Kooperativer Bibliotheksverbund

UID:

Format: X,199 S.

ISBN: 90-04-03648-2

Series Statement: Studies in the history of religions 23

Note: Zugl.: London, Univ., Diss., 1972

Language: English

Subjects: Theology

Keywords: Englisch ; Religiöse Lyrik ; Hinduismus ; Religiöse Lyrik ; Hochschulschrift ; Hochschulschrift

UID:

Format: xii, 319 Seiten , Diagramme

ISBN: 9780739183571

Note: Includes bibliogr. references and index , The Qurʼan and narrative biblicist traditionsThe narratival roots of the Islamic tradition -- The development of oral literary theory -- The application of oral-formulaic theory to pre-Islamic arabic poetry -- Mapping the landscape: a computerised formulaic analysis of the Qurʼanic text -- Digging deeper: verse-level formulaic analysis -- Searching for formulaic systems -- Iblis and Adam: a comparative application of computerised and "manual" methods of formulaic analysis to the seven retellings -- Conclusion: The Qurʼan and orality -- Appendix: The Seven Iblis and Adam stories and an English translation.

Additional Edition: ISBN 9780739183588

Language: English

Subjects: Theology

Keywords: Koran ; Mündliche Überlieferung ; Intertextualität ; Sprachanalyse ; Computer

URL: Inhaltsverzeichnis

UID:

Format: Getr. Zaehl.

ISBN: 0902089927

Series Statement: Collected studies series 48

Note: Includes original pagings , Reprints of articles in English, French, or German, originally published between 1937 and 1970 , Includes bibliographical references and index , Intermediärsprache: Französisch , Intermediärsprache: Deutsch , 1. Islam and Hellenism.--2. Islam.--3. The problem.--4. The structure of the Muslim town.--5. The sacred character of Islamic cities.--6. The convergence of cultural traditions in the Mediterranean area.--7. The sources of Islamic civilization.--8. The problem of cultural influence.--9. Le concept de classicisme culturel.--10. Islam.--11. Islam.--12. Parallelism, convergence, and influence in the relations of Arab and Byzantine philosophy, literature, and piety.--13. Byzantine iconoclasm and the influence of the Islamic environment.--14. Observations on the Muslim concept of evil.--15. Literature in the context of Islamic civilization.--16. Arabic poetics.--17. On the origin and early development of Arabic muzdawij poetry.--18. Greek form elements in the Arabian Nights.--19. Eine poetische Polemik zwischen Byzanz und Bagdad im 10. Jahrhundert.--20. Observations on city panegyrics in Arabic prose

Language: English

Subjects: Comparative Studies. Non-European Languages/Literatures , Theology

Keywords: Islam ; Hellenismus ; Mittelalter ; Islam ; Hellenismus ; Kulturwandel ; Aufsatzsammlung

Author information: Von Grunebaum, Gustave E. 1909-1972

UID:

Format: 1 online resource (701 pages)

ISBN: 9780520962439 (e-book)

Series Statement: Weimar and now: German cultural criticism ; 49

Content: "Rich in implications for our present era of media change, The Promise of Cinema offers a compelling new vision of film theory. The volume conceives of "theory" not as a fixed body of canonical texts, but as a dynamic set of reflections on the very idea of cinema and the possibilities once associated with it. Unearthing more than 275 early-twentieth-century German texts, this ground-breaking documentation leads readers into a world that was striving to assimilate modernity's most powerful new medium. We encounter lesser-known essays by Bela Balazs, Walter Benjamin, and Siegfried Kracauer alongside interventions from the realms of aesthetics, education, industry, politics, science, and technology. The book also features programmatic writings from the Weimar avant-garde and from directors such as Fritz Lang and F.W. Murnau. Nearly all documents appear in English for the first time; each is meticulously introduced and annotated. The most comprehensive collection of German writings on film published to date, The Promise of Cinema is an essential resource for students and scholars of film and media, critical theory, and European culture and history"--Provided by publisher.

