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  • 1
    Buch
    Buch
    Berkeley [u.a.] :Univ. of California Press,
    UID:
    almafu_BV005781568
    Umfang: 119 S.
    Serie: University of California publications in modern philology 45
    Anmerkung: Teilw. zugl.: Berkely, Calif., Univ. of California, Diss., m.d.T.: Early Thomas Mann and Nietzsche
    Sprache: Englisch
    Fachgebiete: Germanistik
    RVK:
    Schlagwort(e): 1875-1955 Mann, Thomas ; 1844-1900 Nietzsche, Friedrich ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    Ann Arbor, Mich. : Univ. Microfilms Internat.
    UID:
    gbv_434194352
    Umfang: 119 S. 8"
    Ausgabe: Berkeley [usw.]: Univ. of Calif. Pr. 1955. Facs
    Serie: (University of California publications in modern philology 45)
    Sprache: Unbestimmte Sprache
    Mehr zum Autor: Mann, Thomas 1875-1955
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Buch
    Buch
    Berkeley [u.a.] : Univ. of California Press
    UID:
    kobvindex_ZLB12115739
    Umfang: 119 Seiten
    Ausgabe: 1
    Serie: University of California Publications in modern philology 45
    Anmerkung: Text: engl.
    Sprache: Englisch
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    UID:
    gbv_426904508
    Ausgabe: Facs
    Serie: University of California publications in modern philology 45
    Sprache: Unbestimmte Sprache
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    UID:
    almafu_9959242932002883
    Umfang: 1 online resource (318 p.)
    Ausgabe: 1st ed.
    ISBN: 94-012-0423-3 , 1-4294-8118-8
    Serie: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft, 109
    Inhalt: This book attempts for the first time a comparative literary history of Germany and the USA in the nineteenth and twentieth centuries. Its material does not come from the familiar overlaps of individual German and American writers, but from the work of the literary historians of the two countries after 1815, when American intellectuals took Germany as a model for their project to create an American national literature. The first part of the book examines fundamental structural affinities between the two literary histories and the common problems these caused, especially in questions of canon, realism, aesthetics and in the marginalization of popular and women’s writing. In the second part, significant figures whose work straddle the two literatures – from Sealsfield and Melville, Whitman and Thomas Mann to Nietzsche, Emerson and Bellow – are discussed in detail, and the arguments of the first part are shown in their relevance to understanding major writers. This book is not merely comparative in scope: it shows that only international comparison can explain the course of American literary history in the nineteenth and twentieth century. As recent developments in American Studies explore the multi-cultural and ‘hybrid’ nature of the American tradition, this book offers evidence of the dependencies which linked American and German national literary history.
    Anmerkung: Description based upon print version of record. , Preliminary Material -- Preface -- Introduction to National Literatures -- The Early Years of German and American Literary History -- Literary History and Democratic Nation-Building -- Democracy and Realism -- Hunting for American Aesthetics -- Exclusions from the Canon -- Literary History and Anthropology -- The American Heart of Darkness: Charles Sealsfield and the West -- American Idylls beyond Buffalo Bill -- Emerson in the German and American traditions -- Bibliography -- Index. , English
    Weitere Ausg.: ISBN 90-420-2183-7
    Sprache: Englisch
    Schlagwort(e): Criticism, interpretation, etc.
    URL: DOI
    URL: DOI:
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  • 6
    Online-Ressource
    Online-Ressource
    New York, NY :Routledge,
    UID:
    almahu_9949386646602882
    Umfang: 1 online resource (225 pages)
    ISBN: 1000294528 , 9781003091882 , 1003091881 , 9781000294521 , 9781000294620 , 1000294625 , 9781000294576 , 1000294579
    Serie: Among the Victorians and Modernists
    Inhalt: This book is the first major study that explores the intrinsic connection between music and myth, as Nietzsche conceived of it in The Birth of Tragedy (1872), in three great works of modern literature: Romain Rolland's Nobel Prize winning novel Jean-Christophe (1904-12), James Joyce's modernist epic Ulysses (1922), and Thomas Mann's late masterpiece Doctor Faustus (1947). Juxtaposing Nietzsche's conception of the Apollonian and Dionysian with narrative depictions of music and myth, Josh Torabi challenges the common view that the latter half of The Birth of Tragedy is of secondary importance to the first. Informed by a deep knowledge of Nietzsche's early aesthetics, the book goes on to offer a fresh and original perspective on Ulysses and Doctor Faustus, two world-famous novels that are rarely discussed together, and makes the case for the significance of Jean-Christophe, which has been unfairly neglected in the Anglophone world, despite Rolland's status as a major figure in twentieth-century intellectual and literary history. This unique study reveals new depths to the work of our most enduring writers and thinkers.
