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  • 2000-2004  (110)
  • Film  (110)
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  • 1
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press
    UID:
    b3kat_BV040922355
    Format: 1 Online-Ressource (Seiten)
    ISBN: 0807861456 , 9780807861455
    Note: Based on the author's thesis--Stanford , Filmography: p. [307]-312 , Includes bibliographical references (p. [295]-306) and index , 6. A Dream Deferred?: Spur der Steine and the Aftermath of the Eleventh Plenum7. The Triumph of the Ordinary: East German Alltag Films of the 1970s; Conclusion; Epilogue: Arrested Alltag?: East German Film from the Biermann Affair to DEFA's Final Dissolution, 1976-1993; Notes; Selected Bibliography; Selected Filmography; Index , This work confronts the question of whether movies in the Eastern Bloc were propaganda or secretly veiled dissent. From the late 1960s East German films focused on everyday life, it could be said that filmmakers presented a static image to show an East Germany that accepted the GDR as it was
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-8078-2717-8
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 0-8078-2717-7
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-8078-5385-6
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 0-8078-5385-2
    Language: English
    Subjects: History , General works
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    Keywords: Deutschland ; Film ; Alltag ; Geschichte 1956-1976 ; Deutschland ; Film ; Alltag ; Geschichte ; Deutschland ; Filmpolitik ; Politische Identität ; Geschichte ; Hochschulschrift
    URL: Full text  (Click to View (Currently Only Available on Campus))
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  • 2
    UID:
    b3kat_BV040922390
    Format: 1 Online-Ressource (1 v.)
    ISBN: 1417583665 , 9781417583669 , 9780857712646 , 0857712640
    Series Statement: Cinema and Society
    Note: Based on the author's thesis (Ph. D.)--University of Essex , Includes bibliographical references (p. 219-242) and index , Britain and France and the concept of "community" -- Film industries at war : projecting "community" -- Countryside and city, Paysage et patrie at war -- Countryside, city, and region in post-war film -- Cinema of the return : acceptance and alienation -- Women in Britain : "returned" or renewed? -- "Liberation" and Les femmes françaises , Relations between France and Britain have always been uneasy and ambivalent. But in cinema the WWII changed all that for a time. Although the two countries' wartime fortunes differed, post-war both were busy reintegrating returning servicemen and prisoners of war, and accomodating the changed aspirations of women. Margaret Butler examines these subjects and more in her comparative study of the cinemas of Britain and France during and after the war. Using the concept of continuity, she shows how cinema dealt directly with ideas of belonging and alienation, inclusion and exclusion, unity and div
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 1-86064-954-8
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-86064-954-7
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 1-86064-955-6
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-86064-955-4
    Language: English
    Subjects: General works
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    Keywords: Großbritannien ; Film ; Gemeinschaft ; Frankreich ; Geschichte 1940-1960
    URL: Full text  (Click to View (Currently Only Available on Campus))
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  • 3
    Book
    Book
    Berkeley, Calif. [u.a.] : Univ. of Calif. Press
    UID:
    b3kat_BV019624127
    Format: XII, 328 S.
    ISBN: 0520241282 , 0520241290 , 9780520241282 , 9780520241299
    Content: Vivian Sobchack considers the key roles our bodies play in making sense of the modern image-saturated culture. Emphasizing our corporeal rather than our intellectual engagements with film, she shows how our experience always emerges through our senses & how our bodies are sense-making, visual sunjects.
    Note: Literaturangaben. - Hier auch später erschienene, unveränderte Nachdrucke , Breadcrumbs in the forest: three meditations on being Lost in space -- Scary women; cinema, surgery and special effects -- What my fingers knew: the cinesthetic subject, or vision in the flesh -- The expanded gaze in contracted space: happenstance, hazard and the flesh of the world -- Susie scribbles: on technology, Techne, and writing incarnate -- The scene of the screeN: envisioning photographick, cinematic, and electronic presence -- Beating the meat / surviving the text, or how to get out of the century alive -- Is any body home: embodied imagination and visible evictions -- A leg to stand on: prosthetics, metaphor, and materiality -- Inscribing ethical space. ten propositions on death, representation and documentary -- The charge of the real: embodied knowldedge and cinematic consciousness -- The passion of the material: toward a phenomenology of interobjectivity
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-520-93782-6
    Additional Edition: ISBN 0-520-93782-1
    Language: English
    Subjects: General works
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    Keywords: USA ; Film ; Philosophie ; USA ; Film ; Psychologie ; Aufsatzsammlung
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  • 4
    UID:
    b3kat_BV019838328
    Format: 1 DVD (107 Min., PAL), farb., Dolby digital , Beil. , 12 cm
    Uniform Title: The fearless vampire killers or: Pardon me, but your teeth are in my neck
    Note: Orig.: GB, 1966 , Dt., engl., span. - Untertitel in verschiedenen Sprachen. - Untertitel für Hörgeschädigte: dt., engl.
