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  • Konferenzschrift  (14)
  • Karikatur  (6)
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  • 1
    Online-Ressource
    Online-Ressource
    Humour, history and politics in late antiquity and the early Middle Ages / (2002)
    Cambridge :Cambridge University Press,
    Details
    UID:
    almahu_9947414880402882
    Umfang: 1 online resource (xiv, 208 pages) : , digital, PDF file(s).
    ISBN: 9780511496325 (ebook)
    Inhalt: Although the topic of humour has been dealt with for other eras, early medieval humour remains largely neglected. These essays go some way towards filling the gap, examining how early medieval writers deliberately employed humour to make their cases. The essays range from the late Roman empire through to the tenth century, and from Byzantium to Anglo-Saxon England. The subject matter is diverse, but a number of themes link them together, notably the use of irony, ridicule and satire as political tools. Two chapters serve as an extended introduction to the topic, while the following six chapters offer varied treatments of humour and politics, looking at different times and places, but at the Carolingian world in particular. Together, they raise important and original issues about how humour was employed to articulate concepts of political power, perceptions of kingship, social relations and the role of particular texts.
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , "Don't worry, I've got the key" / Guy Halsall -- Laughter and humour in the early Medieval Latin West / Danuta Shanzer -- Humour and the everyday in Byzantium / John Haldon -- The lexicon of abuse, drunkenness and political illegitimacy in the late Roman world / Mark Humphries -- Funny foreigners, laughing with the barbarians in Late Antiquity / Guy Halsall -- Liutprand of Cremona's sense of humour / Ross Balzaretti -- "He never even allowed his white teeth to be bared in laughter" : the politics of humour in the Carolingian Renaissance / Matthew Innes -- Alcuin's Disputatio Pippini and the early Medieval riddle tradition / Martha Bayless -- Laughter after Babel's fall : misunderstandling and miscommunication in the ninth-century West / Paul Kershaw.
    Weitere Ausg.: Print version: ISBN 9780521811163
    Sprache: Englisch
    Fachgebiete: Geschichte
    RVK:
    NM 5860
    Schlagwort(e): Electronic books. ; Aufsatzsammlung ; Konferenzschrift
    URL: https://doi.org/10.1017/CBO9780511496325
    URL: Full text  (Click to View (Currently Only Available on Campus))
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
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    HWR Berlin
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    TH Brandenburg
    HTW Berlin
    BTU Cottbus
    TU Berlin
    HNE Eberswalde
  • 2
    Buch
    Buch
    Imagining empire : political space in Hellenistic and Roman literature (2017)
    Heidelberg : Universitätsverlag Winter
    Details
    UID:
    gbv_880747188
    Umfang: x, 264 Seiten , Illustrationen, Karten , 23.5 cm x 15.5 cm
    ISBN: 3825367541 , 9783825367541
    Serie: Bibliothek der klassischen Altertumswissenschaften Neue Folge, Band 153
    Inhalt: "This volume investigates space in Greek and Latin literature as a real and imaginary dimension in which social relations, identities, power and knowledge are materialized, represented and (re)performed. The twelve contributors focus on Hellenistic Alexandria and late Republican to early Imperial Rome, yet the essays range from Greece, Egypt, and Italy to the Black Sea, Asia, and North Africa, taking in Callimachus, Apollonius of Rhodes, Caesar, Sallust, Cicero, Virgil, Statius, and Juvenal along the way. As well as offering innovative interpretations of key texts from the third century BCE to the second century CE, the volume attempts to respond critically and imaginatively to the still-burgeoning body of work on space across the humanities in the wake of post-colonialist and poststructuralist thinking, and considers its potentially challenging implications for Classics as an evolving field of study."--
    Anmerkung: Literaturverzeichnis: Seite 219-238 , "This volume presents in revised form the papers delivered at a conference entitled 'Imagining Spaces of Empire' which took place at Humboldt-University at Berlin in May 2013." - (Acknowledgements, Seite vii) , Acknowledgements ; List of contributors ; Introduction : You are here : encounters in imperial space , Geopolitics of imagining ancient Alexandria , Homeric shore of Alexandria : a narrative of a culture in motion , Space and the imperial imaginary in Apollonius' Argonautika , Imagining political space : some patterns , Space and spin : geopolitical vistas in the 40s , 'Leave the city, Catiline!' : Sallust on imperial space and outlawing , Mapping foundations : the Italian network of city foundations in the poetic and antiquarian tradition , Virgil's Carthage : a heterotopic space of empire , Colonial readings in Virgilian geopoetics : the Trojans at Buthrotum , Beatus carcer, tristis harena : the spaces of Statius' Silvae , Free-range, organic, locally-sourced satire : Juvenal goes global , Abbreviations ; Bibliography cited ; Index locorum ; Index rerum nominumque.
