Kooperativer Bibliotheksverbund

UID:

Umfang: ix, 213 Seiten : , Illustrationen.

ISBN: 978-1-62534-604-9 , 1-62534-604-2 , 978-1-62534-605-6 , 1-62534-605-0

Inhalt: "During the era of the Weimar Republic, Germany was characterized by deep contradictions and polarizations. New, progressive social mores and artistic developments mixed uneasily with growing reactionary politics. When the 1929 stock market crash produced a severe economic shock, voters began to shift their allegiances from the parties of the center to radicals on both the left and the right. By 1933, amidst crisis and chaos, the Nazis had taken over. In The Honor Dress of the Movement, Torsten Homberger contends that the brown-shirted Stormtrooper uniform was central to Hitler's rise to power. By analyzing its design and marketing, he investigates how Nazi leaders used it to project a distinct political and military persona that was simultaneously violent and orderly, retrograde and modern-a dual image that proved popular with the German people and was key to the Nazis' political success. Based on a wealth of sources that includes literature, films, and newspapers of the era, Homberger exhibits how the Nazis shaped and used material culture to destroy democracy"--

Anmerkung: Hitler and His Stormtroopers -- The Militarization of Political Culture in Weimar Germany, 1918-1933 -- From A Tropical Tunic to the Brown Shirt -- The Brown Garment of Honor, Material Culture, and Social Control -- Assembling the Troopers, the Logistics of Militarization -- The Professionalization of a Civil War Army -- Classless Heroes, the Centrality of the Brown Shirt in Mythic Nazi Film and Literature -- Hamburg 1921-1933, A Case Study -- Weimar Culture and the End of Weimar Democracy

Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-1-61376-880-8

Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 978-1-61376-881-5

Sprache: Englisch

Fachgebiete: Geschichte

Schlagwort(e): Sturmabteilung ; Uniform ; History

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032849163&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

UID:

Umfang: 1 Online-Ressource (xiii, 284 Seiten)

ISBN: 9780429448508 , 9780429827884 , 9780429827891 , 9780429827907 , 0429448503 , 0429827881 , 042982789X , 0429827903

Serie: Routledge monographs in classical studies

Inhalt: "These essays examine how various communities remembered and commemorated their shared past through the lens of utopia and its corollary, dystopia, providing a framework for the reinterpretation of rapidly changing religious, cultural and political realities of the turbulent period from 300 to 750 CE. The common theme of the chapters is the utopian ideals of religious groups, whether these are inscribed on the body, on the landscape, in texts or other cultural objects. The volume is the first to apply this conceptual framework to Late Antiquity, when historically significant conflicts arose between the adherents of four major religious identities: Greco-Roman "pagans", newly dominant Christians, diaspora Jews who were more or less persecuted, depending on the current regime, and the emerging religion and power of Islam. Late Antiquity was thus a period when dystopian realities competed with memories of a mythical Golden Age, variously conceived according to the religious identity of the group. The contributors come from a range of disciplines, including cultural studies, religious studies, ancient history and art history, and employ both theoretical and empirical approaches. This volume is unique in the range of evidence it draws upon, both visual and textual, to support the basic argument, that utopia in Late Antiquity, whether conceived spiritually, artistically or politically, was a place of the past but also of the future, even of the Afterlife. Memories of Utopia will be of interest to historians, archaeologists, and art historians of the later Roman empire, and those working on religion in Late Antiquity and Byzantium"--

Anmerkung: Curating the past : the retrieval of historical memories and utopian ideals / Bronwen Neil -- Julian's cynics : remembering for future purposes / Philip Bosman -- Memories of trauma and the formation of a Christian identity / Jonathan P. Conant -- Augustine's memory of the 411 confrontation with Emeritus of Cherchell / Geoffrey D. Dunn -- Purity and the rewriting of memory : revisiting Julian's disgust for the Christian worship of corpses and its consequences / Wendy Mayer -- Constructing the sacred in late Antiquity : Jerome as a guide to Christian identity / Naoki Kamimura -- Utopia, body, and pastness in John Chrysostom / Chris L. de Wet -- Memories of peace and violence in the late-antique West / Bronwen Neil -- Two foreign saints in Palestine : responses to religious conflict in the fifth to seventh centuries / Pauline Allen, Kosta Simic -- Remembering the damned : Byzantine liturgical hymns as instruments of religious polemics / Kosta Simic -- Paradise regained? Utopias of deliverance in seventh-century apocalyptic discourse / Ryan W. Strickler -- Ausonius, Fortunatus, and the ruins of the Moselle / Chris Bishop -- Spitting on statues and shaving Hercules's beard : the conflict over images (and idols) in early Christianity / Robin M. Jensen -- Athena, patroness of the marketplace : from Athens to Constantinople / Janet Wade -- Transformation of Mediterranean ritual spaces up to the early Arab conquests / Leonela Fundic

Weitere Ausg.: Erscheint auch als Druck-Ausgabe, hbk ISBN 978-1-138-32867-9

Sprache: Englisch

Fachgebiete: Geschichte

Schlagwort(e): Utopie ; Kollektives Gedächtnis ; Religiöse Gruppe ; Spätantike ; Geschichte 300-750 ; Aufsatzsammlung ; Electronic books

