Umfang:
XII, 284 S.
,
Ill.
Ausgabe:
1. ed.
ISBN:
1137027096
,
9781137027092
Anmerkung:
Includes bibliographical references (p. 249-269) and index
,
Introduction: Imagining human rights in twenty-first century theater
,
Introduction: Imagining human rights in twenty-first century theater
,
Section 1: transitional justice and civil society ; Dead body politics: Grupo Cultural Yuyachkani at Peru's Truth Commission
,
Where "God is like a longing": theater and social vulnerability in Mozambique
,
The ESMA: from torture chambers into new sites of memory
,
Surpassing metaphors of violence in postdictatorial Southern Cone theater
,
Section 2: the "War on Terror" and the global economic order ; Place and misplaced rights in Guantánamo: Honor Bound to Defend Freedom
,
Challenging the "fetish of the verbatim": new aesthetics and familiar abuses in Christine Evan's Slow Falling Bird
,
Stages of transit: Rascón Banda's Hotel Juáres and Peveroni's Berlin
,
Migrant melodrama, human rights, and Elvira Arellano
,
Section 3: transnational publics ; "Get up, stand up, stand up for your rights": transnational belonging and rights of citizenship in Dominican theater
,
Theaters of Vigil and vigilance: a playwright's notes on theater and human rights in the Philippines
,
"The spectacle of our suffering": staging the international human rights imaginary in Tony Kushner's Homebody/Kabul
,
Broadway without borders
,
Section 1: transitional justice and civil society ; Dead body politics: Grupo Cultural Yuyachkani at Peru's Truth Commission
,
Where "God is like a longing": theater and social vulnerability in Mozambique
,
The ESMA: from torture chambers into new sites of memory
,
Surpassing metaphors of violence in postdictatorial Southern Cone theater
,
Section 2: the "War on Terror" and the global economic order ; Place and misplaced rights in Guantánamo: Honor Bound to Defend Freedom
,
Challenging the "fetish of the verbatim": new aesthetics and familiar abuses in Christine Evan's Slow Falling Bird
,
Stages of transit: Rascón Banda's Hotel Juáres and Peveroni's Berlin
,
Migrant melodrama, human rights, and Elvira Arellano
,
Section 3: transnational publics ; "Get up, stand up, stand up for your rights": transnational belonging and rights of citizenship in Dominican theater
,
Theaters of Vigil and vigilance: a playwright's notes on theater and human rights in the Philippines
,
"The spectacle of our suffering": staging the international human rights imaginary in Tony Kushner's Homebody/Kabul
,
Broadway without borders
Sprache:
Englisch
Fachgebiete:
Komparatistik. Außereuropäische Sprachen/Literaturen
Schlagwort(e):
Theater
;
Aufführung
;
Menschenrecht
;
Geschichte 1990-2012
;
Menschenrecht
;
Drama
;
Geschichte 1990-2012
;
Aufsatzsammlung
;
Bibliografie
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