Note: The Kientopp (1907) / Hanns Heinz Ewers -- Cinematographic theater (1909) / Max Brod -- On living photography and the film drama (1909) / Gustav Melcher -- A new task for the cinema (1909) / Kurt Weisse -- New terrain for cinematographic theaters (1909) / Anon. -- The career of the cinematograph (1910) / Anon. -- The cinematograph (1911) / Karl Hans Strobl -- On the psychology of the cinematograph (1911) / Ph. Sommer -- Theater and cinematograph (1911) / Hermann Kienzl -- The secret of the cinema (1912) / Adolf Sellmann -- Sports on film (1912) / Arno Arndt -- Thrills in film drama and elsewhere (1912-1913) / Carl Forch -- Cinema (1912-1913) / Lou Andreas-Salome -- The Kintopp as educator: an apology (1913) / Walter Hasenclever -- Cinema and visual pleasure (1913) / Walter Serner -- Illusions and hallucinations during cinematographic projections (1914) / Albert Hellwig -- The cinematograph in the service of ethnology (1907) / Anon. -- The cinematograph as modern newspaper (1913-1914) / O.Th. Stein -- Cinema and geography: introduction (1914) / Hermann Haˆfker -- The film drama (1920) / Yvan Goll -- Africa and film (1922) / Hans Schomburgk -- The value of the adventure film (1923) / Franc Cornel -- Reel consciousness (1925) / Bela Balazs -- Exotic journeys with a camera (1928) / Colin Ross -- Lunar flight in film (1929) / Anon. -- A new India film: a throw of dice (1929) / Lotte H. Eisner -- Pictures-pictures (1929) / Erich Burger -- The panic of reality (1930) / Alfred Polgar - The case of Dr. Franck (1931) / Bela Balazs -- The weekly newsreel (1931) / Siegfried Kracauer -- Cinematographic archives (1908) / Ludwig Brauner -- In the cinematographic theater (1910) / Berthold Viertel -- Cinematograph and epistemology (1911) / Eduard B?umer -- Proposal for the establishment of an archive for cinema-films (1912) / Franz Goerke -- Mechanized immortality (1912) / J. Landau -- Why?-This is why! (1913) / Heinrich Lautensack -- The film archive of the great general staff (1915) / E.W. -- Slow motion (1917) / Hans Lehmann -- The transcendence of the film image (1920) / Friedrich Sieburg -- Film as historian (1921) / August Wolf -- Will to style in film (1924) / Fritz Lang -- Mountains, clouds, people (1925) / Siegfried Kracauer -- The uncovered grave (1925) / Joseph Roth -- On the question of a national film archive (1926) / Fritz Schimmer -- Documentary and artistic film (1929) / Albrecht Viktor Blum -- Where is the German sound film archive? (1931) / Bela Balazs -- Film dramas and film mimes (1910) / Walter Turszinsky -- Theater, pantomime, and cinema (1916) / Friedrich Freksa -- Film and theater (1919) / Carl Hauptmann -- Mimic expression in film (1922) / Oskar Diehl -- The eroticism of Asta Neilsen (1923) / Bela Balazs -- The magic of the body (1923) / Friedrich Sieburg -- The nude body on film (1925) / Max Osborn -- The educational values of film art (1925) / Bela Balazs -- How I came to film...(1926) / Leni Riefenstahl -- The Charleston in one thousand steps (1927) / Anon. -- On the psychomechanics of the spectator (1927) / Leo Witlin -- Film and dance belong together (1928) / Lotte H. Eisner and Rudolf von Laban -- The art of mimic expression in film (1929) / Fritz Lang -- Miming and speaking (1930) / Emil Jannings -- Greta Garbo: a study (1933) / Siegfried Kracauer -- Illusion in the cinematographic theater (1907) / Fred Hood -- Theater of the little people (1909) / Alfred Doˆblin -- The education of moviegoers into a theater public (1910) / Arthur Mellini -- The movie girl (1911) / Anon. -- Various thoughts on the movie theater interior (1912) / Anon. -- The cinema (1913) / Victor Noack -- On the sociology of cinema (1914) / Emilie