DOI: 10.4324/9780429448508

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Rezension

URL: kostenfrei

URL: kostenfrei

URL: Rezension

Mehr zum Autor: Neil, Bronwen 1969-

UID:

Umfang: 1 online resource (xvii, 471 pages) : , illustrations

ISBN: 1315619164 , 9781315619163 , 9781317213116 , 1317213114 , 9781317213123 , 1317213122 , 9781317213109 , 1317213106

Serie: The Routledge International handbook series

Inhalt: Winner of the IAJS award for best edited book of 2018! The Routledge International Handbook of Jungian Film Studies weaves together the various strands of Jungian film theory, revealing a coherent theoretical position underpinning this exciting recent area of research, while also exploring and suggesting new directions for further study. The book maps the current state of debates within Jungian orientated film studies and sets them within a more expansive academic landscape. Taken as a whole, the collection shows how different Jungian approaches can inform and interact with a broad range of disciplines, including literature, digital media studies, clinical debates and concerns. The book also explores the life of film outside cinema - what is sometimes termed post-cinema' - offering a series of articles exploring Jungian approaches to cinema and social media, computer games, mobile screens, and on-line communities. The Routledge International Handbook of Jungian Film Studies represents an essential resource for students and researchers interested in Jungian approaches to film. It will also appeal to those interested in film theory more widely, and in the application of Jung's ideas to contemporary and popular culture.

Anmerkung: List of Contributors; Acknowledgements; Introduction, Luke Hockley; 1) A Jungian textual terroir, Catriona Miller; 2) Dionysus and textuality: Hockley's somatic cinema for a transdisciplinary film studies, Susan Rowland; 3) Stick to the image? No thanks! Eric Greene; 4) Archetypal possibilities: meta-representations, a critique of von Franz interpretation of fairy tale genre focusing on Jean Cocteau's retelling of The Beauty and the Beast, Leslie Gardner; 5) Human Beans and the flight from otherness: Jungian constructions of gender in film, Phil Goss; 6) It's alive: The evolving archetypal image and Mary Shelley's Frankenstein, Elizabeth Nelson; 7) Music in film: Its functions as image, Benjamin Nagari; 8) Psychological images and multimodality in Boyhood and Birdman, Shara Knight; 9) Feminist film criticism: Towards a Jungian approach', Helena Bassil-Morozow; 10) Teaching Jung in the academy: The representation of comic book heroes on the big screen, Kevin Lu; 11) Horror and the sublime: Psychology, transcendence and the role of terror, Christopher Hauke; 12) Hungry children and starving fathers: auteurist notions of father hunger in American Beauty, Toby Reynolds; 13) Beyond the male hero myth in Clint Eastwood films, Steve Myers; 14) True detective and Jung's four steps of transformation, Stephen Anthony Farah; 15) Film futuristics: A forecasting methodology, Michael Glock; 16) The Australian lost child complex in adaptation: Kurzel's Macbeth and Stone's The daughter, Terrie Waddell; 17) Numinous images of a new ethic: A Jungian eiew of Kieslowski's The decalogue, Judith R. Cooper and August J. Cwik; 18) The han cultural complex: Embodied experiences of trauma in New Korean Cinema, Amalya Layla Ashman; 19) The outsider protagonist in American film, Glen Slater; 20) Spirited Away and its depiction of Japanese traditional culture, Megumi Yama; 21) Cold comforts: Psychical and cultural schisms in The Bridge and Fortitude, Alec Charles; 22) Cultural hegemonies of forms and representations: Russian fairy tale women and Post-Jungian thought, Nadi Fadina; 23) Feeling film: Time, space and the third image, Luke Hockley; 24) Getting your own pain: A personal account of healing dissociation with help from the film War Horse, Donald E. Kalsched; 25) Healing the holes in time: Film and the art of trauma, Angela Connolly; 26) Discovering the meaning of a film, John Beebe ; 27) Under the skin: Images as the language of the unconscious, Joanna Dovalis and John Izod; 28) Beyond the second screen: Enantiodromia and the running-together of connected viewing, Greg Singh; 29) Anima ludus: Analytical psychology, phenomenology and digital games, Steve Conway; 30) Cinema without a cinema and film without film: the psychogeography of contemporary media consumption, Aaron Balick; 31) Digital media as textual theory: Audiovisual, pictorial and data analyses of Alien and Aliens, Andrew McWhirter; 32) A networked imagination: Myth-making in fan fic's story and soul, Leigh Melander; 33) The unlived lives of cinema: Post-cinematic doubling, imitation and supplementarity, Kelli Fuery

Weitere Ausg.: Print version: Routledge international handbook of Jungian film studies. Abingdon, Oxon ; New York, NY : Routledge, 2018 ISBN 9781138666962

Sprache: Englisch

Fachgebiete: Allgemeines

Schlagwort(e): Electronic books. ; Electronic books. ; Einführung ; Aufsatzsammlung

DOI: 10.4324/9781315619163

URL: https://www.taylorfrancis.com/books/9781315619163

URL: lizenzpflichtig

URL: Volltext  (URL des Erstveröffentlichers)

UID:

Umfang: 1 online resource (xxvii, 388 pages) : , digital, PDF file(s).

