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  • Electronic books  (13)
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  • 1
    Online-Ressource
    Online-Ressource
    London [England] :Bloomsbury Publishing Plc, | [London, England] :Bloomsbury Publishing,
    UID:
    almahu_9949203539002882
    Umfang: 1 online resource (385 pages) : , illustrations.
    Ausgabe: First edition.
    ISBN: 9781350022485
    Serie: Radical aesthetics-radical art
    Inhalt: "Art, Politics and the Pamphleteer brings together a collection of text-based and visual essays, commissioned artworks and graphics. This richly illustrated book responds to the concept, aesthetics and function of the political pamphlet. It is diverse in content, interpreting the 'pamphlet' in the broadest terms, and encompassing a number of case studies that offer historical or specific examples of contemporary pamphleteering practice that can be seen to perform 'a clear political implication' or protest. Besides exploring the radical history and diverse cultures of the pamphlet, it also celebrates the rich visual rhetoric, typography and contemporary relevance of the format for both artists and activists. Contributions include an historical overview and essays by: Andy Abbott, Angeliki Avgitidu, Aziz Choudry and Dširě Rochat, David Murrieta Flores, Michelle Kempson, Pil and Galia Kollectiv, Rachel Schreiber, Jane Tormey, Gillian Whiteley; visual contributions by Gary Anderson and Steven Shakespeare, Ruth Beale, Ami Clarke, Common Culture, Jeremy Deller, Freee, Patrick Goddard, Gavin Grindon, Ferenc Grof, Marc Herbst, Joanne Lee, Josh MacPhee, Manual Labours, Mark McGowan, Minute Works, Chris Morton, radicalreThink, Hester Reeve, Oliver Ressler, Greg Sholette & Christopher Darling, Laura Wild, Andrew Wilson. As the book was conceived as predominantly visual from the outset, the book concept has been a collaboration with The Little Riot Press (Phil Eastwood and Chris Dunne). Overall, an aesthetic of protest and propaganda was considered integral to the design to reiterate the generally handmade, analogue techniques found in political pamphlets. The Little Riot Press have thus approached the illustration and overall visual cohesion from the perspective of the radical artist pamphleteer. www.thelittleriotpress.com."--
    Anmerkung: Description based upon print version of record. , 'FANM VLE PALE': HAITIAN MIGRANT WOMEN'S VOICES IN QUEBEC. , Cover page -- Halftitle page -- Copyright page -- Title page -- CONTENTS -- NOTES ON CONTRIBUTORS -- TEXT -- Introduction -- ONE The allure of pamphilos: the radical art of pamphleteering -- MAYDAY 2016 -- INTRODUCTION -- PROMISCUOUS AND ROGUEISH -- THE ROOTS OF PAMPHILOS -- FOR OR AGAINST, LEFT OR RIGHT...PROTEST! -- ROLLING THEIR OWN: WOMEN, PRINT AND PAMPHLETS IN THE 1970s -- LE PAMPHLET, N'EST PAS MORT! BE A CITIZEN PAMPHLETEER!76 -- NOTES -- TWO Power in the hands of the elite #01 The Little Riot Press -- THREE Essaying the pamphlet Joanne Lee -- UNBOUND -- LOVE -- PLEASURE -- STITCHES. , IMPROPER -- CONSTELLATION -- FEW -- NOT KNOWING -- GIFT -- COMRADES -- ALTERNATIVE -- NOTES -- FOUR The pamphlet is personal: becoming pamphleteers in the neo-liberalizedHE sector -- NOTES -- FIVE Pamphlets as poetic fragments -- SIX Un-Publish -- SEVEN JOY in PEOPLE -- EIGHT MANIFESTO for ART -- NOTES -- NINE YESTERDAY'S FUTURE -- TEN HOW TO Gavin Grindon -- ELEVEN Who is not Against Us is With Us, Currency Alphabet Series -- TWELVE MOON Cycle -- THIRTEEN The rise of the reproducible political graphic -- FOURTEEN Manual Labours Manuals -- NOTES -- FIFTEEN Who made you God? , SIXTEEN RiotID GUIDE from DISMALAND -- SEVENTEEN I SPY CULTURAL HEGEMONY -- EIGHTEEN 4th Meeting of the Emily Davison Lodge -- NINETEEN Leaflets fromthe Project 'Fly Democracy' -- TWENTY Double City (Chapter One) -- TWENTY ONE A NEW ART OF ROAMING? -- NOTES -- TWENTY TWO Let's forget everything and get drunk -- TWENTY THREE TIPS TIPS for ARTISTS -- TWENTY FOUR Power in the hands of the elite #02 The Little Riot Press -- TWENTY FIVE From DIY to UBI: the political horizons of a Gig Guide Pamphlet: 1999-2017 and beyond -- NOTES. , TWENTY SIX The politics of form: zines and the aesthetics of grassroots knowledge production -- LOCATING THE ZINE -- ZINES AND DIY POLITICS -- KNOWLEDGE FORMS: 'E-ZINES ARE NOT ZINES!' -- THE MATERIAL FORM OF ALTERNATIVE KNOWLEDGE -- DISRUPTING THE INTIMACY OF ZINE EXCHANGE -- CONCLUSION -- NOTES -- TWENTY SEVEN 'Breed!': the graphic satire of the Birth Control Review -- POSTSCRIPT -- NOTES -- TWENTY EIGHT You Must Destroy The Student Within You: three programmes by the Situationist International, King Mob, and the International Werewolf Conspiracy (1966-1968) -- ON THE POVERTY OF STUDENT LIFE. , TWO LETTERS ON STUDENT POWER -- DESTROY IT! -- CONCLUSION -- NOTES -- TWENTY NINE From Other City to Same City: manifestos for the everyday -- 51 SATURDAYS: CREATING 'SOLID TIME' -- BREAD AND PAMPHLETS -- DEUS EX MACHINA -- IN DEFENCE OF THE POLITICAL AND THE POETIC: SAME CITY AND OTHER ACTIONS -- ART CONTEXT IN GREECE A ND THE WESTERN WORLD -- NOTES -- THIRTY Reading lineages of migration and resistance through Montreal's community archives -- INTRODUCTION -- COMMUNITY-BASED PUBLICATIONS -- CARIBBEAN AND HAITIAN MOBILIZATION IN MONTREAL. , Also published in print. , Mode of access: World Wide Web.
    Weitere Ausg.: Print version: Tormey, Jane Art, Politics and the Pamphleteer London : Bloomsbury Publishing Plc,c2020 ISBN 9781350022454
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    Schlagwort(e): Electronic books. ; Electronic books ; Aufsatzsammlung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    University Park, Pennsylvania :Pennsylvania State University Press,
    UID:
    almafu_BV044725765
    Umfang: xiv, 280 Seiten : , Illustrationen.
    ISBN: 978-0-271-07836-6
    Inhalt: A milestone in American cultural history, the 1876 Centennial Exhibition in Philadelphia was one of the most broadly shared, heavily attended, and thoroughly documented public experiences of the nineteenth century. Power and Posterity illuminates how the art featured in the celebration informed and reflected national debates over the country's identity and its role in the world. The Centennial's fine arts display, which included both a government-sanctioned selection of American works and significant contributions from sixteen other countries, spurred a transformation in the American art world. Drawing from official records, published criticism, guidebooks, poems, and satire, Kimberly Orcutt provides a nuanced, in-depth study of the exhibition. She considers the circumstances of the artworks' creation, the ideological positions expressed through their installation, and the responses of critics, collectors, and the general public as they evolved from antebellum nationalism to a postwar cosmopolitanism in which artists and collectors took the international stage. Orcutt reveals how the fair democratized the fine arts, gave art criticism newfound reach and authority, and led art museums to proliferate across the country. Deeply researched, thoughtfully written, and featuring a mix of more than eighty full-color and black-and-white illustrations, this thorough and insightful book will appeal to those interested in American culture and history, the art world, and world's fairs and exhibitions in Philadelphia and beyond.
