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  • 2015-2019  (228)
  • Musicology  (228)
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  • 1
    UID:
    b3kat_BV045898492
    Format: 1 Online-Ressource (249 Seiten)
    Edition: 1. Auflage 2019
    ISBN: 9783956504815
    Series Statement: Istanbuler Texte und Studien Band 40
    Content: In the 20th and 21st century, the tradition of singer-poets gained popularity in Eastern Turkey and its neighboring countries. Many of these artists were bi- or multilingual and thus representative of the ethnically diverse region of Eastern Anatolia. The connection to oral traditions of the region is evident in the singer-poets’ songs, music and text. This anthology illustrates the variety of singer-poet traditions from an interdisciplinary perspective by discussing, among other topics, the artists’ employment as national symbol, the role of gender, and the different styles that are grown out of this kind of music
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-95650-286-6
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Ostanatolien ; Volksmusik ; Lyrik ; Geschichte 1900-2018 ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Özdemir, Ulaş 1976-
    Author information: Greve, Martin 1961-
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  • 2
    Book
    Book
    Durham ; London : Duke University Press
    UID:
    b3kat_BV045545181
    Format: viii, 288 Seiten , Illustrationen, Portraits
    ISBN: 9781478000464
    Note: Includes bibliographical references and index , Another resonance : Africa and the study of sound , Ululation , How the sea is sounded : remapping indigenous soundings in the Marshallese diaspora , Antenatal aurality in Pacific Afro-Colombian midwifery , Loudness, excess, power : a political liminology of a global city of the South , The spoiled and the salvaged : modulations of auditory value in Bangalore and Bangkok , Remapping the voice through transgender-Hijra performance , Banlieue sounds, or, The right to exist , Sound studies, difference, and global concept history , "Faking it" : moans and groans of loving and living in Govindpuri Slums , Disorienting sounds : a sensory ethnography of Syrian dance music , Afterword: Sonic cartographies
    Language: English
    Subjects: Ethnology , Musicology
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    Keywords: Entwicklungsländer ; Sound Studies ; Technischer Fortschritt ; Sozialer Wandel ; Ethnologie ; Kulturvergleich ; Aufsatzsammlung
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  • 3
    UID:
    gbv_787146749
    Format: 312 S. , Ill., Notenbeisp.
    ISBN: 9783525300701 , 3525300700
    Series Statement: V & R Academic
    Content: How did the way people looked at music affect the interactions among different groups and individuals in the course of the 20th century? This volume presents a number of case examples from various musical genres and thus offers many insights into both general and genre-specific figurations of musical communication. This ranges from direct live acts to political productions, which cause inclusive and exclusive mechanisms to become active in communication processes taking place at various levels. The contributions to this volume show how, and why, opportunities for communication arise during musical activities which can lead to either complete harmony or fierce dissonance. --From publisher's website
    Note: Literaturangaben
    Additional Edition: Erscheint auch als Online-Ausgabe Kommunikation im Musikleben Göttingen, Germany : Vandenhoeck & Ruprecht, 2015 ISBN 9783647300702
    Additional Edition: ISBN 9783525300701
    Additional Edition: ISBN 3525300700
    Language: German
    Subjects: Musicology , Sociology
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    Keywords: Musikleben ; Kommunikation ; Soziologie ; Geschichte 1900-2000 ; Konferenzschrift ; Kongress
    Author information: Rempe, Martin 1979-
    Author information: Osterhammel, Jürgen 1952-
    Author information: Müller, Sven Oliver 1968-
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  • 4
    Book
    Book
    Woodbridge : The Boydell Press
    UID:
    b3kat_BV044997612
    Format: xxv, 506 Seiten , Illustrationen, Notenbeispiele
    ISBN: 9781783272846
    Content: Joseph Joachim (1831-1907), of Jewish-Hungarian descent, was arguably the greatest violinist of the nineteenth century. His performing career in Berlin transformed the aesthetics and interpretation of German music. But Joachim was also a composer of virtuoso pieces, violin concertos, orchestral overtures, and chamber music works, all written between 1847 and 1864 in one intense outpouring of creativity. Katharina Uhde follows Joachim's compositional path through a changing cultural milieu. Joachim's compositions display intimate knowledge of the works of Mendelssohn, Wagner, Liszt, Schumann, and Brahms, yet he was no mere imitator. Joachim's style, classically conceived yet seasoned with a preference for dark, melancholy soundscapes and, in the earlier years, ciphers, virtuosity, and 'psychological' programmaticism, emerges as the product of various personal and socio-cultural currents: his search for national, religious, and cultural identity and a mature compositional style. Joachim's music drew on a wealth of treasures accumulated in his process of 'enculturation', which began with Mendelssohn in Leipzig. Joachim's aesthetic evolved from a deeply subjective approach, not insignificantly inspired by his muse, Gisela von Arnim. Her circle - the von Arnim and Grimm families - became Joachim's cultural and literary haven. But unforeseen events also impacted his output, among them Schumann's death, the ascent of the young Brahms, and the 'War of the Romantics'. Joachim's music throws light onto a vibrant decade, colored by realism, naturalism, new visual technologies, and emerging academic disciplines including psychology. Uhde's book will be the standard work on the music of Joseph Joachim for many years to come. - KATHARINA UHDE is Assistant Professor for Violin and Musicology at Valparaiso University, IN. (Klappentext)
    Note: Introduction: Approaching the Music of Joseph Joachim. - Virtuosity Uncoiled: Two Fantasies Re-discovered. - From Leipzig to Weimar. - Between Uncoiled Virtuosity and Lisztian Temptations. - Finding his Voice: Between Vergangenheitsmusik and Zukunftsmusik. - Joachim Encoded, or, 'Psychological Music'. - 'Psychological Music' Experienced and Remembered: Joachim and the Demetrius Plot in 1854 and 1876. - Resisting the Dark Butterfly. - Joachim and the Art of Variation. - Identities: The Hungarian Concerto and Hebrew Melodies. - Gisela von Arnim and Compositional Memories, or Ciphers in Disguise. - Cultural Objects in a Prussian Society. - Conclusion: an Assessment of Joachim's Style. - Appendix: Joachim Catalogue of Works. - Bibliography
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Joachim, Joseph 1831-1907 ; Violinmusik ; Biografie ; Werkverzeichnis
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  • 5
    UID:
    b3kat_BV046154140
    Format: xviii, 243 Seiten , Illustrationen, Diagramme, Portraits. - Illustrationen, Notenbeispiele
    ISBN: 9780190206833
    Content: In this ground-breaking synthesis of art and science, Diana Deutsch, one of the world's leading experts on the psychology of music, shows how illusions of music and speech-many of which she herself discovered-have fundamentally altered thinking about the brain. These astonishing illusions show that people can differ strikingly in how they hear musical patterns-differences that reflect variations in brain organization as well as influences of language on music perception. Drawing on a wide variety of fields, including psychology, music theory, linguistics, and neuroscience, Deutsch examines questions such as: When an orchestra performs a symphony, what is the "real" music? Is it in the mind of the composer, or the conductor, or different members of the audience? Deutsch also explores extremes of musical ability, and other surprising responses to music and speech. Why is perfect pitch so rare? Why do some people hallucinate music or speech? Why do we hear phantom words and phrases? Why are we subject to stuck tunes, or "earworms"? Why do we hear a spoken phrase as sung just because it is presented repeatedly? In evaluating these questions, she also shows how music and speech are intertwined, and argues that they stem from an early form of communication that had elements of both. Many of the illusions described in the book are so striking and paradoxical that you need to hear them to believe them. The book enables you to listen to the sounds that are described while reading about them.--Book jacket
    Note: Introduction -- Music, speech, and handedness : How being left-handed or right-handed can make a difference -- Some musical illusions are discovered -- The perceptual organization of streams of sound -- Strange loops and circular tones -- The tritone paradox : an influence of speech on how music is perceived -- The mystery of absolute pitch : a rare ability that involves both nature and nurture -- Phantom words : how our knowledge, beliefs and expectations create illusions of speech -- Catchy music and earworms -- Hallucinations of music and speech -- The speech-to-song illusion : crossing the borderline between speech and song -- Speech and music intertwined : clues to their origins -- Conclusion
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Musikwahrnehmung ; Sprache ; Illusion ; Musikpsychologie
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  • 6
    UID:
    b3kat_BV042783753
    Format: 451 S. , Ill., graph. Darst., Kt.
    ISBN: 978-2-503-55437-2
    Series Statement: Studies in the visual cultures of the Middle Ages 9
    Note: Some of the contributions originated in presentations at sessions, seminars or conferences organized by the editors
    Language: English
    Subjects: Musicology
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    Keywords: Kunst ; Musik ; Geschichte 1000-1400 ; Musikalische Ikonographie ; Geschichte 1000-1400 ; Aufsatzsammlung ; Aufsatzsammlung
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  • 7
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    UID:
    b3kat_BV043744399
    Format: xvii, 320 Seiten , Illustrationen
    ISBN: 9781472479624
    Series Statement: Ashgate popular and folk music series
    Content: In this book, native popular musicologists focus on their own popular music cultures from Germany, Austria and Switzerland for the first time: from subcultural to mainstream phenomena; from the 1950s to contemporary acts. Starting with an introduction and two chapters on the histories of German popular music and its study, the volume then concentrates on focused, detailed and yet concise close readings from different perspectives (including particular historical East and West German perspectives), mostly focusing on the music and its protagonists. Moreover, these analyses deal with very original specific genres such as Schlager and Krautrock as well as transcultural genres such as Punk or Hip Hop. There are additional chapters on characteristically German developments within music media, journalism and the music industry. The book will contribute to a better understanding of German, Austrian and Swiss popular music, and will interconnect international and especially Anglo-American studies with German approaches. The book, as a consequence, will show close connections between global and local popular music cultures and diverse traditions of study.
