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  • 1
    Online-Ressource
    Online-Ressource
    London [England] :Bloomsbury Publishing Plc, | [London, England] :Bloomsbury Publishing,
    UID:
    almahu_9949203539002882
    Umfang: 1 online resource (385 pages) : , illustrations.
    Ausgabe: First edition.
    ISBN: 9781350022485
    Serie: Radical aesthetics-radical art
    Inhalt: "Art, Politics and the Pamphleteer brings together a collection of text-based and visual essays, commissioned artworks and graphics. This richly illustrated book responds to the concept, aesthetics and function of the political pamphlet. It is diverse in content, interpreting the 'pamphlet' in the broadest terms, and encompassing a number of case studies that offer historical or specific examples of contemporary pamphleteering practice that can be seen to perform 'a clear political implication' or protest. Besides exploring the radical history and diverse cultures of the pamphlet, it also celebrates the rich visual rhetoric, typography and contemporary relevance of the format for both artists and activists. Contributions include an historical overview and essays by: Andy Abbott, Angeliki Avgitidu, Aziz Choudry and Dširě Rochat, David Murrieta Flores, Michelle Kempson, Pil and Galia Kollectiv, Rachel Schreiber, Jane Tormey, Gillian Whiteley; visual contributions by Gary Anderson and Steven Shakespeare, Ruth Beale, Ami Clarke, Common Culture, Jeremy Deller, Freee, Patrick Goddard, Gavin Grindon, Ferenc Grof, Marc Herbst, Joanne Lee, Josh MacPhee, Manual Labours, Mark McGowan, Minute Works, Chris Morton, radicalreThink, Hester Reeve, Oliver Ressler, Greg Sholette & Christopher Darling, Laura Wild, Andrew Wilson. As the book was conceived as predominantly visual from the outset, the book concept has been a collaboration with The Little Riot Press (Phil Eastwood and Chris Dunne). Overall, an aesthetic of protest and propaganda was considered integral to the design to reiterate the generally handmade, analogue techniques found in political pamphlets. The Little Riot Press have thus approached the illustration and overall visual cohesion from the perspective of the radical artist pamphleteer. www.thelittleriotpress.com."--
    Anmerkung: Description based upon print version of record. , 'FANM VLE PALE': HAITIAN MIGRANT WOMEN'S VOICES IN QUEBEC. , Cover page -- Halftitle page -- Copyright page -- Title page -- CONTENTS -- NOTES ON CONTRIBUTORS -- TEXT -- Introduction -- ONE The allure of pamphilos: the radical art of pamphleteering -- MAYDAY 2016 -- INTRODUCTION -- PROMISCUOUS AND ROGUEISH -- THE ROOTS OF PAMPHILOS -- FOR OR AGAINST, LEFT OR RIGHT...PROTEST! -- ROLLING THEIR OWN: WOMEN, PRINT AND PAMPHLETS IN THE 1970s -- LE PAMPHLET, N'EST PAS MORT! BE A CITIZEN PAMPHLETEER!76 -- NOTES -- TWO Power in the hands of the elite #01 The Little Riot Press -- THREE