Kooperativer Bibliotheksverbund

UID:

Umfang: XI, 163 S. : Ill., graph. Darst.

ISBN: 3-472-05857-9

Serie: Polizei + Forschung 26

Anmerkung: Text dt. und engl. - PST: Probability conclusions in expert opinions on handwriting

Sprache: Deutsch

Fachgebiete: Rechtswissenschaft

Schlagwort(e): Gerichtlicher Sachverständiger ; Gutachten ; Schriftvergleichung ; Wahrscheinlichkeit ; Gerichtlicher Sachverständiger ; Handschrift ; Gutachten ; Schlussfolgern ; Standardisierung

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UID:

Umfang: 1 Online-Ressource (xii, 260 Seiten) : , 78 Illustrationen, 60 in Farbe.

ISBN: 978-3-031-45461-5

Serie: Lecture notes in computer science 14285

Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 978-3-031-45460-8

Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 978-3-031-45462-2

Sprache: Englisch

Fachgebiete: Informatik

Schlagwort(e): Konferenzschrift

DOI: 10.1007/978-3-031-45461-5

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UID:

Umfang: 159 S. : Ill., graph. Darst.

ISBN: 3-486-24072-2

Serie: GMD-Forschungszentrum Informationstechnik 〈Sankt Augustin〉: GMD-Berichte 271

Anmerkung: Zugl.: Berlin, Techn. Univ., Diss., 1996

Sprache: Deutsch

Fachgebiete: Informatik , Mathematik

Schlagwort(e): Handschrift ; Schriftzeichenerkennung ; Fuzzy-Logik ; Mustererkennung ; Handschrift ; Echtzeitsystem ; Fuzzy-Menge ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift

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UID:

Umfang: 1 online resource (476 pages)

ISBN: 1-80064-328-4

Inhalt: William Sharp (1855-1905) conducted one of the most audacious literary deceptions of his or any time. A Scottish poet, novelist, biographer, and editor, he began in 1893 to write critically and commercially successful books under the name Fiona Macleod who became far more than a pseudonym. Enlisting his sister to provide the Macleod handwriting, he used the voluminous Fiona correspondence to fashion a distinctive personality for a talented, but remote and publicity-shy woman. Sometimes she was his cousin and other times his lover, and whenever suspicions arose, he vehemently denied he was Fiona. For more than a decade he duped not only the general public but such literary luminaries as George Meredith, Thomas Hardy, Henry James, William Butler Yeats, and E. C. Stedman.

Weitere Ausg.: Print version: Halloran, William F. William Sharp and Fiona Macleod Cambridge : Open Book Publishers,c2022 ISBN 9781800643277

Sprache: Englisch

Schlagwort(e): Electronic books.

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Umfang: xi, 403 Seiten : , Illustrationen, Karten ; , 25 cm.

ISBN: 978-0-300-21541-0

Inhalt: "In this bold and groundbreaking book, Brent Nongbri provides an up-to-date introduction to the major collections of early Christian manuscripts and demonstrates that much of what we thought we knew about these books and fragments is mistaken. While biblical scholars have expended much effort in their study of the texts contained within our earliest Christian manuscripts, there has been a surprising lack of interest in thinking about these books as material objects with individual, unique histories. We have too often ignored the ways that the antiquities market obscures our knowledge of the origins of these manuscripts. Through painstaking archival research and detailed studies of our most important collections of early Christian manuscripts, Nongbri vividly shows how the earliest Christian books are more than just carriers of texts or samples of handwriting. They are three-dimensional archaeological artifacts with fascinating stories to tell, if we're willing to listen"--Dust jacket

Anmerkung: Prologue: Reintroducing the earliest Christian manuscripts -- The early Christian book -- The dating game -- Finding early Christian books in Egypt -- A discovery "which threw all others in the shade": the Beatty Biblical papyri -- An elusive collection: the Bodmer papyri -- Excavating Christian litter and literature at Oxyrhynchus -- Fabricating a second-century codex of the four gospels -- Epilogue: The future of ancient Christian books -- Appendix: Christian Books from Oxyrhynchus

Sprache: Englisch

Fachgebiete: Theologie/Religionswissenschaften

Schlagwort(e): Christliche Literatur ; Papyrus ; Handschrift

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030537246&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

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Mehr zum Autor: Nongbri, Brent 1977-

UID:

Umfang: XXVIII, 603 S. : Ill., zahlr. graph. Darst.

Ausgabe: 1. publ.

ISBN: 0-631-19446-0

Inhalt: This is an encyclopedia of writing systems, scripts, and orthographies of all the world's major languages, past and present. It provides both a fully illustrated description of over 400 writing systems and an account of the study of writing in many different disciplines, from anthropology to psychology. Entries in this encyclopedia describe how writing systems evolved, how they work, and how they differ from each other. The entries deal with technical aspects such as handwriting, printing, and word processing; with practical problems of decipherment, alphabet making, and spelling reform; and with theoretical questions such as the functions of writing and the typology of writing systems

Inhalt: Florian Coulmas starts from the view that writing reflects a process of linguistic analysis, yet he ranges widely among different scientific disciplines. He draws on historical and paleographic research into the fundamental structural options of representing language by means of a graphic code, on psychological investigation into the cognitive processing of texts, and on sociological and educational inquiry into the social conditions and consequences of literacy. Entries vary between short explanations of terms and concepts, brief accounts of individual writing systems, and longer theoretical articles. The encyclopedia contains an exceptional array of visual examples and is supported by a comprehensive bibliography

Sprache: Englisch

Fachgebiete: Komparatistik. Außereuropäische Sprachen/Literaturen , Allgemeines

Schlagwort(e): Schrift ; Schrift ; Schriftsystem ; Schriftzeichen ; Graphemik ; Schrift ; Geschichte ; Wörterbuch ; Graphemik ; Wörterbuch ; Bildband ; Enzyklopädie ; Wörterbuch ; Wörterbuch ; Enzyklopädie ; Bildband ; Enzyklopädie ; Wörterbuch ; Bildband ; Enzyklopädie ; Wörterbuch

URL: Rezension

Mehr zum Autor: Coulmas, Florian, 1949-

UID:

Umfang: 1 Online-Ressource (296 p)

ISBN: 9789048544509

Serie: Protest and Social Movements

Inhalt: Frontmatter -- Table of Contents -- List of Figures and Tables -- Acknowledgements -- Preface: Devisualize / Mirzoeff, Nicholas -- Introduction: The Aesthetics of Global Protest : Visual Culture and Communication / McGarry, Aidan / Erhart, Itir / Eslen-Ziya, Hande / Jenzen, Olu / Korkut, Umut -- Part I: Performance, Art and Politics -- 1 Queer Visual Activism in South Africa / Lewin, Tessa -- 2 The Use of Visibility in Contentious Events in Northern Ireland / Hayward, Katy / Komarova, Milena -- 3 Maybe, We Will Benefit from Our Neighbour's Good Fortune : An Exhibition on Collectivity, Community, and Dialogue in Turkey / Eğrikavuk, Işıl -- 4 Political Street Art in Social Mobilization : A Tale of Two Protests in Argentina / Ryan, Holly Eva -- 5 Archiving Dissent : (Im)material Trajectories of Political Street Art in Istanbul and Athens / Tulke, Julia -- 6 The Introvert's Protest : Handwriting the Constitution and the Performance of Politics / O'Hara, Morgan / McGarry, Aidan -- Part II: Visual Activism and Digital Culture -- 7 Photography and Protest in Israel/Palestine : The Activestills Online Archive / Faulkner, Simon -- 8 Drones, Cinema, and Protest in Thailand / Viernes, Noah -- 9 Bearing Witness to Authoritarianism and Commoning through Video Activism and Political Film-making after the Gezi Protests / Özdüzen, Özge -- 10 Music Videos as Protest Communication: The Gezi Park Protest on YouTube / Jenzen, Olu / Erhart, Itir / Eslen-Ziya, Hande / Güçdemir, Derya / Korkut, Umut / McGarry, Aidan -- 11 The Activist Chroniclers of Occupy Gezi : Counterposing Visibility to Injustice / Mercea, Dan / Levy, Helton -- 12 When Twitter Got #woke : Black Lives Matter, DeRay McKesson, Twitter, and the Appropriation of the Aesthetics of Protest / Vis, Farida / Faulkner, Simon / Noble, Safiya Umoja / Guy, Hannah -- Part III: Conclusion -- 13 Conclusion : Reflections on Protest and Political Transformation since 1789 / Aulich, Jim -- Index

