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UID:

Umfang: 1 online resource (227 pages)

Ausgabe: 1st ed.

ISBN: 9783031561146

Serie: Arts, Research, Innovation and Society Series

Anmerkung: Intro -- Foreword -- Contents -- Contributors -- Chapter 1: Introduction -- Part I: Picturing -- Chapter 2: Reimagining Extreme Event Scenarios: The Aesthetic Visualisation of Climate Uncertainty to Enhance Preparedness -- 2.1 Introduction -- 2.2 Immersive Visualisation -- 2.2.1 AI Aesthetics -- 2.3 Towards Climate Scenario Visualisation -- 2.4 Conclusion -- References -- Chapter 3: Latest Advances and Challenges in Extreme Flood 3D Simulation -- 3.1 Introduction -- 3.2 Real-Time Flood Warning Systems -- 3.3 Flood Disasters Following Infrastructure Failure -- 3.4 Compound Flood Events -- 3.5 Visualisation of Flood Extremes -- 3.6 Conclusion -- References -- Chapter 4: Intelligent Architectures for Extreme Event Visualisation -- 4.1 Introduction -- 4.2 Intelligent Visualisation of Extreme Events -- 4.2.1 Physical Modelling -- 4.2.2 Learning-Based Modelling and Simulation -- 4.2.3 Graphic Visualisation -- 4.3 Generative AI in Visualisation -- 4.3.1 Image Generation -- 4.3.2 Dynamic Simulation -- 4.4 Conclusion -- References -- Chapter 5: Simulation of Extreme Fire Event Scenarios Using Fully Physical Models and Visualisation Systems -- 5.1 Introduction -- 5.2 Extreme Event Scenarios -- 5.3 Physical Fire Models: An Overview -- 5.4 Visualisation Techniques Used in Physical Modelling -- 5.5 Case Studies -- 5.6 Integrating Simulations with a Visualisation System -- 5.7 Future Directions -- 5.8 Conclusion -- References -- Chapter 6: Immersive Visualisation Systems as Alignment Strategies for Extreme Event Scenarios -- 6.1 Introduction -- 6.2 Creating Accuracy and Verisimilitude for the Representation of Unpredictable Events -- 6.3 The Challenge of Accuracy in Climate Science -- 6.4 From Epistemic to Affective Uncertainty -- 6.5 Storylining and Other Techniques: Tales, Simulations and Scenarios -- 6.6 Storylines and Interpretability -- 6.7 Conclusion. , References -- Part II: Narrating -- Chapter 7: Moving Beyond Recovery and Reconstruction: Imagining Extreme Event Preparedness Through Performing Arts -- 7.1 Introduction -- 7.2 Performing Resilience and Supporting Post-traumatic Growth -- 7.3 Performing the Politics of Disaster Experience -- 7.4 Performing Preparedness -- 7.5 The Future Imagined -- 7.6 Preparing to Protect the Future -- 7.7 Conclusion -- References -- Chapter 8: Iconographies of Climate Catastrophe: The Representation of Climate Change in Art and Film -- 8.1 Introduction -- 8.2 Period 1 (1960-1980): Science Aesthetics-Denial and Bargaining -- 8.3 Period 2 (1980-2000): Environmental Ruin and Nuclear Decay-Anger and Grief -- 8.4 Period 3 (2000-2023): Climate Warming-Depression and Understanding -- 8.5 Conclusion -- References -- Chapter 9: Representing the Climate Crisis: Aesthetic Framings in Contemporary Performing and Visual Arts -- 9.1 Introduction -- 9.2 State of Play: Performing Climate Change and Planetary Interconnectedness -- 9.2.1 Eulogising the Present -- 9.2.2 Performative Aesthetics -- 9.2.3 Scaling Space and Time -- 9.3 Novel Experimental Trajectories -- 9.4 Conclusion -- References -- Part III: Rehearsing -- Chapter 10: Supporting Disaster Preparedness Through User-Centred Interaction Design in Immersive Environments -- 10.1 Introduction -- 10.2 Intuition and Experience -- 10.3 Vicarious Disaster Experience via VR and AR -- 10.4 Understanding Stories and Contexts -- 10.5 Creating Scenarios or Games -- 10.6 Working with Technology -- 10.7 Equity of Access -- 10.8 Conclusion -- References -- Chapter 11: Building Simulations with Generative Artificial Intelligence -- 11.1 Introduction: A Scenario -- 11.1.1 Building Simulations -- 11.2 Simulation of Extreme Event Scenarios -- 11.2.1 Use in Visual Simulation -- 11.3 Accuracy and Ethics -- 11.3.1 Data Laundering. , 11.3.2 Copyright Issues -- 11.3.3 Making AI "Safe" -- 11.4 Conclusion -- 11.4.1 Limitations: Multimodal AI -- References -- Chapter 12: Rehearsing Emergency Scenarios: Using Space Syntax and Intelligent Mobility Modelling for Scenario Visualisation and Disaster Preparedness -- 12.1 Introduction -- 12.2 Background to Spatial Analytics -- 12.3 The Arts and Spatial Analytics -- 12.4 Challenges and Opportunities -- 12.5 Conclusion -- References -- Part IV: Communicating -- Chapter 13: Culture, Creativity, and Climate: A Dangerous Gap in Policies of Preparedness -- 13.1 Introduction -- 13.2 Methodology and Research Design -- 13.3 Literature Review -- 13.3.1 Inquiries and Recommendations -- 13.3.2 Arts, Culture and Creativity -- 13.4 Findings -- 13.4.1 Preparedness -- 13.4.2 Community Preparedness -- 13.4.3 Art(s) -- 13.4.4 Culture -- 13.4.5 Creative/Creativity -- 13.5 Conclusion -- References -- Inquiries -- Chapter 14: Creatively Reimagining Place and Community in a World of Extreme Weather -- 14.1 Introduction -- 14.2 Building Place: Architecture, Theatre and Film -- 14.3 Stories of Place and Community in Crisis: Fires -- 14.4 Forging New Narratives for a New Future -- 14.5 Conclusion -- References -- Chapter 15: Communicating in Crisis: Community Practices of Online Participation During Extreme Events -- 15.1 Introduction -- 15.2 Social Media and the Changing Communication Landscape During Disasters -- 15.2.1 Social Media as an Expansion of Official Communication Channels Assisting Emergency Communication -- 15.2.2 Social Media Use by the Public During Disasters -- 15.3 The Role of Social Media Before, During and After Disasters -- 15.4 Conclusion -- References -- Part V: Conclusion -- Chapter 16: Conclusion -- 16.1 Final Words -- References.

Weitere Ausg.: Print version: Del Favero, Dennis Climate Disaster Preparedness Cham : Springer,c2024 ISBN 9783031561139

Sprache: Englisch

Schlagwort(e): Electronic books.

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UID:

Umfang: 1 online resource (vi, 319 pages) : , illustrations

Ausgabe: 1st ed.

ISBN: 0-7914-8813-6 , 0-585-48645-X

Serie: SUNY series in global politics

Inhalt: Applies the concept of space to international relations to arrive at novel interpretations.

Anmerkung: Bibliographic Level Mode of Issuance: Monograph , Intro -- POLITICAL SPACE -- Contents -- INTRODUCTION: Political Space and Global Politics by Yale H. Ferguson and R. J. Barry Jones -- PART I: The Problem of Change in Historical Perspective -- 1. The Problem of Change in International Relations Theory by K. J. Holsti -- 2. Reconfiguring International Political Space: The Significance of World History by Richard Little -- 3. The Informational Reconfiguring of Global Geopolitics by Ken Dark -- 4. Remapping Political Space: Issues and Nonissues in Analyzing Global Politics in the Twenty-First Century by Yale H. Ferguson and Richard W. Mansbach -- Part II: Geographical Scale, Identity, and Relationships -- 5. Political Power and Geographical Scale by John Agnew -- 6. Mapping Global/Local Spaces by Robert Latham -- 7. Cartographies of Loathing and Desire: The Bharatiya Janata Party, the Bomb, and the Political Spaces of Hindu Nationalism by Stuart Corbridge -- PART III: Globalizing Trends in the World Economy -- 8. A New Cross-Border Field for Public and Private Actors by Saskia Sassen -- 9. Finance in Politics: An Epilogue to Mad Money by Susan Strange -- 10. Offshore and the Institutional Environment of Globalization by Ronen Palan -- PART IV: Shifting Patterns of Governance -- 11. Governance and the Challenges of Changing Political Space by R. J. Barry Jones -- 12. Club Identity and Collective Action: Overlapping Interests in an Evolving World System by Mark A. Boyer -- 13. NGOs and Fragmented Authority in Globalizing Space by James N. Rosenau -- 14. Practicing Democracy Transnationally by Rey Koslowski and Antje Wiener -- Contributors -- SUNY series in Global Politics -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z. , English

Weitere Ausg.: ISBN 0-7914-5460-6

Weitere Ausg.: ISBN 0-7914-5459-2

Sprache: Englisch

Fachgebiete: Politologie

Schlagwort(e): Aufsatzsammlung

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UID:

Umfang: 1 online resource (331 pages)

Ausgabe: 1st ed.