    Language: German
    Subjects: Romance Studies , General works
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    Keywords: The vampire killers ; Vampir ; Horrorfilm ; Film ; DVD-Video ; DVD-Video ; DVD-Video
    Author information: Polański, Roman 1933-
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  • 5
    Book
    Book
    Manchester ; New York : Manchester Univ. Press
    UID:
    b3kat_BV013574652
    Format: X, 212 S. , Ill.
    ISBN: 0719058724 , 0719058716
    Language: English
    Subjects: General works
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    Keywords: Europa ; Film ; Geschichte ; Europa ; Film ; Unterhaltung ; Ideologie ; Publikum ; Geschichte 1900-2000 ; Aufsatzsammlung
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  • 6
    UID:
    b3kat_BV035262543
    Format: XVI, 279 S. , Ill.
    ISBN: 0742509451 , 074250946X
    Note: Publisher description: Building a New China in Cinema introduces English readers for the first time to one of the most exciting left-wing cinema traditions in the world. This unique book explores the history, ideology, and aesthetics of China's left-wing cinema movement, a quixotic film culture that was as political as commercial, as militant as sensationalist. Originating in the 1930s, it marked the first systematic intellectual involvement in Chinese cinema. In this era of turmoil and idealism, the movement's films were characterized by fantasies of heroism intertwined with the inescapable spell of impotency, thus exposing the contradictions of the filmmakers' underlying ideology as their political and artistic agendas alternately fought against or catered to the taste and viewing habits of a popular audience. Political cinema became a commercially successful industry, resulting in a film culture that has never been replicated. Drawing on detailed archival research, Pang demonstra , Includes bibliographical references (p. 249-271) and index , Inhalt: List of Illustrations Translations and Abbreviations Acknowledgments Introduction, p. 1. The History : 1. The Merging of Histories, p. 19. 2. The Left-wing Cinema Movement, p. 37. The Filmmakers and the Formation of a Collective Subjectivity: 3. The Role of Authorship in the Age of Nationalism, p. 73. 4. Masculinity and Collectivism: Romancing Politics, p. 91. 5. Women's Stories On-screen versus Off-screen, p. 113. The Spectators and The Film Culture: 6. A Commercial Cinema or a Political Cinema?, p. 141. 7. A Shanghai Cinema or a Chinese Cinema?, p. 165. 8. Engaging Realism, p. 197. Epilogue, p. 231. App. I. Chinese Left-wing Movies of the 1930s, p. 241. App. II. Popular Chinese Movies, 1932-1937, p. 245. Bibliography and Filmography, p. 249. Index, p. 273. About the Author, p. 279.
    Language: English
    Subjects: General works
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    Keywords: China ; Film ; Geschichte 1932-1937
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  • 7
    Book
    Book
    New Brunswick, NJ [u.a.] : Rutgers Univ. Press
    UID:
    b3kat_BV014842682
    Format: VIII, 213 S. , Ill. , 24 cm
    ISBN: 0813532752 , 9780813532752 , 0813532760 , 9780813532769
    Series Statement: New directions in international studies
    Content: In Global Cities, scholars from an impressive array of disciplines--sociology, political science, comparative literature, cinema studies, and architectural theory--critique the growing body of literature on the current process broadly known as "globalization." This inter disciplinary focus enables the authors to explore the complex geographies of modern cities, and to offer possible strategies for reclaiming a sense of place and community in these globalized urban settings. While examining major cities including New York, Tokyo, Berlin, Paris, and Hong Kong, contributores insist that the study of urban experiences must remain as attentive to the material effects as to the psychic and social consequences of globalization. Accordingly, individual essays explore the implications of global culture for architecture, cinema, and communication-but do so in a way that highlights the importance of the spaces between such metropolitan centers, These locations, the authors argue, serve as increasingly important "frontier zones, " where an incredibly diverse set of actors converge and struggle for power and presence. Such a perspective, they contend, ultimately adds nuance and meaning to our understanding of the heterogeneous urban landscapes of these global cities.
