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  • 1
    Book
    Book
    Durham, NC :Carolina Academic Press,
    UID:
    almafu_BV041131276
    Format: XXII, 249 S. : , Ill.
    Series Statement: Carolina academic press african world series
    Note: Includes bibliographical references (pages 231-241) and index. - Introduction -- Satirizing with Yoruba sculpture -- Satirizing Colonialism: Akinola Lasekan (1916-1972) -- Satirizing military dictatorship -- Satirizing political corruption -- Satirizing from the heart of the empire: Rotimi Fani-Kayode and Yinka Shonibare -- Conclusion
    Language: English
    Subjects: Art History
    RVK:
    Keywords: Yoruba ; Kunst ; Politische Satire
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  • 2
    Book
    Book
    Urbana ; Chicago ; Springfield : University of Illinois Press
    UID:
    b3kat_BV044394242
    Format: xi, 264 Seiten , Illustrationen , 23 cm
    ISBN: 9780252041006 , 9780252082498
    Series Statement: The new black studies series
    Content: A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's call for blackness. We have failed to see the movement's anticipation of the "new black" and "post-black." Black Post-Blackness compares the black avant-garde of the 1960s and 1970s Black Arts Movement with the most innovative spins of twenty-first century black aesthetics. Crawford zooms in on the 1970s second wave of the Black Arts Movement and shows the connections between this final wave of the Black Arts movement and the early years of twenty-first century black aesthetics. She uncovers the circle of black post-blackness that pivots on the power of anticipation, abstraction, mixed media, the global South, satire, public interiority, and the fantastic
    Note: Introduction -- The aesthetics of anticipation -- The politics of abstraction -- The counter-literacy of black mixed media -- The local and the global : BLKARTSOUTH and Callaloo -- The satire of black post-blackness -- Black inside/out : public interiority and black aesthetics -- Who's afraid of the black fantastic? The substance of surface -- Epilogue: Feeling black post-black
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-252-09955-7
    Language: English
    Subjects: American Studies
    RVK:
    Keywords: USA ; Black arts movement ; Literatur ; Visuelle Kunst ; Schwarze ; Geschichte 2000-2016
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  • 3
    Image
    Image
    London :National Gallery Global, | [New Haven] :Yale University Press.
    UID:
    almafu_BV048990114
    Format: 80 Seiten : , Illustrationen ; , 27 cm.
    ISBN: 978-1-85709-694-1
    Content: Quinten Massys' An Old Woman ('The Ugly Duchess') is one of the Renaissance's most famous faces. In a fresh review of the iconic image, this book unveils the painting's original context: its status as a pioneering work of satirical art, its debt to Leonardo da Vinci's grotesque drawings, and what it tells us about the period's complex attitudes towards women, age and normative beauty. The painting and its partner, An Old Man, are parodic portraits that mock the supposed lust and vanity of older women. Yet a closer look also reveals a figure defiantly flouting conventions and a painter subverting artistic expectations. The publication traces the eventful afterlife and enduring power of this seminal image: how she gained her nickname 'The Ugly Duchess' and inspired John Tenniel's much-loved illustrations of Lewis Carroll's Alice's Adventures in Wonderland (1865), capturing the imagination of generations of readers. Exhibition: National Gallery, London, UK (16.03. ? 11.06.2023)
    Note: Auf der Titelblattrückseite: "Published to accompany the exhibition: 'The Ugly Duchess: Beauty and Satire in the Renaissance', The National Gallery, London, 16 March-11 June 2023" , Quinten Massay and the art of satire , Leonardo's grotesques , Difficult women , The afterlife of "An old woman"
    Language: English
    Keywords: 1466-1530 Brustbild einer hässlichen Frau Massys, Quentin ; Kunst ; Satire ; Karikatur ; Das Hässliche ; Physiognomie ; Frau ; Brustbild ; 1466-1530 Brustbild einer hässlichen Frau Massys, Quentin ; Rezeption ; Kunst ; 1466-1530 Brustbild einer hässlichen Frau Massys, Quentin ; Rezeption ; 1820-1914 Tenniel, John ; 1832-1898 Alice's adventures in Wonderland Carroll, Lewis ; Illustration ; Ausstellungskatalog ; Exhibition catalogs ; Ausstellungskatalog
    Author information: Clayton, Martin 1967-
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  • 4
    Image
    Image
    New Haven : Yale University Press in association with the Hutchins Center For African & African American Research, Harvard Univeristy
    UID:
    gbv_1738649717
    Format: xii, 228 Seiten , Illustrationen , 26 cm
    ISBN: 9780300245745 , 0300245742
    Content: "More than a one-liner" -- Drawing the color line : the art of Ollie Harrington -- The minstrel strain -- Robert Colescott : between the heroic and the ironic.
    Content: In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century-in all their complexity, humor, and provocation-Powell raises important questions about the social power of art.0Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art
    Note: "Parts of this book were presented as the Richard D. Cohen Lectures on African American Art, delivered by Richard J. Powell in March 2016 at Harvard University. The lectures, begun in 2013, are supported by Harvard's Hutchins Center for African & African American Research"--Title page verso
    Language: English
    Subjects: Art History
    RVK:
    RVK:
    Keywords: USA ; Person of Color ; Kunst ; Satire ; Karikatur ; Geschichte 1940-2010 ; USA ; Schwarze ; Kunst ; Provokation ; Antirassismus ; Harrington, Oliver W. 1912-1995 ; Colescott, Robert 1925-2009
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  • 5
    Book
    Book
    New York : Palgrave Macmillan
    UID:
    gbv_725911190
    Format: xii, 214 Seiten , Illustrationen , 22 cm
    ISBN: 9781137014726
    Series Statement: Education, politics and public life
    Note: Satire as Public Pedagogy claims that Colbert's satire fosters critical thinking about social issues, encourages active citizenship, and entertains the viewer--all at the same time. The first book to cover the various themes and features of The Colbert Report, America According to Colbert offers readers insight into the powerful ways that Colbert's comedy challenges the cult of ignorance that has threatened meaningful public debate and social dialogue since 9/11"-- Provided by publisher. - Includes bibliographical references (p. [183]-204) and index
    Language: English
    Subjects: General works
    RVK:
    Keywords: Colbert, Stephen 1964- ; The Colbert Report ; Politische Satire
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  • 6
    UID:
    almahu_BV045498315
    Format: xvi, 189 Seiten : , Illustrationen ; , 24 cm.
    ISBN: 978-1-138-31404-7 , 978-1-138-31405-4
    Note: You've got to be joking : asserting the analytical value of humor and laughter in contemporary anthropology / Yasmine Musharbasch and John Carty -- Disaster humor in an age of truth-bending politics / Noelle Mole Liston -- "Joke" elections : satirical activism and political opposition in Lithuania / Neringa Klumbyte -- When the fearful becomes funny : joke-work in the midst of violence / Susanna Trnka -- Humor against forgetting : joking in the space of death / Jana Kopelent Rehak -- Chisasibi Cree hunters and missionaries : humor as evidence of tension / Fikret Berkes -- Mexican speech play : history and the psychological discourses of power / Jose Limon -- Quechua burlas, sexual farces? : toward "joking relationship" / Camille Riverti -- Trickster In the mirror of play and anthropological imagination / Vaclav Soukup -- Trump's two bodies : the trickster-wrestler as a political type / Morten Axel Pedersen -- "An army of comedy" : political jokes and tropic ambiguity in the Trump era / Morten Nielson
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-429-45726-5
    Language: English
    Subjects: Ethnology
    RVK:
    RVK:
    Keywords: Humor ; Politische Satire ; Kulturvergleich ; Kulturanthropologie ; Aufsatzsammlung
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  • 7
    UID:
    gbv_1794324321
    Format: xiv, 287 Seiten , Illustrationen
    ISBN: 9781501766688 , 9781501766695
    Content: This book explores the political history of the satire and humor magazine Broom published in Soviet Lithuania. Artists, writers, and journalists were required to create state-sponsored Soviet humor and serve the Communist Party after Lithuania was incorporated into the Soviet Union in 1940. Neringa Klumbytė investigates official attempts to shape citizens into Soviet subjects and engage them through a culture of popular humor. Broom was multidirectional – it both facilitated Communist Party agendas and expressed opposition toward the Soviet regime. Official satire and humor in Soviet Lithuania increasingly created dystopian visions of Soviet modernity and were a forum for critical ideas and nationalist sentiments that were mobilized in anti-Soviet revolutionary laughter in the late 1980s and early 1990s. Authoritarian Laughter illustrates that Soviet Western peripheries were unstable and their governance was limited. While authoritarian states engage in a statecraft of the everyday and seek to engineer intimate lives, authoritarianism is defied not only in revolutions, but in the many stories people tell each other about themselves in jokes, cartoons, and satires.
    Note: Literaturverzeichnis: Seite 263-276 , Enthält ein Register , Introduction: authoritarian laughter -- Banality of Soviet power -- Political intimacy -- The Soviet predicament -- Censorial indistinction -- Political aesthetics -- Multidirectional laughter -- Satirical justice -- Soviet dystopia -- Post scriptum : revolution and post-authoritarian laughter -- Conclusion : lost laughter and authoritarian stigma.
    Additional Edition: ISBN 9781501766701
    Additional Edition: ISBN 9781501766718
    Additional Edition: ISBN 9781501766701
    Language: English
    Keywords: Šluota ; Satirische Zeitschrift ; Satire ; Politische Satire ; Politischer Witz ; Litauen ; Subversion ; Humor ; Sowjetunion ; Geschichte 1934-1991
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  • 8
    Book
    Book
    New Haven ; London :Yale University Press,
    UID:
    almafu_BV047129829
    Format: xii, 228 Seiten : , Illustrationen ; , 26 cm.
    ISBN: 978-0-300-24574-5
    Series Statement: Richard D. Cohen Lectures on African & African American Art
    Content: "More than a one-liner" -- Drawing the color line : the art of Ollie Harrington -- The minstrel strain -- Robert Colescott : between the heroic and the ironic
    Content: In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century-in all their complexity, humor, and provocation-Powell raises important questions about the social power of art.0Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art
    Note: Titelblatt Rückseite: Parts of this book were presented as the Richard D. Cohen Lectures on African & African American Art, delivered by Richard J. Powell in March 2016 at Harvard University. The lectures, begun in 2013, are supported by Harvard's Hutchins Center for African & African American Research
    Language: English
    Subjects: Art History
    RVK:
    RVK:
    Keywords: Person of Color ; Kunst ; Satire ; Karikatur ; 1912-1995 Harrington, Oliver W. ; 1925-2009 Colescott, Robert ; 1969- Walker, Kara ; 1957- Lee, Spike ; Politische Kunst ; Rassismus
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  • 9
    Online Resource
    Online Resource
    Edinburgh :Edinburgh University Press,
    UID:
    almahu_BV049382446
    Format: 1 Online-Ressource (xviii, 397 Seiten) : , Illustrationen.
    ISBN: 978-1-4744-9952-1 , 978-1-4744-9953-8
    Content: In the early 20th century, a group of artists and intellectuals reinterpreted the Middle Eastern trickster figure Nasreddin in their periodical Molla Nasreddin. They used folklore, visual art and satire to disseminate a consciously radical and social democratic discourse on religion, gender, sexuality and power in Transcaucasia and Iran. The periodical reached tens of thousands of people in the Muslim world, impacting the thinking of a generation. This book explores the milieu in which Molla Nasreddin was born, the way the periodical recreated the trickster trope, and the influence of European graphic artists, especially Francisco Goya, on the journal. It focuses on the most creative period, 1906-11, when the journal reflected the social and political concerns of three major upheavals: the 1905 Russian Revolution, the 1906-1911 Iranian Constitutional Revolution, and the 1908 Young Turk Movement
    Note: Previously issued in print: 2022. - Includes bibliographical references and index
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-4744-9950-7
    Language: English
    Keywords: Molla Näsräddin ; Karikatur ; Antikolonialismus ; Reform ; Druckgrafik ; Rezeption ; Molla Näsräddin ; Illustration ; Cartoon ; Molla Näsräddin ; Druckgrafik ; Satire ; Karikatur ; Molla Näsräddin ; Karikatur ; Gauner
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 10
    Book
    Book
    Montreal ; Kingston ; London ; Chicago :McGill-Queen’s University Press,
    UID:
    almafu_BV049357460
    Format: viii, 390 Seiten : , Illustrationen ; , 28 cm.
    ISBN: 978-0-2280-1873-5
    Content: "Hockey has a curious connection to editorial cartooning and sports illustration, as old and storied as the game itself. Many writers and photographers have told the story of game play, but never from such an original, unvarnished perspective as the cartoonist’s. Picturing the Game transports fans into the mischievous world of caricature through the rough drafts of hockey history by Bruce MacKinnon, Aislin, Serge Chapleau, Susan Dewar, Brian Gable and many other talented artists. They make us laugh by telling the truth and-- perhaps--make us a little wiser about what we already suspect of the fools running the show. The earliest drawings collected here come from the anonymous early house artists who drew ancient play and its first audiences. Their work evolved into the cartooning of Arthur Racey and Lou Skuce, whose editorial and sports cartoons ran when newspapers had a virtual monopoly on news dissemination and belief in the printed word was absolute. Not surprisingly, the dailies became the medium that made hockey Canada’s national game. Later, Franklin Arbuckle, Duncan Macpherson, and Len Norris animated the game’s advance through more meaningful allegory, humorous irreverence, and an underlying cultural bearing that gave each of their panels its own power and influence. Don Weekes showcases the gifted, forward-thinking graphic journalists throughout hockey’s history whose bold aesthetic and deft draughtsmanship could always make the butt of their satire look perfectly asinine. Their ingenuity and perceptiveness paved the way for a journalistic showmanship that embodied a truly Canadian acerbic spirit. It was nothing short of groundbreaking, and Canada’s national game is all the better for it."--
    Note: Includes index
    Language: English
    Keywords: Karikatur ; Hockey ; Caricatures and cartoons ; History
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