Kooperativer Bibliotheksverbund

UID:

Umfang: 1 Online-Ressource

ISBN: 9781644694060 , 9781644694077 , 1644694069 , 1644694077

Inhalt: "Forms of Exile in Jewish Literature and Thought deals with the concept of exile on many levels-from the literal to the metaphorical. It combines analyses of predominantly Jewish authors of Central Europe of the twentieth century who are not usually connected, including Kafka, Kraus, Levi, Lustig, Wiesel, and Frankl. It follows the typical routes that exiled writers took, from East to West and later often as far as America. The concept and forms of exile are analyzed from many different points of view and great importance is devoted especially to the forms of inner exile. In Forms of Exile in Jewish Literature and Thought, Bronislava Volková, an exile herself and thus intimately familiar with the topic through her own experience, develops a unique typology of exile that will enrich the field of intellectual and literary history of twentieth-century Europe and America"--

Anmerkung: Erscheint als Open Access bei De Gruyter , Introduction: A general history of concepts of exile -- Exile as expulsion and wandering : Joseph Roth, Sholem Aleichem, Stefan Zweig -- Exile as aesthetic revolt and an inward turn : Hugo von Hofmannsthal, Robert Musil, Hermann Broch -- Exile as social renewal : Theodor Herzl, Max Nordau -- Exile as resistance and a moral stance : Karl Kraus, Arthur Schnitzler -- Exile as gender marginalization and the independence of the femme fatale : Alma Mahler -- Exile as an escape from patriarchal oppression : Franz Werfel -- Exile as anxiety and involuntary memory : Franz Kafka, Sigmund Freud, Marcel Proust, Bruno Schulz -- Exile as doom and revenge : Hermann Ungar -- Exile as a loss of identity : Saul Friedländer -- Exile as abandonment : Peter Weiss -- Exile as bearing witness : Elie Wiesel -- Exile as dehumanization : Primo Levi -- Exile as an awakening of consciousness : Jiří Weil, Ladislav Fuks, Arnošt Lustig -- Exile as a feeling of meaninglessness : Egon Hostovský -- Exile as transformation and a will to meaning : Viktor Frankl, Simon Wiesenthal

Weitere Ausg.: Erscheint auch als Druck-Ausgabe, hbk ISBN 978-1-64469-405-3

Weitere Ausg.: Erscheint auch als Druck-Ausgabe, pbk ISBN 978-1-64469-590-6

Sprache: Englisch

Schlagwort(e): Mitteleuropa ; USA ; Juden ; Einwanderer ; Exil ; Jüdische Literatur ; Exil ; Exilliteratur ; Geschichte 1900-2000

DOI: 10.1515/9781644694060

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

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URL: Volltext  (Open Access)

URL: Open Access

URL: kostenfrei

URL: Cover

URL: Cover

Mehr zum Autor: Volková, Bronislava 1946-

UID:

Umfang: 1 online resource (120 p.)

ISBN: 1-64469-406-9

Inhalt: Forms of Exile in Jewish Literature and Thought deals with the concept of exile on many levels-from the literal to the metaphorical. It combines analyses of predominantly Jewish authors of Central Europe of the twentieth century who are not usually connected, including Kafka, Kraus, Levi, Lustig, Wiesel, and Frankl. It follows the typical routes that exiled writers took, from East to West and later often as far as America. The concept and forms of exile are analyzed from many different points of view and great importance is devoted especially to the forms of inner exile. In Forms of Exile in Jewish Literature and Thought, Bronislava Volková, an exile herself and thus intimately familiar with the topic through her own experience, develops a unique typology of exile that will enrich the field of intellectual and literary history of twentieth-century Europe and America.

