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  • 1
    Book
    Book
    New Haven ; London : Yale University Press
    UID:
    b3kat_BV047129829
    Format: xii, 228 Seiten , Illustrationen , 26 cm
    ISBN: 9780300245745
    Series Statement: Richard D. Cohen Lectures on African & African American Art
    Content: "More than a one-liner" -- Drawing the color line : the art of Ollie Harrington -- The minstrel strain -- Robert Colescott : between the heroic and the ironic
    Content: In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century-in all their complexity, humor, and provocation-Powell raises important questions about the social power of art.0Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art
    Note: Titelblatt Rückseite: Parts of this book were presented as the Richard D. Cohen Lectures on African & African American Art, delivered by Richard J. Powell in March 2016 at Harvard University. The lectures, begun in 2013, are supported by Harvard's Hutchins Center for African & African American Research
    Language: English
    Subjects: Art History
    RVK:
    RVK:
    Keywords: USA ; Person of Color ; Kunst ; Satire ; Karikatur ; Geschichte 1940-2010 ; Harrington, Oliver W. 1912-1995 ; Colescott, Robert 1925-2009 ; Walker, Kara 1969- ; Lee, Spike 1957- ; Politische Kunst ; Rassismus
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  • 2
    UID:
    gbv_1683552849
    Format: 1 Online-Ressource
    ISBN: 9781350011007 , 9781350010994
    Series Statement: Explorations in Science and Literature
    Content: "How has humanity sought to harness the power of the Sun, and what roles have literature, art and other cultural forms played in imagining, mythologizing and reflecting the possibilities of solar energy? What stories have been told about solar technologies, and how have these narratives shaped developments in science and culture? What can solar power's history tell us about its future, within a world adapting to climate crisis? Identifying the history of capturing solar radiance as a focal point between science and the imagination, Imagining Solar Energy argues that the literary, artistic and mythical resonances of solar power - from the Renaissance to the present day - have not only been inspired by, but have also cultivated and sustained its scientific and technological development. Ranging from Archimedes to Isaac Asimov, John Dee to Humphry Davy, Aphra Behn to J. G. Ballard, the book argues that solar energy translates into many different kinds of power (physical, political, intellectual and cultural), and establishes for the first time the importance of solar energy to many literary and scientific endeavours."--
    Content: List of Illustrations -- Acknowledgements -- Introduction: Bringing the Sun into Focus -- 1. Solar Renaissance: Through the Burning-Glass -- 2. Bundling up the Sun-Beams: Burning into the Enlightenment -- 3. Feeling the Promethean Heat: Romantic Radiance and the Power of Invisible Light -- 4. A Time of 'Solidified Sunshine': Victorian Imaginaries of Solar Energy -- 5. Bright Futures: Solar Science Fiction Takes Off -- 6. Dark Mirrors: Solar Reflections in the Nuclear Age -- 7. Self-Renewable: The Satire and Psycho-thermodynamics of Solar -- Selected Bibliography
    Additional Edition: ISBN 9781350010970
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1
    Language: English
    Keywords: Electronic books
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  • 3
    Online Resource
    Online Resource
    Cambridge : Cambridge Univ. Press
    UID:
    gbv_81489481X
    Format: Online-Ressource (XII, 355 S.) , Ill.
    Edition: Online-Ausg. 2014
    ISBN: 9781107338029
    Content: "In September 1993 a devastating earthquake rocked Latur, a district near Mumbai, India. To convey the unprecedented magnitude of this disaster, the mainstream newspaper the Times of India published editorials and photographs; in addition, their internationally famous staff cartoonist, R. K. Laxman, drew a cartoon depicting a human skull and a ravaged hut. A week later, the newspaper's "letters to the editor" column included an angry reader's note criticizing Laxman's insensitivity at caricaturing human misery"--
    Content: "Caricaturing Culture in India is a highly original history of political cartoons in India. Drawing on the analysis of newspaper cartoons since the 1870s, archival research and interviews with prominent Indian cartoonists, this ambitious study combines historical narrative with ethnographic testimony to give a pioneering account of the role that cartoons have played over time in political communication, public discourse and the refraction of ideals central to the creation of the Indian postcolonial state. Maintaining that cartoons are more than illustrative representations of news, Ritu Gairola Khanduri uncovers the true potential of cartoons as a visual medium where memories jostle, history is imagined and lines of empathy are demarcated. Placing the argument within a wider context, this thought-provoking book highlights the history and power of print media in debates on free speech and democratic processes around the world, revealing why cartoons still matter today"--
    Note: Literaturverz. S. 327 - 347 , Machine generated contents note: Acknowledgments; Introduction: the empire of cartoons; Part I. Colonial Times: 1. Upstart punches: why is impertinence always in the vernacular?; 2. Gandhi and the Satyagraha of cartoons: cultivating a taste; 3. 'Dear Shankar... Your ridicule should never bite'; Part II. National Times: 4. Becoming a cartoonist: Mr Kutty and Bireshwarji; 5. Virtual gurus and the Indian psyche: R. K. Laxman; 6. Uncommon women and common men: pocket cartoons and 'situated knowledges'; 7. Artoons and our toons: the prose of an Indian art; Part III. Global Times: 8. Crafty petitions and street humor; 9. 'All our Gods and Goddesses are cartoons'; Conclusions: timeless myths and timely knowledge; Bibliography; Index.
    Additional Edition: ISBN 9781107043329
    Additional Edition: ISBN 9781107618572
    Additional Edition: Druckausg. Khanduri, Ritu Gairola, 1969 - Caricaturing culture in India New York : Cambridge University Press, 2014 ISBN 9781107043329
    Language: English
    Keywords: Indien ; Karikatur ; Satire ; Politik ; Geschichte 1870-
    URL: Volltext  (Verlag)
    URL: Volltext  (lizenzpflichtig)
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  • 4
    Online Resource
    Online Resource
    London [England] : Bloomsbury Publishing Plc | [London, England] : Bloomsbury Publishing
    UID:
    gbv_1742291511
    Format: 1 Online-Ressource (385 pages) , illustrations
    Edition: First edition
    Edition: Also published in print
    ISBN: 9781350022485 , 9781350022461 , 9781350022447 , 1350022446
    Series Statement: Radical aesthetics-radical art
    Content: Cover page -- Halftitle page -- Copyright page -- Title page -- CONTENTS -- NOTES ON CONTRIBUTORS -- TEXT -- Introduction -- ONE The allure of pamphilos: the radical art of pamphleteering -- MAYDAY 2016 -- INTRODUCTION -- PROMISCUOUS AND ROGUEISH -- THE ROOTS OF PAMPHILOS -- FOR OR AGAINST, LEFT OR RIGHT...PROTEST! -- ROLLING THEIR OWN: WOMEN, PRINT AND PAMPHLETS IN THE 1970s -- LE PAMPHLET, N'EST PAS MORT! BE A CITIZEN PAMPHLETEER!76 -- NOTES -- TWO Power in the hands of the elite #01 The Little Riot Press -- THREE Essaying the pamphlet Joanne Lee -- UNBOUND -- LOVE -- PLEASURE -- STITCHES
    Content: IMPROPER -- CONSTELLATION -- FEW -- NOT KNOWING -- GIFT -- COMRADES -- ALTERNATIVE -- NOTES -- FOUR The pamphlet is personal: becoming pamphleteers in the neo-liberalizedHE sector -- NOTES -- FIVE Pamphlets as poetic fragments -- SIX Un-Publish -- SEVEN JOY in PEOPLE -- EIGHT MANIFESTO for ART -- NOTES -- NINE YESTERDAY'S FUTURE -- TEN HOW TO Gavin Grindon -- ELEVEN Who is not Against Us is With Us, Currency Alphabet Series -- TWELVE MOON Cycle -- THIRTEEN The rise of the reproducible political graphic -- FOURTEEN Manual Labours Manuals -- NOTES -- FIFTEEN Who made you God?
    Content: SIXTEEN RiotID GUIDE from DISMALAND -- SEVENTEEN I SPY CULTURAL HEGEMONY -- EIGHTEEN 4th Meeting of the Emily Davison Lodge -- NINETEEN Leaflets fromthe Project 'Fly Democracy' -- TWENTY Double City (Chapter One) -- TWENTY ONE A NEW ART OF ROAMING? -- NOTES -- TWENTY TWO Let's forget everything and get drunk -- TWENTY THREE TIPS TIPS for ARTISTS -- TWENTY FOUR Power in the hands of the elite #02 The Little Riot Press -- TWENTY FIVE From DIY to UBI: the political horizons of a Gig Guide Pamphlet: 1999-2017 and beyond -- NOTES
    Content: TWENTY SIX The politics of form: zines and the aesthetics of grassroots knowledge production -- LOCATING THE ZINE -- ZINES AND DIY POLITICS -- KNOWLEDGE FORMS: 'E-ZINES ARE NOT ZINES!' -- THE MATERIAL FORM OF ALTERNATIVE KNOWLEDGE -- DISRUPTING THE INTIMACY OF ZINE EXCHANGE -- CONCLUSION -- NOTES -- TWENTY SEVEN 'Breed!': the graphic satire of the Birth Control Review -- POSTSCRIPT -- NOTES -- TWENTY EIGHT You Must Destroy The Student Within You: three programmes by the Situationist International, King Mob, and the International Werewolf Conspiracy (1966-1968) -- ON THE POVERTY OF STUDENT LIFE
    Content: TWO LETTERS ON STUDENT POWER -- DESTROY IT! -- CONCLUSION -- NOTES -- TWENTY NINE From Other City to Same City: manifestos for the everyday -- 51 SATURDAYS: CREATING 'SOLID TIME' -- BREAD AND PAMPHLETS -- DEUS EX MACHINA -- IN DEFENCE OF THE POLITICAL AND THE POETIC: SAME CITY AND OTHER ACTIONS -- ART CONTEXT IN GREECE A ND THE WESTERN WORLD -- NOTES -- THIRTY Reading lineages of migration and resistance through Montreal's community archives -- INTRODUCTION -- COMMUNITY-BASED PUBLICATIONS -- CARIBBEAN AND HAITIAN MOBILIZATION IN MONTREAL
    Content: "Art, Politics and the Pamphleteer brings together a collection of text-based and visual essays, commissioned artworks and graphics. This richly illustrated book responds to the concept, aesthetics and function of the political pamphlet. It is diverse in content, interpreting the 'pamphlet' in the broadest terms, and encompassing a number of case studies that offer historical or specific examples of contemporary pamphleteering practice that can be seen to perform 'a clear political implication' or protest. Besides exploring the radical history and diverse cultures of the pamphlet, it also celebrates the rich visual rhetoric, typography and contemporary relevance of the format for both artists and activists. Contributions include an historical overview and essays by: Andy Abbott, Angeliki Avgitidu, Aziz Choudry and Dširě Rochat, David Murrieta Flores, Michelle Kempson, Pil and Galia Kollectiv, Rachel Schreiber, Jane Tormey, Gillian Whiteley; visual contributions by Gary Anderson and Steven Shakespeare, Ruth Beale, Ami Clarke, Common Culture, Jeremy Deller, Freee, Patrick Goddard, Gavin Grindon, Ferenc Grof, Marc Herbst, Joanne Lee, Josh MacPhee, Manual Labours, Mark McGowan, Minute Works, Chris Morton, radicalreThink, Hester Reeve, Oliver Ressler, Greg Sholette & Christopher Darling, Laura Wild, Andrew Wilson. As the book was conceived as predominantly visual from the outset, the book concept has been a collaboration with The Little Riot Press (Phil Eastwood and Chris Dunne). Overall, an aesthetic of protest and propaganda was considered integral to the design to reiterate the generally handmade, analogue techniques found in political pamphlets. The Little Riot Press have thus approached the illustration and overall visual cohesion from the perspective of the radical artist pamphleteer. www.thelittleriotpress.com."--
    Note: Description based upon print version of record , 'FANM VLE PALE': HAITIAN MIGRANT WOMEN'S VOICES IN QUEBEC , Also published in print. , Mode of access: World Wide Web.
    Additional Edition: ISBN 9781350022454
    Additional Edition: Erscheint auch als Druck-Ausgabe Tormey, Jane Art, Politics and the Pamphleteer London : Bloomsbury Publishing Plc,c2020 ISBN 9781350022454
    Additional Edition: Erscheint auch als Druck-Ausgabe Art politics and the pamphleteer London : Bloomsbury Academic, 2021 ISBN 9781350022454
    Additional Edition: ISBN 9781350022461
    Language: English
    Subjects: General works
    RVK:
    Keywords: Gebrauchsgrafik ; Pamphlet ; Geschichte ; Electronic books ; Aufsatzsammlung
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  • 5
    Online Resource
    Online Resource
    Newark : John Wiley and Sons, Incorporated
    UID:
    kobvindex_INTEBC1325041
    Format: 1 online resource (375 pages)
    Edition: 2nd ed.
