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  • 1
    Online-Ressource
    Online-Ressource
    Rochester, NY : Camden House
    UID:
    gbv_802772129
    Umfang: Online-Ressource (xx, 312 p)
    Ausgabe: Online-Ausg.
    ISBN: 1571136738 , 9781571136732
    Serie: Studies in German literature, linguistics, and culture
    Inhalt: In the early modern period, the culture of Rome, with Virgil as its greatest figure, was the model for emulation. The age of Louis XIV compared itself to the Augustan age, and Dryden hailed Virgil as 'my Divine Master.' But in 18th-century Europe, a general shift occurred in favor of Greece, a trend that was most pronounced in Germany. Winckelmann, the spokesman for philhellenism, extolled Greek art and dismissed all Roman art as derivative and Virgil as second rate and incapable of understanding true beauty. Yet he nonetheless remained indebted to Virgil for his view of Greek art, although he failed to recognize it. The export of Winckelmann's new view of Virgil and more generally Roman culture - shared to varying extents by Lessing, Herder, Goethe, and the brothers Schlegel - to the rest of Europe in the 19th century, particularly to the English-speaking world via Coleridge and Matthew Arnold] soon made it the reigning dogma: indeed it formed the point of departure for Virgil scholarship in the 20th century. This, however, did not prevent German poets from using Virgil, although neither they nor later scholars called attention to it. Virgil became a repressed muse, and has a continued, unexamined presence in the epic and idyll of Klopstock, Wieland, Goethe, and Novalis. Geoffrey Atherton's comparative investigation of the relation of modernity to antiquity through Virgil and his twofold reception represents a new perspective on this issue. Geoffrey Atherton is assistant professor in the Department of German Studies at Connecticut College
    Anmerkung: Includes bibliographical references (p. [289]-306) and index , Virgil: a Pentheus to the Germans in the eighteenth century?Virgil both read and unread -- Virgil the Rhapsode -- Theorizing genre: from pastoral to idyll -- The German idyll and the Virgilian muse.
    Weitere Ausg.: ISBN 1571133062
    Weitere Ausg.: ISBN 9781571133069
    Weitere Ausg.: Print version Decline and fall of Virgil in eighteenth-century Germany
    Sprache: Englisch
    Fachgebiete: Altertumswissenschaften
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  • 2
    Buch
    Buch
    Rochester, NY :Camden House,
    UID:
    almafu_BV021539144
    Umfang: XX, 312 S.
    Ausgabe: 1. publ.
    ISBN: 1-57113-306-2
    Serie: Studies in German literature, linguistics, and culture
    Anmerkung: Includes bibliographical references and index
    Sprache: Englisch
    Fachgebiete: Germanistik , Altertumswissenschaften
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    Schlagwort(e): v70-v19 Vergilius Maro, Publius ; Rezeption ; Deutsch ; Literatur
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Suffolk :Boydell & Brewer,
    UID:
    almahu_9947413795102882
    Umfang: 1 online resource (xx, 312 pages) : , digital, PDF file(s).
    ISBN: 9781571136732 (ebook)
    Inhalt: In the early modern period, the culture of Rome, with Virgil as its greatest figure, was the model for emulation. The age of Louis XIV compared itself to the Augustan age, and Dryden hailed Virgil as 'my Divine Master.' But in 18th-century Europe, a general shift occurred in favor of Greece, a trend that was most pronounced in Germany. Winckelmann, the spokesman for philhellenism, extolled Greek art and dismissed all Roman art as derivative and Virgil as second rate and incapable of understanding true beauty. Yet he nonetheless remained indebted to Virgil for his view of Greek art, although he failed to recognize it. The export of Winckelmann's new view of Virgil and more generally Roman culture - shared to varying extents by Lessing, Herder, Goethe, and the brothers Schlegel - to the rest of Europe in the 19th century, particularly to the English-speaking world via Coleridge and Matthew Arnold] soon made it the reigning dogma: indeed it formed the point of departure for Virgil scholarship in the 20th century. This, however, did not prevent German poets from using Virgil, although neither they nor later scholars called attention to it. Virgil became a repressed muse, and has a continued, unexamined presence in the epic and idyll of Klopstock, Wieland, Goethe, and Novalis. Geoffrey Atherton's comparative investigation of the relation of modernity to antiquity through Virgil and his twofold reception represents a new perspective on this issue. Geoffrey Atherton is assistant professor in the Department of German Studies at Connecticut College.
    Anmerkung: Title from publisher's bibliographic system (viewed on 02 Oct 2015). , Virgil: a Pentheus to the Germans in the eighteenth century? -- Virgil both read and unread -- Virgil the Rhapsode -- Theorizing genre: from pastoral to idyll -- The German idyll and the Virgilian muse.
    Weitere Ausg.: Print version: ISBN 9781571133069
    Sprache: Englisch
    Fachgebiete: Germanistik , Altertumswissenschaften
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    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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