    Note: Reading the city in a global digital age: between topographic representation and spatialized power projects / Saskia Sassen -- Collective memory and locality in global cities / Jennifer Jordan -- Gobbled up and gone: cultural preservation and the global city marketplace / Tasha G. Oren -- Los toquis, or urban babel / Nataša Ďurovičová -- Too close to home: Naruse Mikio and Japanese cinema of the 1950s / Catherine Russell -- Authenticity and globalization / John B. Hertz -- Global cannibal city machines: recent visions of urban/social space / Peter Sands -- Cinema, the city, and the cinematic / Ackbar Abbas -- Codes, collectives, and commodities: rethinking global cities as metalogistical spaces / Timothy W. Luke -- Some thoughts on cities: visions and plans / Jorge Annibal-Iribarne -- Architecture and memory / Jo Noero.
    Language: English
    Keywords: Stadt ; Film ; Stadt ; Gesellschaft ; Neue Medien ; Konferenzschrift
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  • 8
    UID:
    b3kat_BV014856985
    Format: 287 S. , zahlr. Ill. , CD-ROM (12 cm)
    ISBN: 0811831361
    Content: CD-ROM contains: Examples of matte-painted scenes as moving picture images -- Timeline historical overview -- Special interviews.
    Note: Includes bibliographical references and index. - Systemvoraussetzungen: Netscape 4.0 or Microsoft Internet Explorer 5.0 or above: QuickTime 4 or above
    Language: English
    Subjects: General works
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    Keywords: USA ; Film ; Fotomontage ; Geschichte ; Matte Painting ; Film
    Author information: Vaz, Mark Cotta 1954-
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  • 9
    UID:
    b3kat_BV014122796
    Format: XIII, 312 S. , Ill.
    ISBN: 0826447414 , 0826447422
    Series Statement: Women make cinema
    Content: This volume is a study of women in French cinema from 1981 which includes material on stars, directors and producers. Each chapter includes an analysis of five or six films, and a concluding chapter examines the value and place of women in the French film industry.
    Language: English
    Subjects: General works
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    Keywords: Frankreich ; Film ; Frau ; Geschichte 1980-1999 ; Biografie
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  • 10
    Online Resource
    Online Resource
    Chapel Hill, NC [u.a.] : Univ. of North Carolina Press
    UID:
    gbv_1653031719
    Format: Online-Ressource
    ISBN: 0807861456 , 9780807861455
    Series Statement: EBSCOhost eBook Collection
    Content: This work confronts the question of whether movies in the Eastern Bloc were propaganda or secretly veiled dissent. From the late 1960s East German films focused on everyday life, it could be said that filmmakers presented a static image to show an East Germany that accepted the GDR as it was
    Note: Includes bibliographical references and index , Zugl: Stanford, Univ., Diss. , Contents; Acknowledgments; Abbreviations; Introduction: Back to the Future; 1. Conquering the Past and Constructing the Future: The DEFA Film Studio and the Contours of East German Cultural Policy, 1946-1956; 2. The Discovery of the Ordinary: Berlin-Ecke Schönhauser and the Twentieth Congress of the CPSU; 3. A Case of Love Confused?: Slatan Dudow's Verwirrung der Liebe as a Meditation on Art and Industry; 4. Straddling the Wall: Socialist Realism Meets the Nouvelle Vague in Der geteilte Himmel; 5. The Eleventh Plenum and Das Kaninchen bin ich , 6. A Dream Deferred?: Spur der Steine and the Aftermath of the Eleventh Plenum7. The Triumph of the Ordinary: East German Alltag Films of the 1970s; Conclusion; Epilogue: Arrested Alltag?: East German Film from the Biermann Affair to DEFA's Final Dissolution, 1976-1993; Notes; Selected Bibliography; Selected Filmography; Index; , 6. A Dream Deferred?: Spur der Steine and the Aftermath of the Eleventh Plenum7. The Triumph of the Ordinary: East German Alltag Films of the 1970s; Conclusion; Epilogue: Arrested Alltag?: East German Film from the Biermann Affair to DEFA's Final Dissolution, 1976-1993; Notes; Selected Bibliography; Selected Filmography; Index;
    Additional Edition: ISBN 9780807827178
    Additional Edition: ISBN 9780807853856
    Language: English
    Subjects: General works
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    Keywords: Deutschland ; Film ; Alltag ; Geschichte
    URL: Volltext  (Deutschlandweit zugänglich)
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