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  • Musicology  (18)
  • Medicine  (1)
  • USA  (19)
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  • 1
    Book
    Book
    Berkeley, Calif. [u.a.] : Univ. of California Press
    UID:
    b3kat_BV009976266
    Format: XIV, 389 S. , zahlr. Ill.
    ISBN: 0520083946
    Series Statement: California studies in 19th century music 9
    Content: As never before or since, the life and works of Richard Wagner dominated American music-making at the close of the nineteenth century. Europe, too, was obsessed with Wagner, but - as Joseph Horowitz shows in this first history of Wagnerism in the United States - the American obsession was unique
    Content: Wagner himself predicted that the New World would prove especially receptive to his operas and ideas, and he was right. The conductor Anton Seidl (1850-1898) was his crucial New World emissary, a priestly and enigmatic central figure in New York's musical life - and the central figure in Wagner Nights. Though acclaimed in Europe as Wagner's closest protege, Seidl became an American citizen
    Content: Seidl's own admirers included the women of the Brooklyn-based Seidl Society, who wore the letter "S" on their dresses. For wives whose husbands were away making money, and whose own professional possibilities were suppressed by contemporary mores, Seidl's performances offered the intense emotional release of Sieglinde's ecstatic pregnancy and Isolde's orgasmic love-death. At the Metropolitan Opera, according to the Musical Courier, the audience "stood on their chairs and screamed their delight for what seemed hours." In the summers, Seidl conducted fourteen times a week at Brighton Beach, on Coney Island
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Wagner, Richard 1813-1883 ; New York, NY ; Rezeption ; Geschichte 1880-1900 ; Wagner, Richard 1813-1883 ; USA ; Rezeption ; Geschichte
    Author information: Horowitz, Joseph 1948-
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  • 2
    Book
    Book
    New York, NY [u.a.] : Simon & Schuster
    UID:
    b3kat_BV039876593
    Format: XIX, 431 S., [6] Bl. , Ill.
    Edition: 1. ed.
    ISBN: 9781416558385
    Note: As the founder and head of Atlantic Records, Ahmet Ertegun signed and/or recorded many of the greatest musical artists of all time, from Ray Charles to Kid Rock. Working alongside his older brother, Nesuhi, one of the preeminent jazz producers of all time, and the legendary Jerry Wexler, Ertegun transformed Atlantic Records from a small independent record label into a hugely profitable multinational corporation. In successive generations, he also served as a mentor to record-business tyros like Phil Spector, David Geffen, and Lyor Cohen. Brilliant, cultured, and irreverent, Ertegun was as renowned for his incredible sense of personal style and nonstop A-list social life as his work in the studio. Blessed with impeccable taste and brilliant business acumen, he brought rock 'n roll into the mainstream while creating the music that became the sound track for the lives of multiple generations.--From publisher description. , Includes bibliographical references (p. [407]-417) and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-4391-9862-9
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Ertegun, Ahmet M. 1923-2006 ; USA ; Musikproduzent ; Biografie
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  • 3
    UID:
    b3kat_BV041444606
    Format: 365 Seiten , Illustrationen
    Edition: First edition
    ISBN: 9780062005595
    Note: Literaturverzeichnis: Seite 341-353
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Parker, Charlie 1920-1955 ; USA ; Jazz ; Geschichte ; Biografie
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  • 4
    Book
    Book
    New York : Thunder's Mouth Press
    UID:
    b3kat_BV022713875
    Format: XXII, 602 S., [8] Bl. , Ill. , 24 cm
    Edition: 1. print.
    ISBN: 1560257075 , 9781560257073
    Content: From Frank Sinatra and Billie Holiday to Janice Joplin and Michael Jackson, Columbia Records has discovered and nurtured a mind-boggling spectrum of talents and temperaments over the past 100-plus years. Now, with unprecedented access to the company's archives, this book tells the stories behind the groundbreaking music. More often than not, the music was not just created by the artists themselves but forged out of conflict with the men and women who handled them--executives, producers, Artists and Repertoire men, arrangers, recording engineers, and, yes, even publicists. And at almost every narrative crossroads is an undercurrent of racial tension--a tension that not only influenced twentieth-century music, but also mirrored and at times prompted major changes in American culture.--From publisher description.
    Note: From Frank Sinatra and Billie Holiday to Janice Joplin and Michael Jackson, Columbia Records has discovered and nurtured a mind-boggling spectrum of talents and temperaments over the past 100-plus years. Now, with unprecedented access to the company's archives, this book tells the stories behind the groundbreaking music. More often than not, the music was not just created by the artists themselves but forged out of conflict with the men and women who handled them--executives, producers, Artists and Repertoire men, arrangers, recording engineers, and, yes, even publicists. And at almost every narrative crossroads is an undercurrent of racial tension--a tension that not only influenced twentieth-century music, but also mirrored and at times prompted major changes in American culture.--From publisher description. , Includes bibliographical references (p. [545]-579) and index
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Columbia Recording Corporation ; Geschichte 1880-1990 ; USA ; Label ; Geschichte 1880-1990
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  • 5
    Book
    Book
    New York, NY : Oxford University Press
    UID:
    b3kat_BV046216853
    Format: xiv, 623 Seiten , Illustrationen, Notenbeispiele
    ISBN: 9780190072704
    Content: To what extent can music be employed to shape one culture's understanding of another? In the American imagination, Japan has represented the "most alien" nation for over 150 years. This perceived difference has inspired fantasies-of both desire and repulsion-through which Japanese culture has profoundly impacted the arts and industry of the U.S. While the influence of Japan on American and European painting, architecture, design, theater, and literature has been celebrated in numerous books and exhibitions, the role of music has been virtually ignored until now. 0W. Anthony Sheppard's Extreme Exoticism offers a detailed documentation and wide-ranging investigation of music's role in shaping American perceptions of the Japanese, the influence of Japanese music on American composers, and the place of Japanese Americans in American musical life. Presenting numerous American encounters with and representations of Japanese music and Japan, this book reveals how music functions in exotic representation across a variety of genres and media, and how0Japanese music has at various times served as a sign of modernist experimentation, a sounding board for defining American music, and a tool for reshaping conceptions of race and gender. From the Tin Pan Alley songs of the Russo-Japanese war period to Weezer's Pinkerton album, music has continued to inscribe Japan as the land of extreme exoticism
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-19-007273-5
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: USA ; Musik ; Exotismus ; Japan ; Geschichte 1850- ; USA ; Japan ; Musik ; Kulturkontakt ; Geschichte ; USA ; Japan ; Musik ; Einfluss
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  • 6
    Book
    Book
    Rochester, NY : University of Rochester Press
    UID:
    b3kat_BV043300911
    Format: xxii, 244 Seiten, 18 unnumerierte Seiten , Illustrationen, Notenbeispiele
    ISBN: 9781580465342
    Series Statement: Eastman studies in music v. 129
    Content: Composer-performer Julius Eastman (1940-90) was an enigma, both comfortable and uncomfortable in the many worlds he inhabited: black, white, gay, straight, classical music, disco, academia, and downtown New York. His music, insistent and straightforward, resists labels and seethes with a tension that resonates with musicians, scholars, and audiences today. Eastman's provocative titles, including Gay Guerrilla, Evil Nigger, Crazy Nigger, and others, assault us with his obsessions. Eastman tested limits with his political aggressiveness, as reflected in legendary scandals like his June 1975 performance of John Cage's Song Books, which featured homoerotic interjections, and the uproar over his titles at Northwestern University. These episodes are examples of Eastman's persistence in pushing the limits of the acceptable in the highly charged arenas of sexual and civil rights. In addition to analyses of Eastman's music, the essays in Gay Guerrilla provide background on his remarkable life history and the era's social landscape. The book presents an authentic portrait of a notable American artist that is compelling reading for the general reader as well as scholars interested in twentieth-century American music, American studies, gay rights, and civil rights.BR Contributors: David Borden, Luciano Chessa, Ryan Dohoney, Kyle Gann, Andrew Hanson-Dvoracek, R. Nemo Hill, Mary Jane Leach, Renee Levine Packer, George E. Lewis, Matthew Mendez, John Patrick Thomas Renee Levine Packer's book This Life of Sounds: Evenings for New Music in Buffalo received an ASCAP Deems Taylor Award for excellence. Mary Jane Leach is a composer and freelance writer, currently writing music and theatre criticism for the Albany Times-Union.
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Eastman, Julius 1940-1990 ; USA ; Komponist ; Sänger ; Tänzer ; Geschichte 1940-1990 ; Aufsatzsammlung ; Werkverzeichnis
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  • 7
    Book
    Book
    New York, NY : Billboard Books
    UID:
    b3kat_BV021283235
    Format: 368 S. , Ill.
    Edition: 1. publ., 1. printing
    ISBN: 0823084043
    Content: A look at race relations in the United States as seen through the prism of music from slavery to the present. Equal parts social history and pop culture, this book argues that no form of American music can be described as ethnically pure, and fleshes out the tug-of-war between blacks and whites as they create, recreate, and claim each innovation in popular music. Taking a thought-provoking look at how genres such as rock 'n' roll, rhythm 'n blues, jazz, blues, soul, country, and hip-hop emerged through changing times and the dynamic personalities that shaped them, author Kevin Phinney chronicles the history of American music through its succession of black and white composers, performers, and entrepreneurs who have stepped into the limelight with one set of rules in place and departed having transformed not only the music, but society as well. By using each era's greatest successes as a roadmap, he connects the signposts of America's musical evolution and societal shifts into a panoramic whole.--From publisher description.
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: USA ; Schwarze ; Musik ; Gesellschaft ; Geschichte 1900-2000 ; USA ; Schwarze ; Popmusik ; Popkultur ; Geschichte 1900-2000 ; USA ; Popmusik ; Popkultur ; Gesellschaft ; Geschichte 1900-2000
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  • 8
    Book
    Book
    Tuscaloosa, Ala. : Univ.y of Alabama Press
    UID:
    b3kat_BV040597230
    Format: X, 286 S., [4] Bl. , Ill.
    Edition: 1. ed.
    ISBN: 9780817356965
    Note: Orig. publ.: New York : Knopf, 2009
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-0-8173-8604-7
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: USA ; Blues ; Handy, W. C. 1873-1958 ; Biografie
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  • 9
    Book
    Book
    New York 〈〈[u.a.]〉〉 : Sterling
    UID:
    b3kat_BV036586944
    Format: 304 S. , zahlr. Ill. , 31 cm
    ISBN: 9781402769764
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Großbritannien ; Popmusik ; Popmusiker ; Rockmusik ; Rockmusiker ; Rezeption ; USA ; Geschichte 1950-2010
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  • 10
    UID:
    b3kat_BV000389463
    Format: 269 S. , Ill.
    Edition: 1. ed.
    ISBN: 0688043860
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: USA ; Rock-'n'-Roll-Musiker ; Frau ; Biografie
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