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  • Konferenzschrift  (14)
  • USA  (9)
  • Karikatur  (6)
  • 1
    Book
    Book
    University Park, Pennsylvania : Pennsylvania State University Press
    UID:
    b3kat_BV044725765
    Format: xiv, 280 Seiten , Illustrationen
    ISBN: 9780271078366
    Content: A milestone in American cultural history, the 1876 Centennial Exhibition in Philadelphia was one of the most broadly shared, heavily attended, and thoroughly documented public experiences of the nineteenth century. Power and Posterity illuminates how the art featured in the celebration informed and reflected national debates over the country’s identity and its role in the world. The Centennial’s fine arts display, which included both a government-sanctioned selection of American works and significant contributions from sixteen other countries, spurred a transformation in the American art world. Drawing from official records, published criticism, guidebooks, poems, and satire, Kimberly Orcutt provides a nuanced, in-depth study of the exhibition. She considers the circumstances of the artworks’ creation, the ideological positions expressed through their installation, and the responses of critics, collectors, and the general public as they evolved from antebellum nationalism to a postwar cosmopolitanism in which artists and collectors took the international stage. Orcutt reveals how the fair democratized the fine arts, gave art criticism newfound reach and authority, and led art museums to proliferate across the country. Deeply researched, thoughtfully written, and featuring a mix of more than eighty full-color and black-and-white illustrations, this thorough and insightful book will appeal to those interested in American culture and history, the art world, and world’s fairs and exhibitions in Philadelphia and beyond.
    Note: Includes bibliographical references and index , Introduction : writing history : a national reckoning in Fairmount Park -- Confrontation in Philadelphia : artists create a canon of American art -- The American art exhibition : arguments on the walls -- Experiencing the nation's first blockbuster exhibition -- Critics' responses : American progress and imaginary exhibitions -- The foreign exhibitors and the American "taste test" -- The collectors' riposte : the New York centennial loan exhibition -- Conclusion : rewriting history : the awards controversy and the afterlives of the centennial exhibition
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Weltausstellung Philadelphia, Pa. 1876 ; USA ; Kunst
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  • 2
    UID:
    b3kat_BV044448545
    Format: viii, 202 Seiten , Illustrationen
    ISBN: 9781138293915
    Series Statement: Routledge studies in modern European history 45
    Content: "How to persuade citizens to enlist? How to convince them to fight in a war which was, for many, distant in terms of kilometres as well as interest? Modern persuasion techniques, both political and commercial, were used to motivate enlistment and financial support to build a "factory of consensus". The propagandists manipulated the public, guiding their thoughts and actions according to the wishes of those in power and were therefore the forerunners of spin doctors and marketing and advertising professionals. Their posters caught the attention of members of the public with images of children and beautiful women, involving them, nourishing their inner needs for well-being and social prestige, motivating them by showing them testimonials in amusing and adventurous situations, and inspiring their way of perceiving the enemy and the war itself, whose objective was to "make the world safe for democracy".In the discourse of this strategy we find storytelling, humour, satire and fear, but also the language of gestures, recognized as important for the completeness of messages. Were the propagandists "hidden persuaders" who knew the characteristics of the human mind? We do not know for certain. However, their posters have a personal and consistent motivation which this book intends to demonstrate."--Provided by publisher
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk. ISBN 978-1-315-23181-5
    Language: English
    Subjects: History
    RVK:
    Keywords: USA ; Rekrutierung ; Propaganda ; Werbung ; Geschichte 1914-1918
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  • 3
    UID:
    gbv_880747188
    Format: x, 264 Seiten , Illustrationen, Karten , 23.5 cm x 15.5 cm
    ISBN: 3825367541 , 9783825367541
    Series Statement: Bibliothek der klassischen Altertumswissenschaften Neue Folge, Band 153
    Content: "This volume investigates space in Greek and Latin literature as a real and imaginary dimension in which social relations, identities, power and knowledge are materialized, represented and (re)performed. The twelve contributors focus on Hellenistic Alexandria and late Republican to early Imperial Rome, yet the essays range from Greece, Egypt, and Italy to the Black Sea, Asia, and North Africa, taking in Callimachus, Apollonius of Rhodes, Caesar, Sallust, Cicero, Virgil, Statius, and Juvenal along the way. As well as offering innovative interpretations of key texts from the third century BCE to the second century CE, the volume attempts to respond critically and imaginatively to the still-burgeoning body of work on space across the humanities in the wake of post-colonialist and poststructuralist thinking, and considers its potentially challenging implications for Classics as an evolving field of study."--
    Note: Literaturverzeichnis: Seite 219-238 , "This volume presents in revised form the papers delivered at a conference entitled 'Imagining Spaces of Empire' which took place at Humboldt-University at Berlin in May 2013." - (Acknowledgements, Seite vii) , Acknowledgements ; List of contributors ; Introduction : You are here : encounters in imperial space , Geopolitics of imagining ancient Alexandria , Homeric shore of Alexandria : a narrative of a culture in motion , Space and the imperial imaginary in Apollonius' Argonautika , Imagining political space : some patterns , Space and spin : geopolitical vistas in the 40s , 'Leave the city, Catiline!' : Sallust on imperial space and outlawing , Mapping foundations : the Italian network of city foundations in the poetic and antiquarian tradition , Virgil's Carthage : a heterotopic space of empire , Colonial readings in Virgilian geopoetics : the Trojans at Buthrotum , Beatus carcer, tristis harena : the spaces of Statius' Silvae , Free-range, organic, locally-sourced satire : Juvenal goes global , Abbreviations ; Bibliography cited ; Index locorum ; Index rerum nominumque.
    Additional Edition: Erscheint auch als Online-Ausgabe Imagining empire Heidelberg, [Germany] : Universitatsverlag Winter, 2017 ISBN 9783825377304
    Language: English
    Subjects: Ancient Studies
    RVK:
    Keywords: Griechisch ; Latein ; Literatur ; Raum ; Herrschaft ; Herrschaft ; Politik ; Geschichte 300 v. Chr.-200 ; Raum ; Römisches Reich ; Hellenismus ; Literatur ; Konferenzschrift ; Konferenzschrift
    Author information: Asper, Markus 1968-
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  • 4
    UID:
    gbv_807936618
    Format: Online-Ressource (xii, 450 p)
    ISBN: 1280915358 , 9781280915352
    Series Statement: Mnemosyne, bibliotheca classica Batava. Supplementum v. 254
    Content: Intro -- Contents -- Preface -- List of Contributors -- Chapter 1. General Introduction -- Chapter 2. Nereids, Colonies and the Origins of Isêgoria -- Chapter 3. Aristocracy and Freedom of Speech in the Greco-Roman World -- Chapter 4. Binding Speeches: Giving Voice to Deadly Thoughts in Greek Epitaphs -- Chapter 5. Women's Free Speech in Greek Tragedy -- Chapter 6. Aischrology, Shame, and Comedy -- Chapter 7. Harassing the Satirist: The Alleged Attempts to Prosecute Aristophanes -- Chapter 8. Making Words Count: Freedom of Speech and Narrative in Thucydides -- Chapter 9. Citizen Attribute, Negative Right: A Conceptual Difference Between Ancient and Modern Ideas of Freedom of Speech -- Chapter 10. The Power to Speak-and not to Listen-in Ancient Athens -- Chapter 11. Free Speech, Courage, and Democratic Deliberation -- Chapter 12. Speaker-Audience Interaction in Athens: A Power Struggle -- Chapter 13. Socratic Parrhêsia and its Afterlife in Plato's Laws -- Chapter 14. [hebrew omitted] in Aristotle -- Chapter 15. Freedom of Speech and the Roman Republican Army -- Chapter 16. Speaking Before Superiors: Orpheus in Vergil and Ovid -- Chapter 17. Historiography and Freedom of Speech: The Case of Cremutius Cordus -- Chapter 18. Libertas or Licentia? Freedom and Criticism in Roman Satire -- Index of Greek Terms -- Index of Latin Terms -- Index Locorum -- A -- C -- D -- E -- F -- G -- H -- I -- J -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- V -- X -- General Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- K -- L -- M -- N -- O -- P -- R -- S -- T -- V -- W.
    Note: Consists of a collection of papers presented at the second Penn-Leiden Colloquium on Ancient Values, held in June 2002 at the University of Pennsylvania , Includes bibliographical references and indexes , ""Contents""; ""Preface""; ""List of Contributors""; ""Chapter 1. General Introduction""; ""Chapter 2. Nereids, Colonies and the Origins of Isêgoria""; ""Chapter 3. Aristocracy and Freedom of Speech in the Greco-Roman World""; ""Chapter 4. Binding Speeches: Giving Voice to Deadly Thoughts in Greek Epitaphs""; ""Chapter 5. Women�s Free Speech in Greek Tragedy""; ""Chapter 6. Aischrology, Shame, and Comedy""; ""Chapter 7. Harassing the Satirist: The Alleged Attempts to Prosecute Aristophanes""; ""Chapter 8. Making Words Count: Freedom of Speech and Narrative in Thucydides"" , ""Chapter 9. Citizen Attribute, Negative Right: A Conceptual Difference Between Ancient and Modern Ideas of Freedom of Speech""""Chapter 10. The Power to Speak�and not to Listen�in Ancient Athens""; ""Chapter 11. Free Speech, Courage, and Democratic Deliberation""; ""Chapter 12. Speaker-Audience Interaction in Athens: A Power Struggle""; ""Chapter 13. Socratic Parrhêsia and its Afterlife in Plato�s Laws""; ""Chapter 14. [hebrew omitted] in Aristotle""; ""Chapter 15. Freedom of Speech and the Roman Republican Army""; ""Chapter 16. Speaking Before Superiors: Orpheus in Vergil and Ovid"" , ""Chapter 17. Historiography and Freedom of Speech: The Case of Cremutius Cordus""""Chapter 18. Libertas or Licentia? Freedom and Criticism in Roman Satire""; ""Index of Greek Terms""; ""Index of Latin Terms""; ""Index Locorum""; ""A""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""V""; ""X""; ""General Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""R""; ""S""; ""T""; ""V""; ""W""
    Additional Edition: ISBN 128091534X
    Additional Edition: ISBN 9789004139251
    Additional Edition: Print version Free Speech in Classical Antiquity
    Language: English
    Subjects: Ancient Studies
    RVK:
    RVK:
    Keywords: Konferenzschrift
    URL: DOI
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  • 5
    Book
    Book
    Urbana ; Chicago ; Springfield : University of Illinois Press
    UID:
    b3kat_BV044394242
    Format: xi, 264 Seiten , Illustrationen , 23 cm
    ISBN: 9780252041006 , 9780252082498
    Series Statement: The new black studies series
    Content: A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's call for blackness. We have failed to see the movement's anticipation of the "new black" and "post-black." Black Post-Blackness compares the black avant-garde of the 1960s and 1970s Black Arts Movement with the most innovative spins of twenty-first century black aesthetics. Crawford zooms in on the 1970s second wave of the Black Arts Movement and shows the connections between this final wave of the Black Arts movement and the early years of twenty-first century black aesthetics. She uncovers the circle of black post-blackness that pivots on the power of anticipation, abstraction, mixed media, the global South, satire, public interiority, and the fantastic
    Note: Introduction -- The aesthetics of anticipation -- The politics of abstraction -- The counter-literacy of black mixed media -- The local and the global : BLKARTSOUTH and Callaloo -- The satire of black post-blackness -- Black inside/out : public interiority and black aesthetics -- Who's afraid of the black fantastic? The substance of surface -- Epilogue: Feeling black post-black
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-252-09955-7
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: USA ; Black arts movement ; Literatur ; Visuelle Kunst ; Schwarze ; Geschichte 2000-2016
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  • 6
    Image
    Image
    New Haven : Yale University Press in association with the Hutchins Center For African & African American Research, Harvard Univeristy
    UID:
    gbv_1738649717
    Format: xii, 228 Seiten , Illustrationen , 26 cm
    ISBN: 9780300245745 , 0300245742
    Content: "More than a one-liner" -- Drawing the color line : the art of Ollie Harrington -- The minstrel strain -- Robert Colescott : between the heroic and the ironic.
    Content: In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century-in all their complexity, humor, and provocation-Powell raises important questions about the social power of art.0Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art
    Note: "Parts of this book were presented as the Richard D. Cohen Lectures on African American Art, delivered by Richard J. Powell in March 2016 at Harvard University. The lectures, begun in 2013, are supported by Harvard's Hutchins Center for African & African American Research"--Title page verso
    Language: English
    Subjects: Art History
    RVK:
    RVK:
    Keywords: USA ; Person of Color ; Kunst ; Satire ; Karikatur ; Geschichte 1940-2010 ; USA ; Schwarze ; Kunst ; Provokation ; Antirassismus ; Harrington, Oliver W. 1912-1995 ; Colescott, Robert 1925-2009
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  • 7
    Online Resource
    Online Resource
    Cambridge [u.a.] : Cambridge Univ. Press
    UID:
    b3kat_BV043926161
    Format: 1 Online-Ressource (XIV, 208 S.)
    ISBN: 9780511496325
    Content: Although the topic of humour has been dealt with for other eras, early medieval humour remains largely neglected. These essays go some way towards filling the gap, examining how early medieval writers deliberately employed humour to make their cases. The essays range from the late Roman empire through to the tenth century, and from Byzantium to Anglo-Saxon England. The subject matter is diverse, but a number of themes link them together, notably the use of irony, ridicule and satire as political tools. Two chapters serve as an extended introduction to the topic, while the following six chapters offer varied treatments of humour and politics, looking at different times and places, but at the Carolingian world in particular. Together, they raise important and original issues about how humour was employed to articulate concepts of political power, perceptions of kingship, social relations and the role of particular texts
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015) , Erscheinungsjahr des E-Books: 2009 , "Don't worry, I've got the key" / Guy Halsall -- Laughter and humour in the early Medieval Latin West / Danuta Shanzer -- Humour and the everyday in Byzantium / John Haldon -- The lexicon of abuse, drunkenness and political illegitimacy in the late Roman world / Mark Humphries -- Funny foreigners, laughing with the barbarians in Late Antiquity / Guy Halsall -- Liutprand of Cremona's sense of humour / Ross Balzaretti -- "He never even allowed his white teeth to be bared in laughter" : the politics of humour in the Carolingian Renaissance / Matthew Innes -- Alcuin's Disputatio Pippini and the early Medieval riddle tradition / Martha Bayless -- Laughter after Babel's fall : misunderstandling and miscommunication in the ninth-century West / Paul Kershaw
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-521-81116-3
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-521-13365-4
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 0-521-81116-3
    Language: English
    Subjects: History
    RVK:
    Keywords: Europa ; Mittelalter ; Humor ; Literatur ; Politik ; Geschichte 300-900 ; Humor ; Kultur ; Geschichte 300-900 ; Konferenzschrift
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 8
    Online Resource
    Online Resource
    Cambridge : Cambridge Univ. Press
    UID:
    gbv_81489481X
    Format: Online-Ressource (XII, 355 S.) , Ill.
