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  • 1
    Book
    Book
    London [u.a.] :Routledge,
    UID:
    almahu_BV019858187
    Format: XIV, 198 S.
    Edition: 1. publ.
    ISBN: 0-415-30333-8 , 978-0-415-30333-0 , 0-415-30332-X , 978-0-415-30332-3
    Series Statement: Routledge guides to literature
    Language: English
    Subjects: English Studies
    RVK:
    RVK:
    Keywords: 1564-1616 Twelfth night Shakespeare, William ; Zeithintergrund ; 1564-1616 Twelfth night Shakespeare, William ; Rezeption ; Quelle ; Aufsatzsammlung ; Quelle
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  • 2
    Book
    Book
    Cambridge [u.a.] :Cambridge Univ. Press,
    UID:
    almafu_BV040602142
    Format: X, 244 S.
    Edition: 1. publ.
    ISBN: 978-1-10-702800-5
    Content: "This strong and timely collection provides fresh insights into how Shakespeare's plays and poems were understood to affect bodies, minds and emotions. Contemporary criticism has had surprisingly little to say about the early modern period's investment in imagining literature's impact on feeling. Shakespearean Sensations brings together scholarship from a range of well-known and new voices to address this fundamental gap. The book includes a comprehensive introduction by Katharine A. Craik and Tanya Pollard and comprises three sections focusing on sensations aroused in the plays; sensations evoked in the playhouse; and sensations found in the imaginative space of the poems. With dedicated essays on Hamlet, Macbeth, Othello and Twelfth Night, the collection explores how seriously early modern writers took their relationship with their audiences and reveals new connections between early modern literary texts and the emotional and physiological experiences of theatregoers"--
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: 1564-1616 Shakespeare, William ; Rezeption ; Gefühl ; Aufsatzsammlung ; Aufsatzsammlung
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  • 3
    UID:
    gbv_630713006
    Format: 247 S , Ill
    ISBN: 9780754668909
    Series Statement: Anglo-Italian Renaissance studies
    Note: Literaturverz. S. [237] - 242 , Text of Parthenio in ital., with facing-page English translation
    Language: English
    Keywords: Pollio, Giovanni 1465-nach 1516 Parthenio ; Rezeption ; Shakespeare, William 1564-1616 Twelfth night ; Fiktionale Darstellung
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  • 4
    UID:
    gbv_721470742
    Format: X, 244 S. , Ill. , 23 cm
    Edition: 1. publ.
    ISBN: 9781107559493 , 9781107028005
    Content: "This strong and timely collection provides fresh insights into how Shakespeare's plays and poems were understood to affect bodies, minds and emotions. Contemporary criticism has had surprisingly little to say about the early modern period's investment in imagining literature's impact on feeling. Shakespearean Sensations brings together scholarship from a range of well-known and new voices to address this fundamental gap. The book includes a comprehensive introduction by Katharine A. Craik and Tanya Pollard and comprises three sections focusing on sensations aroused in the plays; sensations evoked in the playhouse; and sensations found in the imaginative space of the poems. With dedicated essays on Hamlet, Macbeth, Othello and Twelfth Night, the collection explores how seriously early modern writers took their relationship with their audiences and reveals new connections between early modern literary texts and the emotional and physiological experiences of theatregoers"--
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Includes bibliographical references and index
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Shakespeare, William 1564-1616 ; Rezeption ; Gefühl ; Aufsatzsammlung ; Bibliografie
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  • 5
    UID:
    gbv_1686478631
    Format: x, 199 Seiten
    ISBN: 9780367189341 , 9780367189310
    Content: Introduction -- 1. The myth of the Fall and its impact: Pullman, Lewis and others -- 2. Claribel's story: a few thoughts on gender, race and colonialism in The Tempest -- 3. Wuthering Heights: myth and the wounds of loss -- 4. Beckett's Waiting for Godot: transforming lives -- 5. Great Expectations: intertextualities, endings and life after plot -- 6. Emily Dickinson: 'And then the windows failed' -- 7. Emma: rhetoric, irony and the reader's assault course -- 8. Dorian Gray: 'queering' the text -- 9. The Fallen Woman: Emma Bovary and (many) others -- 10. Two transgressive American women: Kate Chopin, Charlotte Perkins Gilman -- 11. Hamlet / Lear: realism / modernism -- 12. John Keats: three (or is it two?) poems and thoughts on 'late style' -- 13. Republicanism, regicide and 'The Musgrave Ritual' -- 14. Jean Rhys: her texts from the 1930s -- 15. Twelfth Night: Dream-Gift -- 16. Please read Proust -- 17. Paradise Lost: radical politics, gender and education
    Content: "This book recreates in written form seventeen of the most popular, frankly personal and engaging lectures on literature given by the award-winning teacher Richard Jacobs, who has been working with students for forty years. This is a book aimed at students, starting their studies or more experienced, and all lovers of literature and devoted to the idea that reading, thinking about, and writing or talking about literature involves us all personally, that texts talk to us intimately and urgently and invite us to talk back, and that literature intervenes in our lives and changes them. These lectures discuss, in an open but richly informed way, a wide range of texts that are regularly studied and enjoyed and they model what it means to be excited about reading and studying literature, how the study of literature can be life-changing - perhaps even with the effect of changing the lives of readers of this remarkable book"--
    Additional Edition: ISBN 9780429199301
    Language: English
    Keywords: Literatur ; Lektüre ; Rezeption ; Aufsatzsammlung
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  • 6
    Online Resource
    Online Resource
    Toronto : University of Toronto Press
    UID:
    gbv_1698570600
    Format: 1 Online-Ressource (xiii, 279 Seiten) , Illustrationen
    ISBN: 9781487518424
    Content: Frontmatter -- Contents -- Figures -- Acknowledgments -- Introduction: Enclosure, Conversation, and Spaces of Authorship -- Chapter One. Filomena’s Voice: Female Character and Authority in Shakespeare’s Early Italianate Comedies -- Chapter Two. Thinking Inside and Outside the Box: The Casket Test and Audience Response in The Merchant of Venice -- Chapter Three. “Are You a Comedian?”: The Trunk in Twelfth Night as Mobility Machine -- Chapter Four. Novellesque Domesticity and Impossible Places in The Merry Wives of Windsor -- Chapter Five. Reforming Civility in Measure for Measure -- Chapter Six. Rewriting the “Ladies’ Text”: All’s Well That Ends Well -- Chapter Seven. Seeing as Reading and Retelling in Cymbeline -- Conclusion -- Appendix. Italian and French Novellas in England -- Notes -- Bibliography -- Index
    Content: Using a comparative, feminist approach informed by English and Italian literary and theatre studies, this book investigates connections between Shakespearean comedy and the Italian novella tradition. Shakespeare’s comedies adapted the styles of wit, character types, motifs, plots, and other narrative elements of the novella tradition for the Elizabethan and Jacobean stage, and they investigated social norms and roles through a conversation carried out in narrative and drama. Arguing that Shakespeare’s comedies register the playwright’s reading of the novella tradition within the collaborative playmaking context of the early modern theatre, this book demonstrates how the comic vision of these plays increasingly valued women’s authority and consent in the comic conclusion. The representation of female characters in novella collections is complex and paradoxical, as the stories portray women not only in the roles of witty plotters and storytellers but also through a multifaceted poetics of enclosed spaces – including trunks, chests, caskets, graves, cups, and beds. The relatively open-ended rhetorical situation of early modern English theatre and the dialogic form and narrative material available in the novella tradition combine to help create the complex female characters in Shakespeare’s plays and a new form of English comedy
    Note: Literaturverzeichnis: Seite 229-253 , Mode of access: Internet via World Wide Web.
    Additional Edition: ISBN 9781487503642
    Additional Edition: Erscheint auch als Druck-Ausgabe Walter, Melissa Emerson, 1967 - The Italian novella and Shakespeare's comic heroines Toronto$aBuffalo$aLondon : University of Toronto Press, 2019 ISBN 9781487503642
    Additional Edition: ISBN 1487503644
    Language: English
    Keywords: Shakespeare, William 1564-1616 ; Komödie ; Heldin ; Italienisch ; Novelle ; Rezeption ; Englisch ; Komödie
    URL: Cover
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  • 7
    Book
    Book
    New York : Routledge, Taylor & Francis Group
    UID:
    gbv_1032495480
    Format: xii, 241 Seiten , 24 cm
    ISBN: 9780367077846
    Series Statement: Routledge studies in Shakespeare 34
    Content: "Shakespeare and Asia brings together innovative scholars from Asia or with Asian connections to explore these matters of East-West and global contexts then and now. The collection ranges from interpretations of Shakespeare's plays and his relations with other authors like Marlowe and Dickens through Shakespeare and history and ecology to studies of film, opera or scholarship in Japan, Russia, India, Pakistan, Singapore, Taiwan and mainland China. The adaptations of Kozintsev and Kurosawa; Bollywood adaptations of Shakespeare's plays; different Shakespearean dramas and how they are interpreted, adapted and represented for the local Pakistani audience; the Peking-opera adaptation of Hamlet; Féng Xiaogang's The Banquet as an adaptation of Hamlet; the ideology of the film, Shakespeare Wallah. Asian adaptations of Hamlet will be at the heart of this volume. Hamlet is also analyzed in light of Oedipus and the Sphinx. Shakespeare is also considered as a historicist and in terms of what influence he has on Chinese writers and historical television. Lear is Here and Cleopatra and Her Fools, two adapted Shakespearean plays on the contemporary Taiwanese stage, are also discussed. This collection also examines in Shakespeare the patriarchal prerogative and notion of violence; carnival and space in the comedies; the exotic and strange; and ecology. The book is rich, ranging and innovative and will contribute to Shakespeare studies, Shakespeare and media and film, Shakespeare and Asia and global Shakespeare"--
    Content: Shakespeare as a historicist: his potential significance in China / Wang Ning -- Splitting heres: Shakespeare and the global supermarket, here, there, then, and now / Simon C. Estok -- Reading the matured Shakespeare in Taiwan / Francis K. H. So -- How to crack the ethical enigma of sphinx? / Wei Xiaofei -- Meta-dramatizing Shakespeare: playwrights as code readers in "Lear is here," and "Cleopatra and her fools" / I-Chun Wang -- Carnival over time: Shakespeare's Twelfth night / Zhao Hua -- The window crossing spaces: triple spaces of the window in Much ado about nothing / Yun-fang Dai -- Marlowe, Shakespeare, and the state and geography of otherness / Jonathan Locke Hart -- William Shakespeare in the life and works of Charles Dickens / Kuo-jung Chen -- Hamlet in Chinese opera and the loss of ambiguity / Hao Liu -- The ghost of Shakespeare's Hamlet in Féng Xiaogang's The banquet and Sherwood Hu's Prince of the Himalayas / Walter S.H. Lim -- Is Shakespeare "translatable"? cinematic adaptations by Kozintsev, Kurosawa, and Feng Xiaogang / King-Kok Cheung -- Some adaptations of Shakespeare in Pakistan / Samina Akhtar -- Reconsidering empire as metaphor in Shakespeare wallah / Jane Wong Yeang Chui -- Adaptation as translation: the bard in Bombay / Asma Sayed
    Additional Edition: ISBN 9780429022807
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Shakespeare, William 1564-1616 ; Rezeption ; Asien ; Aufsatzsammlung
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