    ISBN: 9781118617410
    Series Statement: The Blackwell Philosophy and Pop Culture Series v.84
    Note: Intro -- The Ultimate Daily Show and Philosophy: More Moments : of Zen, More : Indecision Theory -- Copyright -- Contents -- Acknowledgments -- Introduction: From Wiley-Blackwell's World Philosophy Headquarters in Malden -- Segment 1 Headlines: Faux News Is Good News -- 1 Rallying Against the Conflictinator: Jon Stewart, Neil Postman, and Entertainment Bias -- Amusing Ourselves to Death -- The Huxleyan Warning -- Postman and Television News -- The Daily Show and Television News -- Conversation and Crossfire -- Business News, CNBC, and Jim Cramer -- Fox News Sunday and TV's Entertainment Bias -- The Rally to Restore Sanity and/or Fear -- A Huxleyan Moment of Zen? -- Notes -- 2 The Fake, the False, and the Fictional: The Daily Show as News Source -- Is The Daily Show Fiction? -- Hilarious Make-'Em-Ups -- Sheer Outrageousness and Surprising Truth -- The Role of "Senior" Correspondents -- Playing Dumb -- The Daily Show, Our Government, and Other News Outlets -- The Daily Show v. The Onion -- Fake News, Real Messages -- Notes -- 3 The Daily Show: An Ethos for the Fifth Estate -- All the Fake News Fit to Print -- The Voice of the People -- The Fifth Estate as a State of Mind -- Notes -- 4 Seriously Funny: Mockery as a Political Weapon -- The Politics of Laughter -- The Dark Side of Mockery -- Mockery, Censorship, and the Free Spread of Ideas -- The Place of Mockery in Politics -- Notes -- 5 Keeping It (Hyper) Real: Anchoring in the Age of Fake News -- Baudrillard's World -- The Walking Talking Hyperreal -- Organize a Fake News Broadcast -- The "Best F#@king News Team Ever" -- The Larger Argument -- Notes -- Segment 2 L ive Report: Jon Stewart (Not Mill) as Philosopher, Sort of -- 6 Jon Stewart: The New and Improved Public Intellectual -- Why Americans Hate Intellectuals -- You Know It's Hard out Here for a Public Intellectual , Stewart's Ironic Blah, Blah, Blah -- "Help Us Hebrew One! You're Our Only Hope!" -- Notes -- 7 Stewart and Socrates: Speaking Truth to Power -- Here Come the Sophists! -- To Scoff at the Sophist in Office -- Men with a Mission -- A Method to Their Madness -- The Audience: Questioning Youths or Stoned Slackers? -- The Irony of It All -- "Monkey" Idol or Thoughtful Partisan Satirist? -- Notes -- 8 Jon the Cynic: Dog Philosophy 101 -- Rebel with a Cause -- Humor Leads to Truth -- A Healthy Dose of Cynicism -- Notes -- 9 "Jews! Camera 3": How Jon Stewart Echoes Martin Buber -- Really? You're Jewish? -- Team Buber -- Passover v. Easter -- Earth (The Book)-Mocking the Sacred -- The New Jersey Connection -- Notes -- Segment 3 Field Report: Politics and Critical Thinking -- 10 More Bullshit: Political Spin and the PR-Ization of Media -- The Essence of Bullshit and the Truth about Lies -- Liars, Liars, Pants on Fire -- More Bullshit, Piled Higher and Deeper -- A New Spin on an Old Art -- Was Frankfurt BS-ing about Spin? -- PR-ization of the Media -- Spin Alley -- Truth Matters -- Notes -- 11 The Senior Black Correspondent: Saying What Needs to Be Said -- Satire: A Tradition of Cultural Criticism -- Operating at the Border -- Heading West -- Larry Wilmore's Jazz Hands -- Notes -- 12 The Daily Show's Exposé of Political Rhetoric -- A Cavalcade of Fallacies -- Tugging at the Heartstrings -- Spin: The Systematic Use of Persuasive Language -- Satirized for Your Protection -- Notes -- 13 The Daily Show Way: Critical Thinking, Civic Discourse, and Postmodern Consciousness -- Civil Disservice -- The Red (Herring) Menace -- "Diss" Ingenuous Bullshitting: Scapegoating and Leaping to Judgment (Day) -- In the Line of Ire: Reframing the Debate -- Look Who's Not Talking Now: Going Beyond Experience -- Show Me the Meta -- Self-Effacement and Good Faith -- Notes , Segment 4 Interview: Religion and Culture -- 14 GOP Almighty: When God Tells Me (and My Opponents) to Run for President -- Newt Gingrich on a Potato -- Pious Politickin' -- Thus Saith Pat -- No Really, It's in the Bible -- Pat "Gay People Cause Hurricanes" Robertson -- Remember, You're Only Human -- Notes -- 15 Profaning the Sacred: The Challenge of Religious Diversity in "This Week in God" -- Exclusivism! −There Can Be Only One -- Inclusivism!−One of Us -- Pluralism!−Inter-Religious Harmony (Against Gays) in Jerusalem -- A Plurality of Pluralisms -- "The God Exchange" Is Now Closed -- Eulogy: The Safe Turn to Politics -- Notes -- 16 Jon Stewart and the Fictional War on Christmas -- There Is No War on Christmas -- The First War for Christmas -- The Modern War for Christmas -- A Wall of Separation between Christians and Christmas -- The Original Meaning of Christmas -- Notes -- 17 Evolution, Schmevolution: Jon Stewart and the Culture Wars -- Evolution: The Fundamentals -- Why, Then, Is There a Problem? -- What Is Intelligent Design, Anyway? -- So, Evolution or Schmevolution? -- Postscript: After (and Before) Dover -- Notes -- Segment 5 Your Moment of Zen: Beyond The Daily Show -- 18 America (The Book): Textbook Parody and Democratic Theory -- Humor with a Point -- Reversing Democracy Inaction -- Government of, by, or for the People? -- Mediating the Media -- Putting Knowledge to Work -- Postscript: Earth (The Book) -- Notes -- 19 A Tea Party for Me the People: The Living Revolution Meets the Originalists -- We the People -- Anti -History -- Notes -- 20 Neologization à la Stewart and Colbert -- Humpty Dumpty and the French Academy -- Wordplaying by the Rules -- Your Moment of Zen -- Notes -- 21 Irrationality and "Gut" Reasoning: Two Kinds of Truthiness -- A Little Background -- Truthiness and Problems of Irrationality , Wishful Thinking and Self-Deception: What Are They? -- The Paradoxes of Irrationality -- One Solution: Divide the Mind -- An Alternative Account -- Truthiness and Self-Deception -- Feeling the Truth: Can Our Guts Get Us Justified Belief? -- A Tip of the Hat -- Notes -- 22 Thank God It's Stephen Colbert!: The Rally to Restore Irony on The Colbert Report -- Ironists: People Destroying America -- Colbert Nation-Building -- Proust-Spouting, Atheist Gay Truck Mechanics -- Speaking Truthiness to Power -- Better Know an Ironist -- Notes -- Senior Philosophical Correspondents -- Index
    Additional Edition: Print version Holt, Jason The Ultimate Daily Show and Philosophy Newark : John Wiley & Sons, Incorporated,c2013 ISBN 9781118397688
    Language: English
    Keywords: Electronic books
    URL: Full-text  ((OIS Credentials Required))
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  • 6
    Online Resource
    Online Resource
    Philadelphia : University of Pennsylvania Press, Inc
    UID:
    gbv_839031181
    Format: Online-Ressource (264 p)
    ISBN: 9780812218237
    Content: "These 12 short, highly focused essays analyze how experiences with death and the imagery associated with it influenced US culture before 1860."--Choice.
    Content: Cover -- Contents -- List of Illustrations -- Introduction -- PART I. MORTALITY FOR THE MASSES -- 1. The Christian Origins of the Vanishing Indian -- 2. Blood Will Out: Sensationalism, Horror, and the Roots of American Crime Literature -- 3. A Tale of Two Cities: Epidemics and the Rituals of Death in Eighteenth-Century Boston and Philadelphia -- PART II. THE POLITICS OF DEATH -- 4. Death and Satire: Dismembering the Body Politic -- 5. Immortalizing the Founding Fathers: The Excesses of Public Eulogy -- 6. The Politics of Tears: Death in the Early American Novel -- PART III. PHYSICAL REMAINS -- 7. Major André's Exhumation -- 8. Patriotic Remains: Bones of Contention in the Early Republic -- 9. A Peculiar Mark of Infamy: Dismemberment, Burial, and Rebelliousness in Slave Societies -- PART IV. AFTER LIFE -- 10. Immortal Messengers: Angels, Gender, and Power in Early America -- 11. "In the Midst of Life we are in Death": Affliction and Religion in Antebellum New York -- 12. The Romantic Landscape: Washington Irving, Sleepy Hollow, and the Rural Cemetery Movement -- Notes -- List of Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- XYZ.
    Note: Description based upon print version of record , ""Cover""; ""Contents""; ""List of Illustrations""; ""Introduction""; ""PART I. MORTALITY FOR THE MASSES""; ""1. The Christian Origins of the Vanishing Indian""; ""2. Blood Will Out: Sensationalism, Horror, and the Roots of American Crime Literature""; ""3. A Tale of Two Cities: Epidemics and the Rituals of Death in Eighteenth-Century Boston and Philadelphia""; ""PART II. THE POLITICS OF DEATH""; ""4. Death and Satire: Dismembering the Body Politic""; ""5. Immortalizing the Founding Fathers: The Excesses of Public Eulogy""; ""6. The Politics of Tears: Death in the Early American Novel"" , ""PART III. PHYSICAL REMAINS""""7. Major André's Exhumation""; ""8. Patriotic Remains: Bones of Contention in the Early Republic""; ""9. A Peculiar Mark of Infamy: Dismemberment, Burial, and Rebelliousness in Slave Societies""; ""PART IV. AFTER LIFE""; ""10. Immortal Messengers: Angels, Gender, and Power in Early America""; ""11. ""In the Midst of Life we are in Death"": Affliction and Religion in Antebellum New York""; ""12. The Romantic Landscape: Washington Irving, Sleepy Hollow, and the Rural Cemetery Movement""; ""Notes""; ""List of Contributors""; ""Index""; ""A""; ""B""; ""C""; ""D"" , ""E""""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""XYZ""
    Additional Edition: ISBN 9780812208061
    Additional Edition: ISBN 9780812218237
    Additional Edition: Print version Mortal Remains : Death in Early America
    Language: English
    Keywords: Electronic books
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  • 7
    Online Resource
    Online Resource
    New York, NY [u.a.] : Routledge
    UID:
    gbv_686700058
    Format: XII, 316 S. , Ill., Kt.
    Edition: Online-Ausg. LaVergne,Tenn. Myilibrary Online-Ressource MyiLibrary
    Edition: Hampshire
    ISBN: 9781135153359 , 9780203856901 , 9780415997799
    Series Statement: Routledge studies in modern European history 13
    Content: Investigating visual communication and mass culture, print culture and suggestive racial politics, racial aesthetics, racial politics and early German film, racial continuity and German film, and photography, this title offers an evidence of a German society between 1884 and 1919 that produced vibrant and heterogeneous cultures of colonialism
    Note: "Simultaneously published in the UK"--T.p. verso , Includes bibliographical references and index , Book Cover; Title; Copyright; Contents; Figures; Acknowledgments; Introduction: Picturing Race: Visuality and German Colonialism; Part I German Colonialism, 1884-1919; 1 Advertising and the Optics of Colonial Power at the Fin de Siècle; 2 " . . . will try to send you the best views from here": Postcards from the Colonial War in Namibia (1904-1908); 3 Harmless Kolonialbiedermeier?: Colonial and Exotic Trading Cards; 4 Cakewalking the Anarchy of Empire around 1900; 5 Satire Magazines and Racial Politics; 6 Demystifying Colonial Settlement: Building Handbooks for Settlers, 1904-1930* , 7 Patriotism, Spectacle, and Reverie: Colonialism in Early CinemaPart II German Postcolonialism, 1919-Present; 8 Persuasive Maps and a Suggestive Novel: Hans Grimm's Volk ohne Raum and German Cartography in Southwest Africa; 9 Colonial Disgust: The Colonial Master's Emotion of Superiority; 10 Weimar Revisions of Germany's Colonial Past: The Photomontages of Hannah Höch and László Moholy-Nagy; 11 The "Colonial Idea" in Weimar Cinema; 12 "The Black Jew": An Afterimage of German Colonialism; 13 Reenacting Colonialism: Germany and Its Former Colonies in Recent TV Productions , 14 Postcolonial Amnesia?: Taboo Memories and Kanaks with CamerasContributors; Index
    Additional Edition: ISBN 9781282570276
    Additional Edition: ISBN 9780415997799
    Additional Edition: Druckausg. German colonialism, visual culture, and modern memory New York, NY [u.a.] : Routledge, 2010 ISBN 9780415647977
    Additional Edition: ISBN 0415997798
    Additional Edition: ISBN 9780415997799
    Language: English
    Subjects: History
    RVK:
    RVK:
    Keywords: Deutschland ; Kolonialismus ; Postkolonialismus ; Geschichte ; Deutschland ; Kolonialismus ; Geschichte 1884-2009 ; Electronic books ; Konferenzschrift ; Aufsatzsammlung
    URL: Volltext  (lizenzpflichtig)
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  • 8
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi
    UID:
    gbv_723499659
    Format: Online-Ressource (296 p.)