ISBN: 3-8394-6271-1

Serie: Lettre

Inhalt: Fact« is one of the most crucial inventions of modern times. Susanne Knaller discusses the functions of this powerful notion in the arts and the sciences, its impact on aesthetic models and systems of knowledge. The practice of writing provides an effective procedure to realize and to understand facts. This concerns preparatory procedures, formal choices, models of argumentation and narrative patterns. By considering »writing facts« and »writing facts«, the volume shows why and how »facts« are a result of knowledge, rules, and norms as well as of description, argumentation, and narration. This approach allows new perspectives »fact« and its impact on modernity.

Anmerkung: Frontmatter -- Contents -- Writing Facts -- THEORY AND HISTORY -- Facts in Modernity -- Writing as a Cultural Way of Fact-Making -- Facts -- WRITING SOCIETY, POLITICS, AND LAW -- Writing Social Facts -- Writing 'Volksgemeinschaft' into 'Fact' -- Manufacturing Legal Facts -- LITERATURE AND ARTS -- Towards a Poetics of Fact -- 'Writing Facts' and 19th-Century English Realist Fiction -- A 'Real' Novel? -- Rewriting Gender? -- The Loss of Biodiversity in the Anthropocene and Its Representations in Literature and the Arts (Late 20th and Early 21st Century) -- "One + One is one two. Two is one two" -- MEDIA AND WRITING PRACTICE -- An Iterative Poetics of Writing Facts -- Snapshot and Wage Table -- (Body) Positivity in Social Media -- 'Patchwriting' as Unintentional Fact Writing.

Weitere Ausg.: ISBN 3-8376-6271-3

Sprache: Englisch

Schlagwort(e): Konferenzschrift

DOI: 10.1515/9783839462713

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UID:

Umfang: 1 Online-Ressource (XVII, 289 Seiten) , Karten

ISBN: 9789633864180 , 9633864186

Inhalt: "With forty-two extensively annotated maps, this atlas offers novel insights into the history and mechanics of how Central Europe's languages have been made, unmade, and deployed for political action. The innovative combination of linguistics, history, and cartography makes a wealth of hard-to-reach knowledge readily available to both specialist and general readers. It combines information on languages, dialects, alphabets, religions, mass violence, or migrations over an extended period of time. The story first focuses on Central Europe's dialect continua, the emergence of states, and the spread of writing technology from the tenth century onward. Most maps concentrate on the last two centuries. The main storyline opens with the emergence of the Western European concept of the nation, in accord with which the ethnolinguistic nation-states of Italy and Germany were founded. In the Central European view, a "proper" nation is none other than the speech community of a single language. The Atlas aspires to help users make the intellectual leap of perceiving languages as products of human history and part of culture. Like states, nations, universities, towns, associations, art, beauty, religions, injustice, or atheism-languages are artefacts invented and shaped by individuals and their groups"--

Anmerkung: Erscheint als Open Access bei De Gruyter

Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-963-386-417-3

Sprache: Englisch

Fachgebiete: Komparatistik. Außereuropäische Sprachen/Literaturen

Schlagwort(e): Mitteleuropa ; Sprachpolitik ; Geschichte ; Atlas ; Electronic books. ; Electronic books.

DOI: 10.7829/9789633864180

DOI: 10.1515/9789633864180

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Mehr zum Autor: Kamusella, Tomasz 1967-

UID:

Umfang: 1 online resource

ISBN: 9781479820108

Serie: Cultural Front

Inhalt: With the advent of the human genome, cloning, stem-cell research and many other developments in the way we think of the body, disability studies provides an entirely new way of thinking about the body in its relation to politics, the environment, the legal system, and global economies. Bending Over Backwards reexamines issues concerning the relationship between disability and normality in the light of postmodern theory and political activism. Davis takes up homosexuality, the Americans with Disabilities Act, the legal system, the history of science and medicine, eugenics, and genetics. Throughout, he maintains that disability is the prime category of postmodernity because it redefines the body in relation to concepts of normalcy, which underlie the very foundations of democracy and humanistic ideas about the body. Bending Over Backwards argues that disability can become the new prism through which postmodernity examines and defines itself, supplanting the categories of race, class, gender, and sexual orientation.

Anmerkung: Frontmatter -- , CONTENTS -- , FOREWORD: SIDE SHOWS AND BACK BENDS -- , INTRODUCTION. PEOPLE WITH DISABILITY: THEY ARE YOU -- , 1. THE END OF IDENTITY POLITICS AND THE BEGINNING OF DISMODERNISM: ON DISABILITY AS AN UNSTABLE CATEGORY -- , 2. CRIPS STRIKE BACK: THE RISE OF DISABILITY STUDIES -- , 3. DR. JOHNSON, AMELIA, AND THE DISCOURSE OF DISABILITY -- , 4. CRIMINAL STATEMENTS: HOMOSEXUALITY AND TEXTUALITY IN THE ACCOUNT OF JAN SVILT— EIGHTEENTH-CENTURY SHIPWRECKED SAILOR -- , 5. WHO PUT THE THE IN THE NOVEL? IDENTITY POLITICS AND DISABILITY IN NOVEL STUDIES -- , 6. THE RULE OF NORMALCY. POLITICS AND DISABILITY IN THE U.S.A. [UNITED STATES OF ABILITY] -- , 7. BENDING OVER BACKWARDS. NARCISSISM, THE ADA, AND THE COURTS -- , 8. GO TO THE MARGINS OF THE CLASS. DISABILITY AND HATE CRIMES -- , 9. A VOYAGE OUT (OR IS IT BACK?). CLASS AND DISABILITY IN MY LIFE -- , NOTES -- , INDEX -- , ABOUT THE AUTHOR , In English.

Sprache: Englisch

Schlagwort(e): Aufsatzsammlung

DOI: 10.18574/nyu/9781479820108

URL: https://www.degruyter.com/isbn/9781479820108

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URL: NYU Press Open Square

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Umfang: xix, 334 Seiten : , Illustrationen.

ISBN: 978-1-107-17746-8 , 978-1-316-62837-9

Inhalt: Blending history and social science, this book tracks the role of social movements in shaping German public memory and values since 1945. Drawn from extensive original research, it offers a fresh perspective on the evolution of German democracy through civic confrontation with the violence of its past. Told through the stories of memory activists, the study upends some of the conventional wisdom about modern German political history. An analysis of the decades-long struggle over memory and democracy shows how grassroots actors challenged and then took over public institutions of memorialization. In the process, confrontation of the Holocaust has been pushed to the centre of political culture. In unified Germany, memory politics have shifted again, as activists from East Germany have brought attention to the crimes of the East German state. This book delivers a novel and important contribution to scholarship about postwar Germany and the wider study of memory politics

Weitere Ausg.: Erscheint auch als Online-Ausgabe ISBN 9781316822746

Sprache: Englisch

Fachgebiete: Geschichte , Soziologie

Schlagwort(e): Kollektives Gedächtnis ; Soziale Bewegung

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Mehr zum Autor: Wüstenberg, Jenny.

UID:

Umfang: 1 Online-Ressource.

ISBN: 978-3-11-053669-0 , 978-3-11-060352-1

Inhalt: "This volume uses theories of circulation to analyze the development of European secular and religious drama. It explores the relationship between tradition and innovation, the status of genre, the proportion of autonomous and heteronomous creational dispositions within given artefacts or within genres, and the strategies of functionalization in the context of a given part of the cultural net"--

Anmerkung: Erscheint als Open Access bei De Gruyter , National literatures? / Joachim Küpper -- American presidential candidates at the court of Charles V: how political theory trumped political theology in fourteenth-century Paris / Stephen G. Nichols -- Cross-cultural inventions in drama on the basis of the novel in prose, or world literature before world literature: the case of Fortunatus / Sandra Richter -- Sex on stage: how does the audience know? (Dovizi da Bibbiena, La Calandra III. 10; Shakespeare, Henry V, V.2) / Esther Schomacher -- Castigliones green sense of theater / Stefano Gulizia -- Luigi Grotos Adriana: a laboratory experiment on literary genre / Bernhard Huss -- The agency of errors: Hamartia and its (mis)interpretations in the Italian Cinquecento / Cristina Savettieri -- Playful institutions: social and textual practices in early Spanish academies / Stephanie Bung -- The role of music in folk drama: an investigation based on Tyrolean sources / Franz Gratl -- From a rhetorical to a natural art of acting: what the networks of the seventeenth and eighteenth centuries achieved / Erika Fischer-Lichte -- Early modern religious processions: the rise and fall of a political genre / Jaša Drnovšek -- Directions, examples, and incentives: Slovenian playwriting in the second half of the eighteenth century / Igor Grdina -- Variants of hypothepsis: rhetorical, anthropistic, dramatic (with remarks on Terence, Machiavelli, Shakespeare) / DS Mayfield

Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 978-3-11-053665-2

Sprache: Englisch

Fachgebiete: Komparatistik. Außereuropäische Sprachen/Literaturen , Anglistik

Schlagwort(e): Drama ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift

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Mehr zum Autor: Küpper, Joachim, 1952-

Mehr zum Autor: Bernhart, Toni, 1971-

Mehr zum Autor: Kilian, Sven Thorsten 1978-

UID:

Umfang: 1 online resource (332 pages)

Ausgabe: 1st edition

ISBN: 3-8394-4917-0

Serie: Queer Studies 23

Inhalt: How do white queer people portray our own whiteness? Can we, in the stories we tell about ourselves, face the uncomfortable fact that, while queer, we might still be racist? If we cannot, what does that say about us as potential allies in intersectional struggles? A careful analysis of Dykes To Watch Out For and Stuck Rubber Baby by queer comic icons Alison Bechdel and Howard Cruse traces the intersections of queerness and racism in the neglected medium of queer comics, while a close reading of Jaime Cortez's striking graphic novel Sexile/Sexilio offers glimpses of the complexities and difficult truths that lie beyond the limits of the white queer imaginary.

Anmerkung: Doctoral Thesis Humboldt Universität zu Berlin 2018 , Frontmatter -- , Contents -- , Acknowledgements -- , 1 INTRODUCTION -- , 1.1 What to Expect in this Book: A Very Brief Overview -- , 1.2 A Few Words on Formal Decisions -- , 1.3 How I Came to Write this Book -- , 2 THEORETICAL AND HISTORICAL FOUNDATIONS -- , 2.1 Why Comics? -- , 2.2 Unequal Distributions of Power, Rights, and Resources -- , 2.3 A Brief History of Intersectional LGBTIQ Politics in the U.S. -- , 3 ALISON BECHDEL'S DYKES TO WATCH OUT FOR: A WHITE FANTASY OF A POST-RACIAL LESBIAN COMMUNITY -- , 3.1 A "Chronicle of Lesbian Culture and History" -- , 3.2 A Multicultural Universe with Whiteness at Its Center -- , 3.3 Armchair Anti-Racism: A Post-Racial Lesbian Community in a Racist Society -- , 3.4 White Lesbians as a Better Kind of White -- , 3.5 Political Consequences of Dykes' Armchair Anti-Racism -- , 3.6 Conclusion: When Fantasy Is Read as Fact -- , 4 HOWARD CRUSE'S STUCK RUBBER BABY: HOW 'GAY IS THE NEW BLACK' DISCOURSES SHAPE THE WHITE GAY IMAGINARY -- , 4.1 A Groundbreaking Work -- , 4.2 A Window Seat to History? -- , 4.3 'Gay Is the New Black:' A Dominant Discourse -- , 4.4 Conservative Critiques -- , 4.5 Common Intersectional Critiques -- , 4.6 Further Intersectional Critiques -- , 4.7 Conclusion: Stuck in a White Fantasy -- , 5 JAIME CORTEZ'S SEXILE/SEXILIO: UNLEARNING HOMONATIONALISM AND DEVELOPING ALTERNATIVE DISCOURSES -- , 5.1 "Decentering Whiteness" -- , 5.2 Disidentifications with Homonationalist Discourses -- , 5.3 Centering Resilience -- , 5.4 By Way of Conclusion: Reading Sexile/Sexilio from a Place of (Relative) Privilege -- , 6 CONCLUSION: THE LIMITS OF WHITE LGBTIQ SELF-REPRESENTATIONS -- , List of Works Cited , English

Sprache: Englisch

Schlagwort(e): Hochschulschrift ; Hochschulschrift

DOI: 10.14361/9783839449172

URL: Open Access

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UID:

Umfang: 1 online resource (264 pages)

Ausgabe: 1st ed.

ISBN: 9781350427693

Serie: Debates in Archaeology

Inhalt: 〈b〉As a species, we have always been mobile and migration was a habitual feature of prehistoric life. 〈/b〉This open-access volume uses archaeological case studies mainly from the European Neolithic, but also from the Pacific, the US Southwest, the medieval Migration Period and the historical Great Lakes, to discuss how a focus on small-scale inter-personal relations - on the power struggles, negotiations and choices that people make in everyday settings - can help us understand migration events in archaeology. While much archaeological scholarship, using isotopes and aDNA, focuses on migrations as large-scale phenomena and crisis responses, this book offers a new approach by exploring how moving on was embedded in social practice. This book offers a novel reinterpretation of how the political aspects of migration shaped past people's worlds in Europe and beyond, drawing on archaeological, historical, linguistic and aDNA evidence. Overall, the conclusion is that a bottom-up approach can help us to understand migration in the past at a variety of scales, in many different regions of the world 〈i〉The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Centre of Advanced Studies in Oslo.〈/i〉

Anmerkung: List of Figures List of Tables Acknowledgements Introduction: Archaeology and Migration 1. Why a Politics of Migration? 2. Migration at the Large Scale 3. The Middle Distance: Migrations within Regions 4. Mobile People: Interactions at the Small Scale 5. Re-orienting Migration Studies in Archaeology Conclusions References Index

Weitere Ausg.: ISBN 9781350427662

Sprache: Englisch

DOI: 10.5040/9781350427693

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UID:

Umfang: 1 online resource (xxiii, 386 pages) : , illustrations ; , digital file (PDF)

Ausgabe: 1st ed.

ISBN: 1805111035 , 9781805111030

Inhalt: 'Divine Style' focuses on Whitman’s output in the years preceding the release of his 1855 opus 'Leaves of Grass' through the general period of the book’s first three editions. In this, Dobbs-Allsopp’s exploration of the period is exhaustive – covering not just Leaves of Grass but recently recovered notebooks, newly digitised manuscripts and additions to the corpus, such as the novel 'Life and Adventures of Jack Engle'.This is a work of careful, detailed scholarship, offering an authoritative commentary that will be a valuable resource for students of Whitman, biblical scholars and scholars of literature more generally.

Anmerkung: Intro -- _Hlk137546483 -- Acknowledgements -- Abbreviations -- Prefatory Note on Links -- Introduction -- 1. Whitman on the Bible -- Whitman on the Bible: A Retrospective -- "The Bible as Poetry" -- The Bible and the Birth of (Whitman's) Free Verse -- 2. The Bible in Whitman: Quotation, Allusion, Echo -- Some Preliminary Observations -- "No Quotations": The 1850 Poems -- The Bible in Whitman's Prose from 1850-53 -- Biblical Echoes in the Early Notebooks and Unpublished Poetry Manuscripts -- 3. Whitman's Line: "Found" in the King James Bible? -- The Development of Whitman's Long Line: A Chronology -- G. W. Allen, Parallelism, and the Biblical Poetic Line -- The Verse Divisions of the KJB and Whitman's Line -- The KJB Mediated Otherwise -- Conclusions -- 4. Parallelism: In the (Hebrew) Bible and in Whitman -- The Politics of Parallelism -- Lowth's Idea of Parallelism and Its Modern Reception -- Whitman and Biblical Parallelism: Line-Internal Parallelism -- A Note on Chronology -- Whitman's Parallelism -- 5. "The Divine Style": An American Prose Style Poeticized -- "Plate-glassy style" -- (Some) Biblical Elements of Whitman's Plain Style -- Formatting of Attributed Speech -- Prose into Poetry -- "Walt Whitman, an American" -- Afterword -- Selected Bibliography -- I. Works Published by Walt Whitman -- II. Collected Writings of Walt Whitman, Special Editions, and Translations -- III. Other Literature -- List of Figures -- Index. , Text is in English

Sprache: Englisch

Schlagwort(e): Electronic books.

DOI: 10.11647/OBP.0357

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