Kooperativer Bibliotheksverbund

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Format: 1 Online-Ressource (1 audio file)

ISBN: 9781682661659

Content: Shipwrecked on the shores of Illyria, Viola assumes the role of a male page to Duke Orsino. The Duke sends Viola, now disguised as ‘Cesario’ to press his suit with the beautiful Olivia – who promptly falls in love with Cesario. Confusion reigns until the truth is untangled and true love triumphs. Recorded at The Invisible Studios, West Hollywood in July 2022

Language: English

DOI: 10.5040/9781682661659

URL: lizenzpflichtig

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Format: 1 Online-Ressource (xiv, 200 p) , 24 cm

ISBN: 9798216028048

Series Statement: Greenwood guides to Shakespeare

Note: Includes bibliographical references (p. [165]-191) and index , Textual history -- Sources and contexts -- Dramatic structure -- Themes -- Critical approaches -- Performance history. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily

Additional Edition: ISBN 9780313060311

Additional Edition: ISBN 9780313317002

Additional Edition: ISBN 9798216157960

Additional Edition: ISBN 0313317003

Additional Edition: Erscheint auch als ISBN 0313317003

Language: English

URL: lizenzpflichtig

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Format: xiv, 222 Seiten

ISBN: 9780367676735 , 9780367676766

Series Statement: Routledge interdisciplinary perspectives on literature

Content: Introduction: "The accent of his tongue affecteth him" / Adele Lee -- "Accents yet unknown" : in search of Shakespeare's foreign accents / Ema Vyroubalová -- "The stranger's case" : accenting Shakespeare's "ESL characters" / Matthew Davies -- All one mutual cry : the myth of standard accents in Shakespearean performance / Ronan Paterson -- How should Shakespeare sound? Actors and the journey from OP to RP / Alec Paterson -- Accentism, anglocentrism, and multilingualism in South African Shakespeares / Christopher Thurman -- "What doth your speech import?" The implication of accents in Indian Shakespeares / Koel Chatterjee -- "What country, friends, is this?" The Indian accent vs. received pronunciation in productions of Twelfth night / Taarini Mookherjee -- "Rackers of orthography"? Speaking Shakespeare in "Engrish" / Adele Lee -- Alien accents : signifying the Shakespearean Other in audio performances / Douglas M. Lanier -- Afterword / Carla Della Gatta

Content: "This collection explores the consequences of accentism in the Shakespeare industry across languages and cultures, past and present"--

Note: Includes bibliographical references and index

Language: English

Subjects: English Studies

Keywords: Shakespeare, William 1564-1616 ; Aussprache ; Aufsatzsammlung

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Format: 1 Online-Ressource (xiv, 161 Seiten)

ISBN: 9780429397721

Content: This book presents an innovative approach to research in International Relations by examining12 theoretical contributions to the field as competing narrative bids. It demonstrates the pervasive nature of storytelling and considers narratives as a means of causal explanation in the human sciences. By introducing four classic literary plot structures with their respective characters, events, moods and denouements, the book divides IR literature into tragedies, romances/epics, comedies and ironic/satirical stories. For each plot type, its characteristic features, logic and appeal are first reprised through some well-known prose examples before being employed in the analysis of major IR texts. King Lear, for example, helps bring out the tragic logic of Politics among Nations, and Sleeping Beauty demonstrates the romantic appeal inherent in The End of History. Twelfth Night is used to approach The Transformation of Political Community as a comedy, and A Modest Proposal paves the way for the examination of Bananas, Beaches and Bases as irony/satire. Rather than assess the absolute merits and shortcomings of the competing theories, the book discusses the relative strengths and weaknesses of stories that adhere to different plots in giving meaning to actors and events in the international arena. Discussing a broad range of theories, this text will be of interest to scholars and students of International Relations and World Politics, including various subcommunities such as specialists in peace research and Feminist IR.

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780367027995

Additional Edition: ISBN 0367027992

Language: English

Subjects: Comparative Studies. Non-European Languages/Literatures , Political Science

Keywords: Internationale Politik ; Politische Literatur ; Erzählen ; Electronic books

DOI: 10.4324/9780429397721

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

URL: lizenzpflichtig

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Format: x, 232 Seiten

ISBN: 9781032204543 , 9780367742201

Series Statement: Routledge studies in Shakespeare

Content: Part I. Thinking About Happiness -- Happiness in the Early Modern Period -- Approaches to Shakespeare -- Part II. Happiness Gained: The Merchant of Venice, As You Like It and Twelfth Night -- Looking for Different Types of Happiness -- Looking for Happiness in a Fallen World -- Rewriting Eve -- Part III. Happiness Lost: Hamlet, Measure for Measure, Othello and The Winter's Tale -- Trapped in a Fallen World -- Blaming Eve: Exercises in Power -- And After That Forgiveness?