ISBN: 9780511570292 (ebook)

Inhalt: Word and Image in Japanese Cinema examines the complex relationship between the temporal order of linguistic narrative and the spatiality of visual spectacle, a dynamic that has played an important role in much of Japanese film. The tension between the controlling order of words and the liberating fragmentation of images has been an important force that has shaped modern culture in Japan and that has also determined the evolution of its cinema. In exploring the rift between word and image, the essays in this volume clarify the cultural imperatives that Japanese cinema reflects, as well as the ways in which the dialectic of word and image has informed the understanding and critical reception of Japanese cinema in the West.

Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015). , Foreword: outside views of the Japanese film / Donald Richie -- Introduction / Carole Cavanaugh and Dennis Washburn -- The word before the image: criticism, the screenplay, and the regulation of meaning in prewar Japanese film culture / Aaron Gerow -- The cinematic art of Higuchi Ichiyô's Takekurabe (Comparing Heights, 1895-1896) / Janet A. Walker -- Once more and Gosho's romanticism in the early occupation period / Arthur Nolletti, Jr.-- The taunt of the gods: reflections on Woman in the dunes / Linda C. Ehrlich and Antonio Santos -- Adapting The Makioka sisters / Kathe Geist -- In the show house of modernity: exhaustive listing in Itami Jûzô's Tanpopo / Charles Shirô Inouye -- Where's mama? The sobbing Yakuza of Hasegawa Shin / Alan Tansman -- Saving the children: films by the most "casual" of directors, Shimizu Hiroshi / Keiko I. McDonald -- Ishihara Yûjirô: youth, celebrity, and the male body in late-1950s Japan / Michael Raine -- Otoko wa tsurai yo: nostalgia or parodic realism? / Richard Torrance -- A working ideology for Hiroshima: Imamura Shôhei's Black rain / Carole Cavanaugh -- Piss and run: or how Ozu does a number on SCAP / Edward Fowler -- In the realm of the censors: cultural boundaries and the poetics of the forbidden / Leger Grindon -- The arrest of time: the mythic transgressions of Vengeance is mine / Dennis Washburn -- The frenzy of metamorphosis: the body in Japanese pornographic animation / Susan J. Napier.

Weitere Ausg.: Print version: ISBN 9780521771825

Sprache: Englisch

Fachgebiete: Allgemeines

Schlagwort(e): Aufsatzsammlung

URL: https://doi.org/10.1017/CBO9780511570292

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (lizenzpflichtig)

UID:

Umfang: XXX, 617 p. 193 illus. , online resource.

ISBN: 9783319912387

Serie: Lecture Notes in Computer Science, 10901

Inhalt: The 3 volume-set LNCS 10901, 10902 + 10903 constitutes the refereed proceedings of the 20th International Conference on Human-Computer Interaction, HCI 2018, which took place in Las Vegas, Nevada, in July 2018. The total of 1171 papers and 160 posters included in the 30 HCII 2018 proceedings volumes was carefully reviewed and selected from 4346 submissions. HCI 2018 includes a total of 145 papers; they were organized in topical sections named: Part I: HCI theories, methods and tools; perception and psychological issues in HCI; emotion and attention recognition; security, privacy and ethics in HCI. Part II: HCI in medicine; HCI for health and wellbeing; HCI in cultural heritage; HCI in complex environments; mobile and wearable HCI. Part III: input techniques and devices; speech-based interfaces and chatbots; gesture, motion and eye-tracking based interaction; games and gamification.

Anmerkung: HCI Theories, methods and tools -- What are User Requirements? Developing an ISO Standard -- UCD: influenced by an organizational culture and its maturity -- A Landscape of Design: Interaction, Interpretation and the Development of Experimental Expressive Interfaces -- InterArt: Learning Human-Computer Interaction Through the Making of Interactive Art -- UX Evaluation Design of UTAssistant: A New Usability Testing Support Tool for Italian Public Administrations -- The Development of Individuals’ Competencies as a Meaningful Process of the Audiovisual Design Methodology -- How to Bring the ‘Myth’ of Cultural Awareness into Enterprise Software – Challenges and Approaches -- A Method to Make an Existing System Adaptive -- Towards an integrated approach to studying virtual reality-mediated social behaviors -- Tool-mediated HCI Modeling Instruction in a Campus-based Software Quality Course -- Approaches to Interface Icon Classification -- User Experience Evaluation by ERM: Experience Recollection Method -- Don’t Leave Me Alone: Retrospective Think Aloud supported by Real-time Monitoring of Participant’s Physiology -- From Design Fiction to Design Fact: developing future user experiences with proto-tools -- What's the Impact of Local Cultures on the User Experience of Software Solutions? -- How is User Research Essential in making E-Government Accessible to All? -- Addressing IoT – Towards Material-Centered Interaction Design -- Evaluation of Visualization Heuristics -- The Temporal-Spatial Metaphorical Expression Difference in Spatial Schema Design -- Perception and psychological issues in HCI -- “I’m not stupid” - Attitudes Towards Adaptation Among People with Dyslexia -- Research on Sticker Cognition for Older Adult Using Instant Messaging -- Cognitive Offloading and the Extended Digital Self -- Deconaby: Animations for Improving Understandability of Web Images -- Study on Children's Toy Design Based on Perceptual Evaluation -- User performance for vehicle recognition with visual and infrared sensors from an unmanned aerial vehicle -- Reading Machine-Written News: Effect of Machine Heuristic and Novelty on Hostile Media Perception -- Courting the Visual Image: The Ability of Digital Graphics and Interfaces to Alter the Memory and Behaviour of the Viewer -- Impact of the size of Chinese Characters on the Visual Search Performance Under Vibration -- Image Blurring Method for Enhancing Digital Content Viewing Experience -- Characterizing the EEG Features of Inspiring Designers with Functional Terms -- Emotion and attention recognition -- Speech Emotion Recognition Integrating Paralinguistic Features and Auto-encoders in a Deep Learning Model -- Deep Learning based Video Spatio-Temporal Modeling for Emotion Recognition -- A Flexible, Low Power, Compact, Mobile Sensor for Emotion Monitoring in Human Computer Interaction -- Multimodal Paradigm for Emotion Recognition based on EEG signals -- Automatic low-level overlays on presentations to support regaining an audience’s attention -- Experimental Induction and Measurement of Negative Affect Induced by Interacting with In-vehicle Information Systems -- Measurement of JND Thresholds and Riemannian Geometry in Facial Expression Space -- A System for Non-Intrusive Affective Assessment in the Circumplex Model from Pupil Diameter and Facial Expression Monitoring -- Security, privacy and ethics in HCI -- A Model for Regulating of Ethical Preferences in Machine Ethics -- Towards Collecting and Linking Personal Information for Complete Personal Online Identity Modelling -- Towards an Ethical security platform -- PassHue: Introducing Analog Authentication -- A Hand Gesture-Based Method for Biometric Authentication -- HCI Patterns for Cryptographically Equipped Cloud Services -- Why Users Ignore Privacy Policies – A Survey and Intention Model for Explaining User Privacy Behavior -- Digital Breadcrumbs: A Lack of Data Privacy and What People are Doing About It.

In: Springer eBooks

Weitere Ausg.: Printed edition: ISBN 9783319912370

Sprache: Englisch

Schlagwort(e): Konferenzschrift

DOI: 10.1007/978-3-319-91238-7

URL: http://dx.doi.org/10.1007/978-3-319-91238-7

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext

URL: lizenzpflichtig

UID:

Umfang: 1 online resource (375 pages)

Ausgabe: 1st ed.

