UID:
almafu_9959712572702883
Umfang:
1 online resource (496 p.)
ISBN:
9780822396505
Inhalt:
The story of the development of the novel—its origin, rise, and increasing popularity as a narrative form in an ever-expanding range of geographic and cultural sites—is familiar and, according to the contributors to this volume, severely limited. In a far-reaching blend of comparative literature and transnational cultural studies, this collection shifts the study of the novel away from a consideration of what makes a particular narrative a novel to a consideration of how novels function and what cultural work they perform—from what novels are, to what they do.The essays in Cultural Institutions of the Novel find new ways to analyze how a genre notorious for its aesthetic unruliness has become institutionalized—defined, legitimated, and equipped with a canon. With a particular focus on the status of novels as commodities, their mediation of national cultures, and their role in transnational exchange, these pieces range from the seventeenth century to the present and examine the forms and histories of the novel in England, Nigeria, Japan, France, New Zealand, Canada, and the United States. Works by Jane Austen, Natsume Sôseki, Gabriel García Márquez, Buchi Emecheta, and Toni Morrison are among those explored as Cultural Institutions of the Novel investigates how theories of “the” novel and disputes about which narratives count as novels shape social struggles and are implicated in contests over cultural identity and authority.Contributors. Susan Z. Andrade, Lauren Berlant, Homer Brown, Michelle Burnham, James A. Fujii, Nancy Glazener, Dane Johnson, Lisa Lowe, Deidre Lynch, Jann Matlock, Dorothea von Mücke, Bridget Orr, Clifford Siskin, Katie Trumpener, William B. Warner
Anmerkung:
Frontmatter --
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Contents --
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Introduction. The Transport of the Novel --
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Prologue: Why the Story of the Origin of the (English) Novel Is an American Romance (If Not the Great American Novel) --
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I. The Contact Zone --
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1 Between England and America: Captivity, Sympathy, and the Sentimental Novel --
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2 The Maori House of Fiction --
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3 Decolonization, Displacement, Disidentification: Asian American "Novels" and the Qyestion of History --
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4 The Rise of Gabriel Garcia Marquez and Toni Morrison --
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II. (Trans)National Canons --
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5 At Home with Jane Austen --
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6 The Abbotsford Guide to India: Romantic Fictions of Empire and the Narratives of Canadian Literature --
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7 Writing Out Asia: Modernity, Canon, and Natsume Soseki's Kokoro --
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8 The Joys of Daughterhood: Gender, Nationalism, and the Making of Literary Tradition(s) --
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III. The Romance of Consumption --
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9 Formulating Fiction: Romancing the General Reader in Early Modern Britain --
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10 "To Love a Murderer" -Fantasy, Sexuality, and the Political Novel: The Case of Caleb Williams --
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11 The Limits of Reformism: The Novel, Censorship, and the Politics of Adultery in Nineteenth-Century France --
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12 Romances for "Big and Little Boys": The U.S. Romantic Revival of the 1890S and James's The Turn of the Screw --
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13 Pax Americana: The Case of Show Boat --
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Epilogue: The Rise of Novelism --
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Works Cited --
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Index --
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Contributors
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In English.
Sprache:
Englisch
DOI:
10.1515/9780822396505
URL:
https://doi.org/10.1515/9780822396505
URL:
https://www.degruyter.com/isbn/9780822396505
URL:
https://doi.org/10.1515/9780822396505
URL:
https://www.degruyter.com/isbn/9780822396505
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