Altenloh -- From Berlin North and thereabouts-In the movie houses of Berlin West (1919) / Resi Langer -- Cinema (1920) / Milena Jesenska -- Erotic films (1920) / Kurt Tucholsky -- Film advertising and the advertising film (1920) / Herbert Tannenbaum -- The spectator in cinema (1921) / August Wolf -- Ufa Palace (1925) / Kurt Pinthus -- The sociological foundations of the cinema industry (1926) / Karl Demeter -- The movie theater as gathering place (1926) / Rudolf Harms -- The cinema on M?nzstrasse (1932) / Siegfried Kracauer -- Prologue before the film (1912-13) / Egon Friedell -- The autorenfilm and its assessment (1913) / Anon. , The cinema ballad (1913) / Ulrich Rauscher -- Quo vadis, cinema? (1913) / Kurt Pinthus -- The student of Prague (1913) / Anon. -- The call for art (1913) / Hermann Haˆfker -- Problems of the film drama (1913-14) / Herbert Tannenbaum -- The new illusion (11913-14) / Will Scheller -- The photoplay (1914) / Kurt Pinthus -- The onlookers of life in the cinema (1914-15) / Malwine Rennert -- On the artistic possibilities of the motion picture (1917) / Paul Wegener -- We lack film poetry (1920) / Ernst Lubitsch -- Kitsch-Sensation-Culture and film (1924) / Friz Lang -- Cinematograph and schoolchildren (1909) / Georg Kleib?mer -- Cinema as educator (1909) / Franz Pfemfert -- Trash films (1911) / Albert Hellwig -- The dangers of the cinema (1911-12) / Robert Gaupp -- The cinematograph from an ethical and aesthetic viewpoint (1912) / Konrad Lange -- The sexual danger in the cinema (1912) / Ike Spier -- Against a cinema that makes women stupid (1912-13) / P. Max Grempe -- Against a cinema that makes women stupid: a response (1912-13) / Roland -- The cinema's damaging effects on health (1913) / Naldo Felke -- Today's cinematograph: a public menace (1913) / Karl Brunner -- Cinematic mankind (1916) / Richard Gutmann -- Homosexuality and Jewishness (1919) / Walther Friedmann -- Homo cinematicus (1919) / Wilhelm Stapel -- Cinema censorship (1920) / Kurt Tucholsky -- The motion picture and the state (1924) / Albert Hellwig -- Cinema (1931) / Aurel Wolfram -- Film Bolshevism (1932) / Fritz Olimsky -- The German Kaiser in film (1912) / Paul Klebinder -- Cinematograph and crowd psychology (1912) / Hermann Duenschmann -- War and cinema (1914) / Der Kinematograph -- The cinematograph as shooting gallery (1914) / Anon. -- Cinema and the educated class: a foreword (1914) / Hermann Haˆfker -- The tasks of cinematography in this war (1914) / Hermann Haˆfker -- The benefits of war for the cinema (1914) / Edgar K?ltsch -- Made in Germany (1916) / Karl Kraus -- State and cinema (1916) / Anon. -- Art and cinema in war (1916) / Johannes Gaulke -- Film propaganda for German affairs abroad (1917) / Gustav Stresemann -- The Ludendorff letter (1917) / Erich Ludendorff -- The triumph of film (1917) / Joseph Max Jacobi -- Film as a means of agistation (1919) / Rudolf Genenncher -- War films (1927) / Kurt Tucholsky -- Film in the new Germany (1928) / Film-Kurier -- All quiet on the western front (1930) / Seigfried Kracauer -- Against the ban on the Remarque film (1931) / Kurt Tucholsky -- American cinema (1920) / Claire Goll -- The significance of conglomerates in the film industry (1920) / Erich Pommer -- The significance of film for international understanding (1921) / Valentin -- The style of the export film (1922) / Joe May -- German cinema (1922) / Hans Siemsen -- Film-America and us (1922) / Georg Jacoby -- Film internationality (1924) / Ernst Lubitsch -- Is film national or international? (1924) / Georg Otto Stindt -- The twilight of film? (1926) / Axel Eggebrecht -- The restructuring of Ufa (1927) / Anon. -- Film German and Film America (1928) / Carl