Essaying the pamphlet Joanne Lee -- UNBOUND -- LOVE -- PLEASURE -- STITCHES. , IMPROPER -- CONSTELLATION -- FEW -- NOT KNOWING -- GIFT -- COMRADES -- ALTERNATIVE -- NOTES -- FOUR The pamphlet is personal: becoming pamphleteers in the neo-liberalizedHE sector -- NOTES -- FIVE Pamphlets as poetic fragments -- SIX Un-Publish -- SEVEN JOY in PEOPLE -- EIGHT MANIFESTO for ART -- NOTES -- NINE YESTERDAY'S FUTURE -- TEN HOW TO Gavin Grindon -- ELEVEN Who is not Against Us is With Us, Currency Alphabet Series -- TWELVE MOON Cycle -- THIRTEEN The rise of the reproducible political graphic -- FOURTEEN Manual Labours Manuals -- NOTES -- FIFTEEN Who made you God? , SIXTEEN RiotID GUIDE from DISMALAND -- SEVENTEEN I SPY CULTURAL HEGEMONY -- EIGHTEEN 4th Meeting of the Emily Davison Lodge -- NINETEEN Leaflets fromthe Project 'Fly Democracy' -- TWENTY Double City (Chapter One) -- TWENTY ONE A NEW ART OF ROAMING? -- NOTES -- TWENTY TWO Let's forget everything and get drunk -- TWENTY THREE TIPS TIPS for ARTISTS -- TWENTY FOUR Power in the hands of the elite #02 The Little Riot Press -- TWENTY FIVE From DIY to UBI: the political horizons of a Gig Guide Pamphlet: 1999-2017 and beyond -- NOTES. , TWENTY SIX The politics of form: zines and the aesthetics of grassroots knowledge production -- LOCATING THE ZINE -- ZINES AND DIY POLITICS -- KNOWLEDGE FORMS: 'E-ZINES ARE NOT ZINES!' -- THE MATERIAL FORM OF ALTERNATIVE KNOWLEDGE -- DISRUPTING THE INTIMACY OF ZINE EXCHANGE -- CONCLUSION -- NOTES -- TWENTY SEVEN 'Breed!': the graphic satire of the Birth Control Review -- POSTSCRIPT -- NOTES -- TWENTY EIGHT You Must Destroy The Student Within You: three programmes by the Situationist International, King Mob, and the International Werewolf Conspiracy (1966-1968) -- ON THE POVERTY OF STUDENT LIFE. , TWO LETTERS ON STUDENT POWER -- DESTROY IT! -- CONCLUSION -- NOTES -- TWENTY NINE From Other City to Same City: manifestos for the everyday -- 51 SATURDAYS: CREATING 'SOLID TIME' -- BREAD AND PAMPHLETS -- DEUS EX MACHINA -- IN DEFENCE OF THE POLITICAL AND THE POETIC: SAME CITY AND OTHER ACTIONS -- ART CONTEXT IN GREECE A ND THE WESTERN WORLD -- NOTES -- THIRTY Reading lineages of migration and resistance through Montreal's community archives -- INTRODUCTION -- COMMUNITY-BASED PUBLICATIONS -- CARIBBEAN AND HAITIAN MOBILIZATION IN MONTREAL. , Also published in print. , Mode of access: World Wide Web.
    Weitere Ausg.: Print version: Tormey, Jane Art, Politics and the Pamphleteer London : Bloomsbury Publishing Plc,c2020 ISBN 9781350022454
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    Schlagwort(e): Electronic books. ; Electronic books ; Aufsatzsammlung
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  • 2
    Buch
    Buch
    London ; New York :Routledge, Taylor & Francis Group,
    UID:
    almafu_BV044448545
    Umfang: viii, 202 Seiten : , Illustrationen.
    ISBN: 978-1-138-29391-5
    Serie: Routledge studies in modern European history 45
    Inhalt: "How to persuade citizens to enlist? How to convince them to fight in a war which was, for many, distant in terms of kilometres as well as interest? Modern persuasion techniques, both political and commercial, were used to motivate enlistment and financial support to build a "factory of consensus". The propagandists manipulated the public, guiding their thoughts and actions according to the wishes of those in power and were therefore the forerunners of spin doctors and marketing and advertising professionals. Their posters caught the attention of members of the public with images of children and beautiful women, involving them, nourishing their inner needs for well-being and social prestige, motivating them by showing them testimonials in amusing and adventurous situations, and inspiring their way of perceiving the enemy and the war itself, whose objective was to "make the world safe for democracy".In the discourse of this strategy we find storytelling, humour, satire and fear, but also the language of gestures, recognized as important for the completeness of messages. Were the propagandists "hidden persuaders" who knew the characteristics of the human mind? We do not know for certain. However, their posters have a personal and consistent motivation which this book intends to demonstrate."--Provided by publisher
    Weitere Ausg.: Erscheint auch als Online-Ausgabe, ebk. ISBN 978-1-315-23181-5
    Sprache: Englisch
    Fachgebiete: Geschichte
    RVK:
    Schlagwort(e): Rekrutierung ; Propaganda ; Werbung ; Electronic books ; Electronic books
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  • 3
    Online-Ressource
    Online-Ressource
    New York :Routledge, Taylor & Francis Group,
    UID:
    almahu_9949386019502882
    Umfang: 1 online resource (ix, 290 pages)
    ISBN: 9780429441851 , 0429441851 , 9780429807282 , 0429807287 , 9780429807305 , 0429807309 , 9780429807299 , 0429807295
    Inhalt: "Satire & The State focuses on performance-based satire, most often seen in sketch comedy, from 1960 to the present, and explores how sketch comedy has shaped the way Americans view the president and themselves. There are numerous sketch comedy portrayals of presidents that have seeped into the American consciousness - Chevy Chase's Gerald Ford, Dana Carvey's George H.W. Bush, and Will Ferrell's George W. Bush all worked to shape the actual politician's public persona. The book analyses these sketches and many others, illustrating how comedy is at the heart of the health and function of American democracy. At its best, satire aimed at the presidency can work as a populist check on executive power, becoming one of the most important weapons for everyday Americans against tyranny and political corruption. At its worst, satire can reflect and promote the racism, misogyny, and homophobia of Americans. Written for students of Theatre, Performance, Political Science, and Media Studies courses, as well as readers with an interest in political comedy, Satire & The State offers a deeper understanding of the relationship between comedy and the presidency, and the ways in which satire becomes a window into the culture, principles, and beliefs of a country"--
    Anmerkung: Includes bibliographical references and index. , Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1 From Colony to Country: A Brief Overview of American Political Satire -- 2 JFK -- 3 LBJ and Nixon -- 4 Ford and Carter -- 5 Reagan and Bush -- 6 The Clintons -- 7 Dubbya -- 8 Obama -- 9 Donald J. Trump -- 10 Conclusion -- Index
    Weitere Ausg.: Print version: Fotis, Matt, 1979- Satire & the state New York : Routledge, 2020. ISBN 9781138338111
    Sprache: Englisch
    Schlagwort(e): Electronic books. ; Electronic books. ; Criticism, interpretation, etc. ; History. ; Electronic books
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  • 4
    Buch
    Buch
    Urbana ; Chicago ; Springfield : University of Illinois Press
    UID:
    b3kat_BV044394242
    Umfang: xi, 264 Seiten , Illustrationen , 23 cm
    ISBN: 9780252041006 , 9780252082498
    Serie: The new black studies series
    Inhalt: A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's call for blackness. We have failed to see the movement's anticipation of the "new black" and "post-black." Black Post-Blackness compares the black avant-garde of the 1960s and 1970s Black Arts Movement with the most innovative spins of twenty-first century black aesthetics. Crawford zooms in on the 1970s second wave of the Black Arts Movement and shows the connections between this final wave of the Black Arts movement and the early years of twenty-first century black aesthetics. She uncovers the circle of black post-blackness that pivots on the power of anticipation, abstraction, mixed media, the global South, satire, public interiority, and the fantastic
    Anmerkung: Introduction -- The aesthetics of anticipation -- The politics of abstraction -- The counter-literacy of black mixed media -- The local and the global : BLKARTSOUTH and Callaloo -- The satire of black post-blackness -- Black inside/out : public interiority and black aesthetics -- Who's afraid of the black fantastic? The substance of surface -- Epilogue: Feeling black post-black
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-0-252-09955-7
    Sprache: Englisch
    Fachgebiete: Amerikanistik
    RVK:
    Schlagwort(e): USA ; Black arts movement ; Literatur ; Visuelle Kunst ; Schwarze ; Geschichte 2000-2016
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  • 5
    Bild
    Bild
    London :National Gallery Global, | [New Haven] :Yale University Press.