Inhalt: Protestors across the world use aesthetics in order to communicate their ideas and ensure their voices are heard. This book looks at protest aesthetics, which we consider to be the visual and performative elements of protest, such as images, symbols, graffiti, art, as well as the choreography of protest actions in public spaces. Through the use of social media, protestors have been able to create an alternative space for people to engage with politics that is more inclusive and participatory than traditional politics. This volume focuses on the role of visual culture in a highly mediated environment and draws on case studies from Europe, Thailand, South Africa, USA, Argentina, and the Middle East in order to demonstrate how protestors use aesthetics to communicate their demands and ideas. It examines how digital media is harnessed by protestors and argues that all protest aesthetics are performative and communicative

Sprache: Englisch

Schlagwort(e): Electronic books.

URL: Open Access

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Umfang: 1 online resource (368 p.) : , 44 color and 22 b/w illustrations

Ausgabe: 1st ed.

ISBN: 9780823298945

Serie: Fordham Series in Medieval Studies

Inhalt: Remember the Hand studies a body of articulate manuscript books from Iberia in the tenth and eleventh centuries. These exceptional, richly illuminated codices have in common an urgent sense of scribal presence—scribes name themselves, describe themselves, even paint their own portraits. While marginal notes, even biographical ones, are a common feature of medieval manuscripts, rarely do scribes make themselves so fully known. These writers address the reader directly, asking for prayers of intercession and sharing of themselves. They ask the reader to join them in not only acknowledging the labor of writing, but in theorizing it through analogy to agricultural work or textile production, tending a garden of knowledge, weaving a text out of words.By mining this corpus of articulate codices (known to a school of Iberian codicologists, but virtually unstudied outside that community), Catherine Brown recovers these scribes’ understanding of reading as a powerful, intimate encounter between many parties—the author and their text, the scribe and their pen, the patron and their art-object, the reader and the words and images before their eyes—all mediated by the material object known as the book. By rendering that mediation conspicuous and reminding us of the labor that necessarily precedes that mediation, the scribe reaches out to us across time with a simple but profound directive: Remember the hand.Remember the Hand is available from Knowledge Unlatched on an open-access basis.

Anmerkung: Frontmatter -- , Content -- , List of Abbreviations -- , List of Figures -- , List of Plates -- , Preface -- , Introduction: The Articulate Codex, Manuscription, and Empathic Codicology -- , 1 Florentius’s Body -- , 2 Monks at Work: Grammatica and Contemplative Manuscription -- , 3 The Garden of Colophons -- , 4 Manu mea: Charters, Presence, and the Authority of Inscription -- , 5 Makers and the Inscribed Environment -- , 6 Remember Maius: The Library and the Tomb -- , 7 The Strange Time of Handwriting -- , 8 The Weavers of Albelda -- , Conclusion: The Handy Manuscript -- , Acknowledgments -- , Note -- , Manuscripts Cited -- , Bibliography -- , Index , In English.

Sprache: Englisch

Schlagwort(e): Electronic books.

DOI: 10.1515/9780823298945

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Umfang: 1 online resource (275 pages)

Ausgabe: 1st ed.

ISBN: 3-8394-6965-1

Serie: Theater Series

Inhalt: In German spoken theatre, prompt books used to be written by multiple participants engaging in diverse manuscript practices which continually revise the unfixed literary text within its theatrical context. Based on examples of the vast Hamburg »Theatre-Library« from the 1770s to 1820s, this study proposes a transdisciplinary approach towards handwritten artefacts in modern European theatre. Martin Jörg Schäfer and Alexander Weinstock examine the many-handed creation, handwritten transformation and often decades of use of prompt books in a time increasingly dominated by print. This perspective changes our notion of theatre history around 1800 as well as that of literature and authorship.