    Anmerkung: Prelude: Chasing the Ineffable 1. Schopenhauer, Wagner and Nietzsche: the Musicalization of Myth and the Mythologization of Music in The Birth of Tragedy Musico-Mythic Beginnings Schopenhauer's Metaphysics of Music in The World as Will and Representation Wagner: Musicalizing Nation and Myth in Beethoven Nietzsche's Aesthetic Models of Music and Myth in The Birth of Tragedy Towards a Nietzschean Configuration in the Modern Novel 2. Jean-Christophe: The Silent Music of the Soul The Genesis of Jean-Christophe A Born Musician: Jean-Christophe's Early Years The Roots of Artistic Creation: Jean-Christophe the Creator Music Fictionalized: Jean-Christophe's Compositions Divisions: Apollo, Dionysus and Franco-German Musico-Literary Relations in Jean-Christophe Jean-Christophe's Final Voyage: Improvisation, Italy and Late Music 3. Joyce's 'Gesamtkunstwerk': Performative Music and Mythic Method in Ulysses Approaching Music and Myth in Ulysses Stephen Dedalus-Dionysus: A Portrait of the Artist's Aesthetic Theory in "Proteus" From Apollo to Bloom: Resisting Songs in the "Sirens" And Behold: Leopold Could Not Live Without Stephen! The Apollonian and Dionysian, Side by Side in "Eumaeus" Home at Last: Stephen Speaks the Language of Bloom; and Bloom, Finally the Language of Stephen; and so the Highest Goal of Comedy and of Ulysses is Attained. Myth Updating in Ulysses 4. The Pact: Music and Myth in Thomas Mann's Doctor Faustus Demonic Origins Mann and Myth Part I: Adrian Leverkühn's Education Kretzschmar's Lectures Part II: Why Adrian Leverkühn Writes Such Good Music The Early Works Apocalypse Now! The Great Lament: Adrian Leverkühn's Masterpiece and Faust's Redemption Reprise: Myth and Music as Motifs in the Modern Novel
    Weitere Ausg.: Print version: ISBN 9781000294620
    Weitere Ausg.: Print version: ISBN 0367550792
    Weitere Ausg.: ISBN 9780367550790
    Sprache: Englisch
    Schlagwort(e): Electronic books. ; Electronic books. ; Criticism, interpretation, etc. ; History.
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  • 7
    Online-Ressource
    Online-Ressource
    Oxford : Peter Lang Ltd, International Academic Publishers
    UID:
    almahu_9948665514502882
    Umfang: 1 online resource (306 p.)
    Ausgabe: 1st, New ed.
    ISBN: 9781787076853
    Inhalt: The Dionysian – an impetus towards abandon, intoxication and creativity, but also chaos, death and dissolution – captured the imagination of both Gabriele D’Annunzio and Thomas Mann, two authors whose work otherwise seems antithetical. Both admired Friedrich Nietzsche and engaged with his iconic yet enigmatic idea of the «Dionysian» in their depictions of writers and artists. Like many of their own fictional characters, D’Annunzio and Mann appear to have been drawn towards this idea and its significance in an artistic context. In their novels and short stories, both portray writers and artists who rely on the precarious form of creativity that results from interactions with the Dionysian. This book argues that the portraits of the artist offered by D’Annunzio and Mann, and the depictions of creativity found within these portraits, demonstrate that these two giants of European literature were more alike than has hitherto been acknowledged – and more alike than they would perhaps have liked to think. This book was the winner of the 2016 Early Career Researcher Prize in German Studies, a collaboration between the Institute for German Studies at the University of Birmingham and Peter Lang.
    Anmerkung: CONTENTS: Nietzsche’s Dionysian and Its Reception – The Dionysian Artist and Liminality – Dionysian Creativity and Primitive Regression – Dionysian Creativity and Sublimation.
