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  • 2005-2009
  • 1995-1999  (3)
  • 1995  (3)
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Sprache
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Bibliothek
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  • 2005-2009
  • 1995-1999  (3)
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  • 1
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    UID:
    gbv_883355167
    Umfang: Online-Ressource (1 online resource (420 p.)) , digital, PDF file(s).
    Ausgabe: Online-Ausg.
    ISBN: 9780511470301
    Serie: New Perspectives in Music History and Criticism no. 3
    Inhalt: This book is a study of the prose writings of Richard Wagner and their relevance to an understanding of his music and drama, as well as their relation to music criticism and aesthetics in the nineteenth century in general. As a by-product of Wagner's many-faceted career as musician, conductor, cultural critic and controversial ideologue, the writings are documents of undisputed interpretative value. This study focuses on Wagner's words on music, and interprets them in the light of the musical, aesthetic and critical contexts that generated them. Professor Grey considers Wagner's ambivalence concerning the idea of 'absolute music' and the capacity of music to project meaning or drama from within its own system of referents. Particularly relevant are Wagner's appropriation of a Beethoven legacy, the metaphors of musical 'gender' and 'biology' in Opera and Drama and the critical background to ideas of 'motive' and 'leitmotif' in theory and practice
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , 1. Wagner and the problematics of "absolute music" in the nineteenth century: Ideas of absolute music ; Questions of autonomy ; Content and/or/as form ; Absolute music and "ideas: a new determinacy? -- 2. Beethoven reception and the hermeneutic impulse: "poetic ideas" and new forms: Beethoven's "poetic ideas": notes on the genesis of a critical tradition ; Poetics, heroics, funérailles ; Fear of the Fifth: the uncanniness of instrumental speech ; Beethoven's "sketches" (poetic intentions and musical consequences) -- 3. Engendering music drama: Opera and Drama and its metaphors: Metaphors of gender, and others; Natural sciences: reproductive biology and a theory of "evolution"; Music mastered, poetic reason (nearly) seduced: allegory and antithesis -- 4. The "poetic-musical period" and the "evolution" of Wagnerian form: Periode and Entwicklung ; "Evolving" period-complexes and Wagner's evolution: three dialogues -- 5. Endless melodies: Wagner and his critics around 1860 (Wagner's melody--all or none?) ; Melody, origins, and utopias of regression (melody as the origin of speech and poetry in Opera and Drama) ; Melody as form -- 6. Motives and motivations: leitmotif and "symphonic" drama: Warum? (motives to musical form) ; The birth of the music drama from the "labor-pains of program music" ; Motif, motive, Motiv: dramatic motivations and "symphonic form" ; Delirium and death as transgressive motives: "dramatic symphony" and "symphonic drama" ; Dénouements (motivic threads, dramatic plots, musical knots and resolutions).
    Weitere Ausg.: ISBN 9780521417389
    Weitere Ausg.: ISBN 9780521033190
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 978-052-141-738-9
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 9780521417389
    Sprache: Englisch
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 2
    Online-Ressource
    Online-Ressource
    Durham :Duke University Press,
    UID:
    almafu_9959677602702883
    Umfang: 1 online resource (248 p.)
    ISBN: 1-283-06274-7 , 9786613062741 , 0-8223-8240-7
    Serie: e-Duke books scholarly collection.
    Inhalt: In recent years, New Historicists have situated the iconoclasm of Milton's poetry and prose within the context of political, cultural, and philosophical discourses that foreshadow early modernism. In Carnal Rhetoric, Lana Cable carries these investigations further by exploring the iconoclastic impulse in Milton's works through detailed analyses of his use of metaphor. Building on a provocative iconoclastic theory of metaphor, she breaks new ground in the area of affective stylistics, not only as it pertains to the writings of Milton but also to all expressive language.Cable tra
    Anmerkung: Description based upon print version of record. , 1 Metaphor and "Meaning": Toward a Theory of Creative Iconoclasm -- 2 "Shuffling up such a God": The Rhetorical Agon of Milton's Antiprelatical Tracts -- 3 "Was she thy God?": The Coupling Rhetoric of the Divorce Tracts -- 4 "The image of God in the eye": Areopagitica's Truth -- 5 "Unimprisonable utterance": Imagination and the Attack on Eikon Basilike -- 6 Samson's Transformative Desire. , English
    Weitere Ausg.: ISBN 0-8223-1560-2
    Weitere Ausg.: ISBN 0-8223-1573-4
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 3
    Online-Ressource
    Online-Ressource
    Durham :Duke University Press,
    UID:
    edocfu_9959712590202883
    Umfang: 1 online resource (246 p.)
    ISBN: 9780822382409
    Inhalt: In recent years, New Historicists have situated the iconoclasm of Milton’s poetry and prose within the context of political, cultural, and philosophical discourses that foreshadow early modernism. In Carnal Rhetoric, Lana Cable carries these investigations further by exploring the iconoclastic impulse in Milton’s works through detailed analyses of his use of metaphor. Building on a provocative iconoclastic theory of metaphor, she breaks new ground in the area of affective stylistics, not only as it pertains to the writings of Milton but also to all expressive language.Cable traces the development of Milton’s iconoclastic poetics from its roots in the antiprelatical tracts, through the divorce tracts and Areopagitica, to its fullest dramatic representation in Eikonoklastes and Samson Agonistes. Arguing that, like every creative act, metaphor is by nature a radical and self-transgressing agent of change, she explores the site where metaphoric language and imaginative desire merge. Examining the demands Milton places on metaphor, particularly his emphasis on language as a vehicle for mortal redemption, Cable demonstrates the ways in which metaphor acts for him as that creative and radical agent of change. In the process, she reveals Milton’s engagement, at the deepest levels of linguistic creativity, with the early modern commitment to an imaginative and historic remaking of the world.An insightful and synthetic book, Carnal Rhetoric will appeal to scholars of English literature, Milton, and the Renaissance, as well as to those with an interest in the theory of affective stylistics as it pertains to reader-response criticism, semantics, epistemology, and the philosophy and psychology of language.
    Anmerkung: Frontmatter -- , CONTENTS -- , Preface -- , Acknowledgments -- , Introduction -- , 1. Metaphor and "Meaning": Toward a Theory of Creative Iconoclasm -- , 2. "Shuffling up such a God": The Rhetorical Agon of Milton's Antiprelatical Tracts -- , 3. "Was she thy God?": The Coupling Rhetoric of the Divorce Tracts -- , 4. "The image of God in the eye": Areopagitica's Truth -- , 5. "Unimprisonable utterance": Itnagination and the Attack on Eikon Basilike -- , 6. Samson's Transformative Desire -- , Notes -- , Index , In English.
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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