Content: "Shakespeare and Happiness is a study of attitudes to happiness in the early modern period and in Shakespeare's plays. It considers the conflicting influences of religion and Aristotelian philosophy in shaping attitudes to the possibility of attaining happiness. By being the first book to focus specifically on the representation of happiness in Shakespeare's plays, it contributes to feminist approaches to Shakespeare by foregrounding the important role of women in showing the right way to live and achieve happiness; timely criticism, as it considers Shakespeare in the current context of the #MeToo movement; providing new insights to studies of the emotions by approaching them from the perspective of research conducted by positive psychologists. This book takes an interdisciplinary approach that combines methodologies from literature, psychology philosophy, religion and history, by emphasizing the richness and complexity of Shakespeare's exploration of the nature of happiness. Kathleen French has a PhD from The University of Sydney. She is currently an Honorary Associate in the Department of English at The University of Sydney

Note: Includes bibliographical references and index

Additional Edition: Erscheint auch als Online-Ausgabe, ebk. ISBN 978-1-00-315663-5

Language: English

Subjects: English Studies

Keywords: Shakespeare, William 1564-1616 ; Glückseligkeit

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ISBN: 9781368063838

Content: "Magical and full of queer joy—this book is such a dream! —Alice Oseman, New York Times best-selling author of Heartstopper The course of true love never did run smooth . and neither does high school in this new graphic novel series for fans of Heartstopper and The Prince and the Dressmaker. Vi came to Arden High for a fresh start and a chance to wear beanies and button-ups instead of uniform skirts. And though doing it without her twin feels like being split in half, Vi finds her stride when she stumbles (literally!) into broody and beautiful poet-slash-influencer, Orsino. Soon Vi gets roped into helping plan the school's Twelfth Grade Night dance, and she can't stop dreaming about slow dancing with Orsino under the fairy lights in the gym. The problem? All Vi's new friends assume she's not even into guys. And before Vi can ask Orsino to the dance, he recruits Vi to help woo his crush, Olivia. Who has a crush of her own . on Vi. Star-crossed love abounds in this hilarious and romantic story of self-discovery, mistaken identities, and the magic that happens when we open our hearts to something new."