    Weitere Ausg.: Erscheint auch als Online-Ausgabe Imagining empire Heidelberg, [Germany] : Universitatsverlag Winter, 2017 ISBN 9783825377304
    Sprache: Englisch
    Fachgebiete: Altertumswissenschaften
    RVK:
    FB 5875
    Schlagwort(e): Griechisch ; Latein ; Literatur ; Raum ; Herrschaft ; Herrschaft ; Politik ; Geschichte 300 v. Chr.-200 ; Raum ; Römisches Reich ; Hellenismus ; Literatur ; Konferenzschrift ; Konferenzschrift
    URL: Inhaltstext
    URL: Inhaltsverzeichnis
    Mehr zum Autor: Asper, Markus 1968-
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  • 3
    Online-Ressource
    Online-Ressource
    New Perspectives on Irish TV Series : Identity and Nostalgia on the Small Screen (2016)
    Bern : Peter Lang AG, Internationaler Verlag der Wissenschaften
    Details
    UID:
    almahu_9948665192402882
    Umfang: 1 online resource (222 p.)
    Ausgabe: 1st, New ed.
    ISBN: 9783035308280
    Serie: Reimagining Ireland 74
    Inhalt: Within the growing field of television studies, little work has yet been done on the Irish context. This volume aims to fill this gap by offering new and compelling studies of contemporary Irish TV series. Fictional TV series, which constitute an autonomous genre within the broader cultural phenomenon of TV broadcasting, are explored here as paradigmatic representations of Irish popular culture. This book investigates the vast number of series produced in Ireland over the past two decades, focusing on their cultural impact at a time when American and British dominance have led many critics and viewers to underestimate the significance of Irish programming. The essays collected here reveal a distinctly Irish culture of TV fiction series, in both the Irish and English languages, and examine some of its finest examples, from Father Ted to Love/Hate and Sin Scéal Eile.
    Anmerkung: Contents: Flore Coulouma: Introduction – Sylvie Mikowski: Family by Roddy Doyle: Goodbye to the ‘Cosy Homestead’ – Cornelius Crowley: Father Ted: Priests on Screen and Irish Self-Images – Sheamus Sweeney: Prosperity: Dublin on the Verge of an Economic Breakdown – Deirdre Quinn: Single-Handed: Negotiating Power and the Past in Irish Television Drama – Thierry Robin: Ireland According to The Savage Eye: Shifting Satirical Paradigms and the Reconfiguration of National Stereotypes – Catherine Conan: Post-Tiger Noir? The TV Adaptation of Benjamin Black’s Quirke Novels – Anthony P. McIntyre: Moone Boy: Nostalgia, Region and the Elision of Celtic Tiger Aspirationalism – Flore Coulouma: Where’s the Love in Love/Hate? Gangster Violence, Irish Identity and Global Television – Ruth Lysaght: Sin Scéal Eile [That’s Another Story]: Contemporary Screen Adaptations of Irish-Language Stories for TG4.