    Anmerkung: Includes bibliographical references and index , Introduction : writing history : a national reckoning in Fairmount Park -- Confrontation in Philadelphia : artists create a canon of American art -- The American art exhibition : arguments on the walls -- Experiencing the nation's first blockbuster exhibition -- Critics' responses : American progress and imaginary exhibitions -- The foreign exhibitors and the American "taste test" -- The collectors' riposte : the New York centennial loan exhibition -- Conclusion : rewriting history : the awards controversy and the afterlives of the centennial exhibition
    Sprache: Englisch
    Fachgebiete: Kunstgeschichte
    RVK:
    Schlagwort(e): Philadelphia, Pa. 1876 ; Kunst
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Buch
    Buch
    Durham, NC :Carolina Academic Press,
    UID:
    almafu_BV041131276
    Umfang: XXII, 249 S. : , Ill.
    Serie: Carolina academic press african world series
    Anmerkung: Includes bibliographical references (pages 231-241) and index. - Introduction -- Satirizing with Yoruba sculpture -- Satirizing Colonialism: Akinola Lasekan (1916-1972) -- Satirizing military dictatorship -- Satirizing political corruption -- Satirizing from the heart of the empire: Rotimi Fani-Kayode and Yinka Shonibare -- Conclusion
    Sprache: Englisch
    Fachgebiete: Kunstgeschichte
    RVK:
    Schlagwort(e): Yoruba ; Kunst ; Politische Satire
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Buch
    Buch
    London ; New York :Routledge, Taylor & Francis Group,
    UID:
    almafu_BV044448545
    Umfang: viii, 202 Seiten : , Illustrationen.
    ISBN: 978-1-138-29391-5
    Serie: Routledge studies in modern European history 45
    Inhalt: "How to persuade citizens to enlist? How to convince them to fight in a war which was, for many, distant in terms of kilometres as well as interest? Modern persuasion techniques, both political and commercial, were used to motivate enlistment and financial support to build a "factory of consensus". The propagandists manipulated the public, guiding their thoughts and actions according to the wishes of those in power and were therefore the forerunners of spin doctors and marketing and advertising professionals. Their posters caught the attention of members of the public with images of children and beautiful women, involving them, nourishing their inner needs for well-being and social prestige, motivating them by showing them testimonials in amusing and adventurous situations, and inspiring their way of perceiving the enemy and the war itself, whose objective was to "make the world safe for democracy".In the discourse of this strategy we find storytelling, humour, satire and fear, but also the language of gestures, recognized as important for the completeness of messages. Were the propagandists "hidden persuaders" who knew the characteristics of the human mind? We do not know for certain. However, their posters have a personal and consistent motivation which this book intends to demonstrate."--Provided by publisher
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, ebk. ISBN 978-1-315-23181-5
    Sprache: Englisch
    Fachgebiete: Geschichte
    RVK:
    Schlagwort(e): Rekrutierung ; Propaganda ; Werbung ; Electronic books ; Electronic books
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Online-Ressource
    Online-Ressource
    New York :Routledge, Taylor & Francis Group,
    UID:
    almahu_9949386019502882
    Umfang: 1 online resource (ix, 290 pages)
    ISBN: 9780429441851 , 0429441851 , 9780429807282 , 0429807287 , 9780429807305 , 0429807309 , 9780429807299 , 0429807295
    Inhalt: "Satire & The State focuses on performance-based satire, most often seen in sketch comedy, from 1960 to the present, and explores how sketch comedy has shaped the way Americans view the president and themselves. There are numerous sketch comedy portrayals of presidents that have seeped into the American consciousness - Chevy Chase's Gerald Ford, Dana Carvey's George H.W. Bush, and Will Ferrell's George W. Bush all worked to shape the actual politician's public persona. The book analyses these sketches and many others, illustrating how comedy is at the heart of the health and function of American democracy. At its best, satire aimed at the presidency can work as a populist check on executive power, becoming one of the most important weapons for everyday Americans against tyranny and political corruption. At its worst, satire can reflect and promote the racism, misogyny, and homophobia of Americans. Written for students of Theatre, Performance, Political Science, and Media Studies courses, as well as readers with an interest in political comedy, Satire & The State offers a deeper understanding of the relationship between comedy and the presidency, and the ways in which satire becomes a window into the culture, principles, and beliefs of a country"--
