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  • 1
    Online-Ressource
    Online-Ressource
    Liverpool :Liverpool University Press,
    UID:
    almahu_9947381977802882
    Umfang: 1 online resource (viii, 272 pages) : , digital, PDF file(s).
    ISBN: 1-78694-411-1 , 1-78138-332-4
    Serie: Liverpool science fiction text and studies ; 56
    Inhalt: 'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. The analysis deals with dystopian science fiction artifacts of different media from the year 2000 onwards that project a posthuman intervention into contemporary socio-political discourse based in liquid modernity in the cultural formation of biopunk. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet. As Rosi Braidotti argues, "there is a posthuman agreement that contemporary science and biotechnologies affect the very fibre and structure of the living and have altered dramatically our understanding of what counts as the basic frame of reference for the human today". The proposed book analyzes this alteration as directors, creators, authors, and artists from the field of science fiction extrapolate it from current trends.
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Jun 2017). , Acknowledgements -- 1. Introduction -- 2. Dystopia, science fiction, posthumanism, and liquid modernity -- 3. The anthropocene, the posthuman, and the animal --4. Science, family and the monstrous progeny -- 5. Individuality, choice, and genetic manipulation -- 6.The utopian, the dystopian, and the heroic deeds of one -- 7. 9/11 and the Wasted Lives of Posthuman Zombies -- 8. Conclusion -- Works cited -- Index. , Available in print form. , English
    Weitere Ausg.: ISBN 1-78138-376-6
    Sprache: Englisch
    Fachgebiete: Amerikanistik , Komparatistik. Außereuropäische Sprachen/Literaturen
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Hochschulschrift
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Liverpool : Liverpool University Press | Berlin : Knowledge Unlatched
    UID:
    gbv_877812225
    Umfang: 1 Online-Ressource (viii, 272 Seiten) , illustrations, figures, tables
    ISBN: 9781781383322 , 1786944111 , 9781786944115
    Serie: Liverpool science fiction texts and studies
    Inhalt: 'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. The analysis deals with dystopian science fiction artifacts of different media from the year 2000 onwards that project a posthuman intervention into contemporary socio-political discourse based in liquid modernity in the cultural formation of biopunk. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet. As Rosi Braidotti argues, "there is a posthuman agreement that contemporary science and biotechnologies affect the very fibre and structure of the living and have altered dramatically our understanding of what counts as the basic frame of reference for the human today" (40). The proposed book analyzes this alteration as directors, creators, authors, and artists from the field of science fiction extrapolate it from current trends
    Anmerkung: eng
    Weitere Ausg.: ISBN 1781383766
    Weitere Ausg.: ISBN 9781781383766
    Weitere Ausg.: Print version Biopunk Dystopias, Genetic Engineering, Society and Science Fiction Liverpool : Liverpool University Press
    Sprache: Englisch
    Fachgebiete: Amerikanistik , Komparatistik. Außereuropäische Sprachen/Literaturen , Anglistik
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Science-Fiction-Literatur ; Genetik ; Electronic books
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Liverpool : Liverpool University Press
    UID:
    gbv_1778581471
    Umfang: 1 Online-Ressource
    ISBN: 9781781383322
    Serie: Liverpool Science Fiction Texts and Studies
    Inhalt: 'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet
    Anmerkung: English
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    Liverpool :Liverpool University Press,
    UID:
    almafu_9958198329502883
    Umfang: 1 online resource (viii, 272 pages) : , digital, PDF file(s).
    ISBN: 1-78694-411-1 , 1-78138-332-4
    Serie: Liverpool science fiction text and studies ; 56
    Inhalt: 'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. The analysis deals with dystopian science fiction artifacts of different media from the year 2000 onwards that project a posthuman intervention into contemporary socio-political discourse based in liquid modernity in the cultural formation of biopunk. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet. As Rosi Braidotti argues, "there is a posthuman agreement that contemporary science and biotechnologies affect the very fibre and structure of the living and have altered dramatically our understanding of what counts as the basic frame of reference for the human today". The proposed book analyzes this alteration as directors, creators, authors, and artists from the field of science fiction extrapolate it from current trends.
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Jun 2017). , Acknowledgements -- 1. Introduction -- 2. Dystopia, science fiction, posthumanism, and liquid modernity -- 3. The anthropocene, the posthuman, and the animal --4. Science, family and the monstrous progeny -- 5. Individuality, choice, and genetic manipulation -- 6.The utopian, the dystopian, and the heroic deeds of one -- 7. 9/11 and the Wasted Lives of Posthuman Zombies -- 8. Conclusion -- Works cited -- Index. , Available in print form. , English
    Weitere Ausg.: ISBN 1-78138-376-6
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    UID:
    almahu_BV042208893
    Umfang: VIII, 278 S. : , Ill.
    Anmerkung: Berlin, Humboldt-Univ., Diss., 2014
    Weitere Ausg.: Reproduziert als Schmeink, Lars Biopunk dystopias Berlin
    Sprache: Englisch
    Fachgebiete: Amerikanistik , Komparatistik. Außereuropäische Sprachen/Literaturen
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Science-Fiction-Literatur ; Genetik ; Hochschulschrift
    Mehr zum Autor: Schmeink, Lars, 1975-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    Mikrofilm
    Mikrofilm
    Berlin, | Berlin :MIK-Center GmbH,
    UID:
    almahu_BV042642455
    Umfang: 3 Mikrofiches (VIII, 278 Seiten) : , Illustrationen.
    Anmerkung: Dissertation Humboldt-Universität zu Berlin 2014
    Weitere Ausg.: Reproduktion von Schmeink, Lars Biopunk dystopias Berlin
    Sprache: Englisch
    Fachgebiete: Amerikanistik , Komparatistik. Außereuropäische Sprachen/Literaturen
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Science-Fiction-Literatur ; Genetik ; Hochschulschrift
    Mehr zum Autor: Schmeink, Lars 1975-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 7
    Online-Ressource
    Online-Ressource
    Oxford : Liverpool University Press
    UID:
    gbv_1008667935
    Umfang: 1 Online-Ressource (viii, 272 pages)
    ISBN: 9781786944115 , 1781383324 , 1781383766 , 1786944111 , 9781781383766 , 9781781383322
    Serie: Liverpool science fiction texts and studies [56]
    Inhalt: 'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet
    Inhalt: 'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet
    Anmerkung: Includes bibliographical references (pages 247-265) and index
    Weitere Ausg.: ISBN 9781781383766
    Weitere Ausg.: Schmeink, Lars, 1975 - Biopunk dystopias Liverpool : Liverpool University Press, 2016 ISBN 9781781383766
    Weitere Ausg.: Print version Schmeink, Lars Biopunk dystopias : genetic engineering, society and science fiction Oxford : Liverpool University Press, ©2016 ISBN 9781781383766
    Sprache: Englisch
    Fachgebiete: Amerikanistik , Anglistik
    RVK:
    RVK:
    Schlagwort(e): Science-Fiction ; Electronic books
    URL: Volltext  (kostenfrei)
    Mehr zum Autor: Schmeink, Lars 1975-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    Online-Ressource
    Online-Ressource
    Liverpool :Liverpool University Press,
    UID:
    almahu_9949494386002882
    Umfang: 1 online resource : , illustrations (black and white).
    ISBN: 9781786944115 (ebook) :
    Serie: Liverpool science fiction texts and studies
    Inhalt: 'Biopunk Dystopias' analyses 21st century cultural anxieties and dystopian visions about the consequences of biotechnology, especially genetic engineering, as part of contemporary social reality.
    Anmerkung: Previously issued in print: 2016.
    Weitere Ausg.: Print version : ISBN 9781781383766
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 9
    Online-Ressource
    Online-Ressource
    Oxford :Liverpool University Press,
    UID:
    edocfu_9959648553802883
    Umfang: 1 online resource (viii, 272 pages) : , illustrations.
    ISBN: 9781781383322 , 1781383324
    Serie: Liverpool science fiction texts and studies ; [56]
    Inhalt: 'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet.
    Anmerkung: Dystopia, science fiction, posthumanism, and liquid modernity -- The anthropocene, the posthuman, and the animal -- Science, family and the monstrous progeny -- Individuality, choice, and genetic manipulation -- The utopian, the dystopian, and the heroic deeds of one -- 9/11 and the wasted lives of posthuman zombies.
    Sprache: Englisch
    URL: OAPEN
    URL: OAPEN
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 10
    Online-Ressource
    Online-Ressource
    Oxford :Liverpool University Press,
    UID:
    edoccha_9959648553802883
    Umfang: 1 online resource (viii, 272 pages) : , illustrations.
    ISBN: 9781781383322 , 1781383324
    Serie: Liverpool science fiction texts and studies ; [56]
    Inhalt: 'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet.
    Anmerkung: Dystopia, science fiction, posthumanism, and liquid modernity -- The anthropocene, the posthuman, and the animal -- Science, family and the monstrous progeny -- Individuality, choice, and genetic manipulation -- The utopian, the dystopian, and the heroic deeds of one -- 9/11 and the wasted lives of posthuman zombies.
    Sprache: Englisch
    URL: OAPEN
    URL: OAPEN
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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