. This route into Austen deserves more attention, but Kelly’s book, despite offering interesting tidbits, meanders in too many directions. Kelly shows a solid knowledge of Regency history, but her larger point is unclear. A fundamental flaw lies in the fuzziness around Kelly’s use of “radical” (she defines it as “questioning unexplored assumptions”). She brings up contemporary political issues, such as Britain’s slave trade, but also suggests that Pride and Prejudice is a “revolutionary novel” because it doesn’t convey “unthinking respect for the nobility”—which can be said of many English novels of the time. Kelly also makes the questionable decision to open each chapter with a fictionalized “sweet” vignette about Austen’s life. A reader might wonder whether Kelly considers Austen a serious radical or, as in one segment, a silly child-woman “giggling” as she “skips.” This book, written with airy nonchalance, seems to hope to cater to multiple Austen constituencies but is likely to end up pleasing few. Agent: George Lucas, InkWell. "
    Language: English
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