Format:
VI, 293 S
,
Ill., Kt
,
26 cm
Edition:
1. print, Cornell paperbacks
ISBN:
0801442885
,
0801489210
Series Statement:
Cornell paperbacks
Note:
Includes bibliographical references and index
,
Introduction
,
Introduction
,
I. ITALY'S PAST AS MUSSOLINI'S PRESENT ; Forging a visible fascist nation: strategies for fusing past and present
,
To make history present
,
II. ANTIQUITY ; Augustus, Mussolini, and the parallel imagery of empire
,
"Il primo pilota": Mussolini, fascist aeronautical symbolism, and Imperial Rome
,
Fascism Triumphans: on the architectural translation of Rome
,
III. MIDDLE AGES AND RENAISSANCE ; Inventing the Palazzo del Corte in Ferrara
,
Towers and tourists: the cinematic city of San Gimignano
,
Shaping the fascist "new man": Donatello's St. Geroge and Mussolini's appropriated renaissance of the Italian nation
,
Mussolini, mothers, and Maiolica
,
Politicizing a national garden tradition: the Italianness of the Italian garden
,
IV. HISTORY AS FASCIST SPECTACLE AND EXHIBITION ; Leonardo's smile
,
Celebrating the nation's poets: Petrarch, Leopardi, and the appropriation of cultural symbols in fascist Italy
,
The return of the repressed: tradition as myth in futurist fascism
,
Flash memories (Sironi on exhibit) ; Appendix: Mario Sironi, "The manifesto of muralism"
,
Epilogue: Mussolini's body as Fotografia Infamante
,
I. ITALY'S PAST AS MUSSOLINI'S PRESENT ; Forging a visible fascist nation: strategies for fusing past and present
,
To make history present
,
II. ANTIQUITY ; Augustus, Mussolini, and the parallel imagery of empire
,
"Il primo pilota": Mussolini, fascist aeronautical symbolism, and Imperial Rome
,
Fascism Triumphans: on the architectural translation of Rome
,
III. MIDDLE AGES AND RENAISSANCE ; Inventing the Palazzo del Corte in Ferrara
,
Towers and tourists: the cinematic city of San Gimignano
,
Shaping the fascist "new man": Donatello's St. Geroge and Mussolini's appropriated renaissance of the Italian nation
,
Mussolini, mothers, and Maiolica
,
Politicizing a national garden tradition: the Italianness of the Italian garden
,
IV. HISTORY AS FASCIST SPECTACLE AND EXHIBITION ; Leonardo's smile
,
Celebrating the nation's poets: Petrarch, Leopardi, and the appropriation of cultural symbols in fascist Italy
,
The return of the repressed: tradition as myth in futurist fascism
,
Flash memories (Sironi on exhibit) ;Appendix:Mario Sironi, "The manifesto of muralism"
,
Epilogue:Mussolini's body as Fotografia Infamante
Language:
English
Subjects:
Art History
Keywords:
Italien
;
Faschismus
;
Kunst
;
Italien
;
Faschismus
;
Kunst
;
Rezeptionsästhetik
;
Bibliografie
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