    Weitere Ausg.: ISBN 9781787070035
    Sprache: Englisch
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  • 8
    UID:
    gbv_1860519369
    Umfang: 1 Online-Ressource (215 p.) , Illustration
    ISBN: 9789819910434 , 9819910439
    Serie: Global Vietnam
    Inhalt: This edited book examines how South Vietnams (formerly the Republic of Vietnam 1955-1975) literary and journalistic writers were perceived and - potentially - influenced by Western thought, led by thinkers such as Jean-Paul Sartre, Franz Kafka, Sigmund Freud, Thomas Mann, Martin Heidegger, Hermann Hesse, Edmund Husserl, Stefan Zweig, Graham Greene, and Somerset Maugham. The book reveals the dynamism and diversity of Western thought in individual literary texts, as well as among the authors themselves. The volume considers how writers and their texts engaged with issues that are socially, culturally, politically, and philosophically significant to Vietnam and beyond, past and present. This approach to South Vietnams literary and journalistic tradition enables an alternative plural, inclusive view of the significance of these texts, which are shown to be neither exclusively anti-Communist nor bourgeois individualist (c nhn tiu t sn), as they have so often been interpreted both in and outside of Vietnam. Such an interpretation problematically retains the marginal position of South Vietnams literature in mainstream Vietnamese literature, and in the literatures of the host countries where these Vietnamese authors have migrated, settled, and continued to write following the 'Fall of Saigon'. This volume presents itself as a key text for those studying Asian and postcolonial literatures, as well as scholars in the humanities researching Vietnam its history, politics, society, and culture
    Anmerkung: The Ontological Dialogue Between Martin Heidegger and Zen Buddhism , Bibliography -- Continental Philosophy and Buddhism in the Journal Tư Tưởng (Thought), 1967-1975 -- Introduction -- Thích Minh Châu, East/West Connections, and a Pacifist Way Forward -- Ngô Trọng Anh (b. 1926), Mahayana, and Being -- Lê Tôn Nghiêm (1926-1993), Heidegger, and the Decline of Western Thought -- Ngô Trọng Anh (b. 1926), Thích Chơn Hạnh (b. 1943), and Nietzsche -- Conclusion -- Bibliography -- The Reception of Western Feminism in Feminist Literature in Urban South Vietnam 1955-1975 , Intro -- Preface -- Contents -- Editors and Contributors -- An Unprejudiced Education and the Development of Literature in South Vietnam in 1954-1975 -- Academic Freedom -- The Changing Nature of Liberal Education -- Open Education and the Development of Literature in South Vietnam -- Conclusion -- Bibliography -- Vietnamese Personalism: The Communitarian Humanism of the Early South Vietnamese State -- Introduction -- Christianity, Communism, and Capitalism -- Personalism in South Vietnam -- Personalism and Vietnamese Communism -- Personalism and the Strategic Hamlet Campaign -- Conclusion , The Rise of a Generation of Female Writers in the South Vietnamese Sociocultural and Literary Context 1955-1975 -- Manifestations of Feminist Awareness in Works of Female Writers in South Vietnam During the Period 1955-1975 -- Female Writers' Self-Awareness -- Female Characters in the Subjective Role -- Awareness of the Feminine Individual Self -- Conclusions -- Bibliography -- Rewriting the History of Vietnamese Children's Literature: Portrayals of Children in South Vietnamese Literature -- Introduction -- The "Outcast Child" Character -- The "Wanderer" Character -- The "Unhappy Child" Character , The "Innocent Child" Character -- The "Dreamy Child" Character -- Conclusion -- Bibliography -- The Wave of Existentialist Feminism in South Vietnamese Literature (1955-1975) -- Introduction -- Receipt of Western Thoughts-Existentialism and Feminism -- Controversial Issues of Women's Writing in Vietnam -- Expressions of Existential Feminist Perception in Female Writers' Compositions Regarding the Writing Concept -- Existential Topics -- Experimentation and Establishment of a Female Writing Style -- Conclusion -- Bibliography -- Existentialist Elements in Nguyễn Đình Toàn's Literary Works , About Nguyễn Đình Toàn -- Youth and the Awareness of Absurdity -- Choosing Existence -- Writing Style -- Conclusion -- Bibliography -- Vũ Hạnh (1926-2021)-A Typical Left-Leaning Writer -- Introduction -- Propaganda Strategy in Vũ Hạnh's Short Stories -- Propaganda Content in Vũ Hạnh's Short Stories -- Bibliography -- Phạm Công Thiện's Ontological Dialogue with Martin Heidegger and Henry Miller -- A Shooting Star Over the Vietnam War -- Phạm Công Thiện's Life -- The Friendship with Henry Miller -- After Returning to South Vietnam
    Weitere Ausg.: ISBN 9789819910427