Anmerkung: Frontmatter -- , Contents -- , Acknowledgements -- , Introduction: A General History of Concepts of Exile -- , 1. Exile as Expulsion and Wandering: Joseph Roth, Sholem Aleichem, Stefan Zweig -- , 2. Exile as Aesthetic Revolt and an Inward Turn: Hugo von Hofmannsthal, Robert Musil, Hermann Broch -- , 3. Exile as Social Renewal: Theodor Herzl, Max Nordau -- , 4. Exile as Resistance and a Moral Stance: Karl Kraus, Arthur Schnitzler -- , 5. Exile as Gender Marginalization and the Independence of the Femme Fatale: Alma Mahler -- , 6. Exile as an Escape from Patriarchal Oppression: Franz Werfel -- , 7. Exile as Anxiety and Involuntary Memory: Franz Kafka, Sigmund Freud, Marcel Proust, Bruno Schulz -- , 8. Exile as Doom and Revenge: Hermann Ungar -- , 9. Exile as a Loss of Identity: Saul Friedländer -- , 10. Exile as Abandonment: Peter Weiss -- , 11. Exile as Bearing Witness: Elie Wiesel -- , 12. Exile as Dehumanization: Primo Levi -- , 13. Exile as an Awakening of Consciousness: Jiří Weil, Ladislav Fuks, Arnošt Lustig -- , 14. Exile as a Feeling of Meaninglessness: Egon Hostovský -- , 15. Exile as Transformation and a Will to Meaning: Viktor Frankl, Simon Wiesenthal -- , Conclusion -- , Bibliography -- , Index , In English.

Sprache: Englisch

DOI: 10.1515/9781644694060

UID:

Umfang: XII, 297 S.

ISBN: 0-8262-1580-7

Anmerkung: "Examines the relationship between science and the fiction developed by modernists, including Musil, Proust, Kafka, and Joyce. Looks at Pascalian and Newtonian cosmology, Darwinism, epistemology, relativity theory, quantum mechanics, the development of modernist and postmodern fiction, positivism, and finally works by Woolf, Faulkner, and Borges"--Provided by publisher.. - Includes bibliographical references (p. 277-285) and index , Introduction: prefatory thoughts on two or more cultures -- What the modernists knew about the history of science from Pascal to Heisenberg -- Robert Musil and the dilemma of modernist epistemology -- Proust, Poincaré, and contingency -- Kafka's search for laws -- James Joyce and the laws of everything -- Modernist thought experiments after Joyce -- Conclusion : science and postmodernity.

Sprache: Englisch

Fachgebiete: Komparatistik. Außereuropäische Sprachen/Literaturen

Schlagwort(e): Literatur ; Naturwissenschaften ; Bibliografie

URL: Table of contents

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013190998&sequence=000008&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

UID:

Umfang: 1 online resource.

ISBN: 9783846759721

Serie: Periplous, Münchener Studien zur Literaturwissenschaft

Inhalt: Als anti-narrative Gattung par excellence erlebt das Stilleben in der Literatur des 20. Jahrhunderts ein eigentümliches Revival. Es lenkt den Blick nicht nur auf die Krisen und Aporien des Erzählens, sondern zugleich auf die Anachronismen und Restbestände der Moderne selbst. Im Untergrund der Texte entfaltet das Stilleben ein subversives Potential, das die narrative Logik ebenso wie die Hierarchie von Groß und Klein unterläuft. Gerade deshalb ist das Stilleben nicht nur Gegenstand der Lektüre, sondern zugleich deren Dispositiv: Es zeitigt eine Philologie des Kleinen, die das übersehene, widerspenstige Detail fokussiert. An Werken von Robert Musil und Marcel Proust, W.G. Sebald und Claude Simon geht die Studie der »Arbeit des Bildes« nach - jenen überaus produktiven Rezeptions- und Übertragungsprozessen zwischen Bildern und Texten, durch die sich Topoi und Figuren verborgen fortschreiben.

Anmerkung: doctoral Ludwig-Maximilians-Universität, München 2014 , Preliminary Material -- Siglenverzeichnis -- Danksagung -- Einleitung Stillleben als Figur der Latenz -- Combray: Stillleben der Kindheit -- Arbeit am Bild - Arbeit des Bildes: Chardins La Raie -- Versteinerte Nymphen: Prousts Jeunes Filles En Fleurs -- Leona oder die Tyrannis des nun ewig so Stehenbleibenden -- Amare per ombra: Stillleben als Spiegelfechterei -- W.G. Sebald: Stillleben als ,tote Metapher' -- Claude Simon: Nature tuée, martyrisée -- Schluss -- Bibliographie -- Abbildungsverzeichnis -- Abbildungen -- Personenregister. , In German, includes some text in French.

Weitere Ausg.: Print version: Natures mortes: zur Arbeit des Bildes bei Proust, Musil, W.G. Sebald und Claude Simon, Paderborn: Wilhelm Fink Verlag, 2016

Sprache: Deutsch

Schlagwort(e): Hochschulschrift

URL: DOI:

URL: DOI

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Umfang: 1 online resource (210 p.)

ISBN: 0-485-12054-2 , 1-4742-8771-9 , 1-4742-8770-0

Serie: Bloomsbury academic collections. Gender studies

Inhalt: "Although artists are nowadays able to be openly gay and to address homosexuality explicitly in their work, this book argues that it was the harsh climate of 1890-1930 that produced the most outstanding explorations of homosexuality. To support his argument, Meyers illuminates the character and creative process of a range of authors of the period, including Wilde, Gide, Proust, E.M. Forster and T.E. Lawrence, and analyses the sexual problems that were sublimated and transcended in their art."--

Anmerkung: Description based upon print version of record. , 1. Introduction -- 2. Wilde: The Picture of Dorian Gray (1891) -- 3. Gide: The Immoralist (1902) -- 4. Mann and Musil: Death in Venice (1912) and Young Tørless (1906) -- 5. Proust: Cities of the Plain (1921-22) -- 6. Conrad: Victory (1915) -- 7. Forster: -- A Room With A View 1908) -- Maurice (1913-14, 1971) -- The Life to Come (1972) -- 8. T. E. Lawrence: Seven Pillars of Wisdom (1926) -- 9. D. H. Lawrence: -- The White Peacock (1911) -- Women in Love (1920) -- Aaron's Rod (1922) -- The Plumed Serpent (1926) -- Bibliography -- Notes -- Index , Also published in print.

Weitere Ausg.: ISBN 1-4742-8769-7

Weitere Ausg.: ISBN 0-485-11168-3

Sprache: Englisch

DOI: 10.5040/9781474287715

URL: lizenzpflichtig

UID:

Umfang: 1 online resource (555 pages).

ISBN: 90-04-34180-3

Serie: Literary modernism ; v. 4

Inhalt: In Interbellum Literature historian Cor Hermans presents a panorama of modernist writing in the ominous period 1918-1940. The book offers, in full scope, an engaging synthesis of the most stimulating ideas and tendencies in the novels and plays of a wide circle of writers from France (Proust, Gide, Camus, Céline, Tzara, Aragon, Simone Weil), England and Ireland (Virginia Woolf, Orwell, Joyce, Beckett), the USA (Scott Fitzgerald, Arthur Miller, O’Neill, Hemingway), Austria-Hungary (Musil, Broch, Kafka, Zweig, Roth), and Germany (Hesse, Jünger, Böll, Thomas Mann). Caught between world wars, they nevertheless succeeded in creating some of the best literature ever. They created a philosophy as well, rejecting bourgeois ‘mechanical’ society, designing escape routes from the nihilism of the times.

Anmerkung: Prologue: Imagine Sisyphus -- Lost Worlds -- The Algerian -- A Salesman Called Schoenzeit -- Becoming Böll -- Beckett Climbs the Mount of Joy -- A Farewell to Vienna -- A Thin Slice of Bois de Boulogne -- Models of Daring -- Caligula and the Moon -- On Meeting Joyce -- Musil Traverses “Park Nietzsche” -- Sartre in Berlin and Bouville -- Norwegian Light -- Land, Stock, and Fringe -- Bohemian and Bauer -- The Grimace of Céline -- Simone Weil and Franz Kafka: A Forceful Parallel -- Ernst Jünger’s World of Fire -- Thomas Mann and Some Afterthoughts.

Weitere Ausg.: ISBN 90-04-34179-X

Sprache: Englisch

Schlagwort(e): Electronic books.

URL: DOI:

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Umfