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  • 1
    Book
    Book
    Amsterdam ; Philadelphia : John Benjamins Pub. Co.
    UID:
    b3kat_BV013415078
    Format: XIII, 828 Seiten , graphische Darstellungen
    ISBN: 9027232830 , 1556190387
    Series Statement: Foundations of semiotics 13
    Note: Contents: LANGUAGES WITHIN LANGUAGE; Editorial page; Title page; Copyright page; Table of contents; List of figures; List of tables; Acknowledgments; 1. Diversity of the lexicon; 1. Arbitrary vs. iconic signs; 2. Degrees of fuzziness; 3. Semantic and pragmatic meaning; 2. Dual encoding; Vocal style; 1. Oral gesturing; 2. Vocal style; 3. Motivation and convention; 4. Semantic aspects of statistical deviation; 5. Unconscious vocal messages; 6. Vocal personality; 3. Syntactic gesturing; 1. Expressive word order; 2. Impressive word order; 3. Syntactic portrayal; 4. Fancy and motivation. 4. Syntactic regressions1. Genesis of articulated sentences; 2. Ontogeny and psychogenesis; 3. Primal verbal categories; 4. Functional variety of syntactic regressions; 5. Vocal expression of emotions; 1. Static and dynamic distinctive features; 2. How is vocal gesturing to be interpreted?; 3. Intonation and music; 4. Emotions, attitudes, and moods; 5. Melodic metaphors: Dynamics and evolution; 6. Complex melodic patterns; 6. Poetry and vocal art; 1. Melody of poetic texts; 2. Interpretation of creative vocal messages; 7. Situation and meaning; 1. The status of bound utterances , 2. Semantic erosion3. Pragmatic abstraction; 4. bound utterances: The praxis; 5. Utterances in the making; 6. The cliché: A contribution to multi-channel communication; 8. Fading and dynamics; 1. Transfer of bound utterances; 2. Bound utterances as a source of lexical change; 3. Bound utterances inducing grammatical changes; 4. Modal particles: Change of semiotic levels; 5. Fixation, change, and dynamic synchrony; 9. A hidden presence: Verbal magic; 1. Euphemism, cacophemism; 2. Speech acts and verbal magic; 10. Playing with language: Joke and metaphor. 1. Syntactic and semantic structure of jokes2. Poetry is also joking; 3. Metaphor and its relatives: A parenthesis; 4. Joke-land and Metaphoria: A tentative synthesis; 11. The metaphor: A research instrument; 1. Metaphors in phonetics; 2. Preconscious bases of metaphors; 3. Unconscious foundations; 4. Why metaphors?; 5. Poetic origins of scientific metaphor; 6. On cognitive metaphor; 12. Why poetic language?; 1. Types of poetic redundancy; 2. Striving for more information; 3. Synthesis of conflicting trends; 4. The forms of content; 5. The content of inner form , 6. Functions of poetic language7. A missing dimension; 13. The semantic structure of possessive constructions; 1. Semantic diversity; 2. Interlinguistic divergences; 3. Interlinguistic convergences; 4. How to reduce diversity; 5. Paleological unity in diversity; 6. Functions of polyvalence; 7. An ontogenetic outlook; 14. Semantic structure of punctuation marks; 1. Status of punctuation marks; 2. Iconicity and language dependence of punctuation marks; 15. Why gestures?; 1. Types and functions of gesture; 2. Visual thinking; 3. Action language; 4. Gestures and their vicissitudes
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
    RVK:
    RVK:
    Keywords: Linguistik ; Sprache ; Semiotik ; Sprachwandel ; Psycholinguistik ; Einführung
    Author information: Fónagy, Iván 1920-2005
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Toronto [u.a.] : Univ. of Toronto Press
    UID:
    gbv_650743490
    Format: XII, 210 S. , Ill. , 24 cm
    Series Statement: Toronto studies in semiotics and communication
    Content: 1. The Platonic Triad and Its Chinese Counterpart -- 2. Ontological Realism under Fire -- 3. The Return of the Subject(s) -- 4. The Peircean Trichotomy -- 5. The Poetic Logic -- 6. Metaphor and Culture -- 7. Myth Making and Its Socio-Economic Functions
    Content: Includes bibliographical references and index
    Content: "The first major work in Sino-Western comparative semiotics, Parallels, Interactions, and Illuminations is a trans-disciplinary and intercultural effort that makes intellectual connections not only across such diverse academic fields as epistemology, anthropology, linguistics, sociology, and cultural studies but also between Chinese and Western theories of the sign in the conviction that they can shed light on one another -- In this groundbreaking work, Ersu Ding studies two traditions of semiotic realism, represented by Plato and Husserl in the West and by Mo Zi and Ouyang Jian in China. They share two fundamental assumptions with regard to meaning: that there exist ultimate qualities of things and states of affairs in the extrasemiotic world and that the meanings of words or other types of sign are derivatives of these essentials. A pioneering work that remains extraordinarily accessible, Parallels, Interactions, and Illuminations explores a wide range of issues, including inter-subjective negotiation of meaning, the relationship between metaphor and culture, and the production and dissemination of myths."--pub. desc
    Language: English
    Keywords: China ; Westliche Welt ; Vergleichende Philosophie ; Semiotik ; Erkenntnistheorie ; Ontologie ; Sprachphilosophie
    Library Location Call Number Volume/Issue/Year Availability
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