Your search history is empty.
feed icon rss

Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
Type of Medium
Language
Region
Library
Years
Person/Organisation
Subjects(RVK)
Access
  • 1
    Book
    Book
    New York :Dodd, Mead,
    UID:
    almahu_BV007115555
    Format: XXI, 440 S. : , Ill.
    Language: English
    Subjects: German Studies
    RVK:
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    Suffolk :Boydell & Brewer,
    UID:
    almahu_9947413796402882
    Format: 1 online resource (186 pages) : , digital, PDF file(s).
    ISBN: 9781571136091 (ebook)
    Content: In what is still the standard survey of German historical drama, 'Das deutsche Geschichtsdrama' (1952), Friedrich Sengle understands "historical drama" as that in which objective history is blended with an 'idea' that is the basis of its dramatic coherence and force. This idea inevitably becomes the engine of a dramatic action, inclining the theatergoer to become wholly engaged with dramatic characters in a dramatic present, rather than with 'real' figures in a historical past. Such plays (for instance Schiller's 'Maria Stuart') may remain broadly 'true to history,' but the 'experience' they afford is often not historical; that is, it may be emotionally and intellectually compelling, but it will not be historical in the sense of causing us, in our present, to become engaged with our relationship with past figures and events and their continued relevance for us. Alan Menhennet identifies and analyzes examples of German drama that are historical in the stricter sense: not only in terms of the provenance of the material, but also in that, while remaining dramatic in nature, they do convey a historical experience. By means of a critical survey extending from the seventeenth century to the twentieth, in the contexts of literary history, the philosophy of history, and German history from the Thirty Years' War to the Second World War, Menhennet provides a complement to Sengle's still-valuable study. Major figures treated include Gryphius, Lessing, Schiller, Goethe, Grillparzer, Hebbel, Schnitzler, and Brecht. There is no competing work in English. Alan Menhennet is Professor Emeritus of German at the University of Newcastle, Newcastle-upon-Tyne, UK. He is author of 'Grimmelshausen the Storyteller' (Camden House, 1997).
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015). , Historical Drama of the German Baroque: Andreas Gryphius -- , Age of Enlightenment: Aufklarung -- , Weimar Classicism: Friedrich Schiller -- , Herder, Goethe and the Romantic Tendency: Gotz von Berlichingen -- , Emergence of Austria: Franz Grillparzer -- , "Non-Austrian" Historical Drama: C. F. Hebbel -- , Modern Age: Schnitzler and Brecht.
    Additional Edition: Print version: ISBN 9781571132550
    Language: English
    Subjects: German Studies
    RVK:
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Online Resource
    Online Resource
    Rochester, NY :Camden House,
    UID:
    edocfu_9960117023202883
    Format: 1 online resource (186 pages) : , digital, PDF file(s).
    ISBN: 1-57113-609-6
    Series Statement: Studies in German literature, linguistics, and culture
    Content: In what is still the standard survey of German historical drama, 'Das deutsche Geschichtsdrama' (1952), Friedrich Sengle understands "historical drama" as that in which objective history is blended with an 'idea' that is the basis of its dramatic coherence and force. This idea inevitably becomes the engine of a dramatic action, inclining the theatergoer to become wholly engaged with dramatic characters in a dramatic present, rather than with 'real' figures in a historical past. Such plays (for instance Schiller's 'Maria Stuart') may remain broadly 'true to history,' but the 'experience' they afford is often not historical; that is, it may be emotionally and intellectually compelling, but it will not be historical in the sense of causing us, in our present, to become engaged with our relationship with past figures and events and their continued relevance for us. Alan Menhennet identifies and analyzes examples of German drama that are historical in the stricter sense: not only in terms of the provenance of the material, but also in that, while remaining dramatic in nature, they do convey a historical experience. By means of a critical survey extending from the seventeenth century to the twentieth, in the contexts of literary history, the philosophy of history, and German history from the Thirty Years' War to the Second World War, Menhennet provides a complement to Sengle's still-valuable study. Major figures treated include Gryphius, Lessing, Schiller, Goethe, Grillparzer, Hebbel, Schnitzler, and Brecht. There is no competing work in English. Alan Menhennet is Professor Emeritus of German at the University of Newcastle, Newcastle-upon-Tyne, UK. He is author of 'Grimmelshausen the Storyteller' (Camden House, 1997).
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015). , Historical Drama of the German Baroque: Andreas Gryphius -- , Age of Enlightenment: Aufklarung -- , Weimar Classicism: Friedrich Schiller -- , Herder, Goethe and the Romantic Tendency: Gotz von Berlichingen -- , Emergence of Austria: Franz Grillparzer -- , "Non-Austrian" Historical Drama: C. F. Hebbel -- , Modern Age: Schnitzler and Brecht. , English
    Additional Edition: ISBN 1-57113-255-4
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages