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  • 1
    UID:
    (DE-602)kobvindex_ZMS08174538
    Format: 1 Online-Ressource (50 Seiten) , Textdatei , 1,23 MB
    Edition: Revised and updated english version of the german original
    Series Statement: Working paper 2019, 3
    Content: This Working Paper argues that conflicts in refugee shelters in Germany can largely be attributed to structural causes. These include the asylum regime, the interplay between the physical layout and social relationships within refugee shelters, and the specific properties of the refugee accommodation system, which can be regarded as a “total institution”. Further, there are other causes of conflict, which can be located at the personal level. On the basis of a qualitative survey, we worked with more than 200 participants in 33 refugee shelters operated at state and municipal level across the federal state (Land) of North Rhine-Westphalia (NRW). Based on the data collected, we analyse five types of conflict: Conflicts at the individual level, group conflicts, aggressive behaviour and criminality, domestic and sexual violence and conflicts between residents and staff as well as conflict between institutions. The hypothesis that reported cases of conflict represent more than a mere collection of isolated cases was confirmed. Instead, conflict can usually be ascribed to certain interrelated root causes. Participants themselves were often unaware of the processes at work here. We therefore recommend a comprehensive approach to conflict prevention that takes both structural and personal causes of conflict into account. In this manner, the shelter situation could be improved significantly for refugees and staff. (AUT)
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    (DE-101)1190246589
    Format: Online-Ressource, 49 S.
    Series Statement: BICC Working Paper Bd. 3/2019
    Content: Abstract: This Working Paper argues that conflicts in refugee shelters in Germany can largely be attributed to structural causes. These include the asylum regime, the interplay between the physical layout and social relationships within refugee shelters, and the specific properties of the refugee accommodation system, which can be regarded as a “total institution”. Further, there are other causes of conflict, which can be located at the personal level. On the basis of a qualitative survey, we worked with more than 200 participants in 33 refugee shelters operated at state and municipal level across the federal state (Land) of North Rhine-Westphalia (NRW). Based on the data collected, we analyse five types of conflict: Conflicts at the individual level, group conflicts, aggressive behaviour and criminality, domestic and sexual violence and conflicts between residents and staff as well as conflict between institutions. The hypothesis that reported cases of conflict represent more than a mere co
    Note: Veröffentlichungsversion , begutachtet
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    (DE-603)451578309
    Format: Online-Ressource, 49 S.
    Series Statement: BICC Working Paper Bd. 3/2019
    Content: Abstract: This Working Paper argues that conflicts in refugee shelters in Germany can largely be attributed to structural causes. These include the asylum regime, the interplay between the physical layout and social relationships within refugee shelters, and the specific properties of the refugee accommodation system, which can be regarded as a “total institution”. Further, there are other causes of conflict, which can be located at the personal level. On the basis of a qualitative survey, we worked with more than 200 participants in 33 refugee shelters operated at state and municipal level across the federal state (Land) of North Rhine-Westphalia (NRW). Based on the data collected, we analyse five types of conflict: Conflicts at the individual level, group conflicts, aggressive behaviour and criminality, domestic and sexual violence and conflicts between residents and staff as well as conflict between institutions. The hypothesis that reported cases of conflict represent more than a mere co
    Note: Veröffentlichungsversion , begutachtet
    Language: English
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  • 4
    UID:
    (DE-627)1666296457
    Format: 1 Online-Ressource (49 Seiten) , Diagramme
    Edition: Revised and updated English version of the German original
    Series Statement: Working paper / Bonn International Center for Conversion 3/2019
    Uniform Title: "All day waiting"$dKonflikte in Unterkünften für Geflüchtete in NRW
    Content: This Working Paper argues that conflicts in refugee shelters in Germany can largely be attributed to structural causes. These include the asylum regime, the interplay between the physical layout and social relationships within refugee shelters, and the specific properties of the refugee accommodation system, which can be regarded as a “total institution”. Further, there are other causes of conflict, which can be located at the personal level. On the basis of a qualitative survey, we worked with more than 200 participants in 33 refugee shelters operated at state and municipal level across the federal state (Land) of North Rhine-Westphalia (NRW). Based on the data collected, we analyse five types of conflict: Conflicts at the individual level, group conflicts, aggressive behaviour and criminality, domestic and sexual violence and conflicts between residents and staff as well as conflict between institutions. The hypothesis that reported cases of conflict represent more than a mere collection of isolated cases was confirmed. Instead, conflict can usually be ascribed to certain interrelated root causes. Participants themselves were often unaware of the processes at work here. We therefore recommend a comprehensive approach to conflict prevention that takes both structural and personal causes of conflict into account. In this manner, the shelter situation could be improved significantly for refugees and staff.
    Note: Gesehen am 27.08.2019 , Bibliographie Seite 42-47
    Additional Edition: Übersetzung von Christ, Simone, 1982 - "All day waiting"
    Language: English
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 5
    Online Resource
    Online Resource
    New Day Films, | [San Francisco, California, USA] :Kanopy Streaming,
    UID:
    (DE-602)edocfu_9958912699502883
    Format: 1 online resource (streaming video file) (144 minutes): , digital, .flv file, sound , 022350
    Content: In I Learn America, five resilient immigrant teenagers come together at the International High School at Lafayette and struggle to learn their new land.. The International High School is a New York City public school dedicated to serving newly arrived immigrant teenagers, with more than 300 students speaking two-dozen languages from 50 countries.. Meet the students:. SING is a refugee from Myanmar who has recently relocated to Brooklyn, leaving his family behind. He is isolated, angry and barely speaks English. Will he accept the help of his English teacher?. BRANDON made the journey from Guatemala to America to reunite with his mother after ten years apart. Crossing the desert and making the perilous journey was easy compared to getting to know his mom again. Will he be able to meet her expectations to do well in America?. SANDRA (17, Poland) is a tomboy, a class leader and she’s also undocumented. She and JENNIFFER, a sassy classmate from the Dominican Republic, are inseparable best friends – “like a flower with water.” Sandra has grown confident in identifying as a girl who dresses as a boy, but as she faces graduation, she fears that being undocumented means she will lose all they have been able to gain once they leave the security of the school.. ITRAT came to America from Pakistan to join her father, a traditional Shia Muslim. She barely knew him after the passing of her mother. What kind of future is waiting for her in America? Will she return to Pakistan to marry or will she go to college and build her independence?. Over a school year, amidst the complexity and diversity of American life in and out of school, through Itrat, Sandra, jenniffer, Brandon and Sing, we “learn America.”.
    Note: In Process Record. , Title from title frames. , Playlist , Originally produced by New Day Films in 2013. , Mode of access: World Wide Web. , In English
    Language: English
    Keywords: North American Studies ; Documentary films
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Online Resource
    Online Resource
    New Day Films, | [San Francisco, California, USA] :Kanopy Streaming,
    UID:
    (DE-602)almahu_9949609611902882
    Format: 1 online resource (streaming video file) (144 minutes): , digital, .flv file, sound , 022350
    Content: In I Learn America, five resilient immigrant teenagers come together at the International High School at Lafayette and struggle to learn their new land.. The International High School is a New York City public school dedicated to serving newly arrived immigrant teenagers, with more than 300 students speaking two-dozen languages from 50 countries.. Meet the students:. SING is a refugee from Myanmar who has recently relocated to Brooklyn, leaving his family behind. He is isolated, angry and barely speaks English. Will he accept the help of his English teacher?. BRANDON made the journey from Guatemala to America to reunite with his mother after ten years apart. Crossing the desert and making the perilous journey was easy compared to getting to know his mom again. Will he be able to meet her expectations to do well in America?. SANDRA (17, Poland) is a tomboy, a class leader and she's also undocumented. She and JENNIFFER, a sassy classmate from the Dominican Republic, are inseparable best friends - "like a flower with water." Sandra has grown confident in identifying as a girl who dresses as a boy, but as she faces graduation, she fears that being undocumented means she will lose all they have been able to gain once they leave the security of the school.. ITRAT came to America from Pakistan to join her father, a traditional Shia Muslim. She barely knew him after the passing of her mother. What kind of future is waiting for her in America? Will she return to Pakistan to marry or will she go to college and build her independence?. Over a school year, amidst the complexity and diversity of American life in and out of school, through Itrat, Sandra, jenniffer, Brandon and Sing, we "learn America.".
    Note: In Process Record. , Title from title frames. , Playlist , Originally produced by New Day Films in 2013. , Mode of access: World Wide Web.
    Language: English
    Keywords: North American Studies ; Documentary films
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : New Day Films | [San Francisco, California, USA] : Kanopy Streaming
    UID:
    (DE-627)1692091050
    Format: 1 Online-Ressource (streaming video file) (144 minutes) , digital, .flv file, sound
    Content: In I Learn America, five resilient immigrant teenagers come together at the International High School at Lafayette and struggle to learn their new land.. The International High School is a New York City public school dedicated to serving newly arrived immigrant teenagers, with more than 300 students speaking two-dozen languages from 50 countries.. Meet the students:. SING is a refugee from Myanmar who has recently relocated to Brooklyn, leaving his family behind. He is isolated, angry and barely speaks English. Will he accept the help of his English teacher?. BRANDON made the journey from Guatemala to America to reunite with his mother after ten years apart. Crossing the desert and making the perilous journey was easy compared to getting to know his mom again. Will he be able to meet her expectations to do well in America?. SANDRA (17, Poland) is a tomboy, a class leader and she’s also undocumented. She and JENNIFFER, a sassy classmate from the Dominican Republic, are inseparable best friends – “like a flower with water.” Sandra has grown confident in identifying as a girl who dresses as a boy, but as she faces graduation, she fears that being undocumented means she will lose all they have been able to gain once they leave the security of the school.. ITRAT came to America from Pakistan to join her father, a traditional Shia Muslim. She barely knew him after the passing of her mother. What kind of future is waiting for her in America? Will she return to Pakistan to marry or will she go to college and build her independence?. Over a school year, amidst the complexity and diversity of American life in and out of school, through Itrat, Sandra, jenniffer, Brandon and Sing, we “learn America.”
    Note: In Process Record , Title from title frames , Playlist , Originally produced by New Day Films in 2013 , Mode of access: World Wide Web. , In English
    Language: English
    Keywords: North American Studies
    URL: Unbekannt  (Cover Image)
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  • 8
    Online Resource
    Online Resource
    Penguin Young Readers Group
    UID:
    (DE-602)kobvindex_ZLB34479164
    ISBN: 9780525553922
    Content: " Heartbreak and hope exist together in this remarkable graphic novel about growing up in a refugee camp, as told by a Somali refugee to the Newbery Honor-winning creator of Roller Girl. Omar and his younger brother, Hassan, have spent most of their lives in Dadaab, a refugee camp in Kenya. Life is hard there: never enough food, achingly dull, and without access to the medical care Omar knows his nonverbal brother needs. So when Omar has the opportunity to go to school, he knows it might be a chance to change their future . but it would also mean leaving his brother, the only family member he has left, every day. Heartbreak, hope, and gentle humor exist together in this graphic novel about a childhood spent waiting, and a young man who is able to create a sense of family and home in the most difficult of settings. It's an intimate, important, unforgettable look at the day-to-day life of a refugee, as told to New York Times Bestselling author/artist Victoria Jamieson by Omar Mohamed, the Somali man who lived the story."
    Content: Rezension(1): "〈a href=http://www.slj.com/ target=blank〉〈img src=https://images.contentreserve.com/schoollibraryjournal_logo.png alt=School Library Journal border=0 /〉〈/a〉: Starred review from February 1, 2020Gr 4-8- Perennial comic book favorite Jamieson teams up with Mohamed, a Somalian refugee, to tell a heartbreaking story inspired by Mohamed's life. Cared for by kind Fatuma, an older woman who also lost her family, Omar and his little brother Hassan have lived in the Dadaab refugee camp in Kenya since they were small, when their father was killed and they were separated from their mother while fleeing civil war. Though Omar loves looking after Hassan, who is mostly nonverbal, life in the camp, where it felt like all you ever did was wait, is stultifying and grindingly difficult. When Omar has the opportunity to attend school, he and his friends realize that they can increase their families' painfully slim chances at being chosen for resettlement. Heavier on text compared with Jamieson's usual fare, this title still features the expressive, gentle style of Roller Girl or All's Faire in Middle School -the language of cartoons makes the subject matter accessible to a middle grade audience. Indeed, the authors highlight moments of levity and sweetness as the children and their families do their best to carve out meaningful lives in the bleakest of circumstances. An afterword and author's notes go into greater detail about Mohamed's life, how the two met and decided to collaborate, which elements of the story are fictitious, and how to help other refugees. VERDICT With this sensitive and poignant tale, Jamieson and Mohamed express the power of the human spirit to perverse.- Darla Salva Cruz, Suffolk Cooperative Library System, Bellport, NYCopyright 2020 School Library Journal, LLC Used with permission. " Rezension(2): "〈a href=http://www.kirkusreviews.com target=blank〉〈img src=https://images.contentreserve.com/kirkus_logo.png alt=Kirkus border=0 /〉〈/a〉: February 15, 2020 A Somali boy living in a refugee camp in Kenya tries to make a future for himself and his brother in this near memoir interpreted as a graphic novel by collaborator Jamieson. Omar Mohamed lives in Dadaab Refugee Camp in Kenya with his younger brother, Hassan, who has a seizure disorder, and Fatuma, an elderly woman assigned to foster them in their parents' absence. The boys' father was killed in Somalia's civil war, prompting them to flee on foot when they were separated from their mother. They desperately hope she is still alive and looking for them, as they are for her. The book covers six years, during which Omar struggles with decisions about attending school and how much hope to have about opportunities to resettle in a new land, like the United States. Through Omar's journey, and those of his friends and family members, readers get a close, powerful view of the trauma and uncertainty that attend life as a refugee as well as the faith, love, and support from unexpected quarters that get people through it. Jamieson's characteristically endearing art, warmly colored by Geddy, perfectly complements Omar's story, conjuring memorable and sympathetic characters who will stay with readers long after they close the book. Photographs of the brothers and an afterword provide historical context,Mohamed and Jamieson each contribute an author's note. This engaging, heartwarming story does everything one can ask of a book, and then some. (Graphic memoir. 9-13) COPYRIGHT(2020) Kirkus Reviews, ALL RIGHTS RESERVED. " Rezension(3): "〈a href=http://www.publishersweekly.com target=blank〉〈img src=https://images.contentreserve.com/pw_logo.png alt=Publisher's Weekly border=0 /〉〈/a〉: Starred review from March 2, 2020 Based on coauthor Mohamed’s childhood after fleeing Somalia on foot with his younger brother, this affecting graphic novel follows the brothers’ life in a Kenyan refugee camp. Though loving foster mother Fatuma cares for the boys, Mohamed watches out for his largely nonverbal younger brother, Hassan, who experiences occasional seizures, and is fearful of leaving him even to attend school. Mohamed longs to find their biological mother, and—like nearly everyone in the vast camp—waits for a life-changing, seemingly arbitrary UN interview that will determine whether the boys will be resettled, perhaps in the U.S. or Canada. Jamieson and Mohamed together craft a cohesive, winding story that balances daily life and boredom, past traumas, and unforeseen outcomes alongside camp denizens’ ingenuity and community. Expressive, memorable characters by Jamieson ( Roller Girl ) work and play against backdrops of round-topped UN tents, while colorist Iman Geddy’s deep purple skies drive home the title. The result of this team effort is a personal and poignant entry point for young readers trying to understand an unfair world. Back matter includes photographs of the brothers and authors’ notes. Ages 9–12." Rezension(4): "〈a href=https://www.booklistonline.com target=blank〉〈img src=https://images.contentreserve.com/booklist_logo.png alt=Booklist border=0 /〉〈/a〉: Starred review from March 15, 2020 Grades 6-8 *Starred Review* Omar Mohamed was a child when soldiers attacked his village in Somalia. Separated from his parents, he and his younger brother, Hassan, eventually made their way to Dadaab, a crowded refugee camp in Kenya where he now spends his days scrambling for food and taking care of Hassan, who is nonverbal and suffers from debilitating seizures. A chance to attend school is a dream come true, but the opportunity weighs heavily on Omar,school is a selfish choice when you have no parents and a brother who needs constant looking after. Debut author Mohamed shares his absorbing story with absolute honesty, laying bare every aspect of his life's many challenges,even after surviving unimaginable circumstances, he remains compassionate?to others as well as himself. While Mohamed's story is riveting in its own right, the illustrations bring warmth and depth to the tale. Drawing with evident empathy and deep respect, Jamieson captures the many significant moments in Mohamed's life with charming detail. Wonderfully expressive figures convey complex and conflicted emotions, and the rich colors imbue the story with life. Mohamed's experience is unfortunately not unique, but it is told with grace, humility, and forgiveness. This beautiful memoir is not to be missed.(Reprinted with permission of Booklist, copyright 2020, American Library Association.) "
    Language: English
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  • 9
    UID:
    (DE-627)86525303X
    Format: 1 Online-Ressource (261 p)
    ISBN: 9780795349522
    Content: TITLE PAGE -- CONTENTS -- INTRODUCTION -- 1. ON LOVE -- MOM'S LAST LAUGH -- THE TABLECLOTH -- WITH THESE RINGS -- STEP, STEP, ROAR -- MY MIRACULOUS FAMILY -- THE SMELL OF RAIN -- THE BIRTHDAY CHECK -- THE BROWNIE STORY -- A SPECIAL BREAKFAST -- A GUY NAMED BILL -- 2. DIVINE INTERVENTION -- A PERFECT MISTAKE -- THE DIME -- THE MIRACLE PICTURE -- LED BY GOD -- ANGEL IN A DIFFERENT PEW -- ETHEL'S IRISH ANGEL -- A MIRACLE OF LOVE -- THE MIRACULOUS STAIRCASE -- 3. ON PARENTS AND PARENTING -- HELP MOM, I NEED YOU! L. MAGGIE BAXTER -- A FATHER'S WISDOM -- A FAREWELL GIFT -- THE HYMNBOOK -- DEAR GOD
    Content: THE WONDER YEARS -- THE COMMANDMENT -- THE GREATEST OF THESE -- JUST ANOTHER DAY -- WHO'S GOING TO STOP ME? -- 4. GOING HOME -- A CHAPLAIN'S GIFT -- LUKE'S TRUCK -- THERE'S NO PLACE LIKE HOME -- GRAMMY AND GOD "" -- KISSES FROM HEAVEN -- SAYING GOOD-BYE TO BUBBA -- MISSING MY MOTHER -- WHEN FIREFLIES WINK -- THE BRIDGE BUILDER -- 5. ACTS OF KINDNESS -- THE VOTE WAS UNANIMOUS -- THE COOKIE LADY -- GOD'S LOVE IN A BASEBALL CARD? -- GIVING LIFE -- THE EASTER BUNNY -- JOHN'S HEART -- A BRAND-NEW PAIR OF SHOES -- SHARING WITH THE PREACHER -- MOTHER TERESA, THE WINO AND ME
    Content: MRS. TREE AND HER GENTLEMAN CALLER -- WINTER MORNING GUEST -- ALI AND THE ANGEL -- 6. THE POWER OF BELIEVING -- LETTERS TO A STRANGER -- A BEACON OF LIGHT -- BEACH ENCOUNTER -- WHEN I SAY I AM A CHRISTIAN -- HOW PRAYER MADE ME A FATHER AGAIN -- A CHILD'S PRAYER -- ZACHARY -- COMMUNION BLOOPER -- 7. THE MEANING OF CHRISTMAS -- HEART SOUNDS -- OUR CHRISTMAS TREE BOY -- MY BEST CHRISTMAS -- I'M NOT POOR AT ALL -- THE LITTLE BLACK BOOK -- SANTA IN DISGUISE -- CHRISTMAS LOVE -- MY APPOINTMENT WITH SANTA -- SEEING LOVE IN THE EYES OF SANTA CLAUS -- WHAT GOES AROUND COMES AROUND
    Content: 8. OVERCOMING OBSTACLES -- JUST TWO TICKETS TO INDY -- THE DAY MOTHER CRIED -- SOMEBODY IN THE CORNER -- A RAINBOW'S PROMISE -- A REFUGEE CAMP BIRTHDAY -- IT IS WELL WITH MY SOUL -- THE GIRL WITH THE GOLDEN HAIR -- WE ALMOST LOST HER -- PRAYER OF THOUGHTS -- 9. INSIGHTS AND LESSONS -- ANDY TOM C. LONG -- SUSAN'S MAGIC CARPET -- SON FOR A SEASON -- THE DAY HEALING BEGAN -- BRIEF ENCOUNTER -- BLESSED -- THE SUPPER -- A CHILD'S BLESSING -- CHANGE COMES TO MAXWELL STREET -- SLEEPING THROUGH THE SERMON -- WAITING FOR THE BUS -- THE CARD PLAYER -- IT'S ONLY STUFF -- ANNIE MAE'S HONOR
    Content: WHO IS JACK CANFIELD? -- WHO IS MARK VICTOR HANSEN? -- WHO IS PATTY AUBERY? -- WHO IS NANCY MITCHELL AUTIO? -- CONTRIBUTORS -- PERMISSIONS -- COPYRIGHT PAGE
    Note: Description based upon print version of record
    Additional Edition: 9780795349522
    Additional Edition: Print version Canfield, Jack Chicken Soup for the Christian Family Soul : Stories to Open the Heart and Rekindle the Spirit New York : RosettaBooks,c2012 9780795349522
    Language: English
    Keywords: Electronic books
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  • 10
    Online Resource
    Online Resource
    Verso
    UID:
    (DE-602)kobvindex_ZLB34927216
    ISBN: 9781839764028
    Content: " With the verve and bite of Ottessa Moshfegh and the barbed charm of Nancy Mitford, Marlowe Granados's stunning début brilliantly captures a summer of striving in New York City Refreshing and wry in equal measure, Happy Hour is an intoxicating novel of youth well spent. Isa Epley is all of twenty-one years old, and already wise enough to understand that the purpose of life is the pursuit of pleasure. She arrives in New York City for a summer of adventure with her best friend, one newly blond Gala Novak. They have little money, but that's hardly going to stop them from having a good time. In her diary, Isa describes a sweltering summer in the glittering city. By day, the girls sell clothes in a market stall, pinching pennies for their Bed-Stuy sublet and bodega lunches. By night, they weave from Brooklyn to the Upper East Side to the Hamptons among a rotating cast of celebrities, artists, Internet entrepreneurs, stuffy intellectuals, and bad-mannered grifters. Resources run ever tighter and the strain tests their friendship as they try to convert their social capital into something more lasting than precarious gigs as au pairs, nightclub hostesses, paid audience members, and aspiring foot fetish models. Through it all, Isa's bold, beguiling voice captures the precise thrill of cultivating a life of glamour and intrigue as she juggles paying her dues with skipping out on the bill. Happy Hour is a novel about getting by and having fun in a world that wants you to do neither. "
    Content: Rezension(1): "〈a href=http://www.publishersweekly.com target=blank〉〈img src=https://images.contentreserve.com/pw_logo.png alt=Publisher's Weekly border=0 /〉〈/a〉: Starred review from July 5, 2021 In Granados’s amusingly mischievous debut, a young ingenue comes to New York City from London for a summer, seeking to bury her grief over her mother’s death. By night, Isa Epley and her friend Gala Novak rub shoulders with celebrities and intellectuals. By day, they make ends meet selling clothes on consignment. Gala’s gift for being in the right place at the right time opens up new vistas for the impressionable Isa, who records her nighttime adventures in her diary or in notes on her phone (“It’s inconspicuous,I look as though I am being aloof and texting, but I am noticing and observing all the time”). All of 21 (“an unserious age,” according to her), Isa contents herself with cocktails and the kind of men likely to pay for them, trying to tell the sincere patrons of the arts from the phonies as she pursues a quest for “Social Capital,” while Gala comes dangerously close to drifting into a cult. Isa’s keen perception lifts this comedy of manners above the surface she and Gala attempt to glide on for the summer’s duration (“If I were to describe typical New York conversation, it would be two people waiting for their turn to talk”). This perfectly sums up a new age of innocence." Rezension(2): "〈a href=http://www.kirkusreviews.com target=blank〉〈img src=https://images.contentreserve.com/kirkus_logo.png alt=Kirkus border=0 /〉〈/a〉: Starred review from August 1, 2021 A pair of beautiful, undocumented party girls live the high life in New York...though they literally do not know where their next meal is coming from. As this glamorous, intelligent debut novel opens, 21-year-old best friends Isa and Gala land in New York to spend the summer. They plan to use their pretty faces as passports to the New York demimonde and to make grocery money by selling dresses at a market stall. Since the latter turns out to be quite the losing operation, they are constantly looking for gigs that pay cash. As audience members at a TV shoot, they only get fifty dollars each, but collectively, that's at least one late-night cab home, a dozen oysters during happy hour, a small bottle of Tanqueray, and maybe one unlimited seven-day MetroCard. They respond to ads looking for foot models and makeup shoots, one seeking a pair of friends, one of whom had to be Diverse. (Diverse is about all we ever really know about Isa's background,Gala, we learn in a throwaway remark, was a Bosnian baby refugee.) Being members of what one acquaintance calls the precariat can be exhausting. When the girls try to improve their minds by attending a boring lecture on the new Belle Epoque touted in the New Yorker, Gala wonders, Do you think they have a list of who's in the One Percent? It would certainly make things more efficient. The book, Isa's putative diary, is chock-full of aper�us. On the Red Hook neighborhood of Brooklyn: Being far away from a subway station must be conducive to making art. On a typical New York conversation: two people waiting for their turn to talk. On the aloof brutes Isa's always fallen for: The mind reels with all the possibilities of what they might feel or think about you. Usually it is nothing like what you expect and much less complex than the thoughts you generously assign to them. The girls have known each other since they were at least 16 (that's when Isa spent six months living in Gala's bedroom and Gala got her tooth knocked out at a rave), but this summer will test their friendship and propel them into their next chapters. Like the many cocktails sipped by our discerning narrator: effervescent, tart, and intoxicating. COPYRIGHT(2021) Kirkus Reviews, ALL RIGHTS RESERVED. "
    Language: English
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