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  • 1
    Online Resource
    Online Resource
    Cambridge :Cambridge University Press,
    UID:
    almahu_9947414417302882
    Format: 1 online resource (xii, 278 pages) : , digital, PDF file(s).
    ISBN: 9780511518638 (ebook)
    Series Statement: Literature, culture, theory ; 19
    Content: This is the first book to explore the full range and import of Lacan's theory of poetry and its relationship to his understanding of the subject and historicity. Gilbert Chaitin's lucid and accessible study of this famously complex thinker shows how Lacan moves beyond the traditionally hostile polarities of mythos and logos, poetics and philosophy, to conceive of the subject as a complex interplay between psychoanalysis, rationality and history. Lacan's incorporation of historical necessity into the formation of subjectivity enables him to illuminate the role literature plays in the creation of selfhood. Lacan's metaphor of the subject, Chaitin argues, draws not only on Saussure, Jakobson, Freud, Heidegger and Hegel but on hitherto unacknowledged sources such as Bertrand Russell and I.A. Richards. Chaitin explores the ambiguities, contradictions and singularities of Lacan's immensely influential work to provide a definitive account of the theoretical development across his entire career.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , 1. Introduction -- 2. Treeing Lacan, or the Meaning of Metaphor -- 3. A Being of Significance -- 4. From Logic to Ethics: Transference and the Letter -- 5. Desire and Culture: Transference and the Other -- 6. The Subject and the Symbolic Order: Historicity, Mathematics, Poetry -- 7. Conclusion: Lacan and Contemporary Criticism.
    Additional Edition: Print version: ISBN 9780521497282
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 2
    UID:
    b3kat_BV024292339
    Language: Undetermined
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Pittsburgh, Pennsylvania :University of Pittsburgh Press,
    UID:
    edocfu_9959234238502883
    Format: 1 online resource (332 p.)
    Edition: 1st ed.
    ISBN: 0-8229-9061-X
    Series Statement: Pitt series in composition, literacy, and culture
    Note: Description based upon print version of record. , ""Contents""; ""Acknowledgments""; ""Introduction""; ""I. THEORY OF ORGANIC EDUCATION""; ""The Organic Curriculum""; ""The Religious Experience of a Skeptic""; ""II. A SOCIAL RHETORIC AND POETICS""; ""Genesis: Poetic Metaphor""; ""The Present Status of Rhetorical Theory""; ""What Does “Rhetoric� Mean?""; ""The Social Criticism of Literature""; ""III. COMPOSITION INSTRUCTION WITH PURPOSE""; ""Recent Tendencies in the Teaching of English Composition""; ""The Basis of Exposition""; ""Argumentation""; ""Marks in Freshman English""; ""IV. HOLISTIC GRAMMAR INSTRUCTION"" , ""The Sentence-Diagram""""The Psychology of the Diagram""; ""Make-Believe Grammar""; ""V. POETRY, PLAYS, AND FEMINIST FICTION""; ""Preface to Poems and Plays""; ""Poems""; ""The Road to Nowhere""; ""A Maine Road""; ""Fishing""; ""Berlin""; ""An Epitaph""; ""The Return""; ""Mother-Love""; ""The Girl from the Marsh Croft""; ""The Funeral""; ""VI. WORKING DOCUMENTS""; ""Correspondence and Department Reports""; ""Works Cited""
    Additional Edition: ISBN 0-8229-5573-3
    Language: English
    Keywords: Electronic books. ; Electronic books.
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  • 4
    UID:
    almahu_9949700904802882
    Format: 1 online resource.