    Anmerkung: Includes bibliographical references and index. , Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1 From Colony to Country: A Brief Overview of American Political Satire -- 2 JFK -- 3 LBJ and Nixon -- 4 Ford and Carter -- 5 Reagan and Bush -- 6 The Clintons -- 7 Dubbya -- 8 Obama -- 9 Donald J. Trump -- 10 Conclusion -- Index
    Weitere Ausg.: Print version: Fotis, Matt, 1979- Satire & the state New York : Routledge, 2020. ISBN 9781138338111
    Sprache: Englisch
    Schlagwort(e): Electronic books. ; Electronic books. ; Criticism, interpretation, etc. ; History. ; Electronic books
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  • 6
    Buch
    Buch
    Urbana ; Chicago ; Springfield : University of Illinois Press
    UID:
    b3kat_BV044394242
    Umfang: xi, 264 Seiten , Illustrationen , 23 cm
    ISBN: 9780252041006 , 9780252082498
    Serie: The new black studies series
    Inhalt: A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's call for blackness. We have failed to see the movement's anticipation of the "new black" and "post-black." Black Post-Blackness compares the black avant-garde of the 1960s and 1970s Black Arts Movement with the most innovative spins of twenty-first century black aesthetics. Crawford zooms in on the 1970s second wave of the Black Arts Movement and shows the connections between this final wave of the Black Arts movement and the early years of twenty-first century black aesthetics. She uncovers the circle of black post-blackness that pivots on the power of anticipation, abstraction, mixed media, the global South, satire, public interiority, and the fantastic
    Anmerkung: Introduction -- The aesthetics of anticipation -- The politics of abstraction -- The counter-literacy of black mixed media -- The local and the global : BLKARTSOUTH and Callaloo -- The satire of black post-blackness -- Black inside/out : public interiority and black aesthetics -- Who's afraid of the black fantastic? The substance of surface -- Epilogue: Feeling black post-black
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-0-252-09955-7
    Sprache: Englisch
    Fachgebiete: Amerikanistik
    RVK:
    Schlagwort(e): USA ; Black arts movement ; Literatur ; Visuelle Kunst ; Schwarze ; Geschichte 2000-2016
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  • 7
    Bild
    Bild
    London :National Gallery Global, | [New Haven] :Yale University Press.
    UID:
    almafu_BV048990114
    Umfang: 80 Seiten : , Illustrationen ; , 27 cm.
    ISBN: 978-1-85709-694-1
    Inhalt: Quinten Massys' An Old Woman ('The Ugly Duchess') is one of the Renaissance's most famous faces. In a fresh review of the iconic image, this book unveils the painting's original context: its status as a pioneering work of satirical art, its debt to Leonardo da Vinci's grotesque drawings, and what it tells us about the period's complex attitudes towards women, age and normative beauty. The painting and its partner, An Old Man, are parodic portraits that mock the supposed lust and vanity of older women. Yet a closer look also reveals a figure defiantly flouting conventions and a painter subverting artistic expectations. The publication traces the eventful afterlife and enduring power of this seminal image: how she gained her nickname 'The Ugly Duchess' and inspired John Tenniel's much-loved illustrations of Lewis Carroll's Alice's Adventures in Wonderland (1865), capturing the imagination of generations of readers. Exhibition: National Gallery, London, UK (16.03. ? 11.06.2023)
    Anmerkung: Auf der Titelblattrückseite: "Published to accompany the exhibition: 'The Ugly Duchess: Beauty and Satire in the Renaissance', The National Gallery, London, 16 March-11 June 2023" , Quinten Massay and the art of satire , Leonardo's grotesques , Difficult women , The afterlife of "An old woman"
    Sprache: Englisch
    Schlagwort(e): 1466-1530 Brustbild einer hässlichen Frau Massys, Quentin ; Kunst ; Satire ; Karikatur ; Das Hässliche ; Physiognomie ; Frau ; Brustbild ; 1466-1530 Brustbild einer hässlichen Frau Massys, Quentin ; Rezeption ; Kunst ; 1466-1530 Brustbild einer hässlichen Frau Massys, Quentin ; Rezeption ; 1820-1914 Tenniel, John ; 1832-1898 Alice's adventures in Wonderland Carroll, Lewis ; Illustration ; Ausstellungskatalog ; Exhibition catalogs ; Ausstellungskatalog
    Mehr zum Autor: Clayton, Martin 1967-
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  • 8
    Online-Ressource
    Online-Ressource
    London : Bloomsbury Academic
    UID:
    gbv_1683552849
    Umfang: 1 Online-Ressource
    ISBN: 9781350011007 , 9781350010994
    Serie: Explorations in Science and Literature
    Inhalt: "How has humanity sought to harness the power of the Sun, and what roles have literature, art and other cultural forms played in imagining, mythologizing and reflecting the possibilities of solar energy? What stories have been told about solar technologies, and how have these narratives shaped developments in science and culture? What can solar power's history tell us about its future, within a world adapting to climate crisis? Identifying the history of capturing solar radiance as a focal point between science and the imagination, Imagining Solar Energy argues that the literary, artistic and mythical resonances of solar power - from the Renaissance to the present day - have not only been inspired by, but have also cultivated and sustained its scientific and technological development. Ranging from Archimedes to Isaac Asimov, John Dee to Humphry Davy, Aphra Behn to J. G. Ballard, the book argues that solar energy translates into many different kinds of power (physical, political, intellectual and cultural), and establishes for the first time the importance of solar energy to many literary and scientific endeavours."--
    Inhalt: List of Illustrations -- Acknowledgements -- Introduction: Bringing the Sun into Focus -- 1. Solar Renaissance: Through the Burning-Glass -- 2. Bundling up the Sun-Beams: Burning into the Enlightenment -- 3. Feeling the Promethean Heat: Romantic Radiance and the Power of Invisible Light -- 4. A Time of 'Solidified Sunshine': Victorian Imaginaries of Solar Energy -- 5. Bright Futures: Solar Science Fiction Takes Off -- 6. Dark Mirrors: Solar Reflections in the Nuclear Age -- 7. Self-Renewable: The Satire and Psycho-thermodynamics of Solar -- Selected Bibliography
    Anmerkung: Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Weitere Ausg.: ISBN 9781350010970
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 1
    Sprache: Englisch
    Schlagwort(e): Electronic books
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  • 9
    Bild
    Bild
    New Haven : Yale University Press in association with the Hutchins Center For African & African American Research, Harvard Univeristy
    UID:
    gbv_1738649717
    Umfang: xii, 228 Seiten , Illustrationen , 26 cm
    ISBN: 9780300245745 , 0300245742
    Inhalt: "More than a one-liner" -- Drawing the color line : the art of Ollie Harrington -- The minstrel strain -- Robert Colescott : between the heroic and the ironic.
    Inhalt: In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century-in all their complexity, humor, and provocation-Powell raises important questions about the social power of art.0Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art
    Anmerkung: "Parts of this book were presented as the Richard D. Cohen Lectures on African American Art, delivered by Richard J. Powell in March 2016 at Harvard University. The lectures, begun in 2013, are supported by Harvard's Hutchins Center for African & African American Research"--Title page verso
    Sprache: Englisch
    Fachgebiete: Kunstgeschichte
    RVK:
    RVK:
    Schlagwort(e): USA ; Person of Color ; Kunst ; Satire ; Karikatur ; Geschichte 1940-2010 ; USA ; Schwarze ; Kunst ; Provokation ; Antirassismus ; Harrington, Oliver W. 1912-1995 ; Colescott, Robert 1925-2009
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  • 10
    UID:
    gbv_173817736X
    Umfang: 1 Online-Ressource
    ISBN: 9789004310438