    Weitere Ausg.: ISBN 9783034319775
    Sprache: Englisch
    Fachgebiete: Allgemeines , Anglistik
    RVK:
    AP 39331
    RVK:
    HD 402
    Schlagwort(e): Konferenzschrift
    DOI: 10.3726/978-3-0353-0828-0
    URL: https://www.peterlang.com/view/product/47155?format=EPDF
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
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  • 4
    Buch
    Buch
    Black post-blackness : the Black Arts Movement and twenty-first-century aesthetics (2017)
    Urbana ; Chicago ; Springfield : University of Illinois Press
    Details
    UID:
    b3kat_BV044394242
    Umfang: xi, 264 Seiten , Illustrationen , 23 cm
    ISBN: 9780252041006 , 9780252082498
    Serie: The new black studies series
    Inhalt: A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's call for blackness. We have failed to see the movement's anticipation of the "new black" and "post-black." Black Post-Blackness compares the black avant-garde of the 1960s and 1970s Black Arts Movement with the most innovative spins of twenty-first century black aesthetics. Crawford zooms in on the 1970s second wave of the Black Arts Movement and shows the connections between this final wave of the Black Arts movement and the early years of twenty-first century black aesthetics. She uncovers the circle of black post-blackness that pivots on the power of anticipation, abstraction, mixed media, the global South, satire, public interiority, and the fantastic
    Anmerkung: Introduction -- The aesthetics of anticipation -- The politics of abstraction -- The counter-literacy of black mixed media -- The local and the global : BLKARTSOUTH and Callaloo -- The satire of black post-blackness -- Black inside/out : public interiority and black aesthetics -- Who's afraid of the black fantastic? The substance of surface -- Epilogue: Feeling black post-black
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-0-252-09955-7
    Sprache: Englisch
    Fachgebiete: Amerikanistik
    RVK:
    HU 1728
    Schlagwort(e): USA ; Black arts movement ; Literatur ; Visuelle Kunst ; Schwarze ; Geschichte 2000-2016
    URL: Inhaltsverzeichnis
    URL: Klappentext
    URL: Inhaltsverzeichnis
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  • 5
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    The ugly duchess : beauty & satire in the Renaissance (2023)
    London :National Gallery Global, | [New Haven] :Yale University Press.
    Details
    UID:
    almafu_BV048990114
    Umfang: 80 Seiten : , Illustrationen ; , 27 cm.
    ISBN: 978-1-85709-694-1
    Inhalt: Quinten Massys' An Old Woman ('The Ugly Duchess') is one of the Renaissance's most famous faces. In a fresh review of the iconic image, this book unveils the painting's original context: its status as a pioneering work of satirical art, its debt to Leonardo da Vinci's grotesque drawings, and what it tells us about the period's complex attitudes towards women, age and normative beauty. The painting and its partner, An Old Man, are parodic portraits that mock the supposed lust and vanity of older women. Yet a closer look also reveals a figure defiantly flouting conventions and a painter subverting artistic expectations. The publication traces the eventful afterlife and enduring power of this seminal image: how she gained her nickname 'The Ugly Duchess' and inspired John Tenniel's much-loved illustrations of Lewis Carroll's Alice's Adventures in Wonderland (1865), capturing the imagination of generations of readers. Exhibition: National Gallery, London, UK (16.03. ? 11.06.2023)
    Anmerkung: Auf der Titelblattrückseite: "Published to accompany the exhibition: 'The Ugly Duchess: Beauty and Satire in the Renaissance', The National Gallery, London, 16 March-11 June 2023" , Quinten Massay and the art of satire , Leonardo's grotesques , Difficult women , The afterlife of "An old woman"
    Sprache: Englisch
    Schlagwort(e): 1466-1530 Brustbild einer hässlichen Frau Massys, Quentin ; Kunst ; Satire ; Karikatur ; Das Hässliche ; Physiognomie ; Frau ; Brustbild ; 1466-1530 Brustbild einer hässlichen Frau Massys, Quentin ; Rezeption ; Kunst ; 1466-1530 Brustbild einer hässlichen Frau Massys, Quentin ; Rezeption ; 1820-1914 Tenniel, John ; 1832-1898 Alice's adventures in Wonderland Carroll, Lewis ; Illustration ; Ausstellungskatalog ; Exhibition catalogs ; Ausstellungskatalog
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Mehr zum Autor: Clayton, Martin 1967-
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  • 6
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    Going there : Black visual satire (2020)
    New Haven : Yale University Press in association with the Hutchins Center For African & African American Research, Harvard Univeristy
    Details
    UID:
    gbv_1738649717
    Umfang: xii, 228 Seiten , Illustrationen , 26 cm
    ISBN: 9780300245745 , 0300245742
    Inhalt: "More than a one-liner" -- Drawing the color line : the art of Ollie Harrington -- The minstrel strain -- Robert Colescott : between the heroic and the ironic.
