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  • 1
    UID:
    gbv_1669283631
    Format: XIX, 275 Seiten , Illustrationen , 22 cm
    ISBN: 9781590511770
    Uniform Title: Vestidas para un baile en la nieve
    Content: "A poignant and unexpectedly inspirational account of women's suffering and resilience in Stalin's forced labor camps, diligently transcribed in the kitchens and living rooms of nine survivors. The pain inflicted by the gulags has cast a long and dark shadow over Soviet-era history. Zgustová's collection of interviews with former female prisoners not only chronicles the hardships of the camps, but also serves as testament to the power of beauty in face of adversity. Where one would expect to find stories of hopelessness and despair, Zgustová has unearthed tales of the love, art, and friendship that persisted in times of tragedy. Across the Soviet Union, prisoners are said to have composed and memorized thousands of verses. Galya Sanova, born in a Siberian gulag, remembers reading from a hand-stitched copy of Little Red Riding Hood. Irina Emelyanova passed poems to the male prisoner she had grown to love. In this way, the arts lent an air of humanity to the women's brutal realities. These stories, collected in the vein of Svetlana Alexievich's Nobel Prize-winning oral histories, turn one of the darkest periods of the Soviet era into a song of human perseverance, in a way that reads as an intimate family history"--
    Note: Includes bibliographical references (p. 273 - 275) -- Introduction to the American edition: a trip to Moscow -- Lot's wife: Zayara Vesiolaya -- Penelope in chains: Susanna Pechuro -- A twentieth-century Judith: Ella Markman -- Minerva in the mines: Elena Korybut-Daszkiewicz -- Psyche in prison: Valentina Iyevleva -- Antigone facing the Kremlin: Natalia Gorbanevskaya -- Ulysses in Siberia: Janina Misik -- Ariadne, daughter of the labyrinth: Galya Safonova -- Eurydice in the Underworld: Irina Emelyanova
    Additional Edition: ISBN 9781590511848
    Additional Edition: Erscheint auch als Online-Ausgabe Zgustova, Monika Dressed for a dance in the snow New York : Other Press, 2020
    Language: English
    Subjects: Slavic Studies
    RVK:
    Keywords: Sowjetunion ; Weibliche Strafgefangene ; Gefangenenliteratur ; Erlebnisbericht
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  • 2
    UID:
    gbv_1029934576
    Format: xx, 364 Seiten, 16 ungezählte Seiten , Illustrationen , 24 cm
    Edition: First Simon & Schuster hardcover edition
    ISBN: 1476760373 , 9781476760377
    Content: The incredible story of the 1983 war game that triggered a tense, brittle period of nuclear brinkmanship between the United States and the former Soviet Union. - "The Cold War's most dangerous moment: a high-stakes and secretive game of nuclear brinksmanship that played out in the forests of Germany, in stealthy submarines underneath the Atlantic and Pacific, in hidden London compounds, in fortified bunkers and code rooms across the globe. The year was 1983. The world was on the brink. And American spies were missing the warning signals. Marc Ambinder explains the anxious period between the United States and the Soviet Union from 1982 to 1984, with the Able Archer 83 war game as the fulcrum of the tension. With astonishing and clarifying new details, he recounts the scary series of close encounters that tested the limits of ordinary men and powerful leaders. Ambinder explains how political leadership triumphed over misunderstandings and the strife of interests, helping the two countries work toward a fragile peace. The Brink provides one of the most comprehensive and chilling descriptions of the nuclear command and control process, from intelligence warnings to the composition of the nuclear codes themselves. Ambinder reveals, with significant new reporting, the full story of the much-whispered-about continuity of government program that President Reagan built up to give the presidency a chance to survive a bolt-from-the-blue attack. He also provides glimpses into the secret world of preemptive electronic attack that scared the Soviet Union into action. Ambinder's account reads like a thriller, as it recounts the spy-versus-spy games that kept both countries--and the world--in check. From geopolitics in Moscow and Washington, to sweat-caked soldiers fighting in the trenches of the Cold War, to high-stakes war games across NATO and the Warsaw Pact, this book serves as the definitive intelligence, nuclear, and national security history of one of the most precarious times in recent memory."--Dust jacket
    Content: Part I. Decapitation. Détente's rise and fall ; Toward protracted nuclear war ; Decapitation ; Man in the gap ; Project RYAN ; Warning ; Zero-zero ; Ivy League '82 ; Bogging down ; The view from London -- Part II. To the brink. 1983 ; The Evil Empire ; SDI and sabotage ; Provocations ; Diamonds ; Spy vs. spy ; Green shoots ; The Phantom (part I) ; The Phantom (part II) ; The day before the day after ; Able Archer 83 ; FLASH telegram ; Validate and authenticate ; Open hatches -- Part III. Endgame(s). Sacrifice ; Warning of war ; Ivan and Anya ; What did we miss? ; Arguing on behalf of Soviet fears ; How can this be? ; Roll the dice ; A new hope : but still, Star Wars? ; Not to miss the chance ; To Geneva
    Additional Edition: ISBN 9781476760391
    Language: English
    Keywords: USA ; Sowjetunion ; Ost-West-Konflikt ; Geschichte 1982-1984 ; Bibliografie
    Author information: Reagan, Ronald 1911-2004
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  • 3
    Online Resource
    Online Resource
    London ; New York ; Oxford ; New Delhi ; Sydney :I.B. Tauris,
    UID:
    almahu_BV047067476
    Format: 1 Online-Ressource (xiv, 237 Seiten) : , Illustrationen.
    ISBN: 978-0-7556-0118-9 , 978-0-7556-0117-2
    Content: "The story of western correspondents in Russia is the story of Russia's attitude to the west. Russia has at different times been alternately open to western ideas and contacts, cautious and distant or, for much of the twentieth century, all but closed off. From the revolutionary period of the First World War onwards, correspondents in Russia have striven to tell the story of a country known to few outsiders. Their stories have not always been well received by political elites, audiences, and even editors in their own countries-but their accounts have been a huge influence on how the West understands Russia. Not always perfect, at times downright misleading, they have, overall, been immensely valuable. In Assignment Moscow , former foreign correspondent James Rodgers analyses the news coverage of Russia throughout history, from the coverage of the siege of the Winter Palace and a plot to kill Stalin, to the Chernobyl explosion and the Salisbury poison scandal."
    Note: Cover -- Halftitle Page -- Title Page -- Dedication Page -- Contents -- List of Figures -- Acknowledgements -- Foreword by Martin Sixsmith -- Introduction -- 1 Sympathies in the struggle: Reporting Russia in revolution, 1917 -- 2 'The press is lying, or does not know': Russia goes to war with itself -- 3 From 'A wild and barbarous country' via starvation to Stalinism -- 4 Believe everything but the facts -- 5 But what a story everything tells here: The Great Patriotic War -- 6 Secrets, censorship and cocktails with the Central Committee -- 7 A window on the country: Reporting reform and ruin. - 8 'Free for all': The Yeltsin era -- 9 Becoming strong again? -- 10 Russia: My History -- Notes -- Bibliography -- Index -- Imprint
    Additional Edition: Erscheint auch als Druck-Ausgabe, hardback ISBN 978-0-7556-0115-8
    Language: English
    Subjects: General works
    RVK:
    Keywords: Politische Berichterstattung ; Sowjetunionbild ; Russlandbild ; Politische Berichterstattung ; Sowjetunion ; Russland ; Sowjetunionbild ; Russlandbild
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    UID:
    gbv_1667262475
    Format: xii, 361 Seiten , Illustrationen
    Edition: First edition: October 2019
    ISBN: 9781541730168
    Content: "Moscow-based journalists Andrei Soldatov and Irina Borogan look at the complex, ever-shifting role of Russian emigrés since the 1917 October Revolution to the present day. From secret agents to doomed dissidents, the story of Russian emigrés is an invaluable angle through which to understand Russia in the modern world."--
    Note: Enthält Literaturangaben und ein Register , Soviet/Russian foreign intelligence organizations and departments in charge of keeping tabs on Russian emigrés -- Cast of characters -- Introduction -- Part I: Spies and dissidents -- Talent spotting -- Identifying targets -- The cost of love -- "The Horse" -- "The Mother" -- Operations area: United States -- The tide turns -- Warring narratives -- Stalin's daughter -- Now it's official -- Bear in the West -- The KGB thinks big -- Moving people -- The other Russia -- Part II: Market forces -- Moving the money -- The scheme devised -- Muddying the waters -- Some habits die hard -- Cooperation and rebranding -- Part III. Putin's project -- A fresh start --The siege -- Getting out the message -- The crisis -- Courting the White Church -- Reunion -- Part IV. Means of outreach -- Political emigration: restart -- Illusions crushed -- "We need some targeted hits" -- Desperate times -- When the party's over -- Eliminating the problem -- Chasing a poison -- Everything old is new again -- The fears of the super-rich -- Epilogue.
    Additional Edition: ISBN 9781541730182
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-5417-3018-2
    Language: English
    Subjects: Political Science
    RVK:
    Keywords: Sowjetunion ; Russland ; Auswanderer ; Politischer Flüchtling ; Spionage ; Geschichte 1924-2018
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  • 5
    Book
    Book
    New York : Metropolitan Books/Henry Holt and Company
    UID:
    gbv_1823725244
    Format: 348 Seiten , 16 ungezählte Seiten Bildtafeln , Illustrationen, Karten , 25 cm
    Edition: First edition
    ISBN: 9781250796899 , 125079689X
    Content: "The Story of Russia is a fresh approach to the thousand years of Russia's history, concerned as much with the ideas that have shaped how Russians think about their past as it is with the events and personalities comprising it. No other country has reimagined its own story so often, in a perpetual effort to stay in step with the shifts of ruling ideologies"--Dust jacket flap
    Note: Includes bibliographic references (pages 303-321) and index , Origins -- The Mongol impact -- Tsar and God -- Times of trouble -- Russia faces west -- The shadow of Napoleon -- An empire in crisis -- Revolutionary Russia -- The war on old Russia -- Motherland -- Ends.
    Language: English
    Keywords: Russland ; Sowjetunion ; Geschichte ; History
    Author information: Figes, Orlando 1959-
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  • 6
    Book
    Book
    New York : Arno Pr. & The New York Times
    UID:
    b3kat_BV005761866
    Format: XXII, 348 S. , Ill.
    Edition: Nachdr. d. Ausg. New York 1929
    Series Statement: The literature of cinema.
    Language: Undetermined
    Subjects: Musicology
    RVK:
    Keywords: Sowjetunion ; Theater ; Geschichte 1917-1928
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  • 7
    UID:
    gbv_819879665
    Format: 339 Seiten
    ISBN: 9781595580566
    Content: "Can great art be produced in a police state? Josif Stalin ran one of the most oppressive regimes in world history. Nevertheless, Stalinist Russia produced an outpouring of artistic works of immense power--from the poems of Anna Akhmatova and Osip Mandelstam to the opera Peter and the Wolf, the film Alexander Nevsky, and the novels The Master and Margarita and Doctor Zhivago. More than a dozen great artists were visible enough for Stalin to take an interest in them--which meant he chose whether they were to live in luxury and be publicly honored or to be sent to the Lubyanka for torture and execution. Journalist and novelist Andy McSmith brings together the stories of these artists--including Isaac Babel, Boris Pasternak, Dmitri Shostakovich, and many others--revealing how they pursued their art often at great personal risk. It was a world in which the poet Vladimir Mayakovsky, whose bright yellow tunic was considered a threat to public order under the tsars, struggled to make the communist authorities see the value of avant garde art; Babel publicly thanked the regime for allowing him the privilege of not writing; and Shostakovich's career veered wildly between public disgrace and wealth and acclaim. An extraordinary work of historical recovery, Fear and the Muse Kept Watch is also a bold exploration of the triumph of art during terrible times"--
    Content: "Can great art be produced in a police state? Josif Stalin ran one of the most oppressive regimes in world history. Nevertheless, Stalinist Russia produced an outpouring of artistic works of immense power--from the poems of Anna Akhmatova and Osip Mandelstam to the opera Peter and the Wolf, the film Alexander Nevsky, and the novels The Master and Margarita and Doctor Zhivago. More than a dozen great artists were visible enough for Stalin to take an interest in them--which meant he chose whether they were to live in luxury and be publicly honored or to be sent to the Lubyanka for torture and execution. Journalist and novelist Andy McSmith brings together the stories of these artists--including Isaac Babel, Boris Pasternak, Dmitri Shostakovich, and many others--revealing how they pursued their art often at great personal risk. It was a world in which the poet Vladimir Mayakovsky, whose bright yellow tunic was considered a threat to public order under the tsars, struggled to make the communist authorities see the value of avant garde art; Babel publicly thanked the regime for allowing him the privilege of not writing; and Shostakovich's career veered wildly between public disgrace and wealth and acclaim. An extraordinary work of historical recovery, Fear and the Muse Kept Watch is also a bold exploration of the triumph of art during terrible times"--
    Note: Includes bibliographical references and index , Eisenstein in the Jazz AgeThe Hooligan Poet and the Proletarians -- The Master -- Corrupting Gorky -- The Stalin Epigram -- Babel's Silence -- Pasternak's Sickness of the Soul -- Stalin and the Silver Screen -- Stalin's Nights at the Opera -- Pasternak in the Great Terror -- Sholokhov, Babel, and the Policeman's Wife -- Altering History -- Anna of all the Russias -- When Stalin Returned to the Opera -- After Stalin.
    Additional Edition: ISBN 9781620970799
    Language: English
    Keywords: Sowjetunion ; Stalinismus ; Künstler ; Geschichte 1917-1953 ; Sowjetunion ; Literatur ; Künste ; Politik ; Geschichte 1917-1970
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  • 8
    UID:
    b3kat_BV045054986
    Format: 237 Seiten
    ISBN: 9781583676950
    Content: "Karl Marx famously wrote in The Eighteenth Brumaire of Louis Napoleon that history repeats itself, "first as tragedy, then as farce." The Cold War waged between the United States and Soviet Union from 1945 until the latter's dissolution in 1991 was a great tragedy, resulting in millions of civilian deaths in proxy wars, and a destructive arms race that diverted money from social spending and nearly led to nuclear annihilation. The New Cold War between the United States and Russia is playing out as farce – a dangerous one at that. The Russians Are Coming, Again is a red flag to restore our historical consciousness about U.S.-Russian relations, and how denying this consciousness is leading to a repetition of past follies. Kuzmarov and Marciano's book is timely and trenchant. The authors argue that the Democrats'strategy, backed by the corporate media, of demonizing Russia and Putin in order to challenge Trump is not only dangerous, but also, based on the evidence so far, unjustified, misguided, and a major distraction. Grounding their argument in all-but-forgotten U.S.-Russian history, such as the 1918-20 Allied invasion of Soviet Russia, the book delivers a panoramic narrative of the First Cold War, showing it as an all-too-avoidable catastrophe run by the imperatives of class rule and political witch-hunts. The distortion of public memory surrounding the First Cold War has set the groundwork for the New Cold War, which the book explains is a key feature, skewing the nation's politics yet again. This is an important, necessary book, one that, by including accounts of the wisdom and courage of the First Cold War's victims and dissidents, will inspire a fresh generation of radicals in today's new, dangerously farcical times."--Amazon.com
    Note: Introduction: The Russians are coming, again -- Anti-Russian hysteria in propaganda and fact -- "The time you sent troops to quell the Revolution": the true origins of the Cold War -- Provoking confrontation: the United States and the origins of the Cold War -- The Cold War and the attack on U.S. democracy -- Truman, McCarthyism, and domestic repression -- A war on the Global South: the Cold War in the Third World -- Conclusion: Avoiding a third World War
    Language: English
    Keywords: USA ; Russland ; Sowjetunion ; Internationale Politik ; Geschichte 1918- ; USA ; Russland ; Sowjetunion ; Internationale Politik ; Geschichte 1945-2018 ; Ost-West-Konflikt
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  • 9
    UID:
    gbv_1815317892
    Format: viii, 295 Seiten , 24 cm
    Edition: First edition
    ISBN: 9780306925610 , 0306925613
    Content: "In the aftermath of the Cold War, American intelligence caught three high-profiles Russian spies: Robert Hanssen, Aldrich Ames, and Edward Lee Howard. However, rumors have long swirled of another mole, one perhaps more damaging than all the others combined. Perhaps the greatest traitor in American history, perhaps a Russian ruse to tear the CIA apart, or perhaps nothing more than a bogeyman, he is often referred to as the Fourth Man. For the first time ever, New York Times bestselling author and former CIA operative Robert Baer tells the full story. After the Ames arrest, there were too many questions that remained unanswered, including the compromise of so many agents that the US would go on to have no Russian sources of any value at the time of Putin's ascent. The CIA launched another investigation, known as the Special Investigations Unit, to make sure there wasn't another mole in their ranks. Led by three women who had devoted their lives to the CIA, its existence was known to only a few. As they methodically hunted through their own, turning up loose threads, smoking guns, and a KGB source who might clinch it all, they came to a startling conclusion that would shake American intelligence to its core. In a cat-and-mouse game worthy of a le Carré novel, the Special Investigations Unit squared off against a man who could have been the most damaging spy in US history, in a chase with the potential to influence the future of America's relationship with Russia and its standing in the world. Until now, the existence of a fourth mole has been widely speculated in public and an all-but-open secret in intelligence circles. Now, with this explosive work, a thriller-like narrative and a masterwork of investigative reporting, Robert Baer blows the lid off the biggest espionage story in years and one of the most important national security stories of our lifetimes"--
    Note: Includes bibliographical references (pages 255-280) and index
    Additional Edition: ISBN 9780306925603
    Additional Edition: ISBN 0306925605
    Language: English
    Keywords: USA ; Sowjetunion ; Russland ; Spion ; Geschichte 1984-1999
    Author information: Baer, Robert 1952-
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  • 10
    UID:
    gbv_1605252603
    Format: x, 321 Seiten, 16 ungezählte Seiten
    Edition: First American edition
    ISBN: 0812912187
    Content: Kennedy vs. Khrushchev. And in the middle, in the very heart of Europe, Berlin, a gateway to freedom for thousands of East Germans. When on an August night in 1961 a barbed wire wall was erected cutting the city in half, the world moved toward war. Norman Gelb explores the whole story of the Berlin Wall, from its genesis in the Allied Armies' race for Berlin through the completion of the ninety-nine-mile wall that has been a geopolitical fact for twenty-five years. Relying on sources ranging from public figures like Dean Rusk, McGeorge Bundy, and then-mayor of Berlin Willy Brandt to the diaries and reminiscences of Berlins, he renders not only the operatic public drama – the soldiers, the diplomacy, the decisionn-making process in Washington, the psychologies of Kennedy and Khrushchev, the tanks snout-to-snout in the streets – but also the anonymous story of blockade runners and citizens cuaght in the storm of world events. Beginning with the occupation, he brings the drama to life – the airlift, the flood of refugees that forced the Soviet hand, the threats of war that followed the historic night of the building of the Wall, and the West's reluctant accommodation with the Soviet Union. The story of the Berlin Wall is more than just an account of the splitting of a city. Played out in Washington, Moscow, London, and Paris as well as in Germany, it is a story of power politics and nuclear brinkmanship. Norman Gelb combines incident, personality, and analysis in a forceful narrative of the world at the edge.
    Note: Literaturverzeichnis: Seite 305-306 , Enthält ein Register
    Language: English
    Keywords: USA ; Berlinfrage ; Sowjetunion ; Geschichte 1958-1962 ; Berliner Mauer ; Geschichte 1961-1962
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