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A taste for pop : pop art, gender, and consumer culture (1997)

Whiting, Cécile [Verfasser]

Cambridge [u.a.] : Cambridge Univ. Press

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UID:

b3kat_BV011521715

Umfang: XII, 304 S. , Ill.

Ausgabe: 1. publ.

ISBN: 0521450047

Serie: Cambridge studies in American visual culture

Inhalt: When Pop-art paintings depicted Campbell soup cans or comic-book scenes of teen romance, did they stoop to the level of their mundane sources, or did they instead transmogrify the detritus of consumer culture into high art? In this study, Cecile Whiting declares the issues fundamentally irresolvable and instead takes the question itself, along with the varied answers it has generated, as the object of her analysis. Whiting presents case studies that focus on works by four artists - Tom Wesselmann, Roy Lichtenstein, Andy Warhol, and Marisol Escobar - who are closely associated with the Pop-art movement. Throughout her engaging analyses, Whiting unravels the gendered overtones of their cultural manoeuverings, noting how the connotations of masculinity as attached to the seriousness of high art, and the presumed frivolity and caprice of a feminine world of consumption repositioned cultural frontiers and reformulated the relation between sexes.

Sprache: Englisch

Fachgebiete: Kunstgeschichte

RVK:

LO 94035

Schlagwort(e): Pop-Art ; USA ; USA ; Popkultur ; Pop-Art ; Geschlechterforschung ; Kunstwissenschaft ; Geschichte 1960-1970 ; Warhol, Andy 1928-1987 ; Wesselmann, Tom 1931-2004 ; Lichtenstein, Roy 1923-1997 ; Marisol 1930-2016

URL: Verlagsangaben

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Fernleihwunsch

HU Berlin

FU Berlin

TU Berlin

Staatliche Museen

UdK Berlin

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Memory passages : Holocaust memorials in the United States and Germany (2020)

Goldman, Natasha [Verfasser] 1970-

Philadelphia ; Rome ; Tokyo : Temple University Press

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UID:

b3kat_BV046420050

Umfang: X, 235 Seiten , Illustrationen

ISBN: 9781439914236

Inhalt: For decades, artists and architects have struggled to relate to the Holocaust in visual form, resulting in memorials that feature a diversity of aesthetic strategies. In 'Memory Passages', Natasha Goldman analyzes both previously-overlooked and internationally-recognized Holocaust memorials in the United States and Germany from the postwar period to the present, drawing on many historical documents for the first time. From the perspectives of visual culture and art history, the book examines changing attitudes toward the Holocaust and the artistic choices that respond to it.The book introduces lesser-known sculptures, such as Nathan Rapoport's 'Monument to the Six Million Jewish Martyrs' in Philadelphia, as well as internationally-acclaimed works, such as Peter Eisenman's 'Memorial to the Murdered Jews of Europe' in Berlin. Other artists examined include Will Lammert, Richard Serra, Joel Shapiro, Gerson Fehrenbach, Margit Kahl, and Andy Goldsworthy. Archival documents and interviews with commissioners, survivors, and artists reveal the conversations and decisions that have shaped Holocaust memorials. 'Memory Passages' suggests that memorial designers challenge visitors to navigate and activate spaces to engage with history and memory by virtue of walking or meandering. This book will be valuable for anyone teaching-or seeking to better understand-the Holocaust

Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-1-4399-1425-0

Sprache: Englisch

Fachgebiete: Geschichte , Kunstgeschichte

RVK:

NQ 2360

RVK:

LO 96660

RVK:

LK 81325

Schlagwort(e): USA ; Deutschland ; Judenvernichtung ; Denkmal ; Denkmal für die ermordeten Juden Europas ; Stolpersteine ; United States Holocaust Memorial Museum ; Rapoport, Nathan 1911-1987 ; Hrdlicka, Alfred 1928-2009 ; Kahl, Margrit 1942-2009 ; Lammert, Will 1892-1957 ; Rückriem, Ulrich 1938- ; Shapiro, Joel 1941- ; Kelly, Ellsworth 1923-2015 ; LeWitt, Sol 1928-2007 ; Serra, Richard 1938-2024 Gravity ; Goldsworthy, Andy 1956-

URL: Inhaltsverzeichnis

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031832506&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

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Fernleihwunsch

Stabi Berlin

HU Berlin

Moses Mendelssohn Zentrum

Haus Wannsee-Konferenz

Bundesarchiv

Buch

Pre-modernism : art-world change and American culture from the Civil War to the Armory Show (2005)

Mancini, JoAnne Marie [Verfasser]

Princeton, N.J. : Princeton Univ. Press

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UID:

b3kat_BV022243070

Umfang: 256 S. , Ill. , 26 cm

ISBN: 0691118132 , 9780691118130

Inhalt: Speaking of the emergence of modernism, author Virginia Woolf famously said: "On or about December 1910, human character changed." But was the shift to modernism really so revolutionary? Mancini argues that it was not. She proposes that the origins of the movement can in fact be traced well into the nineteenth century. Several cultural developments after the Civil War gradually set the stage for modernism. New mass art media appeared on the scene, as did a national network of museums and groundbreaking initiatives in art education. These new institutions provided support for future modernists and models for the creators of the avant-garde. Simultaneously, art critics began to embrace abstraction after the Civil War, both for aesthetic reasons and to shore up their own nascent profession. Modernism was thus linked, Mancini argues, to the emergence of cultural hierarchy. A work of impeccable scholarship and unusual breadth, the book challenges some of the basic ideas about both the origins of twentieth-century modernism and the character of Gilded-Age culture. It will appeal not only to art historians but also to scholars in American history and American studies.

Anmerkung: Includes bibliographical references (p. 223-250) and index

Sprache: Englisch

Fachgebiete: Kunstgeschichte

RVK:

LO 94020

RVK:

LO 94030

RVK:

LO 94031

Schlagwort(e): USA ; Kunst ; Geschichte 1850-1900

URL: Publisher description

URL: Table of contents only

URL: Rezension

URL: Inhaltsverzeichnis

URL: Rezension

URL: http://www.loc.gov/catdir/enhancements/fy0654/2004044530-d.html

URL: http://www.loc.gov/catdir/enhancements/fy0654/2004044530-t.html

URL: http://www.loc.gov/catdir/enhancements/fy0734/2004044530-b.html

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Bibliothek	Standort	Signatur	Band/Heft/Jahr	Verfügbarkeit

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Fernleihwunsch

Stabi Berlin

HU Berlin

FU Berlin

UB Potsdam

Staatliche Museen

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From a cause to a style : modernist architecture's encounter with the American city (2007)

Glazer, Nathan [Verfasser] 1923-2019

Princeton, NJ [u.a.] : Princeton Univ. Press

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UID:

b3kat_BV022356764

Umfang: VIII, 300 S.

ISBN: 9780691129570 , 0691129576

Inhalt: "Modernism in architecture and urban design has failed the American city. This is the decisive conclusion that renowned public intellectual Nathan Glazer has drawn from two decades of writing and thinking about what this architectural movement will bequeath to future generations. In From a Cause to a Style, he proclaims his disappointment with modernism and its impact on the American city. Writing in the tradition of legendary American architectural critics Lewis Mumford and Jane Jacobs, Glazer contends that modernism, this new urban form that signaled not just a radical revolution in style but a social ambition to enhance the conditions under which ordinary people lived, has fallen short on all counts. The articles and essays collected here--some never published before, all updated--reflect his ideas on subjects ranging from the livable city and public housing to building design, public memorials, and the uses of public space. Glazer, an undisputed giant among public intellectuals, is perhaps best known for his writings on ethnicity and social policy, where the unflinching honesty and independence of thought that he brought to bear on tough social questions has earned him respect from both the Left and the Right. Here, he challenges us to face some difficult truths about the public places that, for better or worse, define who we are as a society." -- Publisher's description.

Anmerkung: Includes bibliographical references and index

Sprache: Englisch

Fachgebiete: Kunstgeschichte

RVK:

LO 96630

Schlagwort(e): USA ; Stadtplanung ; Aufsatzsammlung ; Aufsatzsammlung

URL: Table of contents only

URL: Publisher description

URL: Inhaltsverzeichnis

URL: Verlagsangaben

URL: Autorenbiografie

URL: Inhaltsverzeichnis

URL: http://www.loc.gov/catdir/enhancements/fy0704/2006028071-d.html

URL: http://www.loc.gov/catdir/enhancements/fy0734/2006028071-b.html

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Buch

Fernleihwunsch

Stabi Berlin

HU Berlin

FU Berlin

TU Berlin

Staatliche Museen

Buch

Architecture or techno-utopia : politics after modernism (2007)

Scott, Felicity Dale Elliston [Verfasser] 1965-

Cambridge, Mass. [u.a.] : MIT Press

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UID:

b3kat_BV023049987

Umfang: X, 347 S. , Ill. , 24 cm

ISBN: 9780262195621 , 0262195623 , 9780262514064

Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke , Includes bibliographical references (p. 283-330) and index , The (second) machine age and after -- A vital bearing on socialism -- Architecture or techno-utopia -- When systems fail -- Designing environment -- Italian design and the new political landscape -- Revolutionaries or dropouts -- Acid visions -- Shouting apocalypse -- Involuntary prisoners of architecture

Sprache: Englisch

Fachgebiete: Kunstgeschichte

RVK:

LO 96600

Schlagwort(e): USA ; Postmoderne ; Architektur ; USA ; Architektur ; Geschichte 1960-2005

URL: http://www.loc.gov/catdir/toc/ecip074/2006036346.html

URL: Inhaltsverzeichnis

Mehr zum Autor: Scott, Felicity Dale Elliston 1965-

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Fernleihwunsch

EUV Frankfurt

TU Berlin

Staatliche Museen

UdK Berlin

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Models of integrity : art and law in post-sixties America (2019)

Kee, Joan [Verfasser]

Oakland, California : University of California Press

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UID:

b3kat_BV045516396

Umfang: x, 310 Seiten , Illustrationen

ISBN: 9780520299382

Inhalt: "Models of Integrity discusses the history of the relationship between contemporary art and the law through the lens of integrity. From the late 1960s, artists engaged conspicuously with ideas, rituals, or documents of the law--an institution subject to intense moral and political scrutiny, yet whose primacy in the social infrastructure made it a widely recognized source of authority to audiences both in and out of the art world. These engagements with law were frequently undertaken in ways that signaled a recuperation of integrity compromised by the very institutions supposedly entrusted with establishing standards of just conduct. Having integrity also meant conveying to audiences the social purpose of an artwork without overstating its political impact or losing sight of how aesthetic decisions might compel audiences to see their everyday world differently"--Provided by publisher

Anmerkung: Partners in advocacy: the artist's reserved rights transfer and sale agreement -- Circling the law : Christo and Jeanne-Claude's running fence -- Claims for defiance : Gordon Matta-Clark's domains -- Radical obedience : Tehching Hsieh's one year performances -- Arts of disengagement : Sally Mann's "immediate family" -- Double embodiments : Felix Gonzalez-Torres's certificates

Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-0-520-97113-4

Sprache: Englisch

Fachgebiete: Kunstgeschichte

RVK:

LO 94030

RVK:

LH 60140

Schlagwort(e): USA ; Integrität ; Politische Kunst ; Ästhetik ; Kunst ; Rechtssystem ; Geschichte 1970-2019

URL: Inhaltsverzeichnis

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Bibliothek	Standort	Signatur	Band/Heft/Jahr	Verfügbarkeit

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Buch

Fernleihwunsch

Stabi Berlin

HU Berlin

FU Berlin

Staatliche Museen

Buch

Strike art : contemporary art and the post-occupy condition (2016)

McKee, Yates [Verfasser] ca. 20. Jh.

London ; New York : Verso

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UID:

b3kat_BV043422270

Umfang: 296 Seiten , Illustrationen

Ausgabe: First published

ISBN: 9781784781880 , 9781784786816

Inhalt: "The collision of activism and contemporary art, from the Seattle protests to Occupy and beyond Activist art experienced a new beginning in the Seattle anti-globalization protests of 1999, reaching a zenith over a decade later with Occupy Wall Street, a movement initiated in part by artist-activists, and structured around creative direct actions and iconic imagery for the social media age. In parts of the mainstream art world, radical ideas were gaining traction over the same period, but remained confined within its institutional apparatus. Art critic Yates McKee recounts these parallel histories and their collisions, highlighting the limitations and complicities of the art world, and reviving the notion of art as an emancipatory practice woven into political struggle, whether around issues of debt, climate justice or police violence. Strike Art!'s claim is that Occupy fundamentally changed the horizon of contemporary art, whether or not the art world knows it yet"...

Anmerkung: Includes bibliographical references , Hier auch später erschienene, unveränderte Nachdrucke

Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-1-78478-189-7

Sprache: Englisch

Fachgebiete: Kunstgeschichte

RVK:

LH 60240

RVK:

LO 94037

Schlagwort(e): USA ; Occupy Wall Street ; Kunst

URL: Inhaltsverzeichnis

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Buch

Fernleihwunsch

HU Berlin

FU Berlin

UdK Berlin

F.-Ebert-Stiftung

Buch

Minimalism (2000)

Meyer, James Sampson [Sonstige] 1962-

London : Phaidon

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UID:

b3kat_BV013172570

Umfang: 304 S. , zahlr. Ill.

Ausgabe: 1. publ.

ISBN: 0714834602

Serie: Themes and movements

Inhalt: The term, Minimalism, was coined to describe the work of a group of American artists who developed a new kind of whole or serial geometric abstraction during the 1960s. This book documents the careers of the leading figures associated with Minimalism--Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt and Robert Morris--as well as the practices of artists who were associated with the movement, among them the sculptors, Larry Bell, Eva Hesse, John McCracken, Robert Smithson and Anne Truitt; and the painters, Jo Baer, Robert Mangold, Brice Marden, Agnes Martin, David Novros, Robert Ryman and Frank Stella.

Sprache: Englisch

Fachgebiete: Kunstgeschichte

RVK:

LH 65827

RVK:

LH 65829

RVK:

LO 94036

Schlagwort(e): USA ; Minimal Art ; Geschichte 1960-1970 ; Kunst ; Geschichte 1960-2000 ; Minimal Art ; Geschichte

Mehr zum Autor: Meyer, James Sampson 1962-

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Fernleihwunsch

HU Berlin

EUV Frankfurt

BTU Cottbus

Staatliche Museen

Buch

The synthetic proposition : conceptualism and the political referent in contemporary art (2017)

Shaked, Nizan [Verfasser]

Manchester : Manchester University Press

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UID:

b3kat_BV044410400

Umfang: xiii, 266 Seiten , Illustrationen , 24 cm

ISBN: 9781784992750 , 9781784992767

Serie: Rethinking art's histories

Inhalt: The synthetic proposition examines the impact of Civil Rights, Black Power, the student, feminist and sexual-liberty movements on conceptualism and its legacies in the United States between the late 1960s and the 1990s. It focuses on the turn to political reference in practices originally concerned with abstract ideas, as articulated by Joseph Kosuth, and traces key strategies in contemporary art to the reciprocal influences of conceptualism and identity politics: movements that have so far been historicised as mutually exclusive. The book demonstrates that while identity-based strategies were particular, their impact spread far beyond the individuals or communities that originated them. It offers a study of Adrian Piper, David Hammons, Renee Green, Mary Kelly, Martha Rosler, Silvia Kolbowski, Daniel Joseph Martinez, Lorna Simpson, Hans Haacke, Andrea Fraser and Charles Gaines. By turning to social issues, these artists analysed the conventions of language, photography, moving image, installation and display

Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-1-5261-2817-1

Sprache: Englisch

Fachgebiete: Kunstgeschichte

RVK:

LO 94030

Schlagwort(e): USA ; Concept-art

URL: Rezension

URL: Inhaltsverzeichnis

URL: Rezension

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Fernleihwunsch

Stabi Berlin

FU Berlin

Staatliche Museen

UdK Berlin

Buch

Remade in America : surrealist art, activism, and politics, 1940-1978 (2021)

Pawlik, Joanna 1979-

Oakland, California : University of California Press

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UID:

b3kat_BV047589976

Umfang: ix, 283 Seiten , Illustrationen , 26 cm

ISBN: 9780520309043 , 0520309049

Inhalt: "It is often assumed that surrealism did not survive beyond the Second World War and that it struggled to take root in America. This book challenges both assumptions, arguing that some of the most innovative responses to surrealism in the postwar years took place not in Europe or the gallery but in the United States, where artistic and activist communities repurposed the movement for their own ends. Far from moribund, surrealism became a form of political protest implicated in broader social and cultural developments, such as the Black Arts movement, the counterculture, the New Left, and the gay liberation movement. From Ted Joans to Marie Wilson, artists mobilized surrealism's defining interests in desire and madness, the everyday and the marginalized, to craft new identities that disrupted gender, sexual, and racial norms. Remade in America ultimately shows that what began as a challenge to church, family, and state in interwar Paris was invoked and rehabilitated to diagnose and to breach inequalities in postwar America"--

Anmerkung: Includes bibliographical references and index , Re-viewing surrealism in Charles Henri Ford's Poem posters (1964-5) -- Encountering surrealism : Nadja (1928) and autobiographical beat writing -- Blackening surrealism : Ted Joans' ethnographic surrealist historiography -- Turning on surrealism : queer psychedelia -- Hystericising surrealism : the marvelous in popular culture

Sprache: Englisch

Fachgebiete: Kunstgeschichte

RVK:

LO 94034

RVK:

LH 60230

RVK:

LO 94033

Schlagwort(e): Surrealismus ; Politische Kunst ; USA ; Surrealismus ; Engagierte Kunst

URL: Inhaltsverzeichnis

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Bibliothek	Standort	Signatur	Band/Heft/Jahr	Verfügbarkeit

Andere fanden auch interessant ...

Buch

Fernleihwunsch

HU Berlin

FU Berlin

Staatliche Museen

UdK Berlin

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