Laemmle -- The first one back from Hollywood (1929) / Billie Wilder -- Film statistics (1930) / Alexander Jason -- Done with Hollywood (1931) / A.K. -- Film-Europe, a fact! (1931) / Anon. -- Internationality through the version systems (1931) / Anon. -- The international talking film (1932) / Erich Pommer -- The diva (1919) / Henny Porten -- Henny Porten for president (1921) / Kurt Pinthus -- Impression of a naiˆf (1923) / Robert Musil -- Only stars! (1926) / Bela Balazs -- The automobile in film (1926) / Vicky Baum -- Vienna is filming! (1926) / Anon. -- Why we love film (1926) / Willy Haas -- Film education (1928) / Hugo -- What is film illusion? (1928) / K.W. -- The representative of a generation (1928) / Hans Feld, Anita Berber -- To an unknown woman (1930) / Marlene Dietrich -- Love on film (1930) / Max Brod and Rudolf Thomas -- All about film stars (1931) / Siegfried Kracauer -- Destitution and distraction (1931) / Siegfried Kracauer -- In the empire of film (1931) / Anon. -- The revolutionary film (1922) / Bela Balazs -- The Klieg lights stay on (1926) / Siegfried Kracauer -- Potemkin and tendentious art (1927) / Oscar A.H. Schmitz -- Reply to Oscar A.H. Scmitz (1927) / Walter Benjamin -- The new youth and film (1928) / Lotte H. Eisner -- Film und Volk: foreword (1928) / Franz Hoˆllering -- Film works for us! (1928) / Bela Balazs -- Film and the people (1928) / Heinrich Mann -- Who will create the German revolutionary film? (1928) / Ernst Toller -- Mass-man in the cinema (1929) / Karl Ritter -- Film and propaganda (1929) / Willi M?nzenberg -- World film report (1929) / A.A. -- Individual and montage (1930) / Lupu Pick. , The threepenny lawsuit (1931) / Bertolt Brecht -- The banned Kuhle Wampe (1932) / Herbert Jhering -- Film and conviction (1933) / Georg Wilhelm Pabst -- Thoughts toward an aesthetic of the cinema (1911) / Georg Lukacs -- The effects of the film theater (1912) / Alfred A. Baeumler -- A substitute for dreams (1921) / Hugo von Hofmannsthal -- The ethical potential of film (1923) / Kurt Pinthus -- A film (1924) / Siegfried Kracauer -- Film image and prophetic speech (1925) / Siegfried Kracauer -- The public's attitude toward modern German literature (1926) / Adolf Behne -- Revue and film (1928) / Fritz Giese -- Chaplin in retrospect (1928) / Walter Benjamin -- Chaplin in old films (1930) / Siegfried Kracauer -- Kierkegaard prophesies Chaplin (1930) / Theodor W. Adorno -- Mickey Mouse (1931) / Walter Benjamin -- Painting and film (1931) / Ernst Kallai -- Fantasy by the meter (1931) / Rene Fuˆloˆp-Miller -- The worker (1932) / Ernst Juˆnger -- Expressionism and cinema (1916) / Bernhard Diebold -- The expressionist film (1919) / Gertrud David -- Expressionism in film (1920) / J.B. -- An "Expressionist" film (1920) / Ernst Angel -- If I only had the cinema! (1920) / Carlo Mierendorff -- The future of film (1921) / Robert Muˆller -- Expressionism in film (1922) / Robert Wiene -- An afterword to Caligari (1925) / Walter Reimann -- Limitations of the Expressionist film (1926) / Rudolf Kurtz -- The interpretation of dreams in film (1926) / Hanns Sachs -- The film of factuality (1927) / Robert Breuer -- Fantastic film (1929) / Henrik Galeen -- Painting with time (ca.1919) / Walter Ruttmann -- A new art: film's music for the eyes (1921) / Bernhard Diebold -- Basic principles of the art of movement (1921) / Hans Richter -- Film as a work of art (1921) / Adolf Behne -- The absolute film (1925) / Rudolf Arnheim -- Film at the Bauhaus: a rejoinder (1926) / Laszlo Moholy-Nagy -- How I made my Berlin film (1927) / Walter Ruttmann -- The "absolute" fashion (1928) / Walter Ruttmann -- Abstract film (1928) / Seigfried Kracauer -- The artist belongs to the industry! (1928) / Laszlo Moholy-Nagy -- Living shadows (1929) / Lotte Reiniger -- New means of filmmaking (1929) / Hans Richter -- The isolated artist (1929) / Walter Ruttmann -- Avant-garde in the realm of the possible (1929) / Hans Richter -- "Candid" cinematography (1929) / Anon. -- Avant-garde for the masses (1929) / Lotte H. Eisner -- The end of the avant-garde? (1930) / Alex Strasser -- Melody in the cinema, or immanent and transcendental music (1914) / Ernst Bloch -- The muteness of the film image (1920) / Oskar Kalbus -- Lighting design in film (1922) / Albin Grau -- Intertitles (1923) / Hans Pander -- The close-up (1924) / Bela Balazs -- My ideal screenplay (1924) / Fritz Lang and F.W. Murnau -- Architecture in film (1924) / Paul Leni -- Film and fashion (1924) / Julie Elias -- The delirious camera (1925) / Guido Seeber -- Productive and reproductive film art (1926) / Bela Balazs -- Looking toward the future (1926) / Fritz Lang -- Behind my camera (1927) / Karl Freund -- Subjective movement (1927) / Lotar Holland -- Film and music (1928) / Giuseppe Becce -- Farewell to silent film (1930) / Bela Balazs. , Cinematography in the service of neurology and psychiatry (1910) / Hans Hennes - The cinematograph in biological and medical science (1911) / Osvaldo Polimanti -- The cultural mission of the cinematograph (1912) / Leonhard Birnbaum -- Cinema in the light of medicine (1913) / Der Kinematograph -- Film advertising (1913) / Julius Pinschewer -- Artistic film porgram (1920) / Bruno Taut -- Cinematography in the service of the police (1921) / Wilhelm von Ledebur -- Film advertising and advertising films (1921) / Arthur Lassally -- School and film (1924) / Edgar Beyfuss -- Industrial films (1924) / Ulrich Kayser -- Kulturfilm and cinema (1924) / Eugen R. Schlesinger -- The trick film (1927) / Dietrich W. Dreyer -- Film is promotion (1929) / Hans Cuˆrlis -- Advertising film and its psychological effects (1932) / Karl Nikolaus -- How singing pictures (sound pictures) are made (1908) / Anon. -- The acoustic film (1922) / Herbert Jhering -- Film and music (1928) / Heinrich Strobel -- Principles of the sound film (1928) / Walter Ruttmann -- Sound-image film (1928) / Seigfried Kracauer -- A conviction (1929) / Bela Balazs --The nature and value of sound film (1929) / Ernst Hugo Correll -- Reality of sound film (1929) / Georg Wilhelm Pabst -- Problems of the camera (1929) / Carl Hoffmann -- Possibilities for the use of music in sound film (1929) / Walter Gronostay -- Sound film friend and foe (1929-30) / Erwin Piscator -- A commentary on the crisis facing montage (1930) / Rudolf Arnheim -- Experiences in composing music for sound films (1930) / Edmund Meisel -- Only the transformed author can transform film (1930) / Alfred Doˆblin -- Problems in sound film design (1931) / Film-Kurier, Fritz Lang -- The conquest of the third dimension (1914) / Max Mack -- The prehistory of the bioskop (1916) / Max Skladanowsky -- Art and technology in film (1923) / Heinz Michaelis -- The color film (1923) / Bela Balazs -- The telefilm (1925) / S.E. Bastian -- Film and radio (1925) / Herbert Jhering -- Possibilities for absolute radio art (1925) / Kurt Weill -- My process (1926) / Eugen Schuˆfftan -- Why we still do not have television (1929) / Arthur Korn -- The elements once again (1929) / Laszlo Moholy-Nagy -- The third dimension (1929) / Erich Grave -- Telecinema in the home (1929) / Ernst Steffen -- A glance into the future (1930) / Frank Warschauer -- The color film (1930) / H. Baer -- Radio-film (1932) / Rudolf Arnheim -- The future of Mickey Mouse (1932) / Bernhard Diebold -- On the border of yesterday (1932) / Siegfried Kracauer.

Additional Edition: Print version: Promise of cinema : German film theory, 1907-1933. Oakland, California : University of California Press, [2016] ISBN 9780520219076

Language: English

Subjects: General works

Keywords: Electronic books.

URL: Click to View

UID:

Format: 1 Online-Ressource (XII, 984 Seiten)

ISBN: 9783110450927 , 3110450925 , 9783110450934 , 9783110451108

Series Statement: Religionsgeschichtliche Versuche und Vorarbeiten Band 67

Content: Religious ideas, practices, discourses, institutions, and social expressions are in constant flux. This volume addresses the internal and external dynamics, interactions between individuals, religious communities, and local as well as global society. The contributions concentrate on four areas: 1. Contemporary religion in the public sphere: The Tactics of (In)visibility among Religious Communities in Europe; Religion Intersecting De-nationalization and Re-nationalization in Post-Apartheid South Africa;2. Religious transformations: Forms of Religious Communities in Global Society; Political Contributions of Ancestral Cosmologies and the Decolonization of Religious Beliefs; Esoteric Tradition as Poetic Invention; 3. Focus on the individual: Religion and Life Trajectories of Islamists; Angels, Animals and Religious Change in Antiquity and Today; Gaining Access to the Radically Unfamiliar in Today’s Religion; Religion between Individuals and Collectives; 4. Narrating religion: Entangled Knowledge Cultures and the Creation of Religions in Mongolia and Europe; Global Intellectual History and the Dynamics of Religion; On Representing Judaism.

Note: Erscheint als De Gruyter Open Access , Frontmatter -- -- Table of Contents -- -- Preface -- -- Introduction -- -- The Dynamics of Religions and Cultural Evolution: Worshipping Fuxi in Contemporary China -- -- Religion and Public Space in Contemporary Japan: Re-activation of the Civilization of the Axial Age and the Manifestation of State Shinto and Buddhism -- -- The Tactics of (In)Visibility among Religious Communities in Contemporary Europe -- -- Religion Intersecting De-nationalization and Re-nationalization in Post-Apartheid South Africa -- -- Forms of Religious Communities in Global Society: Tradition, Invention, and Transformation -- -- Subversive Spirituality: Political Contributions of Ancestral Cosmologies Decolonizing Religious Beliefs -- -- Religion and the Historical Imagination: Esoteric Tradition as Poetic Invention -- -- Religion and Life Trajectories: Islamists Against Self and Other -- -- Angels, Animals and Religious Change in Antiquity and Today -- -- Gaining Access to the Radically Unfamiliar: Religion in Modern Times -- -- ‘Cloning Minds’: Religion between Individuals and Collectives -- -- Of Yellow Teaching and Black Faith: Entangled Knowledge Cultures and the Creation of Religious Traditions -- -- Global Intellectual History and the Dynamics of Religion -- -- Narrating, Performing and Feeling a ‘Religion’: On Representations of Judaism -- -- The President’s Welcome Note to the 2015 Erfurt IAHR World Congress -- -- The General Secretary’s Welcome Note to the 2015 Erfurt IAHR World Congress -- -- The Academic Program -- -- Abstracts -- -- A Balancing Act: Minority Religious Communities and Processes of Transformation–Exploring Aniconism -- -- Exploring the Post-Secular–Pentecostalism and the Practice of Religions in Nigeria: Adaptation and Transformation -- -- Performance of Language: Space and Time in Meister Eckhart and Modism–The Work of Data: Methods in the Study of Religions -- -- Congress Committees -- -- Minutes of the International Committee Meeting -- -- Minutes of the General Assembly -- -- Minutes of the Women Scholars Network Meeting -- -- The Congress Directors’ General Report on the XXI IAHR World Congress -- -- The Congress Administrator’s Statistical Report , Mode of access: Internet via World Wide Web. , In English

Additional Edition: ISBN 9783110450927

Additional Edition: Erscheint auch als Druck-Ausgabe International Association for the History of Religions (21. : 2015 : Erfurt) Dynamics of religion Berlin : De Gruyter, 2017 ISBN 9783110450927

Additional Edition: ISBN 3110450925

Language: English

Subjects: Theology

Keywords: Gesellschaft ; Entwicklung ; Soziokultureller Wandel ; Religiöser Pluralismus ; Religiöser Wandel ; Religiöser Konflikt ; Religiöser Wandel ; Konferenzschrift

DOI: 10.1515/9783110450934

URL: Volltext  (Open Access)

URL: Open Access

URL: Inhaltsverzeichnis

URL: Cover

URL: Cover

URL: Cover

URL: Cover

Author information: Bochinger, Christoph 1959-

Author information: Rüpke, Jörg 1962-

UID:

Format: 1 Online-Ressource (XIV, 310 Seiten) , Illustrationen, Notenbeispiele

ISBN: 9789004206717

Series Statement: Studies in medieval and reformation traditions volume 234

Content: Scholarship has tended to assume that Luther was uninterested in the Greek and Latin classics, given his promotion of the German vernacular and his polemic against the reliance upon Aristotle in theology. But as Athens and Wittenberg demonstrates, Luther was shaped by the classical education he had received and integrated it into his writings. He could quote Epicurean poetry to non-Epicurean ends; he could employ Aristotelian logic to prove the limits of philosophy’s role in theology. This volume explores how Luther and early Protestantism, especially Lutheranism, continued to draw from the classics in their quest to reform the church. In particular, it examines how early Protestantism made use of the philosophy and poetry from classical antiquity. Contributors include: Joseph Herl, Jane Schatkin Hettrick, E.J. Hutchinson, Jack D. Kilcrease, E. Christian Kopf, John G. Nordling, Piergiacomo Petrioli, Eric G. Phillips, Richard J. Serina, Jr, R. Alden Smith, Carl P.E. Springer, Manfred Svensson, William P. Weaver, and Daniel Zager

Note: English

Additional Edition: ISBN 9789004206700

Additional Edition: Erscheint auch als Druck-Ausgabe Athens and Wittenberg Leiden : Brill, 2023 ISBN 9789004206700

Language: English

Subjects: Theology

Keywords: Antike ; Einfluss ; Reformation ; Luther, Martin 1483-1546 ; Aufsatzsammlung

DOI: 10.1163/9789004206717

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: lizenzpflichtig

Author information: Smith, Alden 1959-

UID:

Format: 224 Seiten.

ISBN: 978-1-78683-488-1

Series Statement: CREW series of critical and scholarly studies

Content: In a uniquely dualistic creative career spanning five decades, John Ormond made major contributions to both English-language poetry and documentary filmmaking. Born in Swansea, he learned to 'think in terms of pictures' while working as a journalist in London, where he secured a job at the celebrated photojournalist magazine Picture Post. Employed later by the BBC in Cardiff during the early days of television, Ormond went on to become a pioneer in documentary film. This book is the first in-depth examination of the fascinating correspondences between Ormond's twin creative channels; viewing his work against the backdrop of a changing Wales, it constitutes an important case study in the history of documentary filmmaking, in the history of British television, and in the cultural history of Wales

Note: Intro; Title Page; Copyright Page; Dedication; Contents; Series Editors' Preface; Acknowledgements; Abbreviations; 1. Introduction: 'Welsh things to broadcast about'; 2. 'Ormond, you're a poet!': Poetry and the Personal Documentary; 3. Screening Culture; 4. Brokering History; 5. Popularising Ethnography; 6. Conclusion: The 'Organic Mosaic'; Notes; Filmography; Bibliography

Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-78683-489-8

Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-78683-490-4

Additional Edition: Erscheint auch als Online-Ausgabe, MOBI ISBN 978-1-78683-491-1

Language: English

Subjects: General works , English Studies

Keywords: Criticism, interpretation, etc ; History

UID:

Format: XII, 355 S. , Ill. , 1 CD-ROM (12 cm)

ISBN: 9781575061535

Series Statement: Linguistic studies in Ancient West Semitic 3

Uniform Title: Manuel d'ougaritique 〈engl.〉

Note: CD-ROM enth.: PDF of entire book, plus additional material, including color photographs of texts , Includes bibliographical references and index , Preface -- Preface to the English edition -- Foreword, including a description of the intended audience -- Historical 4201introduction and grammar -- 1. Introduction to the history and culture of Ugarit -- 2. Writing system -- 3. Phonology -- 4. Morphology -- 5. Derivational processes -- 6. Compounding -- 7. Syntax -- 8. Vocabulary/Lexicon -- 9. Particularities of poetic texts -- Abbreviations and sigla -- Works cited and bibliographical abbreviations -- Hand copies -- Selection of texts: I. Mythological texts -- II. Ritual texts -- III. Incantations -- IV. 'Scientific' texts -- V. Letters -- VI. Legal texts -- VII. Administrative texts -- VIII. Abecedaries -- Concordance of text numbers -- Glossary.

Additional Edition: Parallelausg. auf CD-ROM u.d.T. Bordreuil, Pierre, 1937 - 2013 A manual of Ugaritic Winona Lake, Ind. : Eisenbrauns, 2009

Language: English

Subjects: Comparative Studies. Non-European Languages/Literatures , Theology

Keywords: Ugaritisch ; Grammatik ; Literatur ; Anthologie

URL: Inhaltsverzeichnis

URL: Klappentext

UID:

Format: XIII, 225 S.

Series Statement: Publications of the Center for Hellenic Studies

Language: English

Subjects: Comparative Studies. Non-European Languages/Literatures , Theology

Keywords: Homerus ca. v8. Jh. ; Formelsprache ; Altenglisch ; Formelsprache ; Bibel Altes Testament ; Formelsprache ; Topos

UID:

Format: IX, 311 S , Ill , 26 cm

ISBN: 0786435437 , 9780786435432

Content: "This collection of essays addresses the state of cataloging in the world of librarianship. The contributors address topics ranging from criticisms of the state of the profession and traditional Library of Congress cataloging to methods of making cataloging more inclusive and helpful to library users"--Provided by publisher

Note: Includes bibliographical references and index , The existential crisis of a cataloger / Beth Thornton -- A hidden history of queer subject access / Matt Johnson -- Cataloging in non-Roman scripts : from radical to mainstream practice / Bella Hass Weinberg -- Ubiquitous cataloging / Bradley Dilger and William Thompson -- The genre jungle : organizing pop music recordings / Michael Summers -- Playing fast and loose with the rules : metadata cataloging for digital library projects / Jen Wolfe -- This subfield kills Fascists : a highly selective, slightly irreverent trip down radical cataloging literature lane / Brian Hasenstab -- Ranganathan's forgotten law : save the time of the cataloger / Jennifer Young -- OCLC : a review / Jeffrey Beall -- Latina lesbian subject headings : the power of naming / Tatiana de la Tierra -- Swine-juvenile literature? : good cataloging vs. good public service / John Sandstrom -- Cults, new religious movements, and bias in LC subject headings / Tracy Nectoux -- (The English word) that dares not seek its name / Carol Reid -- Folk art terminology revisited : why it (still) matters / Joan M. Benedetti -- Rearranging the deck chairs on the Titanic : a drowning cataloger's call to stop churning the subject headings / Christopher H. Walker -- Who moved my pinakes? cataloging and change / Tina Gross -- The end of prohibition / Carol Reid -- North American Indian personal names in national bibliographies / Frank Exner, Little Bear -- Useful cataloging / Chris Dodge -- What is going on at the Library of Congress? / Thomas Mann -- Don't class me in antiquities! : giving voice to Native American materials / Kelly Webster and Ann Doyle -- Teaching the radical catalog / Emily Drabinski -- Browsing Bergman, finding Fellini, cataloging Kurosawa : alternative approaches to cataloging foreign language films in academic libraries / Michelle Emanuel and Susannah Benedetti -- User-centered serials cataloging / Wendy Baia -- "Why isn't my book on the shelf?" and other mysteries of the library / Robin Fay -- AACR2-bendable but not flexible : cataloging zines at Barnard College / Jenna Freedman -- CE-MARC : the educator's library "receipt" / Tom Adamich -- Dr. Strangecataloger, or, How I learned to stop worrying and love the tag / Jennifer Erica Sweda -- Drawing reference librarians into the fold / Dana M. Caudle and Cecilia M. Schmitz -- MARC : it's not just for cataloging anymore / Dana M. Caudle and Cecilia M. Schmitz -- "Respect my authoritah" : Eric Cartman and enhanced subject access / Daniel CannCasciato -- High-speed cataloging without sacrificing subject access or authority control : a case study / Carrie Preston -- Monographic collections structure and layout revisions, or, How to tweak LC call numbers for the good of your users / Brian R. Thompson -- Cataloging heresy / A. Arro Smith -- Talkin' the cataloging blues : the poetry of Albert Huffstickler / Sylvia Manning

Language: English

Subjects: General works

Keywords: Katalogisierung ; Aufsatzsammlung

URL: Inhaltsverzeichnis