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  • 1
    Buch
    Buch
    Amsterdam : Amsterdam University Press
    UID:
    b3kat_BV046277060
    Umfang: 232 Seiten , Illustrationen
    ISBN: 9789462983663
    Serie: Transmedia
    Inhalt: This collection considers new phenomena emerging in a convergence environment from the perspective of adaptation studies. Giving an overview of the various fields and practices most prominent in convergence culture and viewing them as adaptations in a broad intertextual and intermedial sense, the contributions offer reconsiderations of theoretical concepts and practices in participatory and convergence culture. These range from fan fiction born from mash-ups of novels and YouTube songs to negotiations of authorial control and interpretative authority between media producers and fan communities to perspectives on the fictional and legal framework of brands and franchises. In this fashion, the collection expands the horizons of both adaptation and transmedia studies and provides reassessments of frequently discussed (BBC's Sherlock, the Alien franchise, or LEGO) and previously largely ignored phenomena (self-censorship in transnational franchises or YouTube cover videos).
    Anmerkung: Erscheint auch als Open Access bei De Gruyter
    Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-90-485-3401-2 10.2307/j.ctvpbnqd0
    Weitere Ausg.: 10.1515/9789048534012
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    Schlagwort(e): Literatur ; Medien ; Adaption ; Medienkonvergenz ; Aufsatzsammlung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Amsterdam :Amsterdam University Press,
    UID:
    almafu_9959135838102883
    Umfang: 1 online resource (224 p.) : , 5 color plates, 7 halftones
    ISBN: 9789048534012
    Serie: Transmedia
    Inhalt: This collection considers new phenomena emerging in a convergence environment from the perspective of adaptation studies. Giving an overview of the various fields and practices most prominent in convergence culture and viewing them as adaptations in a broad intertextual and intermedial sense, the contributions offer reconsiderations of theoretical concepts and practices in participatory and convergence culture. These range from fan fiction born from mash-ups of novels and YouTube songs to negotiations of authorial control and interpretative authority between media producers and fan communities to perspectives on the fictional and legal framework of brands and franchises. In this fashion, the collection expands the horizons of both adaptation and transmedia studies and provides reassessments of frequently discussed (BBC's Sherlock, the Alien franchise, or LEGO) and previously largely ignored phenomena (self-censorship in transnational franchises or YouTube cover videos).
    Anmerkung: Frontmatter -- , Table of Contents -- , 1. Introduction: Adaptation in a Convergence Environment / , 2. Adaptation as Connection : A Network Theoretical Approach to Convergence, Participation, and Co-Production / , 3. Filing off the Serial Numbers : Fanfiction and its Adaptation to the Book Market / , 4. From Paratext to Polyprocess: The “Quirky” Mashup Novel / , 5. “You Just Got Covered” : YouTube Cover Song Videos as Examples of Para-Adaptation / , 6. Masters of the Universe? Viewers, the Media, and Sherlock’s Lead Writers / , 7. Alien Adapted (Again and Again) : Fictional Universes between Difference and Repetition / , 8. “Everything is Awesome:” Spreadability and The LEGO Movie / , 9. Localization as Adaptation in the Wolfenstein Franchise / , Index , In English.
    Sprache: Englisch
    Fachgebiete: Komparatistik. Außereuropäische Sprachen/Literaturen , Allgemeines
    RVK:
    RVK:
    Schlagwort(e): Konferenzschrift
    URL: Cover
    URL: Cover
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    [Erscheinungsort nicht ermittelbar] : Amsterdam University Press
    UID:
    gbv_1794550445
    Umfang: 1 Online-Ressource
    ISBN: 9789048534012
    Inhalt: This collection considers new phenomena emerging in a convergence environment from the perspective of adaptation studies. The contributions take the most prominent methods within the field to offer reconsiderations of theoretical concepts and practices in participatory culture, transmedia franchises, and new media adaptations. The authors discuss phenomena ranging from mash-ups of novels and YouTube cover songs to negotiations of authorial control and interpretative authority between media producers and fan communities to perspectives on the fictional and legal framework of brands and franchises. In this fashion, the collection expands the horizons of both adaptation and transmedia studies and provides reassessments of frequently discussed (BBC’s Sherlock or the LEGO franchise) and previously largely ignored phenomena (self-censorship in transnational franchises, mash-up novels, or YouTube cover videos)
    Anmerkung: English
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    Amsterdam :Amsterdam University Press,
    UID:
    kobvindex_HPB1118692065
    Umfang: 1 online resource
    ISBN: 9789048534012 , 9048534011
    Serie: Transmedia
    Inhalt: This collection considers new phenomena emerging in a convergence environment from the perspective of adaptation studies. Giving an overview of the various fields and practices most prominent in convergence culture and viewing them as adaptations in a broad intertextual and intermedial sense, the contributions offer reconsiderations of theoretical concepts and practices in participatory and convergence culture. These range from fan fiction born from mash-ups of novels and YouTube songs to negotiations of authorial control and interpretative authority between media producers and fan communities to perspectives on the fictional and legal framework of brands and franchises. In this fashion, the collection expands the horizons of both adaptation and transmedia studies and provides reassessments of frequently discussed (BBC's Sherlock, the Alien franchise, or LEGO) and previously largely ignored phenomena (self-censorship in transnational franchises or YouTube cover videos).
    Anmerkung: Cover; Table of Contents; 1. Introduction. Adaptation in a Convergence Environment; Johannes Fehrle; 2. Adaptation as Connection. A Network Theoretical Approach to Convergence, Participation, and Co-Production; Regina Schober; 3. Filing off the Serial Numbers. Fanfiction and its Adaptation to the Book Market; Bettina Soller; 4. From Paratext to Polyprocess. The "Quirky" Mashup Novel; Eckart Voigts; 5. "You Just Got Covered": YouTube Cover Song Videos as Examples of Para-Adaptation; Costas Constandinides; 6. Masters of the Universe? Viewers, the Media, and Sherlock's Lead Writers , Benjamin Poore7. Alien Adapted (Again and Again): Fictional Universes between Difference and Repetition; Rüdiger Heinze; 8. "Everything is Awesome." Spreadability and The LEGO Movie; Joyce Goggin; 9. Localization as Adaptation in the Wolfenstein Franchise; Werner Schäfke; Index
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    Schlagwort(e): Electronic books. ; Electronic books.
    URL: JSTOR
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Online-Ressource
    Online-Ressource
    Amsterdam :Amsterdam University Press,
    UID:
    edocfu_9959135838102883
    Umfang: 1 online resource (224 p.) : , 5 color plates, 7 halftones
    ISBN: 9789048534012
    Serie: Transmedia
    Inhalt: This collection considers new phenomena emerging in a convergence environment from the perspective of adaptation studies. Giving an overview of the various fields and practices most prominent in convergence culture and viewing them as adaptations in a broad intertextual and intermedial sense, the contributions offer reconsiderations of theoretical concepts and practices in participatory and convergence culture. These range from fan fiction born from mash-ups of novels and YouTube songs to negotiations of authorial control and interpretative authority between media producers and fan communities to perspectives on the fictional and legal framework of brands and franchises. In this fashion, the collection expands the horizons of both adaptation and transmedia studies and provides reassessments of frequently discussed (BBC's Sherlock, the Alien franchise, or LEGO) and previously largely ignored phenomena (self-censorship in transnational franchises or YouTube cover videos).
    Anmerkung: Frontmatter -- , Table of Contents -- , 1. Introduction: Adaptation in a Convergence Environment / , 2. Adaptation as Connection : A Network Theoretical Approach to Convergence, Participation, and Co-Production / , 3. Filing off the Serial Numbers : Fanfiction and its Adaptation to the Book Market / , 4. From Paratext to Polyprocess: The “Quirky” Mashup Novel / , 5. “You Just Got Covered” : YouTube Cover Song Videos as Examples of Para-Adaptation / , 6. Masters of the Universe? Viewers, the Media, and Sherlock’s Lead Writers / , 7. Alien Adapted (Again and Again) : Fictional Universes between Difference and Repetition / , 8. “Everything is Awesome:” Spreadability and The LEGO Movie / , 9. Localization as Adaptation in the Wolfenstein Franchise / , Index , In English.
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    Online-Ressource
    Online-Ressource
    [s.l.] :Amsterdam University Press,
    UID:
    almahu_9949416056102882
    Umfang: 1 online resource (233 p.)
    ISBN: 9789048534012
    Serie: Transmedia: Participatory Culture and Media Convergence
    Inhalt: This collection considers new phenomena emerging in a convergence environment from the perspective of adaptation studies. The contributions take the most prominent methods within the field to offer reconsiderations of theoretical concepts and practices in participatory culture, transmedia franchises, and new media adaptations. The authors discuss phenomena ranging from mash-ups of novels and YouTube cover songs to negotiations of authorial control and interpretative authority between media producers and fan communities to perspectives on the fictional and legal framework of brands and franchises. In this fashion, the collection expands the horizons of both adaptation and transmedia studies and provides reassessments of frequently discussed (BBC's Sherlock or the LEGO franchise) and previously largely ignored phenomena (self-censorship in transnational franchises, mash-up novels, or YouTube cover videos).
    Sprache: Englisch
    Schlagwort(e): Electronic books.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 7
    UID:
    gbv_1789953553
    Umfang: 1 Online-Ressource (232 Seiten) , Illustrationen
    ISBN: 9789048534012
    Serie: Transmedia 6
    Inhalt: This collection considers new phenomena emerging in a convergence environment from the perspective of adaptation studies. Giving an overview of the various fields and practices most prominent in convergence culture and viewing them as adaptations in a broad intertextual and intermedial sense, the contributions offer reconsiderations of theoretical concepts and practices in participatory and convergence culture. These range from fan fiction born from mash-ups of novels and YouTube songs to negotiations of authorial control and interpretative authority between media producers and fan communities to perspectives on the fictional and legal framework of brands and franchises. In this fashion, the collection expands the horizons of both adaptation and transmedia studies and provides reassessments of frequently discussed (BBC's Sherlock, the Alien franchise, or LEGO) and previously largely ignored phenomena (self-censorship in transnational franchises or YouTube cover videos)
    Anmerkung: The publication of this book resulted from a conference funded by the Freiburg Institute of Advanced Studies (FRIAS) at the Albert-Ludwigs-Universität, Freiburg
    Weitere Ausg.: ISBN 9789462983663
    Weitere Ausg.: ISBN 9462983666
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Rethinking Adaptation in the Age of Media Convergence (Veranstaltung : 2013 : Freiburg im Breisgau) Adaptation in the age of media convergence Amsterdam : Amsterdam University Press, 2019 ISBN 9789462983663
    Weitere Ausg.: ISBN 9462983666
    Sprache: Englisch
    Fachgebiete: Komparatistik. Außereuropäische Sprachen/Literaturen , Allgemeines
    RVK:
    RVK:
    Schlagwort(e): Literatur ; Adaption ; Intermedialität ; Konferenzschrift
    Mehr zum Autor: Fehrle, Johannes
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    Online-Ressource
    Online-Ressource
    Amsterdam :Amsterdam University Press,
    UID:
    edoccha_9959377996202883
    Umfang: 1 online resource (232 pages) : , digital, PDF file(s).
    ISBN: 90-485-3401-1
    Serie: Transmedia: participatory culture and media convergence
    Inhalt: This collection considers new phenomena emerging in a convergence environment from the perspective of adaptation studies. The contributions take the most prominent methods within the field to offer reconsiderations of theoretical concepts and practices in participatory culture, transmedia franchises, and new media adaptations. The authors discuss phenomena ranging from mash-ups of novels and YouTube cover songs to negotiations of authorial control and interpretative authority between media producers and fan communities to perspectives on the fictional and legal framework of brands and franchises. In this fashion, the collection expands the horizons of both adaptation and transmedia studies and provides reassessments of frequently discussed (BBC's Sherlock or the LEGO franchise) and previously largely ignored phenomena (self-censorship in transnational franchises, mash-up novels, or YouTube cover videos).
    Anmerkung: Title from publisher's bibliographic system (viewed on 20 Nov 2020). , Frontmatter -- , Table of Contents -- , 1. Introduction: Adaptation in a Convergence Environment -- , 2. Adaptation as Connection : A Network Theoretical Approach to Convergence, Participation, and Co-Production -- , 3. Filing off the Serial Numbers : Fanfiction and its Adaptation to the Book Market -- , 4. From Paratext to Polyprocess: The "Quirky" Mashup Novel -- , 5. "You Just Got Covered" : YouTube Cover Song Videos as Examples of Para-Adaptation -- , 6. Masters of the Universe? Viewers, the Media, and Sherlock's Lead Writers -- , 7. Alien Adapted (Again and Again) : Fictional Universes between Difference and Repetition -- , 8. "Everything is Awesome:" Spreadability and The LEGO Movie -- , 9. Localization as Adaptation in the Wolfenstein Franchise -- , Index , In English.
    Weitere Ausg.: ISBN 94-6298-366-6
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 9
    Online-Ressource
    Online-Ressource
    Amsterdam :Amsterdam University Press,
    UID:
    almahu_9949281764902882
    Umfang: 1 online resource (232 pages) : , digital, PDF file(s).
    ISBN: 90-485-3401-1
    Serie: Transmedia: participatory culture and media convergence
    Inhalt: This collection considers new phenomena emerging in a convergence environment from the perspective of adaptation studies. The contributions take the most prominent methods within the field to offer reconsiderations of theoretical concepts and practices in participatory culture, transmedia franchises, and new media adaptations. The authors discuss phenomena ranging from mash-ups of novels and YouTube cover songs to negotiations of authorial control and interpretative authority between media producers and fan communities to perspectives on the fictional and legal framework of brands and franchises. In this fashion, the collection expands the horizons of both adaptation and transmedia studies and provides reassessments of frequently discussed (BBC's Sherlock or the LEGO franchise) and previously largely ignored phenomena (self-censorship in transnational franchises, mash-up novels, or YouTube cover videos).
    Anmerkung: Title from publisher's bibliographic system (viewed on 20 Nov 2020). , Frontmatter -- , Table of Contents -- , 1. Introduction: Adaptation in a Convergence Environment -- , 2. Adaptation as Connection : A Network Theoretical Approach to Convergence, Participation, and Co-Production -- , 3. Filing off the Serial Numbers : Fanfiction and its Adaptation to the Book Market -- , 4. From Paratext to Polyprocess: The "Quirky" Mashup Novel -- , 5. "You Just Got Covered" : YouTube Cover Song Videos as Examples of Para-Adaptation -- , 6. Masters of the Universe? Viewers, the Media, and Sherlock's Lead Writers -- , 7. Alien Adapted (Again and Again) : Fictional Universes between Difference and Repetition -- , 8. "Everything is Awesome:" Spreadability and The LEGO Movie -- , 9. Localization as Adaptation in the Wolfenstein Franchise -- , Index , In English.
    Weitere Ausg.: ISBN 94-6298-366-6
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 10
    Online-Ressource
    Online-Ressource
    Amsterdam :Amsterdam University Press,
    UID:
    edocfu_9959377996202883
    Umfang: 1 online resource (232 pages) : , digital, PDF file(s).
    ISBN: 90-485-3401-1
    Serie: Transmedia: participatory culture and media convergence
    Inhalt: This collection considers new phenomena emerging in a convergence environment from the perspective of adaptation studies. The contributions take the most prominent methods within the field to offer reconsiderations of theoretical concepts and practices in participatory culture, transmedia franchises, and new media adaptations. The authors discuss phenomena ranging from mash-ups of novels and YouTube cover songs to negotiations of authorial control and interpretative authority between media producers and fan communities to perspectives on the fictional and legal framework of brands and franchises. In this fashion, the collection expands the horizons of both adaptation and transmedia studies and provides reassessments of frequently discussed (BBC's Sherlock or the LEGO franchise) and previously largely ignored phenomena (self-censorship in transnational franchises, mash-up novels, or YouTube cover videos).
    Anmerkung: Title from publisher's bibliographic system (viewed on 20 Nov 2020). , Frontmatter -- , Table of Contents -- , 1. Introduction: Adaptation in a Convergence Environment -- , 2. Adaptation as Connection : A Network Theoretical Approach to Convergence, Participation, and Co-Production -- , 3. Filing off the Serial Numbers : Fanfiction and its Adaptation to the Book Market -- , 4. From Paratext to Polyprocess: The "Quirky" Mashup Novel -- , 5. "You Just Got Covered" : YouTube Cover Song Videos as Examples of Para-Adaptation -- , 6. Masters of the Universe? Viewers, the Media, and Sherlock's Lead Writers -- , 7. Alien Adapted (Again and Again) : Fictional Universes between Difference and Repetition -- , 8. "Everything is Awesome:" Spreadability and The LEGO Movie -- , 9. Localization as Adaptation in the Wolfenstein Franchise -- , Index , In English.
    Weitere Ausg.: ISBN 94-6298-366-6
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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