    UID:
    almafu_BV048990114
    Umfang: 80 Seiten : , Illustrationen ; , 27 cm.
    ISBN: 978-1-85709-694-1
    Inhalt: Quinten Massys' An Old Woman ('The Ugly Duchess') is one of the Renaissance's most famous faces. In a fresh review of the iconic image, this book unveils the painting's original context: its status as a pioneering work of satirical art, its debt to Leonardo da Vinci's grotesque drawings, and what it tells us about the period's complex attitudes towards women, age and normative beauty. The painting and its partner, An Old Man, are parodic portraits that mock the supposed lust and vanity of older women. Yet a closer look also reveals a figure defiantly flouting conventions and a painter subverting artistic expectations. The publication traces the eventful afterlife and enduring power of this seminal image: how she gained her nickname 'The Ugly Duchess' and inspired John Tenniel's much-loved illustrations of Lewis Carroll's Alice's Adventures in Wonderland (1865), capturing the imagination of generations of readers. Exhibition: National Gallery, London, UK (16.03. ? 11.06.2023)
    Anmerkung: Auf der Titelblattrückseite: "Published to accompany the exhibition: 'The Ugly Duchess: Beauty and Satire in the Renaissance', The National Gallery, London, 16 March-11 June 2023" , Quinten Massay and the art of satire , Leonardo's grotesques , Difficult women , The afterlife of "An old woman"
    Sprache: Englisch
    Schlagwort(e): 1466-1530 Brustbild einer hässlichen Frau Massys, Quentin ; Kunst ; Satire ; Karikatur ; Das Hässliche ; Physiognomie ; Frau ; Brustbild ; 1466-1530 Brustbild einer hässlichen Frau Massys, Quentin ; Rezeption ; Kunst ; 1466-1530 Brustbild einer hässlichen Frau Massys, Quentin ; Rezeption ; 1820-1914 Tenniel, John ; 1832-1898 Alice's adventures in Wonderland Carroll, Lewis ; Illustration ; Ausstellungskatalog ; Exhibition catalogs ; Ausstellungskatalog
    Mehr zum Autor: Clayton, Martin 1967-
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  • 6
    Online-Ressource
    Online-Ressource
    London : Bloomsbury Academic
    UID:
    gbv_1683552849
    Umfang: 1 Online-Ressource
    ISBN: 9781350011007 , 9781350010994
    Serie: Explorations in Science and Literature
    Inhalt: "How has humanity sought to harness the power of the Sun, and what roles have literature, art and other cultural forms played in imagining, mythologizing and reflecting the possibilities of solar energy? What stories have been told about solar technologies, and how have these narratives shaped developments in science and culture? What can solar power's history tell us about its future, within a world adapting to climate crisis? Identifying the history of capturing solar radiance as a focal point between science and the imagination, Imagining Solar Energy argues that the literary, artistic and mythical resonances of solar power - from the Renaissance to the present day - have not only been inspired by, but have also cultivated and sustained its scientific and technological development. Ranging from Archimedes to Isaac Asimov, John Dee to Humphry Davy, Aphra Behn to J. G. Ballard, the book argues that solar energy translates into many different kinds of power (physical, political, intellectual and cultural), and establishes for the first time the importance of solar energy to many literary and scientific endeavours."--
    Inhalt: List of Illustrations -- Acknowledgements -- Introduction: Bringing the Sun into Focus -- 1. Solar Renaissance: Through the Burning-Glass -- 2. Bundling up the Sun-Beams: Burning into the Enlightenment -- 3. Feeling the Promethean Heat: Romantic Radiance and the Power of Invisible Light -- 4. A Time of 'Solidified Sunshine': Victorian Imaginaries of Solar Energy -- 5. Bright Futures: Solar Science Fiction Takes Off -- 6. Dark Mirrors: Solar Reflections in the Nuclear Age -- 7. Self-Renewable: The Satire and Psycho-thermodynamics of Solar -- Selected Bibliography
    Anmerkung: Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Weitere Ausg.: ISBN 9781350010970
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 1
    Sprache: Englisch
    Schlagwort(e): Electronic books
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  • 7
    Bild
    Bild
    New Haven : Yale University Press in association with the Hutchins Center For African & African American Research, Harvard Univeristy
    UID:
    gbv_1738649717
    Umfang: xii, 228 Seiten , Illustrationen , 26 cm
    ISBN: 9780300245745 , 0300245742
    Inhalt: "More than a one-liner" -- Drawing the color line : the art of Ollie Harrington -- The minstrel strain -- Robert Colescott : between the heroic and the ironic.