    Inhalt: In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century-in all their complexity, humor, and provocation-Powell raises important questions about the social power of art.0Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art
    Anmerkung: "Parts of this book were presented as the Richard D. Cohen Lectures on African American Art, delivered by Richard J. Powell in March 2016 at Harvard University. The lectures, begun in 2013, are supported by Harvard's Hutchins Center for African & African American Research"--Title page verso
    Sprache: Englisch
    Fachgebiete: Kunstgeschichte
    RVK:
    LO 94030
    RVK:
    LO 94037
    Schlagwort(e): USA ; Person of Color ; Kunst ; Satire ; Karikatur ; Geschichte 1940-2010 ; USA ; Schwarze ; Kunst ; Provokation ; Antirassismus ; Harrington, Oliver W. 1912-1995 ; Colescott, Robert 1925-2009
    URL: Inhaltsverzeichnis
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  • 7
    Online-Ressource
    Online-Ressource
    Homer and the good ruler in antiquity and beyond (2018)
    Leiden : Brill
    Details
    UID:
    gbv_1667330837
    Umfang: 1 Online-Ressource (X, 293 Seiten)
    ISBN: 9789004365858
    Serie: Mnemosyne supplements volume
    Inhalt: Front Matter -- Copyright Page -- Notes on Contributors -- Homer and the Good Ruler in Antiquity and Beyond: Introduction /Jacqueline Klooster and Baukje van den Berg -- The Birth of the Princes’ Mirror in the Homeric Epics /Irene J.F. de Jong -- Between Gods and Mortals: The Piety of Homeric Kings /Will Desmond -- A Speaker of Words and Doer of Deeds: The Reception of Phoenix’ Educational Ideal /Jacqueline Klooster -- Plato’s Homer as a Guide for Moderation and Obedience /Patrick G. Lake -- The Problem with the Prince: Agamemnon in the Ancient Exegetical Tradition on Homer /Elsa Bouchard -- Educating Kings through Travel: The Wanderings of Odysseus as a Mental Model in Polybius’ Histories /Maria Gerolemou -- Some Critical Themes in Philodemus’ On the Good King According to Homer /Jeffrey Fish -- Eumaeus, Evander, and Augustus: Dionysius and Virgil on Noble Simplicity /Casper C. de Jonge -- Speaking Homer to Power: Anecdotes of Greek Intellectuals and Their Rulers in Plutarch’s Symposia /David F. Driscoll -- Homeric Ideals Versus Roman Realities? Civil War, Autocracy, and the Reception of Homer in Silius Italicus’ Punica /Elina Pyy -- Homer and the Good Ruler in the ‘Age of Rhetoric’: Eustathios of Thessalonike on Excellent Oratory /Baukje van den Berg -- On the Good King according to Homer: A Sixteenth-Century Treatise by Christophoros Kondoleon /Filippomaria Pontani -- ‘Royal Blood Will Stain My Spear’: Satire, Trauma, and Semi-barbarous Princelings in Robert Graves’ The Anger of Achilles /Laura McKenzie.
    Inhalt: Homer and the Good Ruler in Antiquity and Beyond focuses on the important question of how and why later authors employ Homeric poetry to reflect on various types and aspects of leadership. In a range of essays discussing generically diverse receptions of the epics of Homer in historically diverse contexts, this question is answered in various ways. Rather than considering Homer’s works as literary products, then, this volume discusses the pedagogic dimension of the Iliad and the Odyssey as perceived by later thinkers and writers interested in the parameters of good rule, such as Plato, Philodemus, Polybius, Vergil, and Eustathios
    Anmerkung: Includes bibliographical references and index
    Weitere Ausg.: ISBN 9789004365810
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Homer and the Good Ruler: the Reception of Homeric Epic as Princes' Mirror through the Ages (Veranstaltung : 2015 : Gent) Homer and the good ruler in antiquity and beyond Leiden : Brill, 2018 ISBN 9789004365810
    Sprache: Englisch
    Fachgebiete: Altertumswissenschaften
    RVK:
    FB 5701
    RVK:
