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  • 1
    UID:
    almafu_BV026134560
    Format: 233 S.
    ISBN: 951-41-0740-3
    Series Statement: Annales Academiae Scientarium Fennicae : Dissertationes humanarum litterarum 73
    Note: Zugl.: Helsinki, Univ., Diss., 1994
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , General works
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    Keywords: Film ; Erzähltechnik ; Literatur ; Hochschulschrift ; Hochschulschrift
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  • 2
    UID:
    gbv_1018641351
    Format: 1 Online-Ressource (IX, 832 Seiten)
    ISBN: 9789004362697
    Series Statement: Handbook of Oriental studies volume 124
    Content: Front Matter -- Copyright page -- Acknowledgments -- Introduction -- Enclosures, Journeys, and Texts -- Enclosures, Letters, and Destiny: Hugo von Hofmannsthal and André Gide -- Going Home: Al-Tayyib Salih and Ibrahim al-Faqih -- Writing and Enclosures: Michel Butor and Abilio Estévez -- Capturing the Volatility of Time -- The Return of Time: Marcel Proust and Ahmet Hamdi Tanpınar -- Narration and Survival: Vladimir Nabokov and Margaret Atwood -- Desire Unbound: The Marquis de Sade and Angela Carter -- Temporal Dystopias: Botho Strauss and Haruki Murakami -- The Textual Universe -- The Celebration of Textuality: James Joyce and the Argentine (Post-)Modernists -- Stories without End: Italo Calvino and Georges Perec -- The Celebration of Hybridity: Abdelkébir Khatibi and Juan Goytisolo -- Narrating History -- The Traumas of History: William Faulkner, Toni Morrison, and André Brink -- The Enchantment of History: Gabriel García Márquez and Salman Rushdie -- Words Against Death: Roberto Calasso, David Grossman, and Elias Khoury -- Identifications, Impersonations, Doubles: The Discontents of (Post-)Modernity -- Aladdin’s Nightmare: Henrik Pontoppidan and Ernst Jünger -- The Sindbad Syndrome: Gyula Krúdy and John Barth -- The Mock Caliph: H. G. Wells, Arthur Schnitzler, and Orhan Pamuk -- The Multiple Faces of Shahrazad: Leïla Sebbar and Waçiny Laredj -- Aftermaths: The Delusions of Politics -- The 1002nd Night: Tawfiq al-Hakim, Taha Husayn, and Najib Mahfuz -- Fabrications of Power: Hani al-Rahib and Rachid Boudjedra -- The Secret Lives of Sindbad: Mostafa Nissaboury and Bahram Beyzaï -- Conclusion -- Back Matter -- Bibliography.
    Content: It is gradually being acknowledged that the Arabic story-collection Thousand and One Nights has had a major influence on European and world literature. This study analyses the influence of Thousand and One Nights , as an intertextual model, on 20th-century prose from all over the world. Works of approximately forty authors are examined: those who were crucial to the development of the main currents in 20th-century fiction, such as modernism, magical realism and post-modernism. The book contains six thematic sections divided into chapters discussing two or three authors/works, each from a narratological perspective and supplemented by references to the cultural and literary context. It is shown how Thousand and One Nights became deeply rooted in modern world literature especially in phases of renewal and experiment
    Additional Edition: ISBN 9789004362536
    Additional Edition: Erscheint auch als Druck-Ausgabe Leeuwen, Richard van, 1955 - Handbook of oriental studies ; Section 1, Volume 124: The Near and Middle East: The "Thousand and one nights" and twentieth-century fiction Leiden : Brill, 2018 ISBN 9789004362536
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
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    Keywords: Alf laila wa-laila ; Rezeption ; Geschichte 1900-2000
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: DOI
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  • 3
    Online Resource
    Online Resource
    Chicago :The University of Chicago,
    UID:
    almahu_BV048263000
    Format: 1 Online-Ressource (xv, 250 Seiten).
    ISBN: 978-0-226-81648-7
    Content: "In 1905, Freud published his Three Essays on the Theory of Sexuality, the book that established the core psychoanalytic thesis that sexuality is central to formations of the unconscious. Inverting Freud's title, Eric Santner here takes up the sexuality of theory-or, more exactly, its sex-appeal, the modes of enjoyment to be found in the kinds of critical thinking that, since the 1960s, have laid claim to that ancient word, "theory." Untying Things Together is both an intellectual history of major theoretical paradigms and a call for their reexamination and renewal in light of the "postcritical turn" away from them. Santner organizes this intellectual history autobiographically as the story of his own encounters and involvements with key theorists and theoretical projects. He thereby shows that to reduce these theoretical projects to so many exercises in a "hermeneutics of suspicion" (a move associated with certain "post-critique" authors) is to miss what is most vital, most alive, indeed life-changing about them. It is to miss the "gay science" they elaborate. Santner's explorations yield new ways of accounting for the "sublime object" of theory, the libidinal charge it carries for those susceptible to its charms"--
    Note: Intro -- Contents -- Preface -- Introduction. On Some Causes for Excitement -- Chapter One. A Life in Theory -- Chapter Two. Theory and the Jewish Question -- Chapter Three. Too Much Sad -- Chapter Four. Caninical Theory -- Chapter Five. The Manafold of Experience -- Chapter Six. Will Wonders Never Cease: Remarks on Post-Thaumatic Stress Disorder -- Chapter Seven. The Stranger Order of Things -- Epilogue -- Acknowledgments -- Index , Introduction: On some causes for excitement -- A life in theory -- Theory and the Jewish question -- Too much sad -- Caninical theory -- The manafold of experience -- Will wonders never cease: remarks on post-thaumatic stress disorder -- The stranger order of things -- Epilogue
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-226-81646-3
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
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    Keywords: Electronic books
    Author information: Santner, Eric L., 1955-,
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  • 4
    Book
    Book
    Amsterdam [u.a.] : Rodopi
    UID:
    gbv_72621695X
    Format: 346 S.
    ISBN: 9042035641 , 9789042035645
    Series Statement: DQR studies in literature 49
    Content: "Short Story Theories: A Twenty-First-Century Perspective problematizes different aspects of the renewal and development of the short story. The aim of this collection is to explore the most recent theoretical issues raised by the short story as a genre and to offer theoretical and practical perspectives on the form. Centering as it does on specific authors and on the wider implications of short story poetics, this collection presents a new series of essays that both reinterpret canonical writers of the genre and advance new critical insights on the most recent trends and contemporary authors. Theorizations about genre reflect on different aspects of the short story from a multiplicity of perspectives and take the form of historical and aesthetic considerations, gender-centered accounts, and examinations that attend to reader-response theory, cognitive patterns, sociolinguistics, discourse analysis, postcolonial studies, postmodern techniques, and contemporary uses of minimalist forms. Looking ahead, this collection traces the evolution of the short story from Chaucer through the Romantic writings of Poe to the postmodern developments and into the twenty-first century. This volume will prove of interest to scholars and graduate students working in the fields of the short story and of literature in general. In addition, the readability and analytical transparence of these essays make them accessible to a more general readership interested in fiction."--Publisher's website
    Note: 1.The beginnings of the short story and the legacy of Poe.The short story: an overview of the history and evolution of the genre , 2.The linguistic turn: discourse analysis, cognitive theories and pragmatism.Frames speaking: Malamud, Silko, and the reader , 3.Borders, postcolonialism, orality, and gender.The yellow hybrids: gender and genre in Gilman's Wallpaper , 4.Postmodernism and the twenty-first century: intertextuality, minifiction, serial narration.Intertextuality and collage in Barthelme's short fiction
    Additional Edition: ISBN 9789401208390
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , English Studies
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    Keywords: Englisch ; Kurzgeschichte ; Gattungstheorie ; Aufsatzsammlung
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  • 5
    Book
    Book
    Champaign [u.a.] :Dalkey Archive Press,
    UID:
    almahu_BV023400315
    Format: xvii, 74 p.
    ISBN: 978-1-56478-482-7
    Uniform Title: Literatura i kinematograf
    Content: In this essay, a leading figure of the Russian Formalist movement of the 1910s and 1920s enunciates the function of the arts: what they are and, more importantly, what they are not. His views of the other arts lead him into speculations about cinematography, which was just emerging at the time of writing, 1923.
    Note: "Originally published in Russian as Literatura i kinematograf by Russkoe Univeral'noe izdatel'stvo, 1923"--Facing t.p. - Translated from the Russian. - Includes bibliographical references. - Form and material in art -- Music -- Painting -- Literature -- The renewal of form -- Cinematography -- Plot in cinematography -- Chaplin -- The future of the motion picture
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , Slavic Studies , General works
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    Keywords: Literatur ; Film
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  • 6
    Book
    Book
    Chicago u.a. :Univ. of Chicago Press,
    UID:
    almahu_BV006147271
    Format: VIII, 246 S.
    ISBN: 0-226-31693-9 , 0-226-31694-7
    Content: In a critical scene deeply troubled by questions of justice and responsibility, and beset by political and moral scandals, no issue in recent years has been more urgent or more unsettled than the question of ethics. Geoffrey Galt Harpham, whose previous book, The Ascetic Imperative in Culture and Criticism, was one of the first to announce the critical renewal of ethics, attempts in this new book to explain why ethical questions resist settlement. He urges a new account of ethics not as a stable set of principles, values, or prescriptions, but as a variable factor of "imperativity" immanent in language, analysis, narrative, and creation. Through extended explorations of such subjects as the ambivalent position of "the other" in ethics, the relation between politics and ethics, the problem of "morality," the entailment of ethics by language, the roles of pleasure and conversion, and the ethics of analysis, narrative, and creation, Harpham argues that ethics is best conceived not as a kind of philosophy or as a guide to action, but as a "conceptual base," a hub or matrix from which various discourses, disciplines, or practices fan out and in which they meet--typically at the cost of their own theoretical coherence. This original and wide-ranging meditation argues persuasively for a sense of ethics underlying otherwise competing discourses. More profoundly perhaps than any recent book, Getting It Right suggests how the heterodox energies currently dividing the humanities might converge.
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures
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    Keywords: Sprache ; Ethik ; Diskursethik
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  • 7
    Book
    Book
    Stanford, Calif. :Stanford Univ. Press,
    UID:
    almahu_BV009929342
    Format: XIII, 264 S. : Ill., graph. Darst.
    ISBN: 0-8047-2306-0 , 0-8047-2304-4
    Series Statement: Irvine studies in the humanities
    Content: The essays collected in this volume attest to a renewal of philosophical interest in how bodies think and how thought is embodied, a philosophy that has been deeply influenced by literature, the arts, and psychoanalysis. The contributors here consider the body in thought at the dawning of a 'postmodern' world that demands new ethical reflection, and they all cross in some ways the lines of division traditionally drawn between art and philosophy, high and low, first and third cultures. They do so using the body as common ground for their passage. The contributors provide a wide range of approaches to the bodily dimension of ideas in post-structuralist criticism from differing historical perspectives.
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , Philosophy
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    Keywords: Körper ; Philosophie ; Körper ; Literatur ; Körper ; Literatur ; Aufsatzsammlung ; Konferenzschrift
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  • 8
    Online Resource
    Online Resource
    Malden, MA :Blackwell Pub.,
    UID:
    almafu_9959328892802883
    Format: 1 online resource (xvi, 612 pages)
    ISBN: 9780470997055 , 0470997052 , 1405112182 , 9781405112185 , 1405144580 , 9781405144582 , 9781405165020 , 1405165022 , 1280198745 , 9781280198748
    Series Statement: Blackwell companions to literature and culture ; 34
    Content: A Companion to Science Fiction assembles essays by an international range of scholars which discuss the contexts, themes and methods used by science fiction writers. It conveys the scale and variety of science fiction and also shows how science fiction novels have been used as a means of debating cultural issues. The first section of the volume addresses general topics, such as the history and origins of the genre, its engagement with science and gender, and national variations of science fiction around the English-speaking world. It also maps out connections between science fiction, television, the cinema, virtual reality technology, and other aspects of the culture. The next section is devoted to major figures, such as H.G. Wells, Arthur C. Clarke, and Ursula Le Guin. Finally, the Companion offers close discussions of key novels, from Mary Shelley's Frankenstein to Margaret Atwood's The Handmaid's Tale.
    Note: Introduction : approaching science fiction -- pt. I. Surveying the field. -- Hard reading : the challenges of science fiction / Tom Shippey -- The origins of science fiction / George Slusser -- Science fiction/criticism / Istvan Csicsery-Ronay, Jr. -- Science-fiction magazines : the crucibles of change / Mike Ashley -- pt. II. Topics and debates. -- Utopia / Phillip E. Wegner -- Science fiction and religion / Stephen R.L. Clark -- "Monsters of the imagination" : Gothic, science, fiction / Fred Botting -- Science fiction and ecology / Brian Stableford -- Feminist fabulation / Marleen S. Barr -- Time and identity in feminist science fiction / Jenny Wolmark -- Science fiction and the Cold War / M. Keith Booker -- pt. III. Genres and movements. -- Hard science fiction / Gary Westfahl -- The new wave / Rob Latham -- Cyberpunk / Mark Bould -- Science fiction and postmodernism / Veronica Hollinger -- The renewal of "hard" science fiction / Donald M. Hassler -- pt. IV. Science fiction film. -- American science fiction film : an overview / Vivian Sobchack -- Figurations of the cyborg in contemporary science fiction novels and films / Christine Cornea -- British television science fiction / Peter Wright -- pt. V. The international scene. -- Canadian science fiction / Douglas Barbour -- Japanese and Asian science fiction / Takayuki Tatsumi -- Australian science fiction / Van Ikin and Sean McMullen. , pt. VI. Key writers. -- The grandeur of H.G. Wells / Robert Crossley -- Isaac Asimov / John Clute -- John Wyndham : the facts of life sextet / David Ketterer -- Philip K. Dick / Christopher Palmer -- Samuel Delaney : a biographical and critical overview / Carl Freedman -- Ursula K. Le Guin / Warren G. Rochelle -- Gwyneth Jones and the anxieties of science fiction / Andy Sawyer -- Arthur C. Clarke / Edward James -- Greg Egan / Russell Blackford -- pt. VII. Readings. Mary Shelley : Frankenstein : or, the modern Prometheus / Susan E. Lederer and Richard M. Ratzan -- Charlotte Perkins Gilman : Herland / Jill Rudd -- Aldous Huxley : Brave new world / David Seed -- Ray Bradbury : Fahrenheit 451 / Brian Baker -- Joanna Russ : The female man / Jeanne Cortiel -- J.G. Ballard : Crash / Roger Luckhurst -- Margaret Atwood : The handmaid's tale / Faye Hammill -- William Gibson : Neuromancer / Andrew M. Butler -- Kim Stanley Robinson : Mars trilogy / Carol Franko -- Iain M. Banks : Excession / Farah Mendlesohn.
    Additional Edition: Print version: Companion to science fiction. Malden, MA : Blackwell Pub., 2005 ISBN 1405112182
    Additional Edition: ISBN 9781405112185
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , English Studies
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    Keywords: Electronic books. ; Criticism, interpretation, etc. ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
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