ISBN: 9783839472422

Serie: Digitale Gesellschaft Series

Anmerkung: Cover -- Contents -- Acknowledgements -- Introduction -- The Three Central Hypotheses -- The Logical Progression of the Three Concepts or Hypotheses -- Part One - Hyper‐Modernism: Digital Media Technologies and Science Fiction -- Part One to Part Two: From Hyper‐Modernism to Hyperreality -- Part Two - Hyperreality: Reevaluation of Jean Baudrillard's Media Theory and the Simulacrum -- Part Two to Part Three: From Hyperreality to Post‐Humanism and Creative Coding -- Part Three - Posthumanism: N. Katherine Hayles' History of Cybernetics, Creative Coding, and the Future of Informatics -- Originally Published Versions -- Methodology -- Thirty Minute Statement at my Ph.D. Oral Defense Alan N. Shapiro, April 12, 2024 -- Part One - Hyper‐Modernism: Digital Media Technologies and Science Fiction -- Overview of Part One -- Short Definitions of Modernity, Postmodernism, and Hyper‐Modernism -- The Three Essays of Part One -- Mobility and Science Fiction -- Introduction -- We Do Not Live in a Society Where Mobility is Encouraged -- The Dream of the Tomorrow‐Car -- Henri Matisse Paints "the Vision Machine" -- The New Vision Machine -- Close Encounters of the Third Kind: The Menace of Verticality -- The "Spinner" Flying Cars of Blade Runner: Simulation and Surveillance -- Blade Runner: We Are All Replicants -- Blade Runner 2049: Android Liberation Between Old and New Informatic Power -- Minority Report: The Utopia/Dystopia of Surveillance Technologies -- The Fifth Element: When Manhattan has no More Ways to Expand -- Back to the Future: A Speed So Fast that the Laws of Spacetime Get Shattered -- Total Recall: You're in a Johnny Cab -- Robots Versus Androids -- Self‐Owning Cars -- Enhance the Physical World -- The Simulacra, Do Androids Dream of Electric Sheep?, and Dr. Bloodmoney -- The "Science Fiction World" of Philip K. Dick's Ubik. , Who Is Jory Miller and What is Ubik? -- Fredric Jameson on Postmodernism -- Sonja Yeh on the Postmodern Media Theorists -- Donna J. Haraway's "A Manifesto for Cyborgs" -- Science Fiction Heterotopia: The Economy of the Future -- Introduction: Foucault's Heterotopia -- The Technologizing of Memory -- Black Mirror: "The Entire History of You" - Scenes from a Marriage -- Similar Technologies in the Real World Today -- Brain‐Computer Interface -- Designing the Brain‐Computer Interface -- Hyper‐Modernist Literature -- The Economy of the Future -- Post‐Capitalism and Technological Anarchism -- Star Trek Replicators and Star Trek Economics -- Ecologically Aware or Sustainable 3D Printers -- Additive Manufacturing and Living Organisms -- Andre Gorz: Human Liberation Beyond Work -- Murray Bookchin, Post‐Scarcity Anarchism -- Yanis Varoufakis' Vision of Post‐Capitalism -- Conclusion -- Geert Lovink on Post‐Capitalism -- Blockchain Decentralized Idealism -- Smart Contracts -- Between Law and Code -- Decentralized Autonomous Organization -- Between Corporate Intellectual Property Rights and the Rights of Users -- Fiction and Power in Postmodernism -- Cornelius Castoriadis, The Imaginary Institution of Society -- Donna J. Haraway on the Informatics of Domination -- Michel Foucault's Analytics of Power -- Jean Baudrillard, Forget Foucault -- Gilles Deleuze, "Postscript on the Societies of Control" -- Fiction, Power, and Codes in Hyper‐Modernism -- John Armitage on Hyper‐Modernism -- Albert Borgmann on Hyper‐Modernism -- Gilles Lipovetsky on Hyper‐Modernism -- What is Hyper‐Modernism? -- Introduction -- Access to History -- The Carnivalesque -- Modernity, Postmodernism, Hyper‐Modernism -- Gustave Flaubert: To Write a Novel About Nothing -- Hyper‐Modernist Creativity -- Body, Self, and Code in Hyper‐Modernism -- Sincerity and Authenticity. , Darko Suvin on Science Fiction Studies -- Carl Freedman on Science Fiction Studies -- Istvan Ciscsery‐Ronay, Jr. on Science Fiction Studies -- Part Two - Hyperreality: Reevaluation of Jean Baudrillard's Media Theory and the Simulacrum -- Overview of Part Two -- Defining the Simulacrum and Hyperreality -- Thinking Hyperreality: From Rhetoric to Code -- Baudrillard's Importance for the Future -- Baudrillard and the Situationists -- Baudrillard and Trump -- Baudrillard's Importance for the Future -- The Controversy Around Baudrillard -- Yes - Everything is Simulation! -- Early Baudrillard: The Consumer Society and For a Critique of the Political Economy of the Sign -- Symbolic Exchange and the Gift Economy -- The First Order of Simulacra: The Student of Prague -- The Second Order of Simulacra: The First Industrial Revolution -- The Third Order of Simulacra: Simulation and Hyperreality -- First‐Wave Digitalization as Interactive Performance -- The Fourth Order of Simulacra: Value Radiates in All Directions -- From Descartes to Baudrillard: The "Evil Demon" of Images -- Arthur C. Clarke, "The Nine Billion Names of God" -- The Trapdoor Escape Hatch Way Out of Hyperreality -- High Life: The Black Hole of Humanity's Extinction and New Hope -- Poetic Resolution in Baudrillard's Thought -- Daniel Boorstin, The Image: Hyperreality Overtakes America -- Umberto Eco, Travels in Hyperreality -- Roland Barthes, Mythologies -- Taking the Side of Objects -- Plato and the Simulacrum -- Plato as Software Designer -- Brian Gogan on Plato, Baudrillard, and Rhetoric -- Deleuze on "Plato and the Simulacrum" -- Upgrading Hyperreality and the Simulacrum for Digitalization -- Personalized Advertising -- Transdisciplinarity is Good for (Post‑)Humanity -- Virtual Reality, Augmented Reality, and the Metaverse -- Baudrillard and the Situationists -- Introduction. , "Taking the Side of Objects" and the Situationists -- Baudrillard's Paradigm Shift -- Is Baudrillard Fair to the Situationists? -- "Baudrillard and the Situationists" Commentators Douglas Kellner and Sadie Plant, and the Tension between Critical Theory and Fatal Theory -- Exhibit A (Baudrillard self‐simplifies): -- Exhibit B (Baudrillard's critique of the Situationists is reductionist): -- Exhibit C (Sadie Plant's critique of Baudrillard is reductionist): -- Situationist Practices -- Wandering or the Drift - Le Dérive -- Psycho‐Geography -- The Diverting of Technologies - Le détournement -- The Making or Creating or Construction of Situations -- The Radical Illusion Beyond Art -- Neo‐Situationism in the Field of Advanced Digital Technologies -- Urban and Street Art Activism -- Augmented Reality versus Wall Street -- Conclusion -- McKenzie Wark on the Situationists -- Play Don't Work -- Existential Encounter with the Object -- From the Subject to the Object in Jean‐Paul Sartre's Nausea -- The Myth of Sisyphus: Albert Camus on the Side of Objects -- Simone de Beauvoir, The Ethics of Ambiguity -- Jean Baudrillard and the Donald: Is Trump a Fascist or is He the Parody of Fascism? -- Epistemology of True and False -- Society of the Spectacle and Hyperreality -- Donald Trump the Empty Signifier -- From Simulation to the Grotesque and the Self‐Parody -- Springtime for Hitler -- Serge Latouche Remembers Baudrillard -- Biosphere 2: The Artificial Paradise of Nature -- Reality TV and Baudrillard's Telemorphosis -- The Truman Show: "The Last Thing That I Would Ever Do is Lie to You" -- My Two Key Differences from Baudrillard -- Part Three - Posthumanism: N. Katherine Hayles' History of Cybernetics, Creative Coding, and the Future of Informatics -- Overview of Part Three -- The Science Fiction of Star Trek. , Star Trek's Spock, Data, and Seven of Nine and the Three Orders of Cybernetics -- What is Posthumanism? -- The Concept of Nature in Whitehead and Merleau‐Ponty -- Rosi Braidotti's Celebratory Posthuman Philosophy -- A Fully Posthuman Situation -- Wendy Chun on Software Code -- Software Code as Expanded Narration -- The Software of the Future -- Star Trek: Technologies of Disappearance -- Technoscience and Storytelling -- From Liberal Humanism to Posthumanism -- Cyborg Spock and NASA's Cyborg -- First Order Cybernetics -- How Information Lost Its Body -- Claus Pias on First‐Order Cybernetics -- Gene Roddenberry Designs His First Alien -- "The Devil in the Dark": Empathy for Radical Otherness -- Second Order Cybernetics -- Bernhard Dotzler on Second‐Order Cybernetics -- The Android Data of Star Trek: The Next Generation -- "The Offspring": Data's Daughter Lal -- Third Order Cybernetics -- "Becoming‐Borg" Seven of Nine -- Star Trek: Picard, "Remembrance" -- "Embodied Informatics" is a Science Fiction Idea -- Hayles on Writing and Software Code -- Hyper‐Modernist Science -- I, Robot and the Moral Dilemmas of the Three Laws of Robotics -- The Zeroth Law of Robotics and the Robot Unconscious -- Hayles on the Cognitive Nonconscious -- Marie‐Luise Angerer Critiques Hayles -- Judith Butler and Gender Theory -- Ex Machina and the Turing Test -- Ex Machina: The Performance of Female and Human -- Monique Wittig, The Straight Mind -- Software Code as Expanded Narration -- Software Code as Expressive Media -- Friedrich Kittler: The Numeric Kernel is Decisive -- Kittler's Media Archaeology -- Wolfgang Hagen on Programming Languages -- Ten Paradigms of Informatics and Programming -- The First Hyper‐Modern Computers -- Enter Software Studies -- Enter Creative Coding -- Alan Turing: The Imitation Game and Befriending the Evil Demon. , Alan Turing: The Scientific and Cultural Levels of Computing.

Weitere Ausg.: Print version: Shapiro, Alan N. Decoding Digital Culture with Science Fiction Bielefeld : transcript Verlag,c2024 ISBN 9783837672428

Sprache: Englisch

Schlagwort(e): Electronic books.

URL: Click to View

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UID:

Umfang: 1 online resource (173 pages)

Ausgabe: 1st ed.

ISBN: 9780472903788

Serie: Out of the Archives Series

Anmerkung: Intro -- Contents -- Figures -- Chapter 1. Introduction -- Chapter 2. The Plot: Borrowed Pasts and Unclear Futures -- Chapter 3. Trouble in Mind in Independent Cinema: Smooth Sailing in a Troubled Term -- Chapter 4. Neo-noir and Anti-noir: Playing with Tropes -- Chapter 5. The Style of Dreams: Image and Music -- Chapter 6. The 1980s: Broken Politics, Surfaces, and Dreams -- Chapter 7. Marketing and Reception -- Chapter 8. Archives, Afterlives, and Acknowledgments -- Notes -- Bibliography -- Index.

Weitere Ausg.: Print version: Flinn, Caryl Alan Rudolph's Trouble in Mind Ann Arbor : University of Michigan Press,c2023 ISBN 9780472039395

Sprache: Englisch

Schlagwort(e): Electronic books.

URL: Click to View

URL: Volltext  (kostenfrei)

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URL: Volltext  (kostenfrei)

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URL: Inhaltsverzeichnis

UID:

Umfang: 1 online resource (222 pages)