Anmerkung: Cover -- Table of Contents -- Acknowledgements -- Digital Dataset -- Note on Translations -- Chapter 1. Introduction -- I. Setting the Scene: A Manuscript Culture in an "Age of Print" -- II. The Hamburg Theater-Bibliothek Collection and Its Context -- III. Framework and Outline -- Chapter 2. Prompting and Its Written Artefacts: Anecdotal Evidence -- I. Prompting as a "Necessary Evil" in Eighteenth- and Nineteenth-Century German Theatre -- II. A Question of Honour: Taking Care of the Written Artefacts of Prompting and More -- III. Prompt Books in Reading: At the Prompter's Whim -- Chapter 3. Writing and Paper Practices in the Prompt Books of the Hamburg Theater-Bibliothek -- I. The Format and Use of Prompt Books -- II. Adding and Retracting Dialogue and Stage Directions -- III. Types and Functions of Other Additions and Retractions -- IV. The Material Performance of Prompt Books -- Chapter 4. Creating a Prompt Book, Two at a Time: Scribes and Multi-Layered Revisions for the Hamburg Production of Kotzebue's Die Sonnen-Jungfrau (1790-1826) -- I. Doubling Down: Two Prompt Books for Die Sonnen-Jungfrau at the Theater-Bibliothek -- II. Theater-Bibliothek: 728 as a Not-So-Fair Fair Copy -- III. The Error-Prone Dynamics of Copying: Unintentional Gender Trouble -- IV. Reshaping Theater-Bibliothek: 728 - Tweaking a Play for the Stage -- V. Going It Alone: Fair Copy Theater-Bibliothek: 1460, Assisted Reading, Technical Instructions -- VI. Reworking the Play, Reshaping Theater-Bibliothek: 1460 I: Political Pressure in 1813 -- VII. Reworking the Play, Reshaping Theater-Bibliothek: 1460 II: Discovering the Heroic Dreamer in 1823 -- Chapter 5. Prompt Book Practices in Context: The "Hamburg Shakespeare" between Handwriting and Print, the Audience and Censorship Demands (1770s-1810s and beyond). , I. The German Shakespeare in Print and Its Relationship to Theatre -- II. The 1776 Hamlet and Its Relationship to Print -- III. The 1776 Othello: Adapting Theater-Bibliothek: 571 from Various Printed Sources -- IV. In Search of an Audience: Hasty Prompt Book Revisions in Theater-Bibliothek: 571 -- V. Prompt Books on the Censor's Desk: Handwriting, Print, and Shakespeare -- VI. A 1778 König Lear Print Copy and Its 1812 Context -- VII. Appeasing the Censor: The Handwritten Revision of Theater-Bibliothek: 2029 in 1812 -- Chapter 6. Doing Literature in Theatre: Schiller's Adaptation of Lessing's Nathan der Weise between Prompting and Stage Managing (1800s-1840s) -- I. A Closet Drama, an Adapter's Work in Progress, and Two Related Written Artefacts -- II. The Author as Adapter: Schiller's Template in Theater-Bibliothek: 1988a and Theater-Bibliothek: 1988b -- III. The Work of the Inspector in Theater-Bibliothek: 1988a -- IV. Transforming a Print Copy into a Prompt Book: Technical Requirements for Creation and Use in Theater-Bibliothek: 1988b -- V. The Evolution of an Adaptation I: Simultaneous or Non-Simultaneous Use -- VI. The Evolution of an Adaptation II: Negotiating Christianity in Public -- VII. Entangled Purposes, Complementary Materialities -- Chapter 7. Outlook -- List of Figures -- Bibliography -- I. List of Written Artefacts from the Theater-Bibliothek -- II. List of Databases and Datasets -- III. List of Other Sources.

Weitere Ausg.: ISBN 3-8376-6965-3

Sprache: Englisch

DOI: 10.1515/9783839469651

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UID:

Umfang: IX, 496 S. : , Ill., graph. Darst., Notenbeisp.

ISBN: 3-540-57450-6 , 0-387-57450-6

Serie: NATO ASI series : Series F, computer and systems science 124

Anmerkung: Literaturangaben

Sprache: Englisch

Schlagwort(e): Handschrift ; Mustererkennung ; Schriftzeichenerkennung ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift

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