    Edition: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    ISBN: 9781578065806
    Series Statement: Chancellor Porter L. Fortune Symposium in Southern History series
    Content: In Britain and the American South: From Colonialism to Rock and Roll, historians analyze central aspects of the cultural exchanges between Britain and the American South. Along with the Spanish and the French, the British were among the first Europeans to have contact with the native peoples in what would come to be known as the American South. During the seventeenth and eighteenth centuries, the British were intensively engaged in colonizing much of the region and developing its economy. The American Revolution severed the governmental links between Britain and its Southern colonies, but econ
    Note: Description based upon print version of record , Cover; Contents; Acknowledgments; Foreword: Empire Building and Empire Wrecking; Virginia's Religious Revolution: From Established Monopoly to Free Marketplace; Power and Authority in the Colonial South: The English Legacy and Its Contradictions; "Like a Stone Wall Never to Be Broke": The British-Indian Boundary Line with the Creek Indians, 1763-1773; Carolinians Abroad: Cultivating English Identities from the Colonial Lower South; The American South and English Print Satire, 1760-1865; British Views of the Confederacy; The South and the British Left, 1930-1960 , "By Elvis and All the Saints": Images of the American South in the World of 1950s British Popular MusicAfterword: On the Irrelevance of Knights; Notes; Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y , Electronic reproduction; Available via World Wide Web
    Additional Edition: ISBN 9781604736007
    Additional Edition: ISBN 9781578065806
    Additional Edition: Print version Britain and the American South : From Colonialism to Rock and Roll
    Language: English
    Keywords: Electronic books
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  • 9
    UID:
    gbv_1696632471
    Format: 1 online resource (288 pages)
    ISBN: 9781135018665
    Content: Classics of International Relations introduces, contextualises and assesses 24 of the most important works on international relations of the last 100 years. Providing an indispensable guide for all students of IR theory, from advanced undergraduates to academic specialists, it asks why are these works considered classics? Is their status deserved? Will it endure? It takes as its starting point Norman Angell's best-selling The Great Illusion (1909) and concludes with Daniel Deudney's award winning Bounding Power (2006). The volume does not ignore established classics such as Morgenthau's Politics Among Nations and Waltz's Theory of International Politics, but seeks to expand the 'IR canon' beyond its core realist and liberal texts. It thus considers emerging classics such as Linklater's critical sociology of moral boundaries, Men and Citizens in the Theory of International Relations, and Enloe's pioneering gender analysis, Bananas, Beaches and Bases. It also innovatively considers certain 'alternative format' classics such as Kubrick's satire on the nuclear arms race, Dr Strangelove, and Errol Morris's powerful documentary on war and US foreign policy, The Fog of War. With an international cast of contributors, many of them leading authorities on their subject, Classics of International Relations will become a standard reference for all those wishing to make sense of a rapidly developing and diversifying field. Classics of International Relations is designed to become a standard reference text for advanced undergraduates, post-graduates and lecturers in the field of IR.
    Content: Cover -- Classics of International Relations -- Title Page -- Copyright Page -- Table of Contents -- List of contributors -- 1 Introduction -- 2 A pillar of air? Norman Angell and The Great Illusion -- 3 A democratic critique of the state: G. Lowes Dickinson's The European Anarchy -- 4 Attacking Hitler in England: patriarchy, class and war in Virginia Woolf's Three Guineas -- 5 Power, morality and the remaking of international order: E. H. Carr's The Twenty Years' Crisis -- 6 A new politics for a global age: David Mitrany's A Working Peace System -- 7 Politics between and beyond nations: Hans J. Morgenthau's Politics Among Nations -- 8 The enduring logic of the three images: Kenneth N. Waltz's Man, the State, and War -- 9 The conditions and consequences of globality: John H. Herz's International Politics in the Atomic Age -- 10 Realism meets historical sociology: Raymond Aron's Peace and War -- 11 Towards a liberal realism: Inis L. Claude's Power and International Relations -- 12 The joke's on you: International Relations and Stanley Kubrick's -- 13 The virtue of uncertain advice: Robert Jervis' Perception and Misperception in International Politics -- 14 Probing the institutional fabric of world politics: Hedley Bull's The Anarchical Society -- 15 A circumspect revival of liberalism: Robert O. Keohane and Joseph S. Nye's Power and Interdependence -- 16 The politics of international theory: reading Waltz 1979 as a classic -- 17 The cosmopolitan turn: beyond realism and statism in Charles R. Beitz's Political Theory and International Relations -- 18 Obligations beyond the state: Andrew Linklater's Men and Citizens in the Theory of International Relations -- 19 The making of IR/IPE: Robert W. Cox's Production, Power and World Order -- 20 Gendering geopolitics, gendering IR: Cynthia Enloe's Bananas, Beaches and Bases.