Content: Rezension(1): "〈a href=http://www.publishersweekly.com target=blank〉〈img src=https://images.contentreserve.com/pw_logo.png alt=Publisher's Weekly border=0 /〉〈/a〉: August 22, 2022 Booth ( Nothing Happened ), Strohm ( Restless Hearts ), and Green ( Brothers in Arms ) channel William Shakespeare’s Twelfth Night in this joyful graphic novel series opener. Human twins Viola and Sebastian have been inseparable until, as the duo prepare to transition into Arden High, a school populated by humans, fairies, and satyrs alike, Sebastian opts to go to St. Anne’s boarding school, instead. Juggling feelings of abandonment and elation at being able to finally dress how she wants (“I just felt more and more uncomfortable in those skirts. I wanted to dress more like Sebastian,” Vi says of her middle school uniforms), Vi meets and crushes on enigmatic human poet Orsino. But things get messy when Orsino recruits her to help him woo his own crush. Green’s distinct and whimsical character designs, coupled with a rich color palette, skillfully render Arden’s ephemeral fairy-realm setting. The creators pay homage to the source material by modernizing core elements while staying true to the original’s spirit. The twins’ struggles to forge their own personhoods, and Vi’s exploration of her gender and sexual identity, enrich the narrative. Characters are portrayed with varying skin tones. Ages 12–up. Agents: (for Booth) Alex Slater, Trident Media Group,(for Strohm) Molly Ker Hawn, Bent Agency,(for Green) Chad Beckerman, CAT Agency. " Rezension(2): "〈a href=http://www.slj.com/ target=blank〉〈img src=https://images.contentreserve.com/schoollibraryjournal_logo.png alt=School Library Journal border=0 /〉〈/a〉: October 1, 2022Gr 7 Up- This graphic novel dishes out a lot of high school drama. Vi, a new first year at Arden High School, is dealing with her father's death as well as her fraternal twin brother's move away to boarding school. Vi is resentful towards her brother, Sebastian, for having to go to Arden alone, although happily, it has none of the trappings of her old, strict private school-including no uniform requirement. She is free to be herself at Arden, which is made up of some magical as well as human students. Vi makes fast friends and even meets her first crush, Orsino, a dreamy emo-boy poet. Vi gets pulled onto the social committee to plan the first school dance, though she remains largely on the periphery of the committee shenanigans while dealing with her own mini-love-triangle-crisis. Booth and Strohm create a fun, bouncy, lively story through entertaining dialogue and high school high jinks, while Green's illustrations get the facial expressions of teenage banter and confusion just right. This appears to be the first in what could be a popular series about joyful, mostly happy teens navigating high school with peers who are all being their true selves, be they fairies or minotaurs, bisexual or straight, trans, or cis. VERDICT Fans of Strohm's previous novels ( Love a La Mode, Prince in Disguise) and graphic novels such as Alice Oseman's Heartstopper series will enjoy this title . A sound choice for any library with a strong graphic novel readership.- Kim GardnerCopyright 2022 School Library Journal, LLC Used with permission. " Rezension(3): "〈a href=http://www.kirkusreviews.com target=blank〉〈img src=https://images.contentreserve.com/kirkus_logo.png alt=Kirkus border=0 /〉〈/a〉: August 15, 2022 Vi Messaline has always done everything with her twin brother, Sebastian. So she's shocked when he decides he'd rather stay at their private boarding school instead of attending public school alongside her. And Arden High is not your average public school: Fairies run the social scene, glittery magic permeates the woods, and oddball students and their shenanigans rule the day. Taciturn and sensitive Vi is set to go solo in an overwhelming and strange environment. Adopted by a new, quirky friend group, she's then swept up in Shakespeare's familiar love quadrangle. This retelling closely follows the beats of the original Twelfth Night, and it's solidly grounded as it tackles the often retold tale. The surprises lie mostly in the effervescent and goofy tone. Although Vi grapples with real issues--trying out a less feminine gender presentation, grieving the loss of her father, and navigating her changing relationship with Sebastian--the focus is on fun. Green's buoyant art effectively augments this tone, with extremely appealing and expressive character designs and settings full of lush detail. Clever updates to the source material include the cliques to which the characters belong and the use of social media to facilitate mistaken identities. This playing to strengths helps readers overlook a breakneck timeline and less emotional complexity in some storylines. The cast is heavily queer and racially diverse,Vi reads White. Endearing, magically infused, romantic comedy hijinks. (Graphic fantasy. 12-18) COPYRIGHT(2022) Kirkus Reviews, ALL RIGHTS RESERVED. "

Language: English

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URL: http://voebb.lib.overdrive.com/ContentDetails.htm?ID=8D3CBA34-154F-4582-B87F-22CE77763E21

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Format: 15 CDs , 1 Begleitbuch (227 Seiten)

Note: Deep River ; My Way’s Cloudy ; Go Down, Moses (Let My People Go) ; Heav’n, Heav’n ; Nobody Knows The Trouble I’ve Seen ; My Lord, What A Mornin’ ; City Called Heaven ; Lord, I Can’t Stay Away ; Heav’n, Heav’n ; Go Down, Moses (Let My People Go) ; My Soul’s Been Anchored In The Lord ; Sinner, Please Doan’ Let Dis Harves’ Pass ; Honor, Honor ; Crucifixion ; Trampin’ ; Let Us Break Bread Together ; My Soul’s Been Anchored In The Lord ; Hard Trials ; Dere’s No Hidin’ Place Down Dere ; Comin’ Through The Rye ; Oh, What A Beautiful City! ; Poor Me ; Hold On ; Disc 2: Lieder, Songs And Mélodies 1936–1951 ; Alto Rhapsody Op. 53 ; Von Ewiger Liebe Op. 43/1 ; Ave Maria (Ellens Gesang Iii) D 839 ; Aufenthalt D 957/5 ; Die Forelle D 550 ; Wohin? D 795/2 ; Säv, Säv, Susa Op. 36/4 ; Flickan Kom Ifran Sin äsklings Möte Op. 37/5 ; Élégie ; In The Silence Of The Secret Night Op. 4/3 ; Will O’ The Wisp ; The Cuckoo ; Lullaby Op. 57/2 ; Hear The Wind Whispering ; O Men From The Fields ; Bright Phoebus ; Carry Me Back To Old Virginny ; My Old Kentucky Home ; Carry Me Back To Old Virginny ; My Old Kentucky Home ; “Mr. President And Mrs. Roosevelt” ; “Your Majesties” ; Disc 3: Baroque Arias ; Kreuz Und Krone Sind Verbunden ; Jesus Schläft, Was Soll Ich Hoffen? ; Zum Reinen Wasser Er Mich Weist ; Bereite Dich, Zion ; Erbarme Dich, Mein Gott ; He Shall Feed His Flock ; But The Lord Is Mindful Of His Own ; He Was Despised ; O Rest In The Lord ; All Is Fulfilled ; Come To Me, Soothing Sleep ; O What Pleasure ; The Trumpet Is Calling ; Der Flöte Weich Gefühl ; Sohn! Sieh, Deinem Greisen Vater ; When I Am Laid In Earth (Dido’s Lament) ; Se Florindo è Fedele ; Disc 4: Lieder By Brahms, Mahler And Strauss ; Alto Rhapsody op. 53 ; Kindertotenlieder ; Nun will die Sonn’ so hell aufgehn ; Nun Seh Ich Wohl, Warum So Dunkle Flammen ; Nun Seh Ich Wohl, Warum So Dunkle Flammen ; Oft Denk Ich, Sie Sind Nur Ausgegangen ; In Diesem Wetter, In Diesem Braus ; Befreit Op. 39/4 ; 4 Ernste Gesänge Op. 121 ; Denn Es Gehet Dem Menschen Wie Dem Vieh ; Ich Wandte Mich Und Sahe An Alle ; O Tod, Wie Bitter Bist Du ; Wenn Ich Mit Menschen- Und Mit Engelzungen Redete ; Alto Rhapsody Op. 53 ; Disc 5: Lieder By Schubert And Schumann ; Liebesbotschaft D 957/1 ; Erlkönig D 328 ; Ständchen D 957/4 ; Gretchen Am Spinnrade D 118 ; Der Tod Und Das Mädchen D 531 ; Die Forelle D 550 ; Ave Maria (Ellens Gesang Iii) D 839 ; Wohin? D 795/2 ; Aufenthalt D 957/5 ; Thekla (eine Geisterstimme) D 595 ; Dem Unendlichen D 291 ; Frauenliebe Und Leben Op. 42 ; Seit Ich Ihn Gesehen ; Er, Der Herrlichste von Allen ; Ich Kann’s Nicht Fassen ; Du Ring An Meinem Finger ; Helft Mir, Ihr Schwestern ; Süßer Freund, Du Blickest ; An Meinem Herzen ; Nun Hast Du Mir Den Ersten Schmerz Getan ; Disc 6: Spirituals ; Deep River ; He’s Got The Whole World In His Hands ; Roll, Jerd’n, Roll! ; Go Down, Moses (Let My People Go) ; Crucifixion ; Sometimes I Feel Like A Motherless Child ; Let Us Break Bread Together ; Plenty Good Room ; Every Time I Feel de Spirit ; If He Change My Name ; O What A Beautiful City! ; Nobody Knows The Trouble I See ; Hear de Lam’s A-Cryin’ ; My Lord, What A Mornin’ ; Were You There? ; On Ma Journey ; De Gospel Train (Git On Bo’d Li’t Children) ; Soon-a Will Be Done ; Sinner, Please Doan’ Let Dis Harves’ Pass ; Honor, Honor ; Ride On, King Jesus ; , Disc 7: Highlights From Verdi’s A Masked Ball ; Preludio ; “Alla Vita Che T’arride” (Renato) ; “Re Dell’abisso, Affrettati” (Ulrica, Riccardo) ; “Ecco L’orrido Campo … Ma Dall’arido Stelo Divulsa” (Amelia) ; “Teco Io Sto” (Gustavo, Amelia) ; “M’Ami, M’ami” (Gustavo, Amelia) – “Ahimè! S’appressa alcun!” (Amelia, Riccardo, Renato) ; “Morrò, Ma Prima In Grazia” (Amelia, Renato) ; “Alzati! Là Tuo Figlio … Eri Tu” (Renato) ; “Forse la Soglia Attinse … Ma Se M’è Forza Perderti” (Gustavo) ; “Saper Vorreste” (Oscar) ; Il Trovatore: Act 4: “Se M’ami Ancor” – “Sì, la Stanchezza M’opprime” (Manrico, Azucena) ; Disc 8: He’S Got The Whole World In His Hands ; He’s Got The Whole World In His Hands ; Dere’s No Hidin’ Place Down Dere ; I Want Jesus To Walk With Me ; Oh, Didn’t It Rain? ; I Am Bound For de Kingdom ; Oh, Wasn’t Dat A Wide Ribber ; My Soul’s Been Anchored In The Lord ; Lord, I Can’t Stay Away ; Sometimes I Feel Like A Motherless Child ; Hold On ; Scandalize My Name ; Great Gittin’ Up Mornin’ ; Done Foun’ My Los’ Sheep ; I Stood On de Ribber Ob Jerdon ; Behold That Star ; Heav’n, Heav’n ; Poor Me ; Oh, Peter, Go Ring-a Dem Bells ; Trampin’ ; Hard Trials ; Disc 9: Christmas Carols ; We Wish You A Merry Christmas ; Silent Night ; Deck The Halls ; Angel’s Song ; The First Noël ; Ave Maria (Ellens Gesang Iii) ; God Rest You Merry, Gentlemen ; It Came Upon A Midnight Clear ; Joy To The World! ; O Sanctissima / O Thou Joyful Day ; Jingle Bells ; Away In A Manger ; The Twelve Days Of Christmas ; Silent Night ; O Little Town Of Bethlehem ; Adeste Fideles (O Come, All Ye Faithful) ; The First Noël ; Hark! The Herald Angels Sing ; O Holy Night (Cantique de Noël) ; Angel’s Song ; Hallelujah ; Disc 10: Songs By Schubert, Schumann, Brahms, Strauss And Haydn ; A Pastoral Song Hob. Xxvia:27 ; She Never Told Her Love Hob. Xxvia:34 ; Der Doppelgänger D 957/13 ; Der Jüngling Und Der Tod D 545 ; Der Nussbaum Op. 25/3 ; Stille Tränen Op. 35/10 ; Morgen! Op. 27/4 ; Dein Blaues Auge Hält So Still Op. 59/8 ; Der Schmied Op. 19/4 ; Immer Leiser Wird Mein Schlummer Op. 105/2 ; 2 Gesänge Op. 91 ; No. 1: Gestillte Sehnsucht ; No. 2: Geistliches Wiegenlied ; Die Schnur, Die Perl’ An Perle Op. 57/7 ; Disc 11: Songs At Eventide ; Songs My Mother Taught Me Op. 55/4 ; Believe Me, If All Those Endearing Young Charms ; All Through The Night ; Last Night Op. 3/2 ; Flow Gently, Sweet Afton ; Evening Prayer ; Comin’ Through The Rye ; Drink To Me Only With Thine Eyes ; Loch Lomond ; Love’s Old Sweet Song ; Annie Laurie ; Wiegenlied Op. 49/4 ; Disc 12: Farewell Recital At Constitution Hall - First Complete Release ; Hear Me! Ye Winds And Waves ; Ch’io Mai Vi Possa ; The Spirit’s Song Hob. XXVIa:41 ; A Pastoral Song Hob. XXVIa:27 ; Suleika I (Was Bedeutet Die Bewegung) D 720 ; Liebesbotschaft D 957/1 ; Der Doppelgänger D 957/13 ; Erlkönig D 328 ; Nocturne Op. 13/4 ; The Negro Speaks Of Rivers ; The Plough Boy ; Blow, Blow, Thou Winter Wind Op. 6/3 ; Let Us Break Bread Together ; O What A Beautiful City! ; Hear de Lam’s A-Cryin’ ; Ride On, King Jesus ; Done Foun’ My Los’ Sheep ; Lord, I Can’t Stay Away ; Le’s Have A Union ; He’s Got The Whole World In His Hands ; Encore Speech ; Ungeduld D 795/7 ; Encore Speech ; Heav’n, Heav’n ; Ave Maria (Ellens Gesang Iii) D 839 ; Disc 13: Jus’ Keep On Singin’ ; Introduction ; Oh, Heaven Is One Beautiful Place, I Know ; Lord, How Come Me Here? ; Prayer Is de Key ; He’ll Bring It To Pass ; You Go! ; Jus’ Keep On Singin’ ; Ain’t Got Time To Die ; Jus’ Been In de Storm So Long ; I’ve Been ’Buked ; Le’s Have A Union ; Oh, Glory! ; Jus’ Keep On Singin’ – Ride On, King Jesus ; , Disc 14: Schubert And Brahms Lieder ; Liebesbotschaft D 957/1 ; Ungeduld D 795/7 ; Der Tod Und Das Mädchen D 531 ; Die Forelle D 550 ; An Die Musik D 547 ; Suleika I (Was Bedeutet Die Bewegung) D 720 ; Gretchen Am Spinnrade D 118 ; Wiegenlied D 498 ; Erlkönig D 328 ; Heidenröslein D 257 ; Von Ewiger Liebe Op. 43/1 ; Botschaft Op. 47/1 ; Vergebliches Ständchen Op. 84/4 ; Der Schmied Op. 19/4 ; Dein Blaues Auge Hält So Still Op. 59/8 ; Disc 15: The Lady From Philadelphia ; Introduction ; …visiting The 24th Infantry Division ; There’s No Place Like Home ; …receiving An Honorary Degree In Seoul ; He’s Got The Whole World In His Hands ; Getting To Know You ; …traveling To Bangkok And Speaking About Her Favorite Songs And Freedom ; Trampin’ ; …meeting The King Of Thailand ; Comin’ Through The Rye ; Ständchen ; Ave Maria ; Heav’n, Heav’n ; Go Down, Moses (Let My People Go) ; The Plough Boy ; …speaking With Buddhist Scholars ; Dere’s No Hidin’ Place Down Dere ; …meeting The Prime Minister Of Burma ; …responding About Arkansas’s Governor ; …visiting Kuala Lumpur ; The Malaysian National Anthem ; …introducing “You’ve Got To Be Carefully Taught” ; You’ve Got To Be Carefully Taught ; …traveling To Pakistan And India ; …discussing The Music Of India ; Mon Coeur S’ouvre à Ta Voix ; …speaking At The All India Radio Station In New Delhi About Issues Of Race And Representation ; …being Introduced At The Gandhi Memorial In Old Delhi ; …speaking About Gandhi ; Lead, Kindly Light