    Inhalt: In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century-in all their complexity, humor, and provocation-Powell raises important questions about the social power of art.0Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art
    Anmerkung: "Parts of this book were presented as the Richard D. Cohen Lectures on African American Art, delivered by Richard J. Powell in March 2016 at Harvard University. The lectures, begun in 2013, are supported by Harvard's Hutchins Center for African & African American Research"--Title page verso
    Sprache: Englisch
    Fachgebiete: Kunstgeschichte
    RVK:
    RVK:
    Schlagwort(e): USA ; Person of Color ; Kunst ; Satire ; Karikatur ; Geschichte 1940-2010 ; USA ; Schwarze ; Kunst ; Provokation ; Antirassismus ; Harrington, Oliver W. 1912-1995 ; Colescott, Robert 1925-2009
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  • 8
    Online-Ressource
    Online-Ressource
    Newark : John Wiley and Sons, Incorporated
    UID:
    kobvindex_INT59385
    Umfang: 1 online resource (375 pages)
    Ausgabe: 2nd ed.
    ISBN: 9781118617410
    Serie: The Blackwell Philosophy and Pop Culture Series v.84
    Anmerkung: Intro -- The Ultimate Daily Show and Philosophy: More Moments : of Zen, More : Indecision Theory -- Copyright -- Contents -- Acknowledgments -- Introduction: From Wiley-Blackwell's World Philosophy Headquarters in Malden -- Segment 1 Headlines: Faux News Is Good News -- 1 Rallying Against the Conflictinator: Jon Stewart, Neil Postman, and Entertainment Bias -- Amusing Ourselves to Death -- The Huxleyan Warning -- Postman and Television News -- The Daily Show and Television News -- Conversation and Crossfire -- Business News, CNBC, and Jim Cramer -- Fox News Sunday and TV's Entertainment Bias -- The Rally to Restore Sanity and/or Fear -- A Huxleyan Moment of Zen? -- Notes -- 2 The Fake, the False, and the Fictional: The Daily Show as News Source -- Is The Daily Show Fiction? -- Hilarious Make-'Em-Ups -- Sheer Outrageousness and Surprising Truth -- The Role of "Senior" Correspondents -- Playing Dumb -- The Daily Show, Our Government, and Other News Outlets -- The Daily Show v. The Onion -- Fake News, Real Messages -- Notes -- 3 The Daily Show: An Ethos for the Fifth Estate -- All the Fake News Fit to Print -- The Voice of the People -- The Fifth Estate as a State of Mind -- Notes -- 4 Seriously Funny: Mockery as a Political Weapon -- The Politics of Laughter -- The Dark Side of Mockery -- Mockery, Censorship, and the Free Spread of Ideas -- The Place of Mockery in Politics -- Notes -- 5 Keeping It (Hyper) Real: Anchoring in the Age of Fake News -- Baudrillard's World -- The Walking Talking Hyperreal -- Organize a Fake News Broadcast -- The "Best F#@king News Team Ever" -- The Larger Argument -- Notes -- Segment 2 L ive Report: Jon Stewart (Not Mill) as Philosopher, Sort of -- 6 Jon Stewart: The New and Improved Public Intellectual -- Why Americans Hate Intellectuals -- You Know It's Hard out Here for a Public Intellectual , Segment 4 Interview: Religion and Culture -- 14 GOP Almighty: When God Tells Me (and My Opponents) to Run for President -- Newt Gingrich on a Potato -- Pious Politickin' -- Thus Saith Pat -- No Really, It's in the Bible -- Pat "Gay People Cause Hurricanes" Robertson -- Remember, You're Only Human -- Notes -- 15 Profaning the Sacred: The Challenge of Religious Diversity in "This Week in God" -- Exclusivism! −There Can Be Only One -- Inclusivism!−One of Us -- Pluralism!