Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
  • Philosophy  (2)
  • 1
    Book
    Book
    Chinese university of Hong Kong press | Centre for studies of Daoist culture the chinese university of Hong Kong | Honolulu : University of Hawaiʻi Press
    UID:
    b3kat_BV047583485
    Format: x, 416 Seiten , Illustrationen, Karten , 24 cm
    ISBN: 9780824889029 , 9789882372023 , 9882372023 , 0824889029
    Series Statement: New Daoist studies
    Content: "The origins of modern Daoism can be traced to the Church of the Heavenly Master, reputedly established by the formidable Zhang Daoling. In 142 CE, according to Daoist tradition, Zhang was visited by the Lord on High, who named him his vicar on Earth with the title Heavenly Master. The dispensation articulated an eschatological vision of saving initiates-the pure, those destined to become immortals-by enforcing a strict moral code. Under evolving forms, it has remained central to Chinese society, and Daoist priests have upheld their spiritual allegiance to Zhang, their now divinized founder. This book tells the story of the longue evolution of the Heavenly Master leadership and institution.
    Content: Later hagiography credits Zhang Daoling's great-grandson, putatively the fourth Heavenly Master, with settling the family at Dragon and Tiger Mountain; in time his descendants-down to the present contested sixty-fifth Heavenly Master living in Taiwan-made the extraordinary claim of being able to transmit hereditarily the function of the Heavenly Master and the power to grant salvation. Over the next twelve centuries, the Zhangs turned Longhushan into a major holy site and a household name in the Chinese world, and constructed a large administrative center for the bureaucratic management of Chinese society. They gradually built the Heavenly Master institution, which included a sacred site; a patriarchal line of successive Heavenly Masters wielding vast monopolistic powers to ordain humans and gods; a Zhang lineage that nurtured talent and accumulated wealth; and a bureaucratic apparatus comprised of temples, training centers, and a clerical hierarchy.
    Content: So well-designed was this institution that it remained stable for more than a millennium, far outlasting the longest dynasties, and had ramifications for every city and village in imperial China. In this ambitious work, Vincent Goossaert traces the Heavenly Master bureaucracy from medieval times to the modern Chinese nation-state as well as its expansion. His in-depth portraits of influential Heavenly Masters are skillfully embedded in a large-scale analysis of the institution and its rules, ideology, and vision of society"--
    Note: 2111 , Inventing the Founding Ancestor: The Lives of Zhang Daoling -- The Rise of Longhushan -- The Heavenly Masters in the History of Daoist Ordinations -- New Rituals and the Longhushan Synthesis of Modern Daoism -- The Mature Institution: Longhushan during the Song-Yuan Period -- The Most Powerful Heavenly Master Ever?: The Lives of Zhang Yuchu -- The Institution under the Ming and the Qing -- The Heavenly Masters and Late Imperial Chinese Society -- The Predicaments of Modernity: The Heavenly Masters since the 1850s
    Language: English
    Subjects: Theology , Philosophy
    RVK:
    RVK:
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Book
    Book
    Berkeley, Calif. [u.a.] : Univ. of California Press
    UID:
    b3kat_BV035667230
    Format: X, 355 S.
    ISBN: 9780520245051
    Series Statement: Studies of the Weatherhead East Asian Institute, Columbia University
    Content: In this wide-ranging study of Japanese cultural expression, Alan Tansman reveals how a particular, often seemingly innocent aesthetic sensibility, present in novels, essays, popular songs, film, and political writings, helped create an "aesthetic of fascism" in the years leading up to World War II. Evoking beautiful moments of violence, both real and imagined, these works did not lead to fascism in any instrumental sense. Yet, Tansman suggests, they expressed and inspired spiritual longings quenchable only through acts in the real world. Tansman traces this lineage of aesthetic fascism from its beginnings in the 1920s through its flowering in the 1930s to its afterlife in postwar Japan.
    Note: Includes bibliographical references and index
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , Philosophy , Sociology
    RVK:
    RVK:
    RVK:
    Keywords: Japan ; Kultur ; Faschismus ; Geschichte 1920-1940 ; Japan ; Literatur ; Gewaltdarstellung ; Geschichte 1920-1940
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Did you mean spiritual sings?
Did you mean spirituals songs?
Did you mean spiritual sangs?
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages