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  • 1
    Book
    Book
    Molière: stage and study : essays in honour of W. G. Moore (1973)
    Oxford : Clarendon Press
    Details
    UID:
    gbv_183192966
    Format: XVI, 293 S , Ill , 22 cm
    ISBN: 0198157126
    Note: Crow, J. Reflections on George Dandin.--Garapon, R. Sur l'occupation de la scène dans les comédies de Molière.--Guicharnaud, J. Les trois niveaux critiques des Amants magnifiques.--Hall, H. G. Molière's comic images.--Potts, D. C. Don Juan and "non-Aristotelian drama".--Thomas, M. Philinte and Éliante.--Wilson, J. C. Expansion and brevity in Molière's style.--Fluchère, H. Ploutos, Éros, Molière et les vieillards.--Davis, M. G. Masters and servants in the plays of Molière.--Hubert, J. D. Les missions burlesques de Mercure.--Lawrenson, T. The wearing o' the Green: yet another look at "l'homme aux rubans verts".--Mourgues, O. de. Le bourgeois gentilhomme as a criticism of civilization.--Scherer, J. Dualités d' Amphitryon.--Barber, W. H. Voltaire and Molière.--Barnes, A. Péguy et Molière.--Chevalley, S. L'impromptu de Versailles, 1673-1971.--Fargher, R. Pascal, Molière, and after.--Howarth, W. D. Anouilh and Molière.--Seznec, J. Le Molière de Monsieur Ingres
    Language: English
    Subjects: Romance Studies
    RVK:
    IF 8105
    Keywords: Molière 1622-1673 ; Festschrift ; Aufsatzsammlung
    Author information: Molière 1622-1673
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  • 2
    Online Resource
    Online Resource
    Subversive stages : theater in pre- and post-communist Hungary, Romania, and Bulgaria (2017)
    Budapest ; New York : CEU Press, Central European University Press
    Details
    UID:
    b3kat_BV047506148
    Format: 1 Online-Ressource (xx, 217 Seiten)
    ISBN: 9789633861189
    Note: Foreword: The ghosts of history redux: intertextuality, rewriting, adaptation / by Jozefina Komporaly -- Introduction: The Russian and French masters. The political ghosts and ideological phantasms of Nic Ularu's The cherry orchard, a sequel -- Adapting Molière and Jules Verne to Soviet censorship: Mikhail Bulgakov's A cabal of hypocrites and The crimson island -- György Spiró's The impostor: rethinking Molière's Tartuffe for communist Hungary -- Shakespeare in Central and Eastern Europe. Stalinist "traitors" and "saboteurs": Matéï Vișniec's Richard III will not take place or scenes from the life of Meyerhold -- Staging Hamlet as political no exit in Géza Bereményi's Halmi -- Nedyalko Yordanov's The murder of Gonzago: reading Bulgaria's communist political culture through Shakespeare's Hamlet -- Inserting god into politics. Specters of state power, history, and politics of the stage: Vlad Zografi's Peter or the sun spots -- Inserting god into the communist personality cult: Stefan Tsanev's The other death of Joan of Arc -- Conclusion
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-963-386-116-5
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , Romance Studies , Slavic Studies , General works
    RVK:
    KZ 1170
    RVK:
    EK 2560
    RVK:
    IX 5550
    RVK:
    AP 64941
    RVK:
    AP 64946
    RVK:
    AP 64944
    RVK:
    AP 64947
    Keywords: Molière 1622-1673 ; Shakespeare, William 1564-1616 ; Osteuropa ; Drama ; Kommunismus ; Postkommunismus ; Politik ; Geschichte
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    EUV Frankfurt
  • 3
    Book
    Book
    Subversive stages : theater in pre- and post-communist Hungary, Romania, and Bulgaria (2017)
    Budapest ; New York : Central European University Press
    Details
    UID:
    b3kat_BV043842035
    Format: XX, 217 Seiten
    ISBN: 978-963-386-116-5
    Note: Literaturverzeichnis Seite 203-209 ; Index , Foreword: The ghosts of history redux: intertextuality, rewriting, adaptation / by Jozefina Komporaly -- Introduction: The Russian and French masters. The political ghosts and ideological phantasms of Nic Ularu's The cherry orchard, a sequel -- Adapting Molière and Jules Verne to Soviet censorship: Mikhail Bulgakov's A cabal of hypocrites and The crimson island -- György Spiró's The impostor: rethinking Molière's Tartuffe for communist Hungary -- Shakespeare in Central and Eastern Europe. Stalinist "traitors" and "saboteurs": Matéï Vișniec's Richard III will not take place or scenes from the life of Meyerhold -- Staging Hamlet as political no exit in Géza Bereményi's Halmi -- Nedyalko Yordanov's The murder of Gonzago: reading Bulgaria's communist political culture through Shakespeare's Hamlet -- Inserting god into politics. Specters of state power, history, and politics of the stage: Vlad Zografi's Peter or the sun spots -- Inserting god into the communist personality cult: Stefan Tsanev's The other death of Joan of Arc -- Conclusion , Text englisch
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , Romance Studies , Slavic Studies
    RVK:
    EK 2560
    RVK:
    IX 5550
    RVK:
    KZ 1170
    Keywords: Molière 1622-1673 ; Shakespeare, William 1564-1616 ; Osteuropa ; Drama ; Kommunismus ; Postkommunismus ; Politik ; Geschichte
    URL: Inhaltsverzeichnis
    URL: Literaturverzeichnis
    URL: Register // Personen- und Ortsregister
    Library Location Call Number Volume/Issue/Year Availability
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    HU Berlin get availability status
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