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  • 1
    UID:
    almahu_9949386476402882
    Umfang: 1 online resource (x, 302 pages) : , illustrations.
    ISBN: 9780429330254 , 0429330251 , 1000077284 , 9781000077247 , 1000077241 , 9781000077261 , 1000077268 , 9781000077285
    Serie: Routledge studies in eighteenth-century philosophy
    Inhalt: "This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, the book challenges longstanding teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures, namely the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German thinkers examine aesthetic experience and moral concerns and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic"--
    Anmerkung: Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Table of Contents -- List of Contributors -- Acknowledgments -- Introduction -- Part I: Aesthetic Concepts, Morality, and Society in the British Tradition -- 1 The Evolution of Aesthetic Concepts 1700-1800 -- 2 Beauty, Nature, and Society in Shaftesbury's the Moralists -- 3 Force Makes Right -- or, Shaftesbury's Moral- Aesthetic Dynamics -- 4 Civilization in Eighteenth-Century Britain: A Subject for Taste -- 5 Adam Smith's Aesthetic Psychology -- Part II: British and German Liaisons , 6 Aesthetic Autonomy is Not the Autonomy of Art -- 7 From Spiritual Taste to Good Taste? Reflections on the Search for Aesthetic Theory's Pietist Roots -- 8 Is there a Middle Way? Mendelssohn on the Faculty of Approbation -- 9 Germaine de Staël and the Politics of Taste -- Part III: Science and a New Model of Society Around 1800 -- 10 Goethe's Exploratory Idealism -- 11 Physics as Art: Johann Wilhelm Ritter's Construction Projects -- 12 Hölderlin's Higher Enlightenment -- 13 Rethinking Disinterestedness Through the Rise of Political Economy -- Index
    Weitere Ausg.: Print version: Beyond autonomy in eighteenth-century British and German aesthetics New York : Routledge, 2020. ISBN 9780367347963
    Sprache: Englisch
    Fachgebiete: Philosophie
    RVK:
    Schlagwort(e): Electronic books. ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Kapitel  (kostenfrei)
    URL: Kapitel  (kostenfrei)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    UID:
    gbv_1778473326
    Umfang: 1 Online-Ressource (25 p.)
    ISBN: 9780367347963 , 9780367508043
    Inhalt: "This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, the book challenges longstanding teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures, namely the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German thinkers examine aesthetic experience and moral concerns and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic."
    Anmerkung: English
    In: Beyond Autonomy in Eighteenth-Century British and Germany Aesthetics
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    [Erscheinungsort nicht ermittelbar]
    UID:
    gbv_1778425267
    Umfang: 1 Online-Ressource (22 p.)
    Serie: Routledge Studies in Eighteenth-Century Philosophy
    Inhalt: This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, it challenges long-standing teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures: namely, the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German, and German-oriented, thinkers examine aesthetic experience and moral concerns, and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic
    Anmerkung: English
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    UID:
    gbv_23654876X
    Umfang: X, 328 Seiten, 14 ungezählte Seiten , 14 Illustrationen
    ISBN: 1571819436 , 1571817530
    Anmerkung: Literaturverzeichnis: Seite 309-319. - Index , DEFA : an historical overview / Séan Allan -- DEFA and the traditions of international cinema / Barton Byg -- 'Letting the genie out of the bottle' : DEFA film-makers and Film und Fernsehen / Rosemary Stott -- The anti-fascist past in DEFA films / Christiane Mückenberger -- Discussion with Kurt Maetzig / Martin Brady -- Rebels with a cause : the development of the 'Berlin-Filme' by Gerhard Klein and Wolfgang Kohlhaase / Horst Claus -- DEFA : a personal view / Wolfgang Kohlhaase -- Representations of work in the forbidden DEFA films of 1965 / Karen Ruoff Kramer -- Censorship and the law : the case of Das Kaninchen bin ich (I am the rabbit) / Stefan Soldovieri -- Paths of discovery : the films of Konrad Wolf / Anthony S. Coulson -- From models to misfits : women in DEFA films of the 1970s and 1980s / Andrea Rinke -- The concept of 'Heimat-GDR' in DEFA feature films / Harry Blunk -- The re-evaluation of Goethe and the classical tradition in the films of Egon Günther and Siegfried Kühn / Daniela Berghahn -- Idealism takes on the Establishment : social criticism in Roland Gräf's film adaptations of Märkische Forschungen (Exploring the Brandenburg Marches) and Der Tangospieler (The tango player) / Detlef Gwosc -- The documentary work of Jürgen Böttcher : a retrospective / Richard Kilborn -- Documenting the Wende : the films of Andreas Voigt / Helen Hughes.
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    Schlagwort(e): DEFA Studio Babelsberg GmbH ; Geschichte ; Deutschland ; Film ; Geschichte ; Deutschland ; Filmwirtschaft ; Geschichte ; DEFA Studio Babelsberg GmbH ; Geschichte 1946-1992 ; Deutschland ; Film ; Aufsatzsammlung
    Mehr zum Autor: Allan, Seán 1961-
    Mehr zum Autor: Sandford, John 1944-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Online-Ressource
    Online-Ressource
    [Place of publication not identified] :Taylor & Francis,
    UID:
    edocfu_9961383205802883
    Umfang: 1 online resource (22 pages)
    Inhalt: This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, it challenges long-standing teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures: namely, the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German, and German-oriented, thinkers examine aesthetic experience and moral concerns, and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic.
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 6
    Online-Ressource
    Online-Ressource
    [Place of publication not identified] :Taylor & Francis,
    UID:
    edoccha_9961383205802883
    Umfang: 1 online resource (22 pages)
    Inhalt: This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, it challenges long-standing teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures: namely, the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German, and German-oriented, thinkers examine aesthetic experience and moral concerns, and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic.
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 7
    Online-Ressource
    Online-Ressource
    [Place of publication not identified] :Taylor & Francis,
    UID:
    edoccha_9961383211302883
    Umfang: 1 online resource (25 pages).
    Serie: Routledge Studies in Eighteenth-Century Philosophy
    Inhalt: "This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, the book challenges longstanding teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures, namely the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German thinkers examine aesthetic experience and moral concerns and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic.".
    Anmerkung: Publication: Beyond Autonomy in Eighteenth-Century British and Germany Aesthetics.
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 8
    Online-Ressource
    Online-Ressource
    [Place of publication not identified] :Taylor & Francis,
    UID:
    edocfu_9961383211302883
    Umfang: 1 online resource (25 pages).
    Serie: Routledge Studies in Eighteenth-Century Philosophy
    Inhalt: "This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, the book challenges longstanding teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures, namely the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German thinkers examine aesthetic experience and moral concerns and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic.".
    Anmerkung: Publication: Beyond Autonomy in Eighteenth-Century British and Germany Aesthetics.
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 9
    Buch
    Buch
    New York : Berghahn Books
    UID:
    gbv_1626509158
    Umfang: X, 328 S., [7] Bl. , Ill.
    ISBN: 9781571817532 , 1571819436 , 1571817530
    Inhalt: DEFA : an historical overview / S(c)♭an Allan -- DEFA and the traditions of international cinema / Barton Byg -- 'Letting the genie out of the bottle' : DEFA film-makers and Film und Fernsehen / Rosemary Stott -- The anti-fascist past in DEFA films / Christiane M(c)ơckenberger -- Discussion with Kurt Maetzig / Martin Brady -- Rebels with a cause : the development of the 'Berlin-Filme' by Gerhard Klein and Wolfgang Kohlhaase / Horst Claus -- DEFA : a personal view / Wolfgang Kohlhaase -- Representations of work in the forbidden DEFA films of 1965 / Karen Ruoff Kramer -- Censorship and the law : the case of Das Kaninchen bin ich (I am the rabbit) / Stefan Soldovieri -- Paths of discovery : the films of Konrad Wolf / Anthony S. Coulson -- From models to misfits : women in DEFA films of the 1970s and 1980s / Andrea Rinke -- The concept of 'Heimat-GDR' in DEFA feature films / Harry Blunk -- The re-evaluation of Goethe and the classical tradition in the films of Egon G(c)ơnther and Siegfried K(c)ơhn / Daniela Berghahn -- Idealism takes on the Establishment : social criticism in Roland Gr(c)Þf's film adaptations of M(c)Þrkische Forschungen (Exploring the Brandenburg Marches) and Der Tangospieler (The tango player) / Detlef Gwosc -- The documentary work of J(c)ơrgen B(c)œttcher : a retrospective / Richard Kilborn -- Documenting the Wende : the films of Andreas Voigt / Helen Hughes
    Anmerkung: Includes bibliographical references and index , DEFA : an historical overview / Séan Allan -- DEFA and the traditions of international cinema / Barton Byg -- 'Letting the genie out of the bottle' : DEFA film-makers and Film und Fernsehen / Rosemary Stott -- The anti-fascist past in DEFA films / Christiane Mückenberger -- Discussion with Kurt Maetzig / Martin Brady -- Rebels with a cause : the development of the 'Berlin-Filme' by Gerhard Klein and Wolfgang Kohlhaase / Horst Claus -- DEFA : a personal view / Wolfgang Kohlhaase -- Representations of work in the forbidden DEFA films of 1965 / Karen Ruoff Kramer -- Censorship and the law : the case of Das Kaninchen bin ich (I am the rabbit) / Stefan Soldovieri -- Paths of discovery : the films of Konrad Wolf / Anthony S. Coulson -- From models to misfits : women in DEFA films of the 1970s and 1980s / Andrea Rinke -- The concept of 'Heimat-GDR' in DEFA feature films / Harry Blunk -- The re-evaluation of Goethe and the classical tradition in the films of Egon Günther and Siegfried Kühn / Daniela Berghahn -- Idealism takes on the Establishment : social criticism in Roland Gräf's film adaptations of Märkische Forschungen (Exploring the Brandenburg Marches) and Der Tangospieler (The tango player) / Detlef Gwosc -- The documentary work of Jürgen Böttcher : a retrospective / Richard Kilborn -- Documenting the Wende : the films of Andreas Voigt / Helen Hughes.
    Sprache: Englisch
    Fachgebiete: Allgemeines , Soziologie
    RVK:
    RVK:
    Schlagwort(e): Deutschland ; Film ; Geschichte 1946-1992 ; Deutsche Film AG ; Geschichte ; Aufsatzsammlung
    Mehr zum Autor: Allan, Seán 1961-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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