    FH 20085
    Schlagwort(e): Homerus ; Herrscherideal ; Rezeption ; Homerus ; Herrscherideal ; Rezeption ; Konferenzschrift
    DOI: 10.1163/9789004365858
    URL: Volltext
    URL: Volltext
    URL: DOI
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  • 8
    Online-Ressource
    Online-Ressource
    Free speech in classical antiquity (2004)
    Leiden : Brill
    Details
    UID:
    gbv_1656322064
    Umfang: Online-Ressource (XII, 450 Seiten)
    ISBN: 9789047405689
    Serie: Mnemosyne. Supplementum 254
    Inhalt: Preliminary Material /Ineke Sluiter and Ralph M. Rosen -- GENERAL INTRODUCTION /Ineke Sluiter and Ralph Rosen -- NEREIDS, COLONIES AND THE ORIGINS OF ISEGORIA /Jeremy McInerney -- ARISTOCRACY AND FREEDOM OF SPEECH IN THE GRECO-ROMAN WORLD /Kurt A. Raaflaub -- BINDING SPEECHES: GIVING VOICE TO DEADLY THOUGHTS IN GREEK EPITAPHS /Eric Casey -- WOMEN’S FREE SPEECH IN GREEK TRAGEDY /Hanna M. Roisman -- AISCHROLOGY, SHAME, AND COMEDY /Stephen Halliwell -- HARASSING THE SATIRIST: THE ALLEGED ATTEMPTS TO PROSECUTE ARISTOPHANES /Alan H. Sommerstein -- MAKING WORDS COUNT: FREEDOM OF SPEECH AND NARRATIVE IN THUCYDIDES /Emily Greenwood -- CITIZEN ATTRIBUTE, NEGATIVE RIGHT: A CONCEPTUAL DIFFERENCE BETWEEN ANCIENT AND MODERN IDEAS OF FREEDOM OF SPEECH /D.M. Carter -- THE POWER TO SPEAK —AND NOT TO LISTEN— IN ANCIENT ATHENS /Robert W. Wallace -- FREE SPEECH, COURAGE, AND DEMOCRATIC DELIBERATION /Ryan K. Balot -- SPEAKER-AUDIENCE INTERACTION IN ATHENS: A POWER STRUGGLE /Joseph Roisman -- SOCRATIC PARRHESIA AND ITS AFTERLIFE IN PLATO’S LAWS /Marlein van Raalte -- ΠΑΡΡΗΣΙΑ IN ARISTOTLE /J.J. Mulhern -- FREEDOM OF SPEECH AND THE ROMAN REPUBLICAN ARMY /Stefan G. Chrissanthos -- SPEAKING BEFORE SUPERIORS: ORPHEUS IN VERGIL AND OVID /Victoria Pagán -- HISTORIOGRAPHY AND FREEDOM OF SPEECH: THE CASE OF CREMUTIUS CORDUS /Mary R. McHugh -- LIBERTAS OR LICENTIA? FREEDOM AND CRITICISM IN ROMAN SATIRE /Susanna Morton Braund -- INDEX OF GREEK TERMS /Ineke Sluiter and Ralph M. Rosen -- INDEX OF LATIN TERMS /Ineke Sluiter and Ralph M. Rosen -- INDEX LOCORUM /Ineke Sluiter and Ralph M. Rosen -- GENERAL INDEX /Ineke Sluiter and Ralph M. Rosen.
    Inhalt: This book contains a collection of essays on the notion of “Free Speech” in classical antiquity. The essays examine such concepts as “freedom of speech,” “self-expression,” and “censorship,” in ancient Greek and Roman culture from historical, philosophical, and literary perspectives. Among the many questions addressed are: what was the precise lexicographical valence of the ancient terms we routinely translate as \'Freedom of Speech,\' e.g., Parrhesia in Greece, Licentia in Rome? What relationship do such terms have with concepts such as isêgoria , dêmokratia and eleutheria ; or libertas , res publica and imperium ? What does ancient theorizing about free speech tell us about contemporary relationships between power and speech? What are the philosophical foundations and ideological underpinnings of free speech in specific historical contexts?
    Weitere Ausg.: ISBN 9004139257
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Free speech in classical antiquity Leiden [u.a.] : Brill, 2004 ISBN 9004139257
    Sprache: Englisch
    Fachgebiete: Altertumswissenschaften
    RVK:
    FB 4050
    RVK:
    FE 5251
    Schlagwort(e): Griechisch ; Literatur ; Parrhesia ; Latein ; Literatur ; Parrhesia ; Griechisch ; Literatur ; Redefreiheit ; Latein ; Literatur ; Redefreiheit ; Konferenzschrift
    DOI: 10.1163/9789047405689
    URL: DOI
    URL: Rezension
    URL: Inhaltsverzeichnis
    URL: Volltext
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  • 9
    Online-Ressource
    Online-Ressource
    German colonialism, visual culture, and modern memory (2010)
    New York, NY [u.a.] : Routledge
    Details
    UID:
    gbv_686700058
    Umfang: XII, 316 S. , Ill., Kt.
