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  • 1
    UID:
    gbv_1619706512
    Format: X, 252 Seiten
    Edition: First published
    ISBN: 9781474234535
    Series Statement: Drama & performance studies
    Content: "In the shadow of the Holocaust, Samuel Beckett captures humanity in ruins through his debased beings and a decomposing mode of writing that strives to 'fail better'. But what might it mean to be a 'creature' or 'creaturely' in Beckett's world? In the first full-length study of the concept of the creature in Beckett's prose and drama, this book traces the suspended lives and melancholic existences of Beckett's ignorant and impotent creatures to assess the extent to which political value marks the divide between human and inhuman. Through close readings of Beckett's prose and drama, particularly texts from the middle period, including Molloy, Malone Dies, The Unnamable, Waiting for Godot and Endgame, Anderton explicates four arenas of creaturely life in Beckett. Each chapter attends to a particular theme, testimony, power, humour and survival to analyse a range of pressures and impositions that precipitate the creaturely state of suspension. Drawing on the writings of Adorno, Agamben, Benjamin, Deleuze and Derrida to explore the overlaps between artistic and political structures of creation, the creature emerges as an in-between figure that bespeaks the provisional nature of the human. The result is a provocative examination of the indirect relationship between art and history through Beckett's treatment of testimony, power, humour and survival, which each attest to the destabilisation of meaning after Auschwitz"--
    Content: Machine generated contents note: -- Introduction -- What is a Beckettian Creature? -- Last Human and Becoming-Animal -- Concepts of the Creature and Creaturely Life -- Beckett After 1945 -- Testimony: Bearing Witness to the Event and Self. 'Impossibility of Expressing': Art of Failure and Lacuna of Testimony -- Fallibility and Dissociation -- (In)sovereign Author-Narrators -- Obligation to Testify: Mechanics, Enunciation, Ruins -- Testimony of Fiction -- Power: Master-Servant Relationships. Exercising Writing: Fascist Regime Against Liberal Art -- Watt the Fungible and Knott There: Objectified Servant and Absent Master -- 'A vague supplication': Melancholy in Waiting for Godot -- Master-Servant Context: The Holocaust and the Jewish Creature -- Biopolitical Struggles: Territory and Custody -- Humour: Failure and Degradation. Humour in Failure -- Textual Performances -- Words and Flesh in Endgame -- Metanarrative Tragicomedy -- 'turd waiting for the flush': Gallows Humour -- Survival: Incompleteness and Continuation. 'oh all to end': Beckettian Stirrings Still -- Creaturely 'Undeadness' -- Repetition and Performance -- Forms of Activity and Stasis in Molloy -- 'finish dying': Death Without Death in Molloy -- Epilogue
    Note: Includes bibliographical references and index , Machine generated contents note:Introduction -- What is a Beckettian Creature? -- Last Human and Becoming-Animal -- Concepts of the Creature and Creaturely Life -- Beckett After 1945 -- Testimony: Bearing Witness to the Event and Self. 'Impossibility of Expressing': Art of Failure and Lacuna of Testimony -- Fallibility and Dissociation -- (In)sovereign Author-Narrators -- Obligation to Testify: Mechanics, Enunciation, Ruins -- Testimony of Fiction -- Power: Master-Servant Relationships. Exercising Writing: Fascist Regime Against Liberal Art -- Watt the Fungible and Knott There: Objectified Servant and Absent Master -- 'A vague supplication': Melancholy in Waiting for Godot -- Master-Servant Context: The Holocaust and the Jewish Creature -- Biopolitical Struggles: Territory and Custody -- Humour: Failure and Degradation. Humour in Failure -- Textual Performances -- Words and Flesh in Endgame -- Metanarrative Tragicomedy -- 'turd waiting for the flush': Gallows Humour -- Survival: Incompleteness and Continuation. 'oh all to end': Beckettian Stirrings Still -- Creaturely 'Undeadness' -- Repetition and Performance -- Forms of Activity and Stasis in Molloy -- 'finish dying': Death Without Death in Molloy -- Epilogue.
    Additional Edition: Erscheint auch als Online-Ausgabe Anderton, Joseph Beckett's creatures$aart of failure after the Holocaust London : Bloomsbury Methuen Drama, an imprint of Bloomsbury Publishing, 2016 ISBN 9781474234559
    Language: English
    Subjects: Romance Studies , English Studies
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    Keywords: Beckett, Samuel 1906-1989 ; Verhalten ; Nachkriegszeit
    URL: Cover
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  • 2
    UID:
    gbv_183192966
    Format: XVI, 293 S , Ill , 22 cm
    ISBN: 0198157126
    Note: Crow, J. Reflections on George Dandin.--Garapon, R. Sur l'occupation de la scène dans les comédies de Molière.--Guicharnaud, J. Les trois niveaux critiques des Amants magnifiques.--Hall, H. G. Molière's comic images.--Potts, D. C. Don Juan and "non-Aristotelian drama".--Thomas, M. Philinte and Éliante.--Wilson, J. C. Expansion and brevity in Molière's style.--Fluchère, H. Ploutos, Éros, Molière et les vieillards.--Davis, M. G. Masters and servants in the plays of Molière.--Hubert, J. D. Les missions burlesques de Mercure.--Lawrenson, T. The wearing o' the Green: yet another look at "l'homme aux rubans verts".--Mourgues, O. de. Le bourgeois gentilhomme as a criticism of civilization.--Scherer, J. Dualités d' Amphitryon.--Barber, W. H. Voltaire and Molière.--Barnes, A. Péguy et Molière.--Chevalley, S. L'impromptu de Versailles, 1673-1971.--Fargher, R. Pascal, Molière, and after.--Howarth, W. D. Anouilh and Molière.--Seznec, J. Le Molière de Monsieur Ingres
    Language: English
    Subjects: Romance Studies
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    Keywords: Molière 1622-1673 ; Festschrift ; Aufsatzsammlung
    Author information: Molière 1622-1673
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  • 3
    Online Resource
    Online Resource
    Budapest ; New York : CEU Press, Central European University Press
    UID:
    b3kat_BV047506148
    Format: 1 Online-Ressource (xx, 217 Seiten)
    ISBN: 9789633861189
    Note: Foreword: The ghosts of history redux: intertextuality, rewriting, adaptation / by Jozefina Komporaly -- Introduction: The Russian and French masters. The political ghosts and ideological phantasms of Nic Ularu's The cherry orchard, a sequel -- Adapting Molière and Jules Verne to Soviet censorship: Mikhail Bulgakov's A cabal of hypocrites and The crimson island -- György Spiró's The impostor: rethinking Molière's Tartuffe for communist Hungary -- Shakespeare in Central and Eastern Europe. Stalinist "traitors" and "saboteurs": Matéï Vișniec's Richard III will not take place or scenes from the life of Meyerhold -- Staging Hamlet as political no exit in Géza Bereményi's Halmi -- Nedyalko Yordanov's The murder of Gonzago: reading Bulgaria's communist political culture through Shakespeare's Hamlet -- Inserting god into politics. Specters of state power, history, and politics of the stage: Vlad Zografi's Peter or the sun spots -- Inserting god into the communist personality cult: Stefan Tsanev's The other death of Joan of Arc -- Conclusion
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-963-386-116-5
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , Romance Studies , Slavic Studies , General works
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    Keywords: Molière 1622-1673 ; Shakespeare, William 1564-1616 ; Osteuropa ; Drama ; Kommunismus ; Postkommunismus ; Politik ; Geschichte
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  • 4
    Book
    Book
    Budapest ; New York : Central European University Press
    UID:
    b3kat_BV043842035
    Format: XX, 217 Seiten
    ISBN: 978-963-386-116-5
    Note: Literaturverzeichnis Seite 203-209 ; Index , Foreword: The ghosts of history redux: intertextuality, rewriting, adaptation / by Jozefina Komporaly -- Introduction: The Russian and French masters. The political ghosts and ideological phantasms of Nic Ularu's The cherry orchard, a sequel -- Adapting Molière and Jules Verne to Soviet censorship: Mikhail Bulgakov's A cabal of hypocrites and The crimson island -- György Spiró's The impostor: rethinking Molière's Tartuffe for communist Hungary -- Shakespeare in Central and Eastern Europe. Stalinist "traitors" and "saboteurs": Matéï Vișniec's Richard III will not take place or scenes from the life of Meyerhold -- Staging Hamlet as political no exit in Géza Bereményi's Halmi -- Nedyalko Yordanov's The murder of Gonzago: reading Bulgaria's communist political culture through Shakespeare's Hamlet -- Inserting god into politics. Specters of state power, history, and politics of the stage: Vlad Zografi's Peter or the sun spots -- Inserting god into the communist personality cult: Stefan Tsanev's The other death of Joan of Arc -- Conclusion , Text englisch
    Language: English
    Subjects: Comparative Studies. Non-European Languages/Literatures , Romance Studies , Slavic Studies
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    Keywords: Molière 1622-1673 ; Shakespeare, William 1564-1616 ; Osteuropa ; Drama ; Kommunismus ; Postkommunismus ; Politik ; Geschichte
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  • 5
    UID:
    b3kat_BV022872055
    Format: 2 DVDs, ca. 106 Min., s/w , Beih. (24 S.) , 12 cm
    Edition: Special ed., new high-definition digital transfer, 1. print.