ISBN: 9783319911342

Anmerkung: Intro -- Preface -- Acknowlegments -- Contents -- Introduction -- Background -- Meeting at the Middle: Challenges to Educating at the Boundaries -- Engineers Shaping Human Affairs -- Engineering the Engineers: Thinking about Design in Designing Thinking -- In Closing -- References -- 1 Innovations in Energy-Climate Education: Integrating Engineering and Social Sciences to Strengthen Resilience -- 1.1 Introduction -- 1.2 Advancing Energy and Climate Education in Higher Education -- 1.3 Beyond Conventional Engineering: Engaged Learning at the Climate-Energy Nexus -- 1.4 Advancing K-12 Climate-Energy Education -- 1.5 Energy Democracy for a Changing World -- 1.6 Conclusions -- References -- 2 Technology, Policy and Management: Co-evolving or Converging? -- 2.1 Introduction -- 2.2 Socio-Technical Systems -- 2.3 Socio-Technical Systems in TPM's Education and Research -- 2.4 Concluding Remarks -- 3 Reconnecting Engineering with the Social and Political Sphere -- 3.1 Science Outside the Lab -- 3.2 Community Engagement Workshops -- 3.3 Conclusion -- References -- 4 Ecole des Mines de Paris: A Few Lessons from a Long History -- 4.1 Professional Mining School: 1815-1890 -- 4.2 Generalist School: 1890-1967 -- 4.3 School Based on Research: 1967-2014 -- 4.4 What Should We Take Away from This Long History? Contemporary Challenges and New Images of the Engineer -- 5 Evolving from Single Disciplines to Renaissance Teams -- 5.1 Origins and Motivation -- 5.2 A Multidisciplinary Design Course -- 5.3 Lessons Learned -- References -- 6 Designing the Future We Want -- 6.1 The Dialogues Are Broken -- 6.2 The Design Hypothesis -- 6.3 Broken Multidisciplinary Dialogues -- 6.4 The PSI Matrix for Understanding Design -- 6.5 Epilog -- Acknowledgements -- References -- 7 Engineering Design and Society -- Acknowledgements -- References. , 8 The Cult of Innovation: Its Myths and Rituals -- 8.1 Gadgetology -- 8.2 Elitism -- 8.3 Benign Innovation -- 8.4 Smash and Grab -- 8.5 Jewel in the Crown -- 8.6 Expecting Miracles -- 8.7 Procrastovation -- 8.8 Homilies -- References -- 9 A Generative Perspective on Engineering: Why the Destructive Force of Artifacts Is Immune to Politics -- 9.1 Labor Value, Ecological Value, and Expressive Value -- 9.2 Watchmaking -- 9.3 A Cyborg Path to Generative Justice -- 9.4 Tuning for Generative Justice -- Acknowledgements -- References -- 10 Does Law Wear Out? -- 10.1 Extended Action Through Time -- 10.2 A Legal Bathtub Curve? -- 10.3 Sketches for an Empirical Test -- 10.4 Bathtub or Sawtooth or Both? -- 10.5 Possible Future Directions -- References -- 11 The Role of Emotion and Culture in the "Moment of Opening"-An Episode of Creative Collaboration -- 11.1 Introduction -- 11.2 Defining Emotion and Culture -- 11.2.1 Emotion: An Arousal-Valence Perspective -- 11.2.2 Emotion: An Awareness-Memory Perspective -- 11.3 Moment of Opening as an Episode of Creative Collaboration -- 11.4 The Role of Emotion in a "Moment of Opening" Interaction -- 11.5 The Role of Culture in a "Moment of Opening" Interaction -- 11.6 Conclusion -- References -- 12 Do the Best Design Ideas (Really) Come from Conceptually Distant Sources of Inspiration? -- 12.1 Background -- 12.1.1 Research Base -- 12.1.2 Impetus for the Current Work -- 12.2 Methods -- 12.2.1 Overview of Research Context -- 12.2.2 Sample and Initial Data Collection -- 12.2.3 Measures -- 12.2.3.1 Creativity of Concepts -- 12.2.3.2 Conceptual Distance -- Measurement Approach -- Validation -- Final Distance Measures -- 12.2.3.3 Control Measures -- 12.2.4 Analytic Approach -- 12.3 Results -- 12.3.1 Descriptive Statistics -- 12.3.2 Statistical Models -- 12.3.2.1 Max Distance -- 12.3.2.2 Mean Distance -- 12.4 Discussion. , 12.4.1 Summary and Interpretation of Findings -- 12.4.2 Caveats and Limitations -- 12.4.3 Implications and Future Directions -- Appendix 1: Topic Model Technical Details -- Document Preprocessing -- Model Parameter Selection -- Appendix 2: Statistical Modeling Technical Details -- Statistical Modeling Approach -- Model Selection -- Robustness and Sensitivity -- References -- 13 Integrating is Caring? Or, Caring for Nanotechnology? Being an Integrated Social Scientist -- 13.1 Introduction -- 13.2 Why Care? -- 13.3 Caring for Nanotechnology -- 13.3.1 Being Integrated or, I Am Outreach -- 13.3.2 Defining Integration or, 2 + 2 = 4 -- 13.3.3 Doing Integration or, the Problem with Users and Their Proxies -- 13.3.4 Managing Integration or, What Counts as Knowledge -- 13.4 Conclusion -- 13.5 Afterword -- Acknowledgements -- References -- 14 The Art of Research: A Divergent/Convergent Thinking Framework and Opportunities for Science-Based Approaches -- 14.1 Introduction -- 14.2 Divergent/Convergent Thinking Framework -- 14.3 Individual Researchers: Human Cognitive Constraints and Biases -- 14.3.1 Divergent Thinking: Overcoming Idea Fixation Through Engineered Exposure to New Ideas -- 14.3.2 Convergent Thinking: Overcoming Sloppy Thinking Through Disciplined Use of Research Narratives -- 14.3.3 Balancing Divergent and Convergent Thinking -- 14.4 Research Teams: Social Constraints and Biases -- 14.4.1 Divergent Thinking: Overcoming Over-Reliance on Strong Links by Exploiting Weak Links -- 14.4.2 Convergent Thinking: Balancing Impermeable Teams with Permeable Collaborations -- 14.4.3 Distributing Divergent and Convergent Thinking Between Individuals and Teams -- 14.5 Research Institutions: Cultural Constraints and Biases -- 14.5.1 Divergent Thinking: Balancing a Culture of Performance with a Culture of Learning. , 14.5.2 Convergent Thinking: Balancing a Culture of Consensus with a Culture of Truth -- 14.6 A Vision for the Future -- Acknowledgements -- References -- 15 Knowledge, Skill, and Wisdom: Reflections on Integrating the Social Sciences and Engineering -- 15.1 Knowledge, Skill, and Wisdom -- 15.2 An Overview of UVA's Program in Science, Technology, and Society -- 15.3 Key Concepts -- 15.4 Neither Preach nor Apologize -- References -- 16 Dealing with the Future: General Considerations and the Case of "Mobility".

Weitere Ausg.: Print version: Subrahmanian, Eswaran Engineering a Better Future Cham : Springer International Publishing AG,c2018 ISBN 9783319911335

Sprache: Englisch

Schlagwort(e): Electronic books. ; Electronic books. ; Electronic books.

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Umfang: 304 S. : zahlr. Ill., Kt.

Ausgabe: New and updated ed.

ISBN: 0-520-04655-2 , 0-500-27238-7

Anmerkung: Literaturverz. S. 256 - 269

Weitere Ausg.: Äquivalent Gimbutas, Marija The gods and goddesses of Old Europe

Sprache: Englisch

Fachgebiete: Geschichte , Theologie/Religionswissenschaften

Schlagwort(e): Gottesdarstellung ; Kunst ; Religion ; Gottesvorstellung ; Gottesdarstellung ; Gottesdarstellung ; Steinzeit

URL: Contributor biographical information

Mehr zum Autor: Gimbutas, Marija 1921-1994

UID:

Umfang: XII, 430 S. : , zahlr. Ill.

ISBN: 0-19-506727-4

Inhalt: Information about women is scattered throughout the fragmented mosaic of ancient history. The vivid poetry of Sappho survived antiquity on remnants of damaged papyrus, riddled with gaps. The inscription on a beautiful fourth century B.C.E. grave praises the virtues of Mnesarete, an Athenian woman who died young, but we do not know if the grave's marble stele shows Mnesarete, or simply a ready-made design chosen by her family. We read that on one occasion in the fourth century a great number of Roman wives were given a collective public trial and found guilty of poisoning their husbands, but we can only guess whether these "poisonings" were invented, or were linked to a high occurrence of accidental food poisoning, or to something more sinister

Inhalt: Apart from the legends of Cleopatra, Dido, and Lucretia, and images of graceful maidens dancing on urns, the evidence about the lives of women of the classical world - visual, archaeological, and written - has remained little known and little understood. Now, the lavishly illustrated and meticulously researched Women in the Classical World lifts the curtain on the women of ancient Greece and Rome, from slaves and prostitutes, to Athenian housewives, to Rome's imperial family. The first book on classical women to give equal weight to written texts and artistic representations, it brings together a great wealth of materials - poetry, vase painting, legislation, medical treatises, architecture, religion and funerary art, women's ornaments, historical epics, political speeches, even ancient coins - to present women in the historical and cultural context of their time

Inhalt: Written by leading experts in the fields of ancient history and art history, women's studies, and Greek and Roman literature, the book's chronological arrangement allows the changing roles of women to unfold over a thousand year period, beginning in the eighth century B.C.E. The authors seek out and present ancient literature that preserves women's own voices. Both the art and the literature highlight women's creativity, sexuality and coming of age, marriage and child rearing, religious and public roles, and other themes. Fascinating chapters probe revealing aspects of the classical world: the ubiquitous reports of wild behavior on the part of Spartan and Etruscan women and the mythical Amazons; the changing views of the female body presented in male-authored gynecological treatises; the political and financial activities of women from all over Rome's empire; and the traces of upper and lower-class life in Pompeii, miraculously preserved by the eruption of Mount Vesuvius in 79 C.E

Sprache: Englisch

Fachgebiete: Geschichte , Altertumswissenschaften

Schlagwort(e): Frau ; Frau ; Frau ; Antike ; Frau ; Kunst ; Frau ; Kunst ; Frau ; Frau ; Soziale Stellung ; Frau ; Soziale Stellung ; Antike ; Kunst ; Frau ; Quelle ; Quelle

URL: Inhaltsverzeichnis

URL: Verlagsangaben

URL: Autorenbiografie

URL: http://www.loc.gov/catdir/enhancements/fy0636/92047284-t.html

Mehr zum Autor: Fantham, Elaine 1933-2016