    ISBN: 9789004457621 , 9789042003996
    Series Statement: Poznań Studies in the Philosophy of the Sciences and the Humanities ; 62
    Content: The book covers almost the whole range of semiotics: the conceptions of meaning, the appearance of meaning units in semiosis, the dichotomy analyticity/syntheticity, the formal condition of good translation, the metaphorical change in fine arts, the figurativeness in modern literary theories, the metaphor in computer translation, the conditionals with egocentric predicates, the evolution of the notion of cause, the temporal relation in conditionals, the structure of passive voice, the semantics of to think, the reasoning and rationality, the non-formalized reasoning, the operation of acceptance, the principle of non-contradiction, the relation semiotics/logic/philosophy, the interdisciplinarity and exactness, the notion of imprecision, the interpretation of some semiotic notions (i.a. semantic field of terms) in terms of mathematics, the description of categorial grammars in terms of model theory, the human knowledge as moral problem, the conceptualization of the development of knowledge by means of the notion of meme, the cultural relations between some European countries, the typology of scientists, the semiotic studies of some Spanish, Irish, Czech, Polish and Norwegian works of literature, the semiotic aspects of music, television and the whole sphere of artifacts, the history of semiotics (Plato, Gonsung Long, Descartes, Fu Yen, Peirce, Brwal, Lotman, Langer)
    Note: Introduction, How to Move in the World of Signs -- PART I: THEORETICAL SEMIOTICS -- Andrzej BOGUS_AWSKI: Conditionals and Egocentric Mental Predicates -- Wojciech BUSZKOWSKI: On Families of Languages Generated by Categorial Grammar -- Katalin G -- HAVAS: Changing the World - Changing the Meaning -- On the Meanings of the Principle of Non-Contradiction -- Henryk HITZ: On Translation -- Solomon MARCUS: Imprecision, Between Variety and Uniformity: The Conjugate Pairs -- Jaroslav PEREGRIN, Petr SGALL: Meaning and Propositional Attitudes -- Olgierd Adrian WOJTASIEWICZ: Some Applications of Metric Space in Theoretical Linguistics -- PART II: METHODOLOGY -- Evandro AGAZZI: Rationality and Certitude -- Irena BELLERT: Human Reasoning and Artificial Intelligence -- When Are Computers Dumb in Simulating Human Reasoning? Tomasz BIGAJ: Analyticity and Existence in Mathematics -- Geoffrey B -- KEENE: Taking up the Logical Slack in Natural Language -- András Kertész: Interdisciplinarity and the Myth of Exactness -- Jan SRZEDNICKI: Norm as the Basis of Form -- Juri S -- STEPANOV: Cause in the Light of Semiotics -- Jerzy A -- WOJCIECHOWSKI: The Development of Knowledge as a Moral Problem -- PART III: HISTORY OF SEMIOTICS -- Erhard ALBRECHT: Philosophy of Language, Logic and Semiotics -- Gérard DELEDALLE: A Philosopher's Reply to Questions Concerning Peirce's Theory of Signs -- Janice DELEDALLE-RHODES: The Transposition of the Linguistic Sign in Peirce's Contributions to The Nation -- Robert E -- INNIS: From Feeling to Mind: A Note on Langer's Notion of Symbolic Projection -- Roberta KEVELSON: Peirce's Semiotics as Complex Inquiry: Conflicting Methods -- Jerzy KOPANIA: The Cartesian Alternative of Philosophical Thinking -- Xiankun LI: Why Gonsung Long (Kungsun Lung) Said White Horse Is Not Horse -- Lucia MELAZZO: A Report on Ancient Discussion -- Ding-fu NI; Semantic Thoughts of J -- Stuart Mill and Chinese Characters -- Irene PORTIS-WINNER: Lotman's Semiosphere: Some Comments -- Joëlle RÉTHORÉ: Another Close Look at the Interpretant -- Edward STANKIEWICZ: The Semiotic Turn of Breal's Semantique -- PART IV: LINGUISTICS -- Klaus HEGER: Passive and Other Voices Seen from an Onomasiological Point of View -- Laszlo I KOMLÓSZI: The Semiotic System of Events, Intrinsic Temporal and Deictic Tense Relations in Natural Language -- On the Conceptualization of Temporal Schemata -- Wac_aw M -- OSADNIK, Ewa HORODECKA: Polysystem Theory, Translation Theory and Semiotics -- Anna WIERZBICKA: THINK - a Universal Human Concept and a Conceptual Primitive -- PART V: CULTURAL SEMIOTICS -- Gianfranco BETTETINI: Communication as a Videogame -- W_odzimierz KRYSI??N??SKI: Joyce, Models, and Semiotics of Passions -- Hanna KSIAZEK-KONICKA: Visual Thinking in the Poetry of Julian Przybo_ and Miron Bia_oszewskI Urszula NIKLAS: The Space of Metaphor -- Maria Caterina RUTA: Captivity as Event and Metaphor in Some of Cervantes' Writings -- Eero TARASTI: From Aesthetics to Ethics: Semiotic Observations on the Moral Aspects of Art, Especially Music -- Ladislav TONDL: Is It Justified to Consider the Semiotics of Technological Artefacts? Vilmos VOIGT: Poland, Finland and Hungary (A Tuatara's View) -- Thomas G -- WINNER: Czech Poetism: A New View of Poetic Language -- Johan WREDE: Metaphorical Imagery - Ambiguity, Explicitness and Life -- Else M -- BARTH: A Case Study in Empirical Logic and Semiotics -- Fundamental Modes of Thought of Nazi Politician Vidkun Quisling, Based on Unpublished Drafts and Notebooks -- Paul BOUISSAC: Why Do Memes Die? Wojciech KALAGA: Thresholds of Signification -- Adam PODGÓRECKI: Do Social Sciences Evaporate?
    Additional Edition: Print version: In the World of Signs : Essays in honour of Professor Jerzy Pelc. Leiden ; Boston : BRILL, 1998 ISBN 9789042003996
    Language: English
    URL: DOI:
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  • 5
    UID:
    gbv_1814717587
    Format: 1 Online-Ressource
    ISBN: 9789004457621 , 9789042003996
    Series Statement: Poznań Studies in the Philosophy of the Sciences and the Humanities 62
    Content: The book covers almost the whole range of semiotics: the conceptions of meaning, the appearance of meaning units in semiosis, the dichotomy analyticity/syntheticity, the formal condition of good translation, the metaphorical change in fine arts, the figurativeness in modern literary theories, the metaphor in computer translation, the conditionals with egocentric predicates, the evolution of the notion of cause, the temporal relation in conditionals, the structure of passive voice, the semantics of to think, the reasoning and rationality, the non-formalized reasoning, the operation of acceptance, the principle of non-contradiction, the relation semiotics/logic/philosophy, the interdisciplinarity and exactness, the notion of imprecision, the interpretation of some semiotic notions (i.a. semantic field of terms) in terms of mathematics, the description of categorial grammars in terms of model theory, the human knowledge as moral problem, the conceptualization of the development of knowledge by means of the notion of meme, the cultural relations between some European countries, the typology of scientists, the semiotic studies of some Spanish, Irish, Czech, Polish and Norwegian works of literature, the semiotic aspects of music, television and the whole sphere of artifacts, the history of semiotics (Plato, Gonsung Long, Descartes, Fu Yen, Peirce, Brwal, Lotman, Langer)
    Note: Includes bibliographical references and index , Introduction, How to Move in the World of Signs -- PART I: THEORETICAL SEMIOTICS -- Andrzej BOGUS_AWSKI: Conditionals and Egocentric Mental Predicates -- Wojciech BUSZKOWSKI: On Families of Languages Generated by Categorial Grammar -- Katalin G -- HAVAS: Changing the World - Changing the Meaning -- On the Meanings of the Principle of Non-Contradiction -- Henryk HITZ: On Translation -- Solomon MARCUS: Imprecision, Between Variety and Uniformity: The Conjugate Pairs -- Jaroslav PEREGRIN, Petr SGALL: Meaning and Propositional Attitudes -- Olgierd Adrian WOJTASIEWICZ: Some Applications of Metric Space in Theoretical Linguistics -- PART II: METHODOLOGY -- Evandro AGAZZI: Rationality and Certitude -- Irena BELLERT: Human Reasoning and Artificial Intelligence -- When Are Computers Dumb in Simulating Human Reasoning? Tomasz BIGAJ: Analyticity and Existence in Mathematics -- Geoffrey B -- KEENE: Taking up the Logical Slack in Natural Language -- András Kertész: Interdisciplinarity and the Myth of Exactness -- Jan SRZEDNICKI: Norm as the Basis of Form -- Juri S -- STEPANOV: Cause in the Light of Semiotics -- Jerzy A -- WOJCIECHOWSKI: The Development of Knowledge as a Moral Problem -- PART III: HISTORY OF SEMIOTICS -- Erhard ALBRECHT: Philosophy of Language, Logic and Semiotics -- Gérard DELEDALLE: A Philosopher's Reply to Questions Concerning Peirce's Theory of Signs -- Janice DELEDALLE-RHODES: The Transposition of the Linguistic Sign in Peirce's Contributions to The Nation -- Robert E -- INNIS: From Feeling to Mind: A Note on Langer's Notion of Symbolic Projection -- Roberta KEVELSON: Peirce's Semiotics as Complex Inquiry: Conflicting Methods -- Jerzy KOPANIA: The Cartesian Alternative of Philosophical Thinking -- Xiankun LI: Why Gonsung Long (Kungsun Lung) Said White Horse Is Not Horse -- Lucia MELAZZO: A Report on Ancient Discussion -- Ding-fu NI; Semantic Thoughts of J -- Stuart Mill and Chinese Characters -- Irene PORTIS-WINNER: Lotman's Semiosphere: Some Comments -- Joëlle RÉTHORÉ: Another Close Look at the Interpretant -- Edward STANKIEWICZ: The Semiotic Turn of Breal's Semantique -- PART IV: LINGUISTICS -- Klaus HEGER: Passive and Other Voices Seen from an Onomasiological Point of View -- Laszlo I KOMLÓSZI: The Semiotic System of Events, Intrinsic Temporal and Deictic Tense Relations in Natural Language -- On the Conceptualization of Temporal Schemata -- Wac_aw M -- OSADNIK, Ewa HORODECKA: Polysystem Theory, Translation Theory and Semiotics -- Anna WIERZBICKA: THINK - a Universal Human Concept and a Conceptual Primitive -- PART V: CULTURAL SEMIOTICS -- Gianfranco BETTETINI: Communication as a Videogame -- W_odzimierz KRYSI??N??SKI: Joyce, Models, and Semiotics of Passions -- Hanna KSIAZEK-KONICKA: Visual Thinking in the Poetry of Julian Przybo_ and Miron Bia_oszewskI Urszula NIKLAS: The Space of Metaphor -- Maria Caterina RUTA: Captivity as Event and Metaphor in Some of Cervantes' Writings -- Eero TARASTI: From Aesthetics to Ethics: Semiotic Observations on the Moral Aspects of Art, Especially Music -- Ladislav TONDL: Is It Justified to Consider the Semiotics of Technological Artefacts? Vilmos VOIGT: Poland, Finland and Hungary (A Tuatara's View) -- Thomas G -- WINNER: Czech Poetism: A New View of Poetic Language -- Johan WREDE: Metaphorical Imagery - Ambiguity, Explicitness and Life -- Else M -- BARTH: A Case Study in Empirical Logic and Semiotics -- Fundamental Modes of Thought of Nazi Politician Vidkun Quisling, Based on Unpublished Drafts and Notebooks -- Paul BOUISSAC: Why Do Memes Die? Wojciech KALAGA: Thresholds of Signification -- Adam PODGÓRECKI: Do Social Sciences Evaporate?
    Additional Edition: Erscheint auch als Druck-Ausgabe In the World of Signs : Essays in honour of Professor Jerzy Pelc Leiden : BRILL, 1998 ISBN 9789042003996
    Language: English
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  • 6
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    UID:
    gbv_883355167
    Format: Online-Ressource (1 online resource (420 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    ISBN: 9780511470301
    Series Statement: New Perspectives in Music History and Criticism no. 3
    Content: This book is a study of the prose writings of Richard Wagner and their relevance to an understanding of his music and drama, as well as their relation to music criticism and aesthetics in the nineteenth century in general. As a by-product of Wagner's many-faceted career as musician, conductor, cultural critic and controversial ideologue, the writings are documents of undisputed interpretative value. This study focuses on Wagner's words on music, and interprets them in the light of the musical, aesthetic and critical contexts that generated them. Professor Grey considers Wagner's ambivalence concerning the idea of 'absolute music' and the capacity of music to project meaning or drama from within its own system of referents. Particularly relevant are Wagner's appropriation of a Beethoven legacy, the metaphors of musical 'gender' and 'biology' in Opera and Drama and the critical background to ideas of 'motive' and 'leitmotif' in theory and practice
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , 1. Wagner and the problematics of "absolute music" in the nineteenth century: Ideas of absolute music ; Questions of autonomy ; Content and/or/as form ; Absolute music and "ideas: a new determinacy? -- 2. Beethoven reception and the hermeneutic impulse: "poetic ideas" and new forms: Beethoven's "poetic ideas": notes on the genesis of a critical tradition ; Poetics, heroics, funérailles ; Fear of the Fifth: the uncanniness of instrumental speech ; Beethoven's "sketches" (poetic intentions and musical consequences) -- 3. Engendering music drama: Opera and Drama and its metaphors: Metaphors of gender, and others; Natural sciences: reproductive biology and a theory of "evolution"; Music mastered, poetic reason (nearly) seduced: allegory and antithesis -- 4. The "poetic-musical period" and the "evolution" of Wagnerian form: Periode and Entwicklung ; "Evolving" period-complexes and Wagner's evolution: three dialogues -- 5. Endless melodies: Wagner and his critics around 1860 (Wagner's melody--all or none?) ; Melody, origins, and utopias of regression (melody as the origin of speech and poetry in Opera and Drama) ; Melody as form -- 6. Motives and motivations: leitmotif and "symphonic" drama: Warum? (motives to musical form) ; The birth of the music drama from the "labor-pains of program music" ; Motif, motive, Motiv: dramatic motivations and "symphonic form" ; Delirium and death as transgressive motives: "dramatic symphony" and "symphonic drama" ; Dénouements (motivic threads, dramatic plots, musical knots and resolutions).
    Additional Edition: ISBN 9780521417389
    Additional Edition: ISBN 9780521033190
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-052-141-738-9
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780521417389
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 7
    Online Resource
    Online Resource
    Toronto ; : University of Toronto Press,
    UID:
    edocfu_9959233313702883
    Format: 1 online resource (293 p.)
    ISBN: 1-282-02875-8 , 9786612028755 , 1-4426-7540-3
    Series Statement: Heritage
    Content: The aim of Gold-Hall and Earth -Dragon is to re-create as fully as possible for modern readers the original force of the poetic language of Beowulf. Lee makes use of a wide, archetypal literary context for Beowulf to provide illuminating parallels and contrasts with poems and fictions from other times and places. He demonstrates how the poem's symbolic system reveals itself through the metaphorical workings of the Old English words, patterns of imagery, and more general narrative structures, and how the poem might have been experienced and interpreted by the Anglo-Saxons in the light of other Old English poems. The critical tools that Lee uses - combining certain techniques of New Criticism and close reading with postmodern theories of the self-referentiality of language and with Northrop Frye's conceptions of structure and polysemy in literature - make possible a fresh new account of Beowulf as a work that is very much alive in its poetic language, a finely wrought symbolic work of imagining, still resonant with meanings old and new.
    Note: Description based upon print version of record. , Modes of imagining and the workings of words. Wunder aefter wundre: Modes of imagining ; Word oer fand: The inwardness of kennings ; Þryword sprecen: The language of myth and metaphor ; Ealdgesegena worn gemunde: Memory and identity. Structure and meaning. Fyr on flode: War against the creation ; Swa sceal man don: Germanic tales and Christian myths ; Heold on heahgesceap: The structure of the poem, the heroic theme, and the shape of the hero's life ; Nu is wilgeofa ... deabedde faest: Tragedy and the limits of heroism. , English
    Additional Edition: ISBN 1-4426-1312-2
    Additional Edition: ISBN 0-8020-4378-X
    Language: English
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  • 8
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    almafu_9959677602702883
    Format: 1 online resource (248 p.)
    ISBN: 1-283-06274-7 , 9786613062741 , 0-8223-8240-7
    Series Statement: e-Duke books scholarly collection.
    Content: In recent years, New Historicists have situated the iconoclasm of Milton's poetry and prose within the context of political, cultural, and philosophical discourses that foreshadow early modernism. In Carnal Rhetoric, Lana Cable carries these investigations further by exploring the iconoclastic impulse in Milton's works through detailed analyses of his use of metaphor. Building on a provocative iconoclastic theory of metaphor, she breaks new ground in the area of affective stylistics, not only as it pertains to the writings of Milton but also to all expressive language.Cable tra
    Note: Description based upon print version of record. , 1 Metaphor and "Meaning": Toward a Theory of Creative Iconoclasm -- 2 "Shuffling up such a God": The Rhetorical Agon of Milton's Antiprelatical Tracts -- 3 "Was she thy God?": The Coupling Rhetoric of the Divorce Tracts -- 4 "The image of God in the eye": Areopagitica's Truth -- 5 "Unimprisonable utterance": Imagination and the Attack on Eikon Basilike -- 6 Samson's Transformative Desire. , English
    Additional Edition: ISBN 0-8223-1560-2
    Additional Edition: ISBN 0-8223-1573-4
    Language: English
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  • 9
    Online Resource
    Online Resource
    New York :Garland Pub.,
    UID:
    almahu_9949616043802882
    Format: 1 online resource (xi, 681 pages : , illustrations.)
    ISBN: 9780203063439 (electronic bk) , 0203063430 (electronic bk) , 9781136542688 , 113654268X
    Content: This is the long-awaited condensation of the five volume English article collection of Michaelangelo's life. Selections include: Life and Early Works; The Sistine Chapel; San Lorenzo; Tomb of Julius II and Other Works in Rome; and Drawings, Poetry and Miscellaneous Studies.
    Note: Michelangelo, Vasari, and Condivi -- Michelangelo's political opinions -- The location of Michelangelo's David : the meeting of January 25, 1504 -- David's scowl -- Michelangelo : Battle of Cascina -- The decoration of the Sistine Chapel -- The Sistine Chapel ceiling -- A re-reading of the Sistine ceiling -- Bramante, Michelangelo and the Sistine ceiling -- Michelangelo's assistants in the Sistine Chapel -- Metaphorical meaning in the Sistine ceiling -- Cardinal Alidosi, Michelangelo, and the Sistine ceiling -- Finishing the Sistine -- Drawings as documents : the problem of the San Lorenzo facade -- The meaning of Michelangelo's Medici Chapel -- Texts and contexts of the Medici Chapel -- The liturgical function of Michelangelo's Medici Chapel -- The Laurenziana Vestibule as a functional solution -- Michelangelo's design for the Biblioteca Laurenziana -- Michelangelo's Victory -- Michelangelo's Last judgment -- Michelangelo's Crucifixion of St. Peter -- Narrative and religious expression in Michelangelo's Pauline Chapel -- Giannotti, Michelangelo and the cult of Brutus -- Joseph of Arimathea or Nicodemus? -- Michelangelo's theory of architecture -- Michelangelo and the Porta Pia -- Primitivism in the late drawings of Michelangelo -- The poetry of Michelangelo -- Translator's foreword to the second ed. -- The neoplatonic movement and Michelangelo -- Michelangelo on effort and rapidity in art -- Michelangelo's unfinished works -- Michelangelo and the human form : his knowledge and use of anatomy -- The metamorphoses of Michelangelo.
    Additional Edition: ISBN 0815337957
    Additional Edition: ISBN 9780815337959
    Language: English
    Keywords: Criticism, interpretation, etc.
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  • 10
    Online Resource
    Online Resource
    Sheffield :Sheffield Academic Press,
    UID:
    edocfu_9959229909402883
    Format: 1 online resource (352 p.)
    Edition: 1st ed.
    ISBN: 9786611784331 , 1-281-78433-8 , 0-567-36698-7
    Content: Fundamentals of the Art of Poetry takes the reader on a journey that sets out with a consideration of the various arts humankind has created, and then focuses on the special art of poetry: what poetry is, what it does and must do in order to 'succeed' for whom it does what it does, and, in detail, how it goes about doing what it tries to do. Twenty-two chapters deal with subjects like 'The Constituencies for Art', 'What Meaning Means', 'Acceptable and Unacceptable Propositions', 'The Right Word in the Right Place', 'The Sounds that Matter in Poetry', 'Energetic Metaphor: the Major Figure' and
    Note: Description based upon print version of record. , Contents; Illustrations; Acknowledgments; Overture to Four Audiences; Part I: ABOUT ART IN GENERAL; Part II: THE ART OF POETRY; Index of Quoted Texts , English
    Additional Edition: ISBN 1-85075-852-2
    Additional Edition: ISBN 1-85075-837-9
    Language: English
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