Language: English

Author information: Anderson, Marian

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Format: 21 CD , 1 Booklet (22 Seiten) , 14 cm x 13 cm

Note: 1980-1989 , 1. CD: "Pops on the march": Under the double eagle / Josef Franz Wagner. - March no. 4 in G, from "Pomp and circumstance marches". - Festival coronation march / Tchaikovsky. - Orb and sceptre / William Walton. - Strike up the band / George Gershwin. - St Louis Blues march / W.C. Handy. - Midway march / John Williams. - Seventy-six trombones / Meredith Willson. - South Rampart street parade / Ray Bauduc. - Conquest / Alfred Newman. (Boston Pops Orchestra) , 2.CD "Pops in Space" - Williams: Musik aus Superman, The Empire strikes back, Star Wars ; Close Encounters of the third Kind-Suite. - 3.CD "That's Entertainment (Pops on Broadway)" - That's Entertainment ; Fiddler on the Roof (Auszüge) ; A Little Night Music (Auszüge) ; Richard Rodgers-Walzer-Medley ; Pops on Broadway ; Gigi (Auszüge) , 4.CD "We wish you a merry Christmas" - Joy to the World ; Deck the Halls ; Hark! The Herald Angels sing ; The first Nowell ; Silent Night ; Jingle bells ; O come, all ye faithful. - A Christmas greetings: The carols of Alfred Burt (Medley). - Holiday Cheer (Medley). - A Christmas carol / Charles Edward. - Carol of the drum / Katherine Kennicott Davis. - The twelve days of Christmas. - 5.CD "Pops around the World" - Ouvertüren, aus Colas Breugnon / Kabalewsky. - Boccaccio / von Suppe. - The bronze horse / Auber. - Ruslan and Ludmila / Glinka. - The cowboys / John Williams. - L'italiana in Algeri / Rossini. - Candide / Bernstein. , 6.CD "Aisle Seat" - Filmmusik aus E. T., Chariots of Fire. - Raiders of the lost Ark. - Main theme aus, New York, New York. - Tara's theme, aus Gone with the Wind. - Over the rainbow, aus The Wizard of Oz. - Main theme aus, Singin' in the Rain. - Main theme, aus Friendly Persuation. - The trolley song, from Meet me in St. Louis. - 7.CD "Out of this World" - Filmmusik aus 2001, a Space Odyssey ; E. T. ; Alien ; Star Trek - The Television show ; Battlestar Galactica ; Twilight Zone ; Return of the Jedi , 8.CD Prokofieff: Peter und der Wolf. - Tschaikowsky: Nussknacker-Suite. - 9.CD "With a song in my heart": Falling in love, from The Boys from Syracuse. - In the still of the night, from I married an angel. - I'm old-fashioned, from You were never lovelier. - A sleepin' bee, from House of flowers. - I love Paris, from Can-Can. - The song is you, from Music in the air. - I love you, from Mexican hayride. - Love is here to stay, from Goldwyn follies. - All the things you are, from Very warm for may. - Love walked in, from Goldwyn Follies. - With a song in my heart, from With a song in my heart. - Jessye Norman, soprano , 10.CD "Swing, swing, swing": Opus One ; Begin the Beguine ; Sunrise Serenade ; Tuxedo Junction ; Satin Doll ; In the Mood ; Sing, sing, sing ; Stompin' at the Savoy ; Moonlight Serenade ; String of Pearls ; Sleepy Lagoon ; Song of India ; Snowfall ; Swing, swing, swing. - 11.CD "America, the Dream goes on" - Fanfare for the common man /Aaron Copland. - America, the dream goes on / John Williams. - Battle hymn of the republic / William Steffe / Peter Wilhousky. - This land is your land / Woody Guthrie. - America, the Beautiful / Samuel A. Ward / Alexander Courage). - Hoe-Down aus "Rodeo" / Aaron Copland. - American Salute / Morton Gould. - America Medley / Leonard Bernstein / Sid Ramin. - When the saints go marchin' in (Traditional). Prayer of Thanksgiving (Traditional) , 12.CD "On Stage" - There's no business like show business ; A Chorus Line (Ouvertüre). - Here you come again. - Sophisticated Ladies - A tribute to Duke Ellington. - Memory. - A Salute to Fred Astaire. - Slaughter on Tenth Avenue. - 13.CD "Bernstein by Boston": Selection from West Side Story. - Simple song, from Mass. - On the Town: The great lover. Lonely town. Times Square: 1944. - Divertimento for Orchestra. - Selection, from Wonderful Town. , 14.CD "Pops in Love": Pavane/ Fauré. - Clair de lune / Debussy. - Adagio for strings and organ / Giazotto. - Le cygne / Saint-Saens. - Gymnopédie No. 1 / Satie. - Andante cantabile, from String quartet no. 1 / Tchaikovsky. - La fille aux cheveux de lin / Debussy. - Pavane pour une infante défunte / Ravel. - Gymnopédie no. 2 / Satie. - Canon / Pachelbel. - Fantasia on Greensleeves. - Vaughan Williams. - 15.CD Holst: The Planets. - Ian Underwood, synthesiser , 16.CD "Digital Jukebox": Those were the days. - Never on Sunday. - More, from Mondo Cane. - By the time I get to Phoenix. - The Girl from Ipanema. - The summer knows, from Summer of '42. - Mack the knife, from The Threepenny Opera. - Where is your heart, from Moulin Rouge. - Classical Gas. - The Pink Panther-Theme. - Ebb Tide. - Tijuana Taxi. - Days of wine and roses. - Theme from a Summer Place. - Unchained Melody. - Ciribiribin. - Love is a many splendored Thing. - 17.CD "Lucky to be me (mit Jessye Norman, soprano)" - Songs aus: Love me tonight, The Umbrellas of Cherbourg, Lady in the Dark, Girl Crazy, The Boys from Syracuse, On the Town, Knickerbocker Holiday, My fair Lady, Yentl, One Touch of Venus , 18.CD "Salute to Hollywood" - Hooray for Hollywood ; Pops salutes the Oscars ; Somewhere out there ; Balloon Sequence aus The Witches of Eastwick ; Love theme aus Out of Africa ; La Bamba; Theme aus The Bad and the Beautiful ; Dancing with Fred Astaire. - 19.CD "Pops a la Russe" - Rimsky-Korssakoff: Cortege aus Mlada-Suite. - Polovtsian dances from Prince Igor / Borodin. - None but the lonely heart / Tchaikovsky. - Danse des bouffons from The Snow maiden suite. - A night on the bare mountain / Mussorgsky. - Troika from Lieutentant Kijé Suite / Prokofiev. - From the Gayaneh Suite / Khachaturian. - Nocturne from String quartet no. 2 / Borodin. - Polka from The golden age suite / Shostakovich. - Russian sailor's dance from The Red Poppy Suite / Glière , 20.CD "Pops by Gershwin" : An American in Paris. Porgy and Bess Suite. Selections from Girl Crazy. Rhapsody in Blue. - 21. CD "By Request...": Liberty fanfare. March from 1941. the mission theme (Theme for NBC News). Olympic fanfare and theme. Theme from JAWS. - Pops Britannia: from Jane Eyre. An Orkney wedding, with Sunrise. Brigg Fair. Danny Boy. Molly on the shore. Scotland the Brave. (Bay State Pipes and Drums, Boston Pops Orchestra)

Language: Undetermined

Author information: Williams, John

UID:

Format: xi, 289 Seiten , 23 cm

ISBN: 9781666738360 , 9781666798944

Series Statement: Veritas

Content: "Will & Love examines four of Shakespeare's love plays (Romeo and Juliet, Troilus and Cressida, Twelfth Night, and Antony and Cleopatra) in light of the Augustinian psychology at the heart of the theological romance tradition. This tradition, which Shakespeare inherits from medieval theologian-poets such as Boethius, Dante, Petrarch, and Chaucer, issues from the idea, initially expressed by Augustine in his Confessions, that love functions as volitional weight, as a kind of magnetism or almost-gravitational force--that it moves the lover in mysterious ways yet without diminishing his or her agency. Will & Love highlights Shakespeare's conception of love in terms of motion and explores the metaphysical, ethical, psychological, and dramatic implications of his doing so." --

Note: Literaturverzeichnis: Seite 267-277 , Introduction -- Theological romance -- Romeo and Juliet -- Troilus and Cressida -- Twelfth Night -- Antony and Cleopatra -- Conclusion.

Additional Edition: ISBN 9781666798951

Language: English

Keywords: Shakespeare, William 1564-1616 Romeo and Juliet ; Shakespeare, William 1564-1616 Troilus and Cressida ; Shakespeare, William 1564-1616 Twelfth night ; Shakespeare, William 1564-1616 Antony and Cleopatra ; Liebe ; Romance

UID:

Format: 3 CD

Note: CD 1: Wizzard: I Wish It Could Be Christmas Everyday - Shakin' Stevens: Merry Christmas Everyone - Greg Lake: I Believe in Father Christmas - Pretenders: 2000 Miles - David Essex: A Winter's Tale - Elaine Paige: Walking in the Air - Alfie Boe: Amazing Grace - Bobby Darin: Christmas Auld Lang Syne - The Drifters: White Christmas - The Cadillacs: Rudolph the Red Nosed Reindeer - Kylie Minogue: Santa Baby - Christina Perri: Merry Christmas Darling - Katie Melua: River - Vera Lynn: Sleigh Ride - Alma Cogan: Christmas Cards - Adam Faith: Lonely Pup (In a Christmas Shop) - Mud: Lonely This Christmas - Matt Monro: Mary's Boy Child - Pilot: It's Christmas - The Darkness: Christmas Time (Don't Let the Bells End). , CD 2: CeeLo Green: What Christmas Means to Me - Donny Hathaway: This Christmas - Otis Redding: Merry Christmas Baby - Luther Vandross: At Christmas Time - Carla Thomas: Gee Whiz It's Christmas - The Impressions: I Saw Mommy Kissing Santa Claus - The Salsoul Orchestra: Merry Christmas All - Ashley Tisdale: Last Christmas - Lily Allen: Somewhere Only We Know - Gabrielle Aplin: The Power of Love - Musiq Soulchild: The First Noël - Yolanda Adams: Have Yourself a Merry Little Christmas - Blake Shelton: Jingle Bell Rock - Randy Travis: Santa Claus Is Coming to Town - Kathie Lee Gifford: It's Beginning to Look Like Christmas - Errol Brown: Family Christmas Time - Gilbert O'Sullivan: Christmas Song - Boyzone: The Hour Before Christmas - Clannad: Christmas Angels - Straight No Chaser: Silent Night. , CD 3 Christmas Carols: The Blossom Street Singers: Once in Royal David's City - Oxford St. Peter's Choir: In Dulci Jubilo - The Blossom Street Singers: God Rest Ye Merry Gentlemen - The Blossom Street Singers: O Come All Ye Faithful - The Blossom Street Singers: Hark! The Herald Angels Sing - The Blossom Street Singers: It Came Upon the Midnight Clear - The Blossom Street Singers: While Shepherds Watched Their Flocks by Night - The Blossom Street Singers: Ding Dong Merrily on High - The Regency Youth Choir: Little Drummer Boy - The Blossom Street Singers: I Saw Three Ships - The Blossom Street Singers: The Holly and the Ivy - The Blossom Street Singers: Coventry Carol - The Regency Youth Choir: O Holy Night - The Regency Youth Choir: Jingle Bells - The Blossom Street Singers: Away in a Manger - The Blossom Street Singers: O Little Town of Bethlehem - The Blossom Street Singers: We Three Kings - The Blossom Street Singers: In the Bleak Midwinter - The Blossom Street Singers: The First Noël - The Regency Youth Choir: Twelve Days of Christmas.

Language: English