    Ausgabe: Online-Ausg. LaVergne,Tenn. Myilibrary Online-Ressource MyiLibrary
    Ausgabe: Hampshire
    ISBN: 9781135153359 , 9780203856901 , 9780415997799
    Serie: Routledge studies in modern European history 13
    Inhalt: Investigating visual communication and mass culture, print culture and suggestive racial politics, racial aesthetics, racial politics and early German film, racial continuity and German film, and photography, this title offers an evidence of a German society between 1884 and 1919 that produced vibrant and heterogeneous cultures of colonialism
    Anmerkung: "Simultaneously published in the UK"--T.p. verso , Includes bibliographical references and index , Book Cover; Title; Copyright; Contents; Figures; Acknowledgments; Introduction: Picturing Race: Visuality and German Colonialism; Part I German Colonialism, 1884-1919; 1 Advertising and the Optics of Colonial Power at the Fin de Siècle; 2 " . . . will try to send you the best views from here": Postcards from the Colonial War in Namibia (1904-1908); 3 Harmless Kolonialbiedermeier?: Colonial and Exotic Trading Cards; 4 Cakewalking the Anarchy of Empire around 1900; 5 Satire Magazines and Racial Politics; 6 Demystifying Colonial Settlement: Building Handbooks for Settlers, 1904-1930* , 7 Patriotism, Spectacle, and Reverie: Colonialism in Early CinemaPart II German Postcolonialism, 1919-Present; 8 Persuasive Maps and a Suggestive Novel: Hans Grimm's Volk ohne Raum and German Cartography in Southwest Africa; 9 Colonial Disgust: The Colonial Master's Emotion of Superiority; 10 Weimar Revisions of Germany's Colonial Past: The Photomontages of Hannah Höch and László Moholy-Nagy; 11 The "Colonial Idea" in Weimar Cinema; 12 "The Black Jew": An Afterimage of German Colonialism; 13 Reenacting Colonialism: Germany and Its Former Colonies in Recent TV Productions , 14 Postcolonial Amnesia?: Taboo Memories and Kanaks with CamerasContributors; Index
    Weitere Ausg.: ISBN 9781282570276
    Weitere Ausg.: ISBN 9780415997799
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe German colonialism, visual culture, and modern memory New York, NY [u.a.] : Routledge, 2010 ISBN 9780415647977
    Weitere Ausg.: ISBN 0415997798
    Weitere Ausg.: ISBN 9780415997799
    Sprache: Englisch
    Fachgebiete: Geschichte
    RVK:
    NP 1250
    RVK:
    NQ 9400
    Schlagwort(e): Deutschland ; Kolonialismus ; Postkolonialismus ; Geschichte ; Deutschland ; Kolonialismus ; Geschichte 1884-2009 ; Electronic books ; Konferenzschrift ; Aufsatzsammlung
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext
    URL: Volltext
    URL: Rezension
    URL: Inhaltsverzeichnis
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  • 10
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    The power of laughter and satire in early modern Britain : political and religious culture, 1500-1820 (2017)
    Woodbridge : The Boydell Press
    Details
    UID:
    gbv_162730228X
    Umfang: ix, 242 Seiten , Illustrationen
    ISBN: 9781783272037 , 1783272031
    Anmerkung: "This volume grew out of a conference - 'Laughter and Satire in Europe 1500-1800' - held at the University of Warwick, Palazzo Pesaro-Papafava 26-27 May 2014."--Page x
    Weitere Ausg.: Erscheint auch als Online-Ausgabe The power of laughter and satire in early modern Britain Suffolk : Boydell & Brewer, 2017 ISBN 9781787440814
    Sprache: Englisch
    Fachgebiete: Anglistik
    RVK:
    HG 702
    Schlagwort(e): Großbritannien ; Lachen ; Satire ; Geschichte 1500-1820 ; Großbritannien ; Kultur ; Satire ; Lachen ; Polemik ; Geschichte 1500-1820 ; Englisch ; Literatur ; Lachen ; Satire ; Geschichte 1500-1820 ; Konferenzschrift ; Aufsatzsammlung
    URL: Inhaltsverzeichnis
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