Ihre E-Mail wurde erfolgreich gesendet. Bitte prüfen Sie Ihren Maileingang.

Leider ist ein Fehler beim E-Mail-Versand aufgetreten. Bitte versuchen Sie es erneut.

Vorgang fortführen?

Exportieren
Filter
Medientyp
Sprache
Region
Bibliothek
Erscheinungszeitraum
Person/Organisation
  • 1
    Online-Ressource
    Online-Ressource
    Princeton, N.J. :Princeton University Press,
    UID:
    edocfu_9958352755002883
    Umfang: 1 online resource(224p.) : , illustrations.
    Ausgabe: Electronic reproduction. Princeton, N.J. : Princeton University Press, 2013. Mode of access: World Wide Web.
    Ausgabe: System requirements: Web browser.
    Ausgabe: Access may be restricted to users at subscribing institutions.
    ISBN: 9781400844951
    Serie: Essays in the Arts
    Inhalt: Melancholy is not only about sadness, despair, and loss. As Renaissance artists and philosophers acknowledged long ago, it can engender a certain kind of creativity born from a deep awareness of the mutability of life and the inevitable cycle of birth and death. Drawing on psychoanalysis, philosophy, and the intellectual history of the history of art, The Melancholy Art explores the unique connections between melancholy and the art historian's craft. Though the objects art historians study are materially present in our world, the worlds from which they come are forever lost to time. In this eloquent and inspiring book, Michael Ann Holly traces how this disjunction courses through the history of art and shows how it can give rise to melancholic sentiments in historians who write about art. She confronts pivotal and vexing questions in her discipline: Why do art historians write in the first place? What kinds of psychic exchanges occur between art objects and those who write about them? What institutional and personal needs does art history serve? What is lost in historical writing about art? The Melancholy Art looks at how melancholy suffuses the work of some of the twentieth century's most powerful and poetic writers on the history of art, including Alois Riegl, Franz Wickhoff, Adrian Stokes, Michael Baxandall, Meyer Schapiro, and Jacques Derrida. A disarmingly personal meditation by one of our most distinguished art historians, this book explains why to write about art is to share in a kind of intertwined pleasure and loss that is the very essence of melancholy. Some images inside the book are unavailable due to digital copyright restrictions.
    Anmerkung: Frontmatter -- , Contents -- , Preface -- , Acknowledgments -- , 1. The Melancholy Art -- , 2. Viennese Ghosts -- , 3. Stones of Solace -- , 4. Patterns in the Shadows -- , 5. Mourning and Method -- , Postscript -- , Notes -- , Bibliography -- , Index. , In English.
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
Meinten Sie 9781400849451?
Meinten Sie 9781400824151?
Meinten Sie 9781400824915?
Schließen ⊗
Diese Webseite nutzt Cookies und das Analyse-Tool Matomo. Weitere Informationen finden Sie auf den KOBV Seiten zum Datenschutz