    Content: Michael Ahlers has studied music education, German, and musicology. He worked as an editor and ran a company for music production. His PhD was on human-machine interfaces in music production software. He is Professor of Music Education and Popular Music at the Leuphana University of Luneburg, Germany. His main research is on empirical music pedagogy, creativity and improvisation, as well as popular music studies. Christoph Jacke has studied communication and media, politics, and English. He has worked as a music journalist. He is Professor of Theory, Aesthetics and History of Popular Music, and Director of the BA and MA programme in Popular Music and Media at the Department of Music at the University of Paderborn, Germany. His research focus is on media, culture and communications theory, cultural studies, celebrity studies and popular music studies.
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-315-60020-8
    Language: English
    Subjects: Musicology
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    Keywords: Deutsch ; Unterhaltungsmusik ; Musiksoziologie ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Ahlers, Michael 1973-
    Author information: Jacke, Christoph 1968-
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  • 8
    UID:
    gbv_1831431742
    Format: 1 Online-Ressource (xvi, 290 pages) , illustrations, maps, music
    Edition: Second edition
    ISBN: 9781474229104 , 9781474229098 , 9781474229081
    Content: "This landmark collection explores the origins and foundations of music education in Europe, The Americas, Africa and Asia-Pacific, and the Middle East, and considers the inclusion of music as part of the compulsory school curriculum in the context of the historical, social and political landscape. Within each chapter, the contributors explore the following key areas: the aims, objectives and content of the music curriculum; teaching methods; the provision and training of teachers of music; the experiences of pupils. This fully revised second edition includes new chapters on Brazil, Israel, Kosovo, Lithuania, and Turkey, along with questions to encourage reflection and discussion. A concluding chapter has been added to encourage readers to consider the evolution of music education globally"--Back cover
    Note: Includes bibliographical references (pages 278-279) and index , Britain: opportunities and threats equally balanced / Gordon Cox -- France: an uncertain and unequal combat / Franðcois Madurell -- Germany: educational goals, curricular structure, political principles / Wilfried Gruhn -- Ireland: curriculum development in troubled times / Marie McCarthy -- Kosovo: a struggle for freedom and national identity / Besa Luzha -- Lithuania: the continuous assertion of national identity / Rèuta Girdzijauskien and Emilija Sakadolskis -- Norway: educational progress or stasis on the outskirts of Europe? / Fred Ola Bj²rnstad and Magne Espeland -- Spain: a journey from a nominal towards a universally implemented curriculum / Gabriel Rusinek and Susana Sarfson -- Canada: diverse developments across the decades / Nancy F. Vogan -- United States of America: reflections on the development and effectiveness of compulsory music education / Jere T. Humphreys -- Argentina: from 'mâusica vocal' to 'educaciâon artâistica: mâusica' / Ana Lucâia Frega with Alicia de Couve and Claudia Dal Pino -- Brazil: towards the consolidation of music as a mandatory curriculum subject / Jusamara Souza -- Cuba: music education and revolution / Lisa M. Lorenzino -- Israel: from visions of nationhood to realization through music / Lia Laor -- Turkey: historical and political influences on music education / Dilek Gèoktèurk Cary -- Australia: recurring problems and unresolved issues / Robin Stevens and Jane Southcott -- China: a socio-political perspective on the introduction and development of school music / Wai-Chung Ho -- South Africa: indigenous roots, cultural imposition and an emerging national identity / Robin Stevens and Eric Akrofi.
    Additional Edition: Erscheint auch als Druck-Ausgabe The origins and foundations of music education London : Continuum, 2010 ISBN 9781847062079
    Additional Edition: ISBN 1847062075
    Language: English
    Subjects: Musicology
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    Keywords: Musikerziehung ; Geschichte
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  • 9
    Book
    Book
    Stanford, California : Stanford University Press
    UID:
    b3kat_BV044276187
    Format: xii, 130 Seiten , 1 Illustration
    ISBN: 9780804799881 , 9781503601451
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-5036-0148-2
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Stimme ; Klang ; Lautwahrnehmung ; Philosophie
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  • 10
    UID:
    b3kat_BV046338186
    Format: 1 Partitur (XXXVI, 141 Seiten) , Faksimiles
    ISMN: 9790080200179
    Uniform Title: Sardanapal
    Note: Werverzeichnisnummern: R 670, SW/SH 687, NG2 Q13 , Sardanapalo, Atto primo : Fragment R670, SW/SH 687, NG2 Q13 , Vorwort englisch, deutsch und ungarisch. - Kritischer Bericht englisch. - Libretto italienisch mit englischer, deutscher und ungarischer Übersetzung
    In: 9,2
    Language: Undetermined
    Subjects: Musicology
    RVK:
    Author information: Trippett, David 1980-
    Author information: Beghelli, Marco 1962-
    Author information: Liszt, Franz 1811-1886
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