−Inter-Religious Harmony (Against Gays) in Jerusalem -- A Plurality of Pluralisms -- "The God Exchange" Is Now Closed -- Eulogy: The Safe Turn to Politics -- Notes -- 16 Jon Stewart and the Fictional War on Christmas -- There Is No War on Christmas -- The First War for Christmas -- The Modern War for Christmas -- A Wall of Separation between Christians and Christmas -- The Original Meaning of Christmas -- Notes -- 17 Evolution, Schmevolution: Jon Stewart and the Culture Wars -- Evolution: The Fundamentals -- Why, Then, Is There a Problem? -- What Is Intelligent Design, Anyway? -- So, Evolution or Schmevolution? -- Postscript: After (and Before) Dover -- Notes -- Segment 5 Your Moment of Zen: Beyond The Daily Show -- 18 America (The Book): Textbook Parody and Democratic Theory -- Humor with a Point -- Reversing Democracy Inaction -- Government of, by, or for the People? -- Mediating the Media -- Putting Knowledge to Work -- Postscript: Earth (The Book) -- Notes -- 19 A Tea Party for Me the People: The Living Revolution Meets the Originalists -- We the People -- Anti -History -- Notes -- 20 Neologization à la Stewart and Colbert -- Humpty Dumpty and the French Academy -- Wordplaying by the Rules -- Your Moment of Zen -- Notes -- 21 Irrationality and "Gut" Reasoning: Two Kinds of Truthiness -- A Little Background -- Truthiness and Problems of Irrationality , Stewart's Ironic Blah, Blah, Blah -- "Help Us Hebrew One! You're Our Only Hope!" -- Notes -- 7 Stewart and Socrates: Speaking Truth to Power -- Here Come the Sophists! -- To Scoff at the Sophist in Office -- Men with a Mission -- A Method to Their Madness -- The Audience: Questioning Youths or Stoned Slackers? -- The Irony of It All -- "Monkey" Idol or Thoughtful Partisan Satirist? -- Notes -- 8 Jon the Cynic: Dog Philosophy 101 -- Rebel with a Cause -- Humor Leads to Truth -- A Healthy Dose of Cynicism -- Notes -- 9 "Jews! Camera 3": How Jon Stewart Echoes Martin Buber -- Really? You're Jewish? -- Team Buber -- Passover v. Easter -- Earth (The Book)-Mocking the Sacred -- The New Jersey Connection -- Notes -- Segment 3 Field Report: Politics and Critical Thinking -- 10 More Bullshit: Political Spin and the PR-Ization of Media -- The Essence of Bullshit and the Truth about Lies -- Liars, Liars, Pants on Fire -- More Bullshit, Piled Higher and Deeper -- A New Spin on an Old Art -- Was Frankfurt BS-ing about Spin? -- PR-ization of the Media -- Spin Alley -- Truth Matters -- Notes -- 11 The Senior Black Correspondent: Saying What Needs to Be Said -- Satire: A Tradition of Cultural Criticism -- Operating at the Border -- Heading West -- Larry Wilmore's Jazz Hands -- Notes -- 12 The Daily Show's Exposé of Political Rhetoric -- A Cavalcade of Fallacies -- Tugging at the Heartstrings -- Spin: The Systematic Use of Persuasive Language -- Satirized for Your Protection -- Notes -- 13 The Daily Show Way: Critical Thinking, Civic Discourse, and Postmodern Consciousness -- Civil Disservice -- The Red (Herring) Menace -- "Diss" Ingenuous Bullshitting: Scapegoating and Leaping to Judgment (Day) -- In the Line of Ire: Reframing the Debate -- Look Who's Not Talking Now: Going Beyond Experience -- Show Me the Meta -- Self-Effacement and Good Faith -- Notes , Wishful Thinking and Self-Deception: What Are They? -- The Paradoxes of Irrationality -- One Solution: Divide the Mind -- An Alternative Account -- Truthiness and Self-Deception -- Feeling the Truth: Can Our Guts Get Us Justified Belief? -- A Tip of the Hat -- Notes -- 22 Thank God It's Stephen Colbert!: The Rally to Restore Irony on The Colbert Report -- Ironists: People Destroying America -- Colbert Nation-Building -- Proust-Spouting, Atheist Gay Truck Mechanics -- Speaking Truthiness to Power -- Better Know an Ironist -- Notes -- Senior Philosophical Correspondents -- Index
    Weitere Ausg.: Print version Holt, Jason The Ultimate Daily Show and Philosophy Newark : John Wiley & Sons, Incorporated,c2013 ISBN 9781118397688
    Sprache: Englisch
    Schlagwort(e): Electronic books ; Electronic books
    URL: FULL  ((OIS Credentials Required))
    URL: FULL  ((OIS Credentials Required))
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  • 9
    Online-Ressource
    Online-Ressource
    New York :Routledge,
    UID:
    edocfu_BV046765623
    Umfang: 1 Online-Ressource(xxiii, 362 Seiten).
    ISBN: 978-0-20394229-1
    Inhalt: This book examines the role of humor in modern American politics. Writtenby a wide range of authors from the fields of political science and communication, this book is organized according to two general topics: how the modern media present political humorthe various ways in which political humor influences politics.Laughing Matters is an excellent text for courses on media and politics, public opinion, and campaigns and elections
    Anmerkung: First published 2008. Ebook published 21. August 2012 , The influence of "infoenterpropagainment" : exploring the power of political satire as a distinct form of political humor / Rachel Paine Caufield -- Serious comedy : expanding the boundaries of political discourse / Geoffrey Baym -- More than laughing? Survey of political humor effects research / Josh Compton -- Political cartoons : Zeitgeists and the creation and recycling of satirical symbols / Allen Pace Nilsen and Don L.F. Nilsen -- New humor, old school style : a content analysis of the political cues offered by The onion on the 2000 and 2004 elections / Geoffrey Sheagley, Paula L. O'Loughlin, and Timothy Lindberg -- Vote for Pedro : film comedy, youth, and electoral politics / Eric Shouse and Todd Fraley -- Air amusement versus Web wit : comparing the use of humor in 2004 political advertising on television and the Internet / Monica Postelnicu and Lynda Lee Kaid -- American youth and the effects of online political humor / Jody C Baumgartner -- , Our first cartoon president : Bill Clinton and the politics of late night comedy / David Niven, S. Robert Lichter, and Daniel Amundson -- Political punditry in punchlines : late night comics take on the 2004 presidential debates / Josh Compton -- A culture war in TV land? The sitcom viewing habits of Bush and Kerry voters / Peter L. Francia -- The ABCs of the [sic] The Simpsons and politics : apathy of citizens, basic government leaders, and collective interests / Nicholas Guehlstorf, Lars Hallstrom, and Jonathan Morris -- Saturday night live and presidential elections / Ben Voth -- The daily show as the new journalism : in their own words / Dannagal Goldthwaite Young -- Late night comedy televison shows as news sources : what the polls say / Paul Brewer and Xiaoxia Cao -- "It's better than being informed" : college-aged viewers of The daily show / Brandon Rottinghaus [and others] -- The political effects of late night comedy and talk shows / Patricia Moy -- , The daily show and attitudes toward the news media / Jonathan S. Morris and Jody C Baumgartner -- Conclusion : Why political humor is serious business / Doris Graber
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Hardcover Laughing matters New York : Routledge, 2008 ISBN 978-0-415-95747-2
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Paperback Laughing matters New York : Routledge, 2008 ISBN 978-0-415-95748-9
    Sprache: Englisch
    Schlagwort(e): Massenmedien ; Politisches System ; Humor ; Electronic books ; Criticism, interpretation, etc ; Humor
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 10
    Online-Ressource
    Online-Ressource
    Philadelphia : University of Pennsylvania Press, Inc
    UID:
    gbv_839031181
    Umfang: Online-Ressource (264 p)
    ISBN: 9780812218237
    Inhalt: "These 12 short, highly focused essays analyze how experiences with death and the imagery associated with it influenced US culture before 1860."--Choice.