    ISBN: 0780026926
    Series Statement: The Criterion Collection 216
    Uniform Title: La règle du jeu
    Content: Includes a pamphlet in pocket: 24 pages featuring writings by Jean Renoir, Francois Truffaut, Henri Cartier-Bresson, Bertrand Tavernier, and an essay by Alexander Sesonske
    Content: A comedy drama set on the eve of World War II. It contrasts the affairs of the French aristocracy and the working class at a weekend house party. Masters and their servants are involved in an immoral erotic charade that builds to a shattering climax
    Note: Orig.: F 1939. - Sprache: Franz. - Untertitel: Engl. - Enth. Bonusmaterial
    Language: French
    Subjects: Romance Studies
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    Author information: Gregor, Nora 1901-1949
    Author information: Renoir, Jean 1894-1979
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  • 6
    Book
    Book
    Columbia, SC : Univ. of South Carolina Press
    UID:
    b3kat_BV011308731
    Format: VII, 90 S.
    ISBN: 1570031223
    Content: "In a charming collection of elegant essays, one of the twentieth century's leading men of letters turns his vast knowledge and worldly authority to the texts of two seventeenth-century French dramatists. Louis Auchincloss considers sixteen plays by Pierre Corneille (1606-84) and his younger theatrical rival, Jean Racine (1639-99). Musing on the ideas that informed the court of the Sun King and on what classical allusions meant to them, Auchincloss offers thoughtful readings, new translations, and a wealth of shrewd observations about French classic tragedy, passion, self-sacrifice, self-aggrandizement, and civic and military glory." "Auchincloss lets the grand voices of Corneille's and Racine's heroes and heroines speak, while calling attention to details and discoveries that illumine aspects of both seventeenth-century and twentieth-century culture. He specifically considers the theme of gloire - the lofty destiny or mission that the hero (and more rarely the heroine) has set for himself and for which he would willingly sacrifice the most passionate romance, closest friendship, or dearest family ties. While gloire is more commonly associated with Corneille than with Racine, Auchincloss demonstrates that these French masters were capable of swapping predilections when it came to the Roman plays."--BOOK JACKET.
    Language: English
    Subjects: Romance Studies
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    Keywords: Französisch ; Drama ; Römisches Reich ; Geschichte 1600-1700 ; Corneille, Pierre 1606-1684 ; Römerdrama ; Racine, Jean 1639-1699 ; Römerdrama ; Aufsatzsammlung
    Author information: Auchincloss, Louis 1917-2010
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  • 7
    UID:
    gbv_1697913598
    Format: Online-Ressource
    ISBN: 9781315612720 , 9781317044161 , 9781317044178
    Content: Dante's Vita Nuova and Petrarchismo: a critical review of contemporary scholarship / Marco Andreacchio -- Boccaccio's Decameron and theatricality / Janet Levarie Smarr -- Commedia erudita: birth and transfiguration / Louise George Clubb -- Machiavelli's comedies of "virtù" / Duncan Salkeld -- Senecan tragedy in the English Renaissance / Mario Domenichelli -- Masters of civility: Castiglione's Courtier, Della Casa's Galateo, and Guazzo's civil conversation in early modern England / Cathy L. Shrank -- "Did Ariosto write it?": the Orlando Furioso in Elizabethan poetry / Selene Scarsi -- The Italian comici and commedia dell'arte / Richard Andrews -- Giordano Bruno in England: from London to Rome / Gilberto Sacerdoti -- Italian pastoral tragicomedy and English early modern drama / Robert Henke -- The pastoral poem and novel / Jane Tylus -- "Oh that we had such an English Tasso": Tasso in English poetry and drama to 1700 / Jason Lawrence -- Petrarch in England / John Roe -- The novella and the art of story-telling in the Anglo-Italian Renaissance / Melissa Walter -- Shakespeare and the arts of painting and music / Duncan Salkeld -- "Absolute Castilio" the reputation and reception of Castiglione's Book of the Courtier in Elizabethan England / Mary Partridge -- Machiavelli's principe and the new ethics of power / Alessandra Petrina -- "Boying their greatness": transnational effects of the Italian divas on the Shakespearean stage / Rosalind Kerr -- Commedia dell'arte in early modern English drama / Eric Nicholson -- The scholarship of Italian and English Renaissance festivals / J. R. Mulryne -- John Florio and the circulation of Italian culture / Michael Wyatt -- Heretics, translators, intelligencers: Italian reformers in Tudor England / Diego Pirillo -- Italy, printing industry, and the cultural market in Elizabethan england / Mario Domenichelli -- Anglo-Venetian networks: Paolo Sarpi in early modern England / Chiara Petrolini and Diego Pirillo.
    Note: Literaturverzeichnis: Seite 455 - 500
    Additional Edition: ISBN 9781317044154
    Additional Edition: ISBN 9781472410733
    Additional Edition: Erscheint auch als Druck-Ausgabe The Routledge research companion to Anglo-Italian Renaissance literature and culture London : Routledge, Taylor & Francis Group, 2019 ISBN 9781472410733
    Language: English
    Subjects: Romance Studies
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    Keywords: Englisch ; Italienisch ; Literatur ; Kultur ; Renaissance ; Geschichte 1500-1799 ; Aufsatzsammlung
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