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  • 1995-1999  (83)
Type of Medium
Language
Region
Year
  • 1
    Online Resource
    Online Resource
    Ann Arbor :The University of Michigan Press,
    UID:
    almafu_9961155954902883
    Format: 1 online resource
    Edition: First paperback edition.
    ISBN: 0-472-90424-8
    Content: "Like other English Renaissance writers and dramatists, Shakespeare was attracted to the heroine in male disguise. Gender in Play on the Shakespearean Stage examines the use of this type of character--man playing woman playing man--by framing five plays by Shakespeare against readings of some of the other "female page" plays written by other playwrights of the period. The many variations Michael Shapiro traces are placed in the context of female cross-dressing as a social phenomenon and in the context of female impersonation as the standard way of representing women on the Shakespearean stage. Shakespeare's use of the female page spanned his entire career: The Two Gentlemen of Verona (an early comedy), The Merchant of Venice, As You Like It, Twelfth Night (mature romantic comedies), and Cymbeline (a late romance). Shapiro deploys several modes of literary criticism to establish the distinctiveness of each of Shakespeare's five disguised heroine plays and to trace the subtle and ingenious variations on the motif by such writers as Greene, Fletcher, Chapman, Middleton, Jonson, and Ford. The popularity of the "female page" is examined as a playful literary and theatrical way of confronting, avoiding, or merely exploiting issues such as the place of women in a patriarchal culture and the representation of women on stage. Looking beyond and behind the stage for the cultural anxieties that cross-dressing London women being punished as prostitutes and speculation that the apprentices who played female roles in adult companies engaged in homoerotic practices. [This book] will appeal not only to scholars of Renaissance drama but to any reader interested in the historical construction and analysis of gender and sexuality, both on- and offstage"-- Back cover.
    Note: A brief social history of female cross-dressing -- Male cross-dressing in playhouses and plays -- Cross-gender disguise plus cross-gender casting -- Bringing the page onstage: The two gentlemen of Verona -- Doubling of cross-gender disguise: The merchant of Venice -- Layers of disguise: As you like it -- Anxieties of intimacy: Twelfth night -- From center to periphery: Cymbeline.
    Additional Edition: ISBN 0-472-08405-4
    Language: English
    Keywords: History.
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  • 2
    Book
    Book
    New York [u.a.] :Columbia Univ. Press,
    UID:
    almahu_BV012564245
    Format: XV, 225 S.
    ISBN: 0-231-11386-2 , 0-231-11387-0
    Series Statement: Modern Chinese literature from Taiwan
    Content: An anthology by a Taiwanese writer. The title story is on a man's atonement for collaborating with the Japanese during World War II, Autumn Night is a conflict between a wife and her mother-in-law, while The Last of the Gentlemen is on friendship.
    Note: Aus dem Chines. übers.
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
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  • 3
    Book
    Book
    Berkeley [u.a.] :Univ. of California Press,
    UID:
    almafu_BV010520396
    Format: XII, 276 S.
    ISBN: 0-520-08623-6
    Series Statement: The new historicism 33
    Content: Combining the resources of new historicism, feminism, and postmodern textual analysis, Eric Mallin reveals how contemporary pressures left their marks on three Shakespeare plays written at the end of Elizabeth's reign. Close attention to the language of Troilus and Cressida, Hamlet, and Twelfth Night reveals how Shakespeare registered the consciousness of transition and ending that underlay England's social fabric at the beginning of the seventeenth century. The plays further register in complex ways the cultural presence of social or psychic crises. Troilus reflects the rebellion of the Earl of Essex and the failure of the courtly, chivalric style. Hamlet resonates with the danger of the bubonic plague and the difficult succession history of James I. Twelfth Night is imbued with nostalgia for an earlier period of Elizabeth's rule, when her control over religious and erotic affairs seemed more secure.
    Language: English
    Subjects: English Studies
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    Keywords: 1564-1616 Shakespeare, William ; 1564-1616 Shakespeare, William ; Drama ; 1564-1616 Shakespeare, William ; Zeithintergrund ; 1564-1616 Troilus and Cressida Shakespeare, William ; Zeithintergrund ; 1564-1616 Hamlet Shakespeare, William ; Zeithintergrund ; 1564-1616 Twelfth night Shakespeare, William ; Zeithintergrund
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  • 4
    Book
    Book
    Iowa City :Univ. of Iowa Press,
    UID:
    almafu_BV010988752
    Format: XVII, 206 S.
    ISBN: 0-87745-544-9
    Series Statement: Studies in theatre history and culture
    Content: Because it appears in a relatively clean and dated version in the Folio, Twelfth Night seems to be exempt from arguments for variant texts - but there are significant and persistent variations represented in the performance editions. Osborne's careful reading of these provides a crucial bridge linking theatre history and textual criticism. She employs a wide variety of approaches and disciplines - Shakespearean and Renaissance studies, theatre history, gender studies, contemporary literary criticism, and cultural history - to provide a fresh and engaging yet rigorous view
    Content: Although she focuses on Twelfth Night, Osborne's argument applies more broadly to the history of performance and criticism, including a chapter on video versions of the play. Widely read in Shakespearean and Renaissance scholarship, she employs her archival research on promptbooks, the publishing history of the plays, and the history of Shakespearean production to accomplish a major job of scholarly integration and analysis of Shakespearean drama in performance
    Language: English
    Subjects: English Studies
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    Keywords: 1564-1616 Twelfth night Shakespeare, William ; Soufflierbuch ; Geschichte ; 1564-1616 Twelfth night Shakespeare, William ; Aufführung ; Geschichte ; 1564-1616 Twelfth night Shakespeare, William ; Textgeschichte
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  • 5
    Book
    Book
    Basingstoke [u.a.] :Macmillan,
    UID:
    almafu_BV011059349
    Format: IX, 221 S.