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Engelbert, Thomas Reading South Vietnam's Writers Singapore : Springer,c2023 ISBN 9789819910427
    Sprache: Englisch
    Schlagwort(e): Viêt nam ; Literatur ; Publizistik ; Europa ; Philosophie ; Rezeption
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 9
    Online-Ressource
    Online-Ressource
    Oxford : Peter Lang Ltd, International Academic Publishers
    UID:
    gbv_1016496109
    Umfang: 1 Online-Ressource (xii, 194 pages)
    ISBN: 9781787076853
    Inhalt: The Dionysian – an impetus towards abandon, intoxication and creativity, but also chaos, death and dissolution – captured the imagination of both Gabriele D’Annunzio and Thomas Mann, two authors whose work otherwise seems antithetical. Both admired Friedrich Nietzsche and engaged with his iconic yet enigmatic idea of the «Dionysian» in their depictions of writers and artists. Like many of their own fictional characters, D’Annunzio and Mann appear to have been drawn towards this idea and its significance in an artistic context. In their novels and short stories, both portray writers and artists who rely on the precarious form of creativity that results from interactions with the Dionysian. This book argues that the portraits of the artist offered by D’Annunzio and Mann, and the depictions of creativity found within these portraits, demonstrate that these two giants of European literature were more alike than has hitherto been acknowledged – and more alike than they would perhaps have liked to think. This book was the winner of the 2016 Early Career Researcher Prize in German Studies, a collaboration between the Institute for German Studies at the University of Birmingham and Peter Lang
    Inhalt: CONTENTS: Nietzsche’s Dionysian and Its Reception – The Dionysian Artist and Liminality – Dionysian Creativity and Primitive Regression – Dionysian Creativity and Sublimation
    Anmerkung: Dissertation University of Birmingham 2016
    Weitere Ausg.: ISBN 9781787070035
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Wood, Jessica, 1987 - Portraits of the artist Oxford : Peter Lang, 2017 ISBN 9781787070035
    Sprache: Englisch
    Schlagwort(e): D'Annunzio, Gabriele 1863-1938 ; Mann, Thomas 1875-1955 ; Das Dionysische ; Hochschulschrift
    URL: Volltext  (lizenzpflichtig)
    Mehr zum Autor: Wood, Jessica 1987-
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  • 10
    UID:
    almahu_9949701407002882
    Umfang: 1 online resource (317 pages)
    ISBN: 9789401204231
    Serie: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft, 109
    Inhalt: This book attempts for the first time a comparative literary history of Germany and the USA in the nineteenth and twentieth centuries. Its material does not come from the familiar overlaps of individual German and American writers, but from the work of the literary historians of the two countries after 1815, when American intellectuals took Germany as a model for their project to create an American national literature. The first part of the book examines fundamental structural affinities between the two literary histories and the common problems these caused, especially in questions of canon, realism, aesthetics and in the marginalization of popular and women's writing. In the second part, significant figures whose work straddle the two literatures - from Sealsfield and Melville, Whitman and Thomas Mann to Nietzsche, Emerson and Bellow - are discussed in detail, and the arguments of the first part are shown in their relevance to understanding major writers. This book is not merely comparative in scope: it shows that only international comparison can explain the course of American literary history in the nineteenth and twentieth century. As recent developments in American Studies explore the multi-cultural and 'hybrid' nature of the American tradition, this book offers evidence of the dependencies which linked American and German national literary history.
    Anmerkung: Preliminary Material -- Preface -- Introduction to National Literatures -- The Early Years of German and American Literary History -- Literary History and Democratic Nation-Building -- Democracy and Realism -- Hunting for American Aesthetics -- Exclusions from the Canon -- Literary History and Anthropology -- The American Heart of Darkness: Charles Sealsfield and the West -- American Idylls beyond Buffalo Bill -- Emerson in the German and American traditions -- Bibliography -- Index.
    Weitere Ausg.: Print version: Ridley, Hugh. 'Relations stop nowhere'. Amsterdam ; New York : Rodopi, 2007 ISBN 9789042021839
    Weitere Ausg.: ISBN 9042021837
    Sprache: Englisch
    Schlagwort(e): Criticism, interpretation, etc.
    URL: DOI:
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