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  • 2000-2004  (30)
  • 2004  (30)
  • Film  (30)
Type of Medium
Language
Region
Years
  • 2000-2004  (30)
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  • 1
    UID:
    b3kat_BV040922390
    Format: 1 Online-Ressource (1 v.)
    ISBN: 1417583665 , 9781417583669 , 9780857712646 , 0857712640
    Series Statement: Cinema and Society
    Note: Based on the author's thesis (Ph. D.)--University of Essex , Includes bibliographical references (p. 219-242) and index , Britain and France and the concept of "community" -- Film industries at war : projecting "community" -- Countryside and city, Paysage et patrie at war -- Countryside, city, and region in post-war film -- Cinema of the return : acceptance and alienation -- Women in Britain : "returned" or renewed? -- "Liberation" and Les femmes françaises , Relations between France and Britain have always been uneasy and ambivalent. But in cinema the WWII changed all that for a time. Although the two countries' wartime fortunes differed, post-war both were busy reintegrating returning servicemen and prisoners of war, and accomodating the changed aspirations of women. Margaret Butler examines these subjects and more in her comparative study of the cinemas of Britain and France during and after the war. Using the concept of continuity, she shows how cinema dealt directly with ideas of belonging and alienation, inclusion and exclusion, unity and div
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 1-86064-954-8
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-86064-954-7
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 1-86064-955-6
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-86064-955-4
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Großbritannien ; Film ; Gemeinschaft ; Frankreich ; Geschichte 1940-1960
    URL: Full text  (Click to View (Currently Only Available on Campus))
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  • 2
    Book
    Book
    Berkeley, Calif. [u.a.] : Univ. of Calif. Press
    UID:
    b3kat_BV019624127
    Format: XII, 328 S.
    ISBN: 0520241282 , 0520241290 , 9780520241282 , 9780520241299
    Content: Vivian Sobchack considers the key roles our bodies play in making sense of the modern image-saturated culture. Emphasizing our corporeal rather than our intellectual engagements with film, she shows how our experience always emerges through our senses & how our bodies are sense-making, visual sunjects.
    Note: Literaturangaben. - Hier auch später erschienene, unveränderte Nachdrucke , Breadcrumbs in the forest: three meditations on being Lost in space -- Scary women; cinema, surgery and special effects -- What my fingers knew: the cinesthetic subject, or vision in the flesh -- The expanded gaze in contracted space: happenstance, hazard and the flesh of the world -- Susie scribbles: on technology, Techne, and writing incarnate -- The scene of the screeN: envisioning photographick, cinematic, and electronic presence -- Beating the meat / surviving the text, or how to get out of the century alive -- Is any body home: embodied imagination and visible evictions -- A leg to stand on: prosthetics, metaphor, and materiality -- Inscribing ethical space. ten propositions on death, representation and documentary -- The charge of the real: embodied knowldedge and cinematic consciousness -- The passion of the material: toward a phenomenology of interobjectivity
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-520-93782-6
    Additional Edition: ISBN 0-520-93782-1
    Language: English
    Subjects: General works
    RVK:
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    Keywords: USA ; Film ; Philosophie ; USA ; Film ; Psychologie
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    Berkeley, Calif. [u.a.] :Univ. of Calif. Press,
    UID:
    almafu_BV019624127
    Format: XII, 328 S.
    ISBN: 0-520-24128-2 , 0-520-24129-0 , 978-0-520-24128-2 , 978-0-520-24129-9
    Content: Vivian Sobchack considers the key roles our bodies play in making sense of the modern image-saturated culture. Emphasizing our corporeal rather than our intellectual engagements with film, she shows how our experience always emerges through our senses & how our bodies are sense-making, visual sunjects.
    Note: Literaturangaben. - Hier auch später erschienene, unveränderte Nachdrucke , Breadcrumbs in the forest: three meditations on being Lost in space -- Scary women; cinema, surgery and special effects -- What my fingers knew: the cinesthetic subject, or vision in the flesh -- The expanded gaze in contracted space: happenstance, hazard and the flesh of the world -- Susie scribbles: on technology, Techne, and writing incarnate -- The scene of the screeN: envisioning photographick, cinematic, and electronic presence -- Beating the meat / surviving the text, or how to get out of the century alive -- Is any body home: embodied imagination and visible evictions -- A leg to stand on: prosthetics, metaphor, and materiality -- Inscribing ethical space. ten propositions on death, representation and documentary -- The charge of the real: embodied knowldedge and cinematic consciousness -- The passion of the material: toward a phenomenology of interobjectivity
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-520-93782-6
    Additional Edition: ISBN 0-520-93782-1
    Language: English
    Subjects: General works
    RVK:
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    RVK:
    Keywords: Film ; Philosophie ; Film ; Psychologie ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    almafu_BV019838328
    Format: 1 DVD (107 Min., PAL), farb., Dolby digital ; , Beil. , 12 cm
    Uniform Title: The fearless vampire killers or: Pardon me, but your teeth are in my neck
    Note: Orig.: GB, 1966 , Dt., engl., span. - Untertitel in verschiedenen Sprachen. - Untertitel für Hörgeschädigte: dt., engl.
    Language: German
    Subjects: Romance Studies , General works
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    Keywords: The vampire killers ; Vampir ; Horrorfilm ; Film ; DVD-Video ; Film ; DVD-Video
    Author information: Polański, Roman 1933-
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    gbv_554865262
    Format: XI, 252 S.
    Edition: Electronic reproduction, Boulder, Colo : NetLibrary, 2005
    ISBN: 9781417583669 , 1417583665 , 9780857712646 , 0857712640 , 1282528939 , 9781282528932
    Series Statement: Cinema and Society
    Content: Britain and France and the concept of "community" -- Film industries at war : projecting "community" -- Countryside and city, Paysage et patrie at war -- Countryside, city, and region in post-war film -- Cinema of the return : acceptance and alienation -- Women in Britain : "returned" or renewed? -- "Liberation" and Les femmes françaises
    Content: Relations between France and Britain have always been uneasy and ambivalent. But in cinema the WWII changed all that for a time. Although the two countries' wartime fortunes differed, post-war both were busy reintegrating returning servicemen and prisoners of war, and accomodating the changed aspirations of women. Margaret Butler examines these subjects and more in her comparative study of the cinemas of Britain and France during and after the war. Using the concept of continuity, she shows how cinema dealt directly with ideas of belonging and alienation, inclusion and exclusion, unity and div
    Note: Includes bibliographical references and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2005 , Electronic reproduction, Boulder, Colo : NetLibrary, 2005
    Additional Edition: Erscheint auch als Druck-Ausgabe Butler, Margaret Film and community: Britain and France ; from La R̀egle du jeu to Room at the top London [u.a.] : Tauris, 2004 ISBN 9781860649547
    Additional Edition: ISBN 9781860649554
    Additional Edition: ISBN 1860649548
    Additional Edition: ISBN 1860649556
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Großbritannien ; Film ; Geschichte ; Frankreich ; Film ; Geschichte ; Electronic books
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 6
    Book
    Book
    Berkeley, Calif. [u.a.] :Univ. of Calif. Press,
    UID:
    almahu_BV019624127
    Format: XII, 328 S.
    ISBN: 0-520-24128-2 , 0-520-24129-0 , 978-0-520-24128-2 , 978-0-520-24129-9
    Content: Vivian Sobchack considers the key roles our bodies play in making sense of the modern image-saturated culture. Emphasizing our corporeal rather than our intellectual engagements with film, she shows how our experience always emerges through our senses & how our bodies are sense-making, visual sunjects.
    Note: Literaturangaben. - Hier auch später erschienene, unveränderte Nachdrucke , Breadcrumbs in the forest: three meditations on being Lost in space -- Scary women; cinema, surgery and special effects -- What my fingers knew: the cinesthetic subject, or vision in the flesh -- The expanded gaze in contracted space: happenstance, hazard and the flesh of the world -- Susie scribbles: on technology, Techne, and writing incarnate -- The scene of the screeN: envisioning photographick, cinematic, and electronic presence -- Beating the meat / surviving the text, or how to get out of the century alive -- Is any body home: embodied imagination and visible evictions -- A leg to stand on: prosthetics, metaphor, and materiality -- Inscribing ethical space. ten propositions on death, representation and documentary -- The charge of the real: embodied knowldedge and cinematic consciousness -- The passion of the material: toward a phenomenology of interobjectivity
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-520-93782-6
    Additional Edition: ISBN 0-520-93782-1
    Language: English
    Subjects: General works
    RVK:
    RVK:
    RVK:
    Keywords: Film ; Philosophie ; Film ; Psychologie
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    UID:
    b3kat_BV019787135
    Format: 2 DVDs, PAL, Ländercode 2, 91 Min., s/w, mono, Dolby digital , Beil. , 12 cm
    Edition: 40th anniversary limited ed.
    Uniform Title: Dr. Strangelove or: how I learned to stop worrying and love the bomb
    Note: Bildformat: 1.66:1 (16:9 widescreen) , Orig.: Großbritannien, USA 1964 , Enth. 5 Filmdokumentationen: Kein Streit in der Kommandozentrale, Oder: Dr. Seltsam und die nukleare Bedrohung ; Making Of. - Dr. Seltsam Oder: wie ich lernte, die Bombe zu lieben ; Best Sellers Oder: Peter Sellers und Dr. Seltsam ; Die Kunst des Stanley Kubrick ; Robert McNamara im Gespräch über die nukleare Bedrohung ; Interview mit Peter Sellers und George C. Scott ; Filmographien ; Kinoreklame - Galerie , Dt., engl., ital., span. Untertitel in dt., engl., dän., finn., ital., norw., poln., portug., schwed., span., tschech., türk., ungar.
    Language: German
    Subjects: General works , English Studies
    RVK:
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    Keywords: Dr. Strangelove ; Film
    Author information: Kubrick, Stanley 1928-1999
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  • 8
    AV-Medium
    AV-Medium
    Berlin : Epic Music Video
    UID:
    kobvindex_ZLB09276765
    Format: 1 DVD-Video (ca. 122 Min.)
    Note: Ländercode: Keine Angaben , Engl. , Aufn.: Live in Bucharest, 1992 , Main Title. -Jam. -Wanna be startin' somethin'. -Human nature. -Smooth criminal. -I just can't stop loving you. -She's out of my life. -I want you back/The love you save. -I'll be there. -Thriller. -Billie Jean. -Working day and night. -Beat it. -Will you be there. -Black or white. -Heal the world. -Man in the Mirror. -Credits
    Language: English
    Keywords: Jackson, Michael ; DVD-Video ; DVD-Video ; Film
    Author information: Jackson, Michael
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  • 9
    AV-Medium
    AV-Medium
    [Stuttgart] : MC One
    UID:
    kobvindex_ZLB02184705
    Format: 1 DVD (50 Min.) , farb.
    Edition: 1.Aufl.
    Language: German
    Keywords: Troja ; DVD-Video ; DVD-Video ; Film
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  • 10
    UID:
    kobvindex_ZLB01356640
    Format: 2 DVD , Bildformat: 1.66:1 ; 16:9 Widescreen
    Edition: 40th anniversary limited ed.
    Note: Ländercode: 2 , Extras: 5 Filmdokumentationen: Kein Streit in der Kommandozentrale Oder: Dr. Seltsam und die nukleare Bedrohung. Making of - Dr. Seltsam Oder: wie ich lernte, die Bombe zu lieben. Best Sellers Oder: Peter Sellers und Dr. Seltsam. Die Kunst des Stanley Kubrick. Robert McNamara im Gespräch über die nukleare Bedrohung (14 Min.). Gespielte Split Screen-Interviews mit Peter Sellers und George C. Scott (7 Min.). Filmografien. Kinoreklame. Galerie. Trailer , Dt., engl., ital., span. mit 14 Untertiteln , Orig.: Großbritannien, 1963 , Außerdem: Interview with Robert MacNamara (The former Secretary of Defense discusses the policy of deterrence and describes in chilling detail the situations during his tenure that could have escalated into a nuclear exchange with the Soviet Union, 24 Min.)
    Language: German
    Keywords: Atomkriegsgefahr ; Abschreckung ; Film ; DVD-Video ; Atomkriegsgefahr ; Abschreckung ; Interview ; DVD-Video ; DVD-Video ; Interview ; Interview
    Author information: Kubrick, Stanley
    Library Location Call Number Volume/Issue/Year Availability
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