    Edition: Online-Ausg. 2014
    ISBN: 9781107338029
    Content: "In September 1993 a devastating earthquake rocked Latur, a district near Mumbai, India. To convey the unprecedented magnitude of this disaster, the mainstream newspaper the Times of India published editorials and photographs; in addition, their internationally famous staff cartoonist, R. K. Laxman, drew a cartoon depicting a human skull and a ravaged hut. A week later, the newspaper's "letters to the editor" column included an angry reader's note criticizing Laxman's insensitivity at caricaturing human misery"--
    Content: "Caricaturing Culture in India is a highly original history of political cartoons in India. Drawing on the analysis of newspaper cartoons since the 1870s, archival research and interviews with prominent Indian cartoonists, this ambitious study combines historical narrative with ethnographic testimony to give a pioneering account of the role that cartoons have played over time in political communication, public discourse and the refraction of ideals central to the creation of the Indian postcolonial state. Maintaining that cartoons are more than illustrative representations of news, Ritu Gairola Khanduri uncovers the true potential of cartoons as a visual medium where memories jostle, history is imagined and lines of empathy are demarcated. Placing the argument within a wider context, this thought-provoking book highlights the history and power of print media in debates on free speech and democratic processes around the world, revealing why cartoons still matter today"--
    Note: Literaturverz. S. 327 - 347 , Machine generated contents note: Acknowledgments; Introduction: the empire of cartoons; Part I. Colonial Times: 1. Upstart punches: why is impertinence always in the vernacular?; 2. Gandhi and the Satyagraha of cartoons: cultivating a taste; 3. 'Dear Shankar... Your ridicule should never bite'; Part II. National Times: 4. Becoming a cartoonist: Mr Kutty and Bireshwarji; 5. Virtual gurus and the Indian psyche: R. K. Laxman; 6. Uncommon women and common men: pocket cartoons and 'situated knowledges'; 7. Artoons and our toons: the prose of an Indian art; Part III. Global Times: 8. Crafty petitions and street humor; 9. 'All our Gods and Goddesses are cartoons'; Conclusions: timeless myths and timely knowledge; Bibliography; Index.
    Additional Edition: ISBN 9781107043329
    Additional Edition: ISBN 9781107618572
    Additional Edition: Druckausg. Khanduri, Ritu Gairola, 1969 - Caricaturing culture in India New York : Cambridge University Press, 2014 ISBN 9781107043329
    Language: English
    Keywords: Indien ; Karikatur ; Satire ; Politik ; Geschichte 1870-
    URL: Volltext  (Verlag)
    URL: Volltext  (lizenzpflichtig)
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  • 9
    UID:
    gbv_1667330837
    Format: 1 Online-Ressource (X, 293 Seiten)
    ISBN: 9789004365858
    Series Statement: Mnemosyne supplements volume
    Content: Front Matter -- Copyright Page -- Notes on Contributors -- Homer and the Good Ruler in Antiquity and Beyond: Introduction /Jacqueline Klooster and Baukje van den Berg -- The Birth of the Princes’ Mirror in the Homeric Epics /Irene J.F. de Jong -- Between Gods and Mortals: The Piety of Homeric Kings /Will Desmond -- A Speaker of Words and Doer of Deeds: The Reception of Phoenix’ Educational Ideal /Jacqueline Klooster -- Plato’s Homer as a Guide for Moderation and Obedience /Patrick G. Lake -- The Problem with the Prince: Agamemnon in the Ancient Exegetical Tradition on Homer /Elsa Bouchard -- Educating Kings through Travel: The Wanderings of Odysseus as a Mental Model in Polybius’ Histories /Maria Gerolemou -- Some Critical Themes in Philodemus’ On the Good King According to Homer /Jeffrey Fish -- Eumaeus, Evander, and Augustus: Dionysius and Virgil on Noble Simplicity /Casper C. de Jonge -- Speaking Homer to Power: Anecdotes of Greek Intellectuals and Their Rulers in Plutarch’s Symposia /David F. Driscoll -- Homeric Ideals Versus Roman Realities? Civil War, Autocracy, and the Reception of Homer in Silius Italicus’ Punica /Elina Pyy -- Homer and the Good Ruler in the ‘Age of Rhetoric’: Eustathios of Thessalonike on Excellent Oratory /Baukje van den Berg -- On the Good King according to Homer: A Sixteenth-Century Treatise by Christophoros Kondoleon /Filippomaria Pontani -- ‘Royal Blood Will Stain My Spear’: Satire, Trauma, and Semi-barbarous Princelings in Robert Graves’ The Anger of Achilles /Laura McKenzie.