    Edition: 1. publ.
    ISBN: 0-333-60676-0 , 0-333-60677-9 , 978-0-333-60676-6 , 978-0-333-60677-3
    Series Statement: New casebooks
    Note: Hier auch später erschienene, unveränderte Nachdrucke
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-349-90247-7
    Language: English
    Subjects: English Studies
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    Keywords: 1564-1616 Twelfth night Shakespeare, William ; Aufsatzsammlung ; Aufsatzsammlung
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  • 6
    Online Resource
    Online Resource
    Somerset :Taylor and Francis,
    UID:
    almahu_9949384600702882
    Format: 1 online resource (211 pages)
    ISBN: 9781351531979 , 1351531972
    Note: Cover; Half Title; Title Page; Copyright Page; Dedication; Contents; Foreword; Acknowledgments; 1 Introduction: Humor, Psyche, and Society; PART ONE: THEORETICAL CONCERNS; 1. A Glossary of the Techniques of Humor: Morphology of the Joke-Tale; 2. Anatomy of a Joke; PART TWO: APPLICATIONS; 3. The Telephone Pole with the Braided Armpits: Ethnic and Racial Jokes and American Society; 4. ""On Me You Can't Count"": An Interpretation of a Jewish Joke with Relevance to the Jewish Question; 5. Jewish Fools: From the Wise Men of Chelm to Jackie Mason; 6. Mickey Mouse and Krazy Kat: Of Mice and Men. , 7. Comics and Popular Culture: Not Just Kid's Stuff8. Mark Russell in Buffalo; 9. A Cool Million; 10. Twelfth Night: Comedic Techniques and Social Considerations; 11. Huckleberry Finn as a Novel of the Absurd: Making Sense of an Existential Hero; 12 Healing with Humor: A Laugh a Day Keeps the Doctor Away; 13. Comedy and Creation: On the Generative Power of Humor; Bibliography; Names Index; Subject Index; Jokes and Humorous Texts Index.
    Additional Edition: Print version: Berger, Arthur Asa. An Anatomy of Humor. Somerset : Taylor and Francis, ©1999 ISBN 9780765804945
    Language: English
    Keywords: Electronic books. ; Electronic books.
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  • 7
    Book
    Book
    Stuttgart : Philipp Reclam Jun. GmbH & Co.
    UID:
    kobvindex_ZLB00043300
    Format: 231 Seiten
    Edition: 1
    ISBN: 3150098386
    Series Statement: Reclams Universal-Bibliothek Nr. 9838
    Uniform Title: Twelfth night or what you will
    Note: Literaturverz. S. 228 - 231
    Language: English
    Author information: Shakespeare, William
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  • 8
    UID:
    almahu_9948322209602882
    Format: viii, 247 p. : , ill.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Series Statement: The World's classics
    Uniform Title: Twelfth night
    Note: Includes index.
    Language: English
    Keywords: Electronic books.
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  • 9
    Book
    Book
    Manchester [u.a.] :Manchester Univ. Press,
    UID:
    almahu_BV012281141
    Format: XII, 292 S. : Ill., graph. Darst.
    Edition: 1. publ.
    ISBN: 0-7190-5544-X , 0-7190-5566-0
    Content: "An often ingenious and surprising work, Shakespeare's Mystery play sets out to show that Julius Caesar was the first play performed at the new Globe Theatre on 12 June 1599. Steve Sohmer draws on areas of expertise which are rarely allied in Shakespeare scholarship and throws new light, not only on Julius Caesar, but on Hamlet, Twelfth Night and a variety of accepted beliefs. The considerable detective work invested in researching astrological, astronomical, calendrical, historical and even hydrological data, is lucidly marshalled."--BOOK JACKET.
    Language: English
    Subjects: English Studies
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    Keywords: 1564-1616 Julius Caesar Shakespeare, William
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  • 10
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press
    UID:
    gbv_1869161289
    Format: 1 Online-Ressource
    ISBN: 9780472904242 , 9780472084050
    Content: Cross-dressing, sexual identity, and the performance of gender are among the most hotly discussed topics in contemporary cultural studies. A vital addition to the growing body of literature, this book is the most in-depth and historically contextual study to date of Shakespeare's uses of the heroine in male disguise—man-playing-woman-playing-man—in all its theatrical and social complexity. Shapiro's study centers on the five plays in which Shakespeare employed the figure of the "female page": The Two Gentlemen of Verona, The Merchant of Venice, As You Like It, Twelfth Night, and Cymbeline. Combining theater and social history, Shapiro locates Shakespeare's work in relation to controversies over gender roles and cross-dressing in Elizabethan England
    Note: English
    Language: Undetermined
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