    Inhalt: Cover -- Contents -- List of Illustrations -- Introduction -- PART I. MORTALITY FOR THE MASSES -- 1. The Christian Origins of the Vanishing Indian -- 2. Blood Will Out: Sensationalism, Horror, and the Roots of American Crime Literature -- 3. A Tale of Two Cities: Epidemics and the Rituals of Death in Eighteenth-Century Boston and Philadelphia -- PART II. THE POLITICS OF DEATH -- 4. Death and Satire: Dismembering the Body Politic -- 5. Immortalizing the Founding Fathers: The Excesses of Public Eulogy -- 6. The Politics of Tears: Death in the Early American Novel -- PART III. PHYSICAL REMAINS -- 7. Major André's Exhumation -- 8. Patriotic Remains: Bones of Contention in the Early Republic -- 9. A Peculiar Mark of Infamy: Dismemberment, Burial, and Rebelliousness in Slave Societies -- PART IV. AFTER LIFE -- 10. Immortal Messengers: Angels, Gender, and Power in Early America -- 11. "In the Midst of Life we are in Death": Affliction and Religion in Antebellum New York -- 12. The Romantic Landscape: Washington Irving, Sleepy Hollow, and the Rural Cemetery Movement -- Notes -- List of Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- XYZ.
    Anmerkung: Description based upon print version of record , ""Cover""; ""Contents""; ""List of Illustrations""; ""Introduction""; ""PART I. MORTALITY FOR THE MASSES""; ""1. The Christian Origins of the Vanishing Indian""; ""2. Blood Will Out: Sensationalism, Horror, and the Roots of American Crime Literature""; ""3. A Tale of Two Cities: Epidemics and the Rituals of Death in Eighteenth-Century Boston and Philadelphia""; ""PART II. THE POLITICS OF DEATH""; ""4. Death and Satire: Dismembering the Body Politic""; ""5. Immortalizing the Founding Fathers: The Excesses of Public Eulogy""; ""6. The Politics of Tears: Death in the Early American Novel"" , ""PART III. PHYSICAL REMAINS""""7. Major André's Exhumation""; ""8. Patriotic Remains: Bones of Contention in the Early Republic""; ""9. A Peculiar Mark of Infamy: Dismemberment, Burial, and Rebelliousness in Slave Societies""; ""PART IV. AFTER LIFE""; ""10. Immortal Messengers: Angels, Gender, and Power in Early America""; ""11. ""In the Midst of Life we are in Death"": Affliction and Religion in Antebellum New York""; ""12. The Romantic Landscape: Washington Irving, Sleepy Hollow, and the Rural Cemetery Movement""; ""Notes""; ""List of Contributors""; ""Index""; ""A""; ""B""; ""C""; ""D"" , ""E""""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""XYZ""
    Weitere Ausg.: ISBN 9780812208061
    Weitere Ausg.: ISBN 9780812218237
    Weitere Ausg.: Print version Mortal Remains : Death in Early America
    Sprache: Englisch
    Schlagwort(e): Electronic books
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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