    Note: Description based on publisher supplied metadata and other sources , Cover; Classics of International Relations; Title Page; Copyright Page; Table of Contents; List of contributors; 1 Introduction; 2 A pillar of air? Norman Angell and The Great Illusion; 3 A democratic critique of the state: G. Lowes Dickinson's The European Anarchy; 4 Attacking Hitler in England: patriarchy, class and war in Virginia Woolf's Three Guineas; 5 Power, morality and the remaking of international order: E. H. Carr's The Twenty Years' Crisis; 6 A new politics for a global age: David Mitrany's A Working Peace System , 7 Politics between and beyond nations: Hans J. Morgenthau's Politics Among Nations8 The enduring logic of the three images: Kenneth N. Waltz's Man, the State, and War; 9 The conditions and consequences of globality: John H. Herz's International Politics in the Atomic Age; 10 Realism meets historical sociology: Raymond Aron's Peace and War; 11 Towards a liberal realism: Inis L. Claude's Power and International Relations; 12 The joke's on you: International Relations and Stanley Kubrick's; 13 The virtue of uncertain advice: Robert Jervis' Perception and Misperception in International Politics , 14 Probing the institutional fabric of world politics: Hedley Bull's The Anarchical Society15 A circumspect revival of liberalism: Robert O. Keohane and Joseph S. Nye's Power and Interdependence; 16 The politics of international theory: reading Waltz 1979 as a classic; 17 The cosmopolitan turn: beyond realism and statism in Charles R. Beitz's Political Theory and International Relations; 18 Obligations beyond the state: Andrew Linklater's Men and Citizens in the Theory of International Relations; 19 The making of IR/IPE: Robert W. Cox's Production, Power and World Order , 20 Gendering geopolitics, gendering IR: Cynthia Enloe's Bananas, Beaches and Bases21 The limits of international relations: R. B. J. Walker's Inside/outside: International Relations as Political Theory; 22 The state has a mind: Alexander Wendt's Social Theory of International Politics; 23 A modest realist in a tragic world: John J. Mearsheimer's The Tragedy of Great Power Politics; 24 Interrogating the subject: Errol Morris's The Fog of War; 25 Restraint in the global polity, the remix: Daniel Deudney's Bounding Power; 26 Conclusion; Index
    Additional Edition: ISBN 9780415699808
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780415699808
    Language: English
    Keywords: Internationale Politik ; Politische Theorie ; Electronic books ; Aufsatzsammlung
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    London : National Gallery Global | [New Haven] : Yale University Press
    UID:
    b3kat_BV048990114
    Format: 80 Seiten , Illustrationen , 27 cm
    ISBN: 9781857096941
    Content: Quinten Massys' An Old Woman ('The Ugly Duchess') is one of the Renaissance's most famous faces. In a fresh review of the iconic image, this book unveils the painting's original context: its status as a pioneering work of satirical art, its debt to Leonardo da Vinci's grotesque drawings, and what it tells us about the period's complex attitudes towards women, age and normative beauty. The painting and its partner, An Old Man, are parodic portraits that mock the supposed lust and vanity of older women. Yet a closer look also reveals a figure defiantly flouting conventions and a painter subverting artistic expectations. The publication traces the eventful afterlife and enduring power of this seminal image: how she gained her nickname 'The Ugly Duchess' and inspired John Tenniel's much-loved illustrations of Lewis Carroll's Alice's Adventures in Wonderland (1865), capturing the imagination of generations of readers. Exhibition: National Gallery, London, UK (16.03. ? 11.06.2023)
    Note: Auf der Titelblattrückseite: "Published to accompany the exhibition: 'The Ugly Duchess: Beauty and Satire in the Renaissance', The National Gallery, London, 16 March-11 June 2023" , Quinten Massay and the art of satire , Leonardo's grotesques , Difficult women , 〈〈The〉〉 afterlife of "An old woman"
    Language: English
    Keywords: Massys, Quentin 1466-1530 Brustbild einer hässlichen Frau ; Kunst ; Satire ; Karikatur ; Das Hässliche ; Physiognomie ; Frau ; Brustbild ; Geschichte 1450-1550 ; Massys, Quentin 1466-1530 Brustbild einer hässlichen Frau ; Rezeption ; Kunst ; Massys, Quentin 1466-1530 Brustbild einer hässlichen Frau ; Rezeption ; Tenniel, John 1820-1914 ; Carroll, Lewis 1832-1898 Alice's adventures in Wonderland ; Illustration ; Ausstellungskatalog
    Author information: Clayton, Martin 1967-
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