    Serie: Intersections v. 41
    Inhalt: Preliminary Material -- Personification: An Introduction /Walter S. Melion and Bart Ramakers -- 1 Personification Allegory and Embodied Cognition /Jean Bocharova -- 2 Dante and St. Francis: Shaping Lives, Reshaping Allegory /Jeremy Tambling -- 3 Personification, Power, and the Body in Late Medieval and Early Modern English Poetry /William Rhodes -- 4 The Personification of the Human Subject in Spenser’s The Faerie Queene /Brenda Machosky -- 5 Framework, Personification, and Pisanello’s Poetics /C. Jean Campbell -- 6 The Triumph of Truth in an Age of Confessional Conflict /James Clifton -- 7 The Mystical Experience—Between Personification and Incarnation: The Idea vitae Teresianae iconibus symbolicis expressa (Antwerp, Jacob Mesens: 1680s) /Ralph Dekoninck -- 8 From the Parade to the Stage: Evolution and Significance of Personifications in Lyon’s Sotties (1566–1610) /Katell Lavéant -- 9 Personification in Sir David Lyndsay’s A Satire of the Three Estates /Greg Walker -- 10 Both One and the Other: The Educational Value of Personification in the Female Humanist Theatre of Peeter Heyns (1537–1598) /Alisa van de Haar -- 11 Dirty from Behind, Pearly in Front: Lady World in Rhetoricians’ Drama /Bart Ramakers -- 12 Mute Poem, Speaking Picture: The Personification of the Paragone in Shakespeare’s Timon of Athens /Jennifer A. Royston -- 13 The Politics of Personification in the Jacobean Lord Mayors’ Shows /Susan L. Anderson -- 14 Figured Personification and Parabolic Embodiment in Jan David’s Occasio arrepta, neglecta /Walter S. Melion -- 15 Double Meaning of Personification in Early Modern Thesis Prints of the Southern Low Countries: Between Noetic and Encomiastic Representation /Gwendoline de Mûelenaere -- 16 Vermeer, the Art of Meditation, and the Allegory of Faith /Aneta Georgievska-Shine -- 17 Personifications of Caritas as Reflexive Figures /Caecilie Weissert -- 18 Maarten van Heemskerck’s Caritas: Personifying Virtue, Animating Stone with Paint, Imaging the Image Debate /Arthur J. DiFuria -- 19 Abraham Bloemaert and Caritas: A Lesson in Perception /Caroline O. Fowler -- 20 The Duchess and the Cadaver: Doubling and Microarchitecture in Late Medieval Art (with Alice Chaucer and John Lydgate) /Elizabeth Fowler -- 21 ‘But You are Blind, and Know Not What is in You’: ‘A.L.’, The Fraudulent Judge, and the Coerced Conscience /June Waudby -- 22 Precarious Personification: Fortuna in the Artist’s Cabinet /Lisa Rosenthal -- 23 Producing the Legible Body: Personification, the Beholder, and Tiepolo’s Würzburg Frescos /Max Weintraub -- 24 The Personification of Africa with an Elephant-head Crest in Cesare Ripa’s Iconologia (1603) /Joaneath Spicer -- 25 The Four Continents in Seventeenth-Century Embroidery and the Making of English Femininity /Heather A. Hughes -- Index Nominum.
    Inhalt: Personification, or prosopopeia , the rhetorical figure by which something not human is given a human identity or ‘face’, is readily discernible in early modern texts and images, but the figure’s cognitive form and function, its rhetorical and pictorial effects, have rarely elicited sustained scholarly attention. The aim of this volume is to formulate an alternative account of personification, to demonstrate the ingenuity with which this multifaceted device was utilized by late medieval and early modern authors and artists in Italy, France, England, Scotland, and the Low Countries. Personification is susceptible to an approach that balances semiotic analysis, focusing on meaning effects, and phenomenological analysis, focusing on presence effects produced through bodily performance. This dual approach foregrounds the full scope of prosopopoeic discourse—not just the what, but also the how, not only the signified, but also the signifier
    Anmerkung: Includes bibliographical references and index
    Weitere Ausg.: ISBN 9789004310421
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Personification Leiden : Brill, 2016 ISBN 9789004310421
    Sprache: Englisch
    Fachgebiete: Komparatistik. Außereuropäische Sprachen/Literaturen
    RVK:
    Schlagwort(e): Personifikation ; Kunst ; Literatur ; Personifikation ; Kunst ; Literatur ; Aufsatzsammlung
    URL: DOI
    Mehr zum Autor: Ramakers, Bart 1961-
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