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  • 1
    Book
    Book
    Going there : black visual satire (2020)
    New Haven ; London : Yale University Press
    Details
    UID:
    b3kat_BV047129829
    Format: xii, 228 Seiten , Illustrationen , 26 cm
    ISBN: 9780300245745
    Series Statement: Richard D. Cohen Lectures on African & African American Art
    Content: "More than a one-liner" -- Drawing the color line : the art of Ollie Harrington -- The minstrel strain -- Robert Colescott : between the heroic and the ironic
    Content: In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century-in all their complexity, humor, and provocation-Powell raises important questions about the social power of art.0Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art
    Note: Titelblatt Rückseite: Parts of this book were presented as the Richard D. Cohen Lectures on African & African American Art, delivered by Richard J. Powell in March 2016 at Harvard University. The lectures, begun in 2013, are supported by Harvard's Hutchins Center for African & African American Research
    Language: English
    Subjects: Art History
    RVK:
    LO 94030
    RVK:
    LO 94037
    Keywords: USA ; Person of Color ; Kunst ; Satire ; Karikatur ; Geschichte 1940-2010 ; Harrington, Oliver W. 1912-1995 ; Colescott, Robert 1925-2009 ; Walker, Kara 1969- ; Lee, Spike 1957- ; Politische Kunst ; Rassismus
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 2
    Book
    Book
    The ugly duchess : beauty & satire in the Renaissance (2023)
    London : National Gallery Global | [New Haven] : Yale University Press
    Details
    UID:
    b3kat_BV048990114
    Format: 80 Seiten , Illustrationen , 27 cm
    ISBN: 9781857096941
    Content: Quinten Massys' An Old Woman ('The Ugly Duchess') is one of the Renaissance's most famous faces. In a fresh review of the iconic image, this book unveils the painting's original context: its status as a pioneering work of satirical art, its debt to Leonardo da Vinci's grotesque drawings, and what it tells us about the period's complex attitudes towards women, age and normative beauty. The painting and its partner, An Old Man, are parodic portraits that mock the supposed lust and vanity of older women. Yet a closer look also reveals a figure defiantly flouting conventions and a painter subverting artistic expectations. The publication traces the eventful afterlife and enduring power of this seminal image: how she gained her nickname 'The Ugly Duchess' and inspired John Tenniel's much-loved illustrations of Lewis Carroll's Alice's Adventures in Wonderland (1865), capturing the imagination of generations of readers. Exhibition: National Gallery, London, UK (16.03. ? 11.06.2023)
    Note: Auf der Titelblattrückseite: "Published to accompany the exhibition: 'The Ugly Duchess: Beauty and Satire in the Renaissance', The National Gallery, London, 16 March-11 June 2023" , Quinten Massay and the art of satire , Leonardo's grotesques , Difficult women , 〈〈The〉〉 afterlife of "An old woman"
    Language: English
    Keywords: Massys, Quentin 1466-1530 Brustbild einer hässlichen Frau ; Kunst ; Satire ; Karikatur ; Das Hässliche ; Physiognomie ; Frau ; Brustbild ; Geschichte 1450-1550 ; Massys, Quentin 1466-1530 Brustbild einer hässlichen Frau ; Rezeption ; Kunst ; Massys, Quentin 1466-1530 Brustbild einer hässlichen Frau ; Rezeption ; Tenniel, John 1820-1914 ; Carroll, Lewis 1832-1898 Alice's adventures in Wonderland ; Illustration ; Ausstellungskatalog ; Ausstellungskatalog
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Author information: Clayton, Martin 1967-
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  • 3
    Online Resource
    Online Resource
    Caricaturing culture in India : cartoons and history in the modern world (2014)
    Cambridge : Cambridge Univ. Press
    Details
    UID:
    gbv_81489481X
    Format: Online-Ressource (XII, 355 S.) , Ill.
    Edition: Online-Ausg. 2014
    ISBN: 9781107338029
    Content: "In September 1993 a devastating earthquake rocked Latur, a district near Mumbai, India. To convey the unprecedented magnitude of this disaster, the mainstream newspaper the Times of India published editorials and photographs; in addition, their internationally famous staff cartoonist, R. K. Laxman, drew a cartoon depicting a human skull and a ravaged hut. A week later, the newspaper's "letters to the editor" column included an angry reader's note criticizing Laxman's insensitivity at caricaturing human misery"--
    Content: "Caricaturing Culture in India is a highly original history of political cartoons in India. Drawing on the analysis of newspaper cartoons since the 1870s, archival research and interviews with prominent Indian cartoonists, this ambitious study combines historical narrative with ethnographic testimony to give a pioneering account of the role that cartoons have played over time in political communication, public discourse and the refraction of ideals central to the creation of the Indian postcolonial state. Maintaining that cartoons are more than illustrative representations of news, Ritu Gairola Khanduri uncovers the true potential of cartoons as a visual medium where memories jostle, history is imagined and lines of empathy are demarcated. Placing the argument within a wider context, this thought-provoking book highlights the history and power of print media in debates on free speech and democratic processes around the world, revealing why cartoons still matter today"--
    Note: Literaturverz. S. 327 - 347 , Machine generated contents note: Acknowledgments; Introduction: the empire of cartoons; Part I. Colonial Times: 1. Upstart punches: why is impertinence always in the vernacular?; 2. Gandhi and the Satyagraha of cartoons: cultivating a taste; 3. 'Dear Shankar... Your ridicule should never bite'; Part II. National Times: 4. Becoming a cartoonist: Mr Kutty and Bireshwarji; 5. Virtual gurus and the Indian psyche: R. K. Laxman; 6. Uncommon women and common men: pocket cartoons and 'situated knowledges'; 7. Artoons and our toons: the prose of an Indian art; Part III. Global Times: 8. Crafty petitions and street humor; 9. 'All our Gods and Goddesses are cartoons'; Conclusions: timeless myths and timely knowledge; Bibliography; Index.
    Additional Edition: ISBN 9781107043329
    Additional Edition: ISBN 9781107618572
    Additional Edition: Druckausg. Khanduri, Ritu Gairola, 1969 - Caricaturing culture in India New York : Cambridge University Press, 2014 ISBN 9781107043329
    Language: English
    Keywords: Indien ; Karikatur ; Satire ; Politik ; Geschichte 1870-
    URL: Volltext  (Verlag)
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
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    Stabi Berlin
    MPI Bildungsforschung
  • 4
    Book
    Book
    Picturing the game : an illustrated story of hockey (2023)
    Montreal ; Kingston ; London ; Chicago : McGill-Queen’s University Press
    Details
    UID:
    b3kat_BV049357460
    Format: viii, 390 Seiten , Illustrationen , 28 cm
    ISBN: 9780228018735
    Content: "Hockey has a curious connection to editorial cartooning and sports illustration, as old and storied as the game itself. Many writers and photographers have told the story of game play, but never from such an original, unvarnished perspective as the cartoonist’s. Picturing the Game transports fans into the mischievous world of caricature through the rough drafts of hockey history by Bruce MacKinnon, Aislin, Serge Chapleau, Susan Dewar, Brian Gable and many other talented artists. They make us laugh by telling the truth and-- perhaps--make us a little wiser about what we already suspect of the fools running the show. The earliest drawings collected here come from the anonymous early house artists who drew ancient play and its first audiences. Their work evolved into the cartooning of Arthur Racey and Lou Skuce, whose editorial and sports cartoons ran when newspapers had a virtual monopoly on news dissemination and belief in the printed word was absolute. Not surprisingly, the dailies became the medium that made hockey Canada’s national game. Later, Franklin Arbuckle, Duncan Macpherson, and Len Norris animated the game’s advance through more meaningful allegory, humorous irreverence, and an underlying cultural bearing that gave each of their panels its own power and influence. Don Weekes showcases the gifted, forward-thinking graphic journalists throughout hockey’s history whose bold aesthetic and deft draughtsmanship could always make the butt of their satire look perfectly asinine. Their ingenuity and perceptiveness paved the way for a journalistic showmanship that embodied a truly Canadian acerbic spirit. It was nothing short of groundbreaking, and Canada’s national game is all the better for it."--
    Note: Includes index
    Language: English
    Keywords: Karikatur ; Geschichte ; Hockey ; Kanada
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  • 5
    Online Resource
    Online Resource
    Political oratory and cartooning : an ethnography of democratic processes in Madagascar (2013)
    Malden, Mass. [u.a.] : Wiley-Blackwell
    Details
    UID:
    gbv_1699001693
    Format: 1 online resource (231 pages)
    ISBN: 9781118306154
    Series Statement: New directions in ethnography 4
    Content: Jackson traces the lively skirmishes between Madagascar's political cartoonists and politicians whose cartooning and public oratory reveal an ever-shifting barometer of democracy in the island nation. The first anthropological study of the role of language and rhetoric in reshaping democracy Maps the dynamic relationship between formalized oratory, satire, and political change in Madagascar A fascinating analysis of the extraordinary Ciceronian features of kabary, a style of formal public oratory long abandoned in the West Documents the management by United States Democrat campaign advisors of a foreign presidential bid, unprecedented in the post-colonial era.
    Content: Cover -- Title page -- Copyright page -- Contents -- List of Figures -- Note on Orthography -- Acknowledgments -- Preface -- CHAPTER 1: Introduction -- Organization of the Study -- Note -- References -- CHAPTER 2: A History of Language and Politics in Madagascar -- The First Period of Literacy in Madagascar -- Second Period of Literacy -- Language Engineering -- Kabary as the Model for the Sermon -- Expanding the Reach of the Bureaucratic State through Literacy and Class System -- Determining Class Status through Literacy -- The Death of King Radama and the "Dark Ages" of Literacy -- Language-Mediated Nationalist Insurgencies during French Colonization, 1895 -- Madagascar's First Republic -- Class Struggle, Language, and Political Resistance within the Nationalist Movements of Postcolonial Madagascar -- Bureaucratizing the Ideologies and Objects of Nationalism and Class Struggle -- 1975-1991: From Malgachization to Socialism to Structural Adjustment Liberalization -- Democratic Transitions, Transitions to Democracy -- Notes -- References -- CHAPTER 3: The Structural and Social Organization of Kabary Politika -- On the Structure and Style of Kabary Politika -- The Prototypical Kabary Politika Plan -- The arrangement of elements of speech -- Beyond the Event: Kabary as Social Contract -- Rhetorical strategy to convince -- Embodiment and voice -- On Hasina Power: Notions of Status and Authority Informing Possibilities of Comportment and Rhetorical Strategy -- Power and Sharing the Political Stage with an Exemplary Form -- Notes -- References -- CHAPTER 4: The Structural and Social Organization of Kisarisary Politika (Political Cartooning) -- Postcolonial History of Political Cartooning in Urban Imerina -- Rites, Membership, and Networks in the Cartooning Community -- Speaking in Their Language: Code Choice, Access, and Cartooning's Audience.
    Note: Description based upon print version of record
    Additional Edition: ISBN 9781118306062
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781118306062
    Language: English
    Keywords: Madagaskar ; Demokratie ; Politische Kultur ; Karikatur ; Politik ; Ethnologie ; Geschichte 2001-2005 ; Electronic books
    URL: lizenzpflichtig
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