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  • 1995-1999  (3)
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  • 1
    UID:
    gbv_1814717587
    Format: 1 Online-Ressource
    ISBN: 9789004457621 , 9789042003996
    Series Statement: Poznań Studies in the Philosophy of the Sciences and the Humanities 62
    Content: The book covers almost the whole range of semiotics: the conceptions of meaning, the appearance of meaning units in semiosis, the dichotomy analyticity/syntheticity, the formal condition of good translation, the metaphorical change in fine arts, the figurativeness in modern literary theories, the metaphor in computer translation, the conditionals with egocentric predicates, the evolution of the notion of cause, the temporal relation in conditionals, the structure of passive voice, the semantics of to think, the reasoning and rationality, the non-formalized reasoning, the operation of acceptance, the principle of non-contradiction, the relation semiotics/logic/philosophy, the interdisciplinarity and exactness, the notion of imprecision, the interpretation of some semiotic notions (i.a. semantic field of terms) in terms of mathematics, the description of categorial grammars in terms of model theory, the human knowledge as moral problem, the conceptualization of the development of knowledge by means of the notion of meme, the cultural relations between some European countries, the typology of scientists, the semiotic studies of some Spanish, Irish, Czech, Polish and Norwegian works of literature, the semiotic aspects of music, television and the whole sphere of artifacts, the history of semiotics (Plato, Gonsung Long, Descartes, Fu Yen, Peirce, Brwal, Lotman, Langer)
    Note: Includes bibliographical references and index , Introduction, How to Move in the World of Signs -- PART I: THEORETICAL SEMIOTICS -- Andrzej BOGUS_AWSKI: Conditionals and Egocentric Mental Predicates -- Wojciech BUSZKOWSKI: On Families of Languages Generated by Categorial Grammar -- Katalin G -- HAVAS: Changing the World - Changing the Meaning -- On the Meanings of the Principle of Non-Contradiction -- Henryk HITZ: On Translation -- Solomon MARCUS: Imprecision, Between Variety and Uniformity: The Conjugate Pairs -- Jaroslav PEREGRIN, Petr SGALL: Meaning and Propositional Attitudes -- Olgierd Adrian WOJTASIEWICZ: Some Applications of Metric Space in Theoretical Linguistics -- PART II: METHODOLOGY -- Evandro AGAZZI: Rationality and Certitude -- Irena BELLERT: Human Reasoning and Artificial Intelligence -- When Are Computers Dumb in Simulating Human Reasoning? Tomasz BIGAJ: Analyticity and Existence in Mathematics -- Geoffrey B -- KEENE: Taking up the Logical Slack in Natural Language -- András Kertész: Interdisciplinarity and the Myth of Exactness -- Jan SRZEDNICKI: Norm as the Basis of Form -- Juri S -- STEPANOV: Cause in the Light of Semiotics -- Jerzy A -- WOJCIECHOWSKI: The Development of Knowledge as a Moral Problem -- PART III: HISTORY OF SEMIOTICS -- Erhard ALBRECHT: Philosophy of Language, Logic and Semiotics -- Gérard DELEDALLE: A Philosopher's Reply to Questions Concerning Peirce's Theory of Signs -- Janice DELEDALLE-RHODES: The Transposition of the Linguistic Sign in Peirce's Contributions to The Nation -- Robert E -- INNIS: From Feeling to Mind: A Note on Langer's Notion of Symbolic Projection -- Roberta KEVELSON: Peirce's Semiotics as Complex Inquiry: Conflicting Methods -- Jerzy KOPANIA: The Cartesian Alternative of Philosophical Thinking -- Xiankun LI: Why Gonsung Long (Kungsun Lung) Said White Horse Is Not Horse -- Lucia MELAZZO: A Report on Ancient Discussion -- Ding-fu NI; Semantic Thoughts of J -- Stuart Mill and Chinese Characters -- Irene PORTIS-WINNER: Lotman's Semiosphere: Some Comments -- Joëlle RÉTHORÉ: Another Close Look at the Interpretant -- Edward STANKIEWICZ: The Semiotic Turn of Breal's Semantique -- PART IV: LINGUISTICS -- Klaus HEGER: Passive and Other Voices Seen from an Onomasiological Point of View -- Laszlo I KOMLÓSZI: The Semiotic System of Events, Intrinsic Temporal and Deictic Tense Relations in Natural Language -- On the Conceptualization of Temporal Schemata -- Wac_aw M -- OSADNIK, Ewa HORODECKA: Polysystem Theory, Translation Theory and Semiotics -- Anna WIERZBICKA: THINK - a Universal Human Concept and a Conceptual Primitive -- PART V: CULTURAL SEMIOTICS -- Gianfranco BETTETINI: Communication as a Videogame -- W_odzimierz KRYSI??N??SKI: Joyce, Models, and Semiotics of Passions -- Hanna KSIAZEK-KONICKA: Visual Thinking in the Poetry of Julian Przybo_ and Miron Bia_oszewskI Urszula NIKLAS: The Space of Metaphor -- Maria Caterina RUTA: Captivity as Event and Metaphor in Some of Cervantes' Writings -- Eero TARASTI: From Aesthetics to Ethics: Semiotic Observations on the Moral Aspects of Art, Especially Music -- Ladislav TONDL: Is It Justified to Consider the Semiotics of Technological Artefacts? Vilmos VOIGT: Poland, Finland and Hungary (A Tuatara's View) -- Thomas G -- WINNER: Czech Poetism: A New View of Poetic Language -- Johan WREDE: Metaphorical Imagery - Ambiguity, Explicitness and Life -- Else M -- BARTH: A Case Study in Empirical Logic and Semiotics -- Fundamental Modes of Thought of Nazi Politician Vidkun Quisling, Based on Unpublished Drafts and Notebooks -- Paul BOUISSAC: Why Do Memes Die? Wojciech KALAGA: Thresholds of Signification -- Adam PODGÓRECKI: Do Social Sciences Evaporate?
    Additional Edition: Erscheint auch als Druck-Ausgabe In the World of Signs : Essays in honour of Professor Jerzy Pelc Leiden : BRILL, 1998 ISBN 9789042003996
    Language: English
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  • 2
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    UID:
    gbv_883355167
    Format: Online-Ressource (1 online resource (420 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    ISBN: 9780511470301
    Series Statement: New Perspectives in Music History and Criticism no. 3
    Content: This book is a study of the prose writings of Richard Wagner and their relevance to an understanding of his music and drama, as well as their relation to music criticism and aesthetics in the nineteenth century in general. As a by-product of Wagner's many-faceted career as musician, conductor, cultural critic and controversial ideologue, the writings are documents of undisputed interpretative value. This study focuses on Wagner's words on music, and interprets them in the light of the musical, aesthetic and critical contexts that generated them. Professor Grey considers Wagner's ambivalence concerning the idea of 'absolute music' and the capacity of music to project meaning or drama from within its own system of referents. Particularly relevant are Wagner's appropriation of a Beethoven legacy, the metaphors of musical 'gender' and 'biology' in Opera and Drama and the critical background to ideas of 'motive' and 'leitmotif' in theory and practice
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , 1. Wagner and the problematics of "absolute music" in the nineteenth century: Ideas of absolute music ; Questions of autonomy ; Content and/or/as form ; Absolute music and "ideas: a new determinacy? -- 2. Beethoven reception and the hermeneutic impulse: "poetic ideas" and new forms: Beethoven's "poetic ideas": notes on the genesis of a critical tradition ; Poetics, heroics, funérailles ; Fear of the Fifth: the uncanniness of instrumental speech ; Beethoven's "sketches" (poetic intentions and musical consequences) -- 3. Engendering music drama: Opera and Drama and its metaphors: Metaphors of gender, and others; Natural sciences: reproductive biology and a theory of "evolution"; Music mastered, poetic reason (nearly) seduced: allegory and antithesis -- 4. The "poetic-musical period" and the "evolution" of Wagnerian form: Periode and Entwicklung ; "Evolving" period-complexes and Wagner's evolution: three dialogues -- 5. Endless melodies: Wagner and his critics around 1860 (Wagner's melody--all or none?) ; Melody, origins, and utopias of regression (melody as the origin of speech and poetry in Opera and Drama) ; Melody as form -- 6. Motives and motivations: leitmotif and "symphonic" drama: Warum? (motives to musical form) ; The birth of the music drama from the "labor-pains of program music" ; Motif, motive, Motiv: dramatic motivations and "symphonic form" ; Delirium and death as transgressive motives: "dramatic symphony" and "symphonic drama" ; Dénouements (motivic threads, dramatic plots, musical knots and resolutions).
    Additional Edition: ISBN 9780521417389
    Additional Edition: ISBN 9780521033190
    Additional Edition: Druckausg. ISBN 978-052-141-738-9
    Additional Edition: Print version ISBN 9780521417389
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 3
    UID:
    b3kat_BV045761127
    ISSN: 0039-2987
    In: volume:89
    In: year:1996
    In: pages:129-151
    In: Studi italiani di filologia classica, Firenze, 1996, 89 (1996), 129-151, 0039-2987
    Language: English
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