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  • 1
    UID:
    kobvindex_ZLB13765100
    Format: 1 DVD Video (ca. 110/96 Min.) : s/w , Tonformat: DD/2.0 (engl.) , Bildformat: 16:9 anamorphic widescreen
    Series Statement: The American film theatre collection : [DVD-Video]
    Content: In North London, an all-male beehive of inactivity is ruled with a foul mouth and an iron hand by the abusive Max (Paul Rogers) and his brother, the priggish palace eunuch Sam (Cyril Cusack). Rounding out the precision vulgarity of The Homecoming's "situation tragedy" are the sons, punch-drunk demolition man Joey (Terence Rigby) and the magnificient Ian Holm (Lord of the Rings, The Sweet Hereafter) as pimp-smart Lenny. When, under cover of darkness, the prodigal son Teddy (Michael Jayston) brings his wife Ruth (Vivien Merchant) home to meet his family for the first time, he gets far more and less than he bargained for. To Teddy's rueful discomfort, Ruth's Mona Lisa smile forms the gateway to a labyrinth of Freudian dread, venal family values, and naked neediness that could only come from the mind of Harold Pinter. Director Sir Peter hall re-renders his original Royal Shakespeare Company London stage triumph as a bleached, claustrophobic delirium that exploits the jagged tempos and seductive tensions of Pinter's best play as no theater staging could. The New York Times declared the American Film Theatre's production of The Homecoming, "a movie of astonishing dynamism." Indeed, director Atom Agoyan (The Sweet Hereafter) went so far as to say, "I often find myself seeking solace from this film. Its poetry and twisted sense of compassion and humor have assuaged many moments of despair and confusion. Other people have religion, I have my copy of The Homecoming." (from the container)
    Content: Extras: An interview with cinematographer David Watkin (about the challenges of lighting and photographing The Homecoming,25 min.). Interview with Sir Peter Hall (about the differences between theatre and cinema and how The Homecoming as a piece fits in between and how a director and actor should work with Pinter's dialogues and pauses, 27 min.)Theatrical trailer. The AFT Cinebill for The Homecoming Stills Gallery. Interview with Otto Plaschkes (The Executive Producer of the AFT series talks about the approach to putting these famous plays onto the screen, 22 min.). Interview with Richard Peña (overview of the whole American Film Theatre project,21 min.).
    Note: Ländercode: 0 , Special features: specially filmed interviews with Sir Peter Hall, David Watkin, Otto Plaschkes and Richard Pena ; AFT trailer gallery; AFT cinebill for the Homcoming ; stills gallery ; thetrical posters ; article: Peter Hall "Changing rooms" from the Guardian
    Language: English
    Keywords: Literatur / Verfilmung ; Kameraarbeit ; Interview ; DVD-Video ; Inszenierung ; American Film Theatre ; Literatur / Verfilmung ; Kommentar ; DVD-Video ; American Film Theatre ; Interview ; DVD-Video ; Kommentar ; DVD-Video ; Interview ; Interview ; Kommentar
    Author information: Monk, Thelonious
    Author information: Pinter, Harold
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    kobvindex_ZLB13773482
    Format: 1 DVD Video (ca. 171/51 Min.) , Bildformat: 16:9 anamorph Widescreen
    Series Statement: The American film theatre collection : [DVD-Video]
    Content: One of the few still undiscovered treasures of American 70s cinema, John Frankenheimer's masterful interpretation of Eugene O'Neill's The Iceman Cometh stands not only as the greatest achievement of the distinguished American Film Theatre project, but also as one of the single richest cinematic re-imaginings of any American play. Near the end of his brilliant and varied career, director Frankenheimer (The Manchurian Candidate, The Train) singled out the little known Iceman as "the best creative experience I ever had." ... Academy Award® winner Frederic March (The Best Years of our Lives, A Star is Born) leads an all-star dream cast in a final performance that the L. A. Times declared, "quite simply, perfect." Roger Ebert described Robert Ryan's (The Wild Bunch, The Dirty Dozen) characterization of Hickey's anarchist nemesis as "possibly the best of his distinguished career." But Iceman belongs to Lee Marvin, stepping out of the tough guy roles that made him a star into a haunting portrayal of the madman that hides beneath the smiling face of the life of the party. (Covertext)
    Content: Extras: Special features: Specially filmed interviews: 1. with Edie Landau (about the project of The American Film Theatre, the plays they choose to film, and how the enterprise eventually failed (23 min.); 2. with Richard Peña, the director of the New York Film Festival and Director of the Film Society of Lincoln Centre (overview of the whole American Film Theatre project, 21 min.). AFT trailer gallery. AFT cinebill for 'The Iceman Cometh' (cinebills were similar to theatre programmes and were given to cinema audience). Poster. Letter from Ely Landau. The AFT - a short history. Article - In the booklet: 'Eugene O'Neill and The Iceman Cometh' by Michael Feingold.
    Note: Ländercode: 0 , verkürzte Version; Laufzeit des Originals:ca. 233 Min.
