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  • 1990-1994  (2)
  • USA  (2)
  • Karikatur
  • 1
    Book
    Book
    New York, NY u.a. : Oxford Univ. Press
    UID:
    b3kat_BV005465005
    Format: VI, 153 S.
    ISBN: 0195075005
    Content: When Mikhail Baryshnikov defected to the United States in 1974, he announced that his hero as a dancer was Fred Astaire. Many Americans were surprised that a highly popular figure from the movies could inspire a classically trained European dancer, just as they would be surprised to hear Duke Ellington called a great composer in the same breath with Ravel. But these artists and others, writes Martin Williams, deserve such praise. Twentieth-century America, he argues, has produced a rich and innovative culture whose best artists should be a source of national pride. In Hidden in Plain Sight, acclaimed critic Martin Williams offers an eloquent celebration of the achievements of American culture. Americans, Williams writes, have labored under the sense that the art forms created on our shores are less valid than the traditional art forms of Europe. In these lucid essays, he shows how certain American artists have achieved a range and power of their own
    Content: Specifically rejecting such terms as "popular culture," Williams looks at such great, innovative artists as D. W. Griffith and Fred Astaire and shows how they virtually created their own genres of art with a uniquely American outlook and temperament. He offers a brilliant look at Duke Ellington, exploring the range and enormous volume of his work and describing how he worked with his orchestra in the same way great dramatists (Shakespeare among them) have worked with the specific talents of their actors. Williams looks at comic strips and finds in E. C. Segar's original "Popeye" a perceptive and prophetic comic comment on dictatorship done in 1936. He sees Walt Kelly as a kind of American Father Goose. He discusses the aesthetics of TV by looking at "Bullwinkle and Rocky." He provides freshly revealing accounts of the detective story, the gangster thriller, the radio satire of Fred Allen, and more
    Content: On the other hand, Williams seriously questions whether the United States has folk music in the traditional sense. In 1924, Gilbert Seldes published The Seven Lively Arts, a landmark account of the originality and value of American culture. Hidden in Plain Sight will be considered a Seldes for the 1990s--and yet it goes further, offering a celebratory critique, the writer Gary Giddins of the Village voice called Williams "one of the most distinguished critics (of anything) this country has produced.
    Language: English
    Keywords: USA ; Kultur ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    New York [u.a.] : Applause
    UID:
    b3kat_BV010655622
    Format: XXXIV, 542 S.
    Edition: 1. Applause print.
    ISBN: 1557831645
    Series Statement: Applause theatre books
    Content: This landmark anthology reveals the depth and scope of women's dramatic voices during the middle years of this century. Among the eight plays in the volume are smart comedies and poignant tragedies, political agitprop and surrealist fantasies, established classics and neglected treasures. Hallie Flanagan and Margaret Ellen Clifford's Can You Hear Their Voices? uses presentational techniques to expose the suffering of starving farmers while Shirley Graham's It's Morning offers a moving account of the plight of African American mothers under slavery. In contrast to these are The Women, Clare Boothe's biting satire of high society "ladies," and Goodbye, My Fancy, Fay Kanin's romantic comedy about women's education in the conservative post-WWII era. Lillian Hellman's celebrated The Little Foxes shows what happens when an ambitious woman is denied access to the money and power she covets. The Mother of Us All is Gertrude Stein's witty send-up of America's forefathers and celebration of suffragist Susan B. Anthony. Jane Bowles' In the Summer House is a surrealist look at mother-daughter relationships that one critic called "a work of intricate and seductive beauty." Alice Childress' Trouble in Mind is an indictment of racism and sexism on the American stage that Arthur Gelb of the New York Times applauded as "a fresh, lively and cutting satire...full of vitality."
    Language: English
    Subjects: American Studies
    RVK:
    RVK:
    Keywords: USA ; Frauendrama ; Geschichte 1930-1960 ; Anthologie
    Library Location Call Number Volume/Issue/Year Availability
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