    Content: Homer and the Good Ruler in Antiquity and Beyond focuses on the important question of how and why later authors employ Homeric poetry to reflect on various types and aspects of leadership. In a range of essays discussing generically diverse receptions of the epics of Homer in historically diverse contexts, this question is answered in various ways. Rather than considering Homer’s works as literary products, then, this volume discusses the pedagogic dimension of the Iliad and the Odyssey as perceived by later thinkers and writers interested in the parameters of good rule, such as Plato, Philodemus, Polybius, Vergil, and Eustathios
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9789004365810
    Additional Edition: Erscheint auch als Druck-Ausgabe Homer and the Good Ruler: the Reception of Homeric Epic as Princes' Mirror through the Ages (Veranstaltung : 2015 : Gent) Homer and the good ruler in antiquity and beyond Leiden : Brill, 2018 ISBN 9789004365810
    Language: English
    Subjects: Ancient Studies
    RVK:
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    Keywords: Homerus ; Herrscherideal ; Rezeption ; Homerus ; Herrscherideal ; Rezeption ; Konferenzschrift
    URL: DOI
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  • 10
    UID:
    gbv_865809291
    Format: xi, 215 Seiten
    ISBN: 9781472462077
    Content: "The discussion in this volume offers an analysis of the defining roles of mass and elite elements in Greek and Roman society, and in their socio-political, economic, military and religious contexts. This interaction, whether it was in terms of conflict or in cooperation between the mass--the general body of (usually) citizens--and elite figures or groups within the various communities of ancient Greece, the Roman Republic and Empire, and during Late Antiquity, is given particular attention. The almost constant exchange between these two entities made them vital forces in every state's determination of public policy, social and political progress and, ultimately, success or failure"--Provided by publisher
    Content: Preface / Richard Evans (University of South Africa) -- Mass and elite revisited / Josiah Ober (Stanford University) -- Coinage and democracy : economic redistribution as the basis of democratic Athens / Matthew Trundle (University of Auckland) -- The frame of mind of eutaxia / Luca Sansone di Campobianco (University of KwaZulu-Natal, Durban) -- Ancient cynicism : for the elite or for the masses? / Philip Bosman (University of South Africa) -- Livy on mass and elite interaction in Syracuse in 214 BC : Libertas, Multitudo, Uxores / Richard Evans (University of South Africa) -- Plebeian agency in the later Roman Republic / Loonis Logghe (University of Ghent) -- Mass and elite in the poetry of Horace : populating satire 1.6 / Suzanne Sharland (University of KwaZulu-Natal, Durban) -- Living in Republican Rome : shanty metropolis / Lisa Marie Mignone (Brown University) -- City, village, sacrifice : the political economy of religion in the early Roman Empire / Clifford Ando (University of Chicago) -- Crowds and power : the Misopogon of the Emperor Julian and Aethiopica of Heliodorus / John Hilton (University of KwaZulu-Natal, Durban) -- From mass to elite in the later Roman Empire / Hartmut Ziche (University of the Antilles/Johannesburg) -- Mass and elite in late antique religion : the case of Manichaeism / Nicholas Baker-Brian (Cardiff University)
    Note: "This volume has its basis in the Fourteenth Classics Colloquium which was held between the 24th and 26th of October 2013 on the Pretoria campus of the University of South Africa [...]" - Preface , Includes bibliographical references and index
    Additional Edition: ISBN 9781315605159
    Language: English
    Subjects: History , Ancient Studies
    RVK:
    RVK:
    Keywords: Griechenland ; Römisches Reich ; Masse ; Elite ; Konferenzschrift
    Author information: Evans, Richard J. 1947-
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