    Language: English
    Keywords: American Film Theatre ; Interview ; DVD-Video ; Interview ; DVD-Video ; Interview
    Author information: Marvin, Lee
    Author information: Frankenheimer, John
    Author information: O'Neill, Eugene
    Author information: Bridges, Jeff
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    kobvindex_ZLB34362539
    Format: 2 Blu-ray Disc (239/178 min + Bonus) , 1920x1080p ; 1,85:1
    Edition: new 2K restoration
    Series Statement: Kino Classics
    Content: One of the few still undiscovered treasures of American 70s cinema, John Frankenheimer's masterful interpretation of Eugene O'Neill's The Iceman Cometh stands not only as the greatest achievement of the distinguished American Film Theatre project, but also as one of the single richest cinematic re-imaginings of any American play. Near the end of his brilliant and varied career, director Frankenheimer (The Manchurian Candidate, The Train) singled out the little known Iceman as "the best creative experience I ever had." In the faded light of Harry Hope's 1912 skid row bar, a rag tag group of fallen men, each like a ghost haunting the wreckage of his own life, await the annual arrival of Hickey (Lee Marvin). This year, however, the charismatic Hickey brings not the usual rounds of drinks and pats on the back, but the unwelcome news that he's off the sauce for good and has come to persuade Hope's drunks to do the same. One by one, the regulars' booze-basted pipe dreams come under Hickey's leering microscope until finally the most shocking self-deception turns out to be Hickey's own. Academy Award® winner Frederic March (The Best Years of our Lives, A Star is Born) leads an all-star dream cast in a final performance that the L. A. Times declared, "quite simply, perfect." Roger Ebert described Robert Ryan's (The Wild Bunch, The Dirty Dozen) characterization of Hickey's anarchist nemesis as "possibly the best of his distinguished career." But Iceman belongs to Lee Marvin, stepping out of the tough guy roles that made him a star into a haunting portrayal of the madman that hides beneath the smiling face of the life of the party. (from the container)
    Content: Extras: Theatrical trailer. "Eugene O'Neill and The Iceman Cometh" - an essay by Michael Feingold, Chief Theater Critic, The Village Voice. The AFT Cinebill for The Iceman Cometh. Stills Gallery. An interview with Edie Landau - Executive in charge, The American Film Theatre. Ely Landau: In Front of the Camera - AFT promotional reel (1974). The American Film Theatre Trailer Gallery - Includes a complete list of the AFT films. The American Film Theatre scrapbook.
    Note: Orig.: USA, 1973 , Untertitel für Hörgeschädigte: englisch (optional)
    Language: English
    Keywords: American Film Theatre ; Interview ; DVD-Video ; Interview ; DVD-Video ; Film
    Author information: Marvin, Lee
    Author information: Frankenheimer, John
    Author information: O'Neill, Eugene
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    UID:
    kobvindex_ZLB13531134
    Format: 2 DVD-Video (ca. 239 min) , 1 Beilage , 1.85:1 ; 16x9 Letterboxed
    Series Statement: The American film theatre collection : [DVD Video]
    Content: One of the few still undiscovered treasures of American 70s cinema, John Frankenheimer's masterful interpretation of Eugene O'Neill's The Iceman Cometh stands not only as the greatest achievement of the distinguished American Film Theatre project, but also as one of the single richest cinematic re-imaginings of any American play. Near the end of his brilliant and varied career, director Frankenheimer (The Manchurian Candidate, The Train) singled out the little known Iceman as "the best creative experience I ever had." In the faded light of Harry Hope's 1912 skid row bar, a rag tag group of fallen men, each like a ghost haunting the wreckage of his own life, await the annual arrival of Hickey (Lee Marvin). This year, however, the charismatic Hickey brings not the usual rounds of drinks and pats on the back, but the unwelcome news that he's off the sauce for good and has come to persuade Hope's drunks to do the same. One by one, the regulars' booze-basted pipe dreams come under Hickey's leering microscope until finally the most shocking self-deception turns out to be Hickey's own. Academy Award® winner Frederic March (The Best Years of our Lives, A Star is Born) leads an all-star dream cast in a final performance that the L. A. Times declared, "quite simply, perfect." Roger Ebert described Robert Ryan's (The Wild Bunch, The Dirty Dozen) characterization of Hickey's anarchist nemesis as "possibly the best of his distinguished career." But Iceman belongs to Lee Marvin, stepping out of the tough guy roles that made him a star into a haunting portrayal of the madman that hides beneath the smiling face of the life of the party. (from the container)
    Content: Extras: Theatrical trailer. "Eugene O'Neill and The Iceman Cometh" - an essay by Michael Feingold, Chief Theater Critic, The Village Voice. The AFT Cinebill for The Iceman Cometh. Stills Gallery. An interview with Edie Landau - Executive in charge, The American Film Theatre. Ely Landau: In Front of the Camera - AFT promotional reel (1974). The American Film Theatre Trailer Gallery - Includes a complete list of the AFT films. The American Film Theatre scrapbook.
    Note: Orig.: USA, 1973
    Language: English
    Keywords: American Film Theatre ; Interview ; DVD-Video ; Interview ; DVD-Video ; Interview ; Film
    Author information: Marvin, Lee
    Author information: Frankenheimer, John
    Author information: O'Neill, Eugene
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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