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  • 1
    Online Resource
    Online Resource
    Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Mexiko City : Cambridge University Press
    UID:
    b3kat_BV043928898
    Format: 1 Online-Ressource (ix, 206 Seiten)
    ISBN: 9781139169257
    Content: Garrett Sullivan explores the changing impact of Aristotelian conceptions of vitality and humanness on sixteenth- and seventeenth-century literature before and after the rise of Descartes. Aristotle's tripartite soul is usually considered in relation to concepts of psychology and physiology. However, Sullivan argues that its significance is much greater, constituting a theory of vitality that simultaneously distinguishes man from, and connects him to, other forms of life. He contends that, in works such as Sidney's Old Arcadia, Shakespeare's Henry IV and Henry V, Spenser's Faerie Queene, Milton's Paradise Lost and Dryden's All for Love, the genres of epic and romance, whose operations are informed by Aristotle's theory, provide the raw materials for exploring different models of humanness; and that sleep is the vehicle for such exploration as it blurs distinctions among man, plant and animal
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-107-02441-0
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-316-50533-5
    Language: English
    Subjects: English Studies
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    Keywords: Englisch ; Literatur ; Aristotelismus ; Rezeption ; Geschichte 1500-1700 ; Spenser, Edmund 1552-1599 The faerie queene ; Sidney, Philip 1554-1586 The old Arcadia ; Shakespeare, William 1564-1616 King Henry IV ; Shakespeare, William 1564-1616 King Henry V ; Milton, John 1608-1674 Paradise lost ; Dryden, John 1631-1700 All for love, or the world well lost ; Aristotelismus ; Schlaf ; Vitalität ; Leiblichkeit
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 2
    UID:
    b3kat_BV040394389
    Format: IX, 206 S.
    Edition: 1. publ.
    ISBN: 9781107024410
    Note: "Garrett Sullivan explores the changing impact of Aristotelian conceptions of vitality and humanness on sixteenth- and seventeenth-century literature before and after the rise of Descartes. In the Renaissance, Aristotle's tripartite soul is usually considered in relation to concepts of psychology and physiology. However, Sullivan argues that its significance is much greater, constituting a theory of vitality that simultaneously distinguishes man from, and connects him to, other forms of life. He contends that, in works such as Sidney's Old Arcadia, Shakespeare's Henry IV and Henry V, Spenser's Faerie Queene, Milton's Paradise Lost and Dryden's All for Love, the genres of epic and romance, whose operations are informed by Aristotle's theory, provide the raw materials for exploring different models of humanness; and that sleep is the vehicle for such exploration as it blurs distinctions among man, plant and animal"-- Provided by publisher. , Includes bibliographical references and index
    Language: English
    Subjects: English Studies
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    Keywords: Englisch ; Literatur ; Aristotelismus ; Rezeption ; Geschichte 1500-1700 ; Spenser, Edmund 1552-1599 The faerie queene ; Sidney, Philip 1554-1586 The old Arcadia ; Shakespeare, William 1564-1616 King Henry IV ; Shakespeare, William 1564-1616 King Henry V ; Milton, John 1608-1674 Paradise lost ; Dryden, John 1631-1700 All for love, or the world well lost ; Aristotelismus ; Schlaf ; Vitalität ; Leiblichkeit
    URL: Cover
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  • 3
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    UID:
    b3kat_BV042202870
    Format: X, 389 S. , Ill.
    Edition: 1. ed.
    ISBN: 9780198712947 , 0198712944
    Content: The sense of touch had a deeply uncertain status in the sixteenth and seventeenth centuries. It had long been seen as the most certain and reliable of the senses, and also as biologically necessary: each of the other senses could be relinquished, but to lose touch was to lose life itself. Alternatively, touch was seen as dangerously bodily, and too fully involved in sensual and sexual pleasures, to be of true worth. This book argues that this tension came to the fore during the English Renaissance, and allowed some of the central debates of this period-surrounding the nature of human experience, of the material world, and of the relationship between the human and the divine-to proceed through discussions of touch. It also argues that the unstable status of touch was of particular import to the poetry of this period. By bringing touch to the fore in a period usually associated with the dominance of vision and optics, Joe Moshenska offers reconsiderations of major English poets, especially Edmund Spenser and John Milton, while exploring a range of spheres in which touch assumed new significance. These include theological debates surrounding relics and the Eucharist in the work of Erasmus, Thomas Cranmer and Lancelot Andrewes; the philosophical history of tickling; the touching of paintings and sculptures in a European context; faith healing and experimental science; and the early reception of Chinese medicine in England
    Language: English
    Subjects: English Studies
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    Keywords: England ; Tastsinn ; Geschichte 1500-1700 ; Englisch ; Literatur ; Tastsinn ; Geschichte 1500-1700
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  • 4
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    UID:
    gbv_1695591860
    Format: 1 online resource (xi, 218 pages) , digital, PDF file(s).
    ISBN: 9781107300750 , 9781107614550 , 9781107041769
    Content: How did authors such as Jonson, Spenser, Donne and Milton think about the past lives of the words they used? Hannah Crawforth shows how early modern writers were acutely attuned to the religious and political implications of the etymology of English words. She argues that these lexically astute writers actively engaged with the lexicographers, Anglo-Saxonists and etymologists who were carrying out a national project to recover, or invent, the origins of English, at a time when the question of a national vernacular was inseparable from that of national identity. English words are deployed to particular effect – as a polemical weapon, allegorical device, coded form of communication, type of historical allusion or political tool. Drawing together early modern literature and linguistics, Crawforth argues that the history of English as it was studied in the period radically underpins the writing of its greatest poets.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , Cover; Etymology and the Invention of English in Early Modern Literature; Title; Copyright; Contents; Preface; Acknowledgements; Note on the text; Introduction; Etymology in Early Modern England; Etymology and the invention of English; The roots of etymological reading: Biblical Humanism; Etymology in practice: vernacular philology; Chapter One Etymology and estrangement in the poems of Edmund Spenser; Strangers to our own mother tongue; Februarie: tradition and innovation; Maye: no newe reformation; Precedents for Protestantism: priests' marriage; 'September': wolves in England , Speaking darklyIgnorance and blindness; 'Neither good English nor good Irish'; Reforming legends; Conclusion; Chapter Two Etymology and textual time in the masques of Ben Jonson; Cynthia's Revels (1601); The King's Entertainment (1604); Sejanus (1604); The Masque of Blackness (1605); Hymenaei (1606); For the Honour of Wales (1618); 'An Execration Upon Vulcan' (1623); Conclusion; Chapter Three Etymology and place in Donne's sermons; The place of etymology in Donne's sermons; A world in a word: the place of etymology in the Early Modern pulpit , Language change and political power in Donne's court preachingLanguage, law and inheritance: Donne's sermons at the Inns of Court; Plurality and pragmatism: Donne preaches at St Paul's; Conclusion; Chapter Four Etymology and the ends of idealism in Milton's prose; The sceptical etymologist; 'The worme of Criticisme'; Radical literalism; Naming Parliament; The 'native integrity' of English; Redefining the heroic; Ideal worlds and pragmatic words; The ends of idealism; ConclusionA world in a word; Bibliography; Index
    Additional Edition: ISBN 9781107041769
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781107041769
    Additional Edition: Erscheint auch als Druck-Ausgabe Crawforth, Hannah Jane, 1980 - Etymology and the invention of English in early modern literature Cambridge [u.a.] : Cambridge Univ. Press, 2013 ISBN 9781107041769
    Language: English
    Subjects: English Studies
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    Keywords: Englisch ; Literatur ; Wortschatz ; Etymologie ; Geschichte 1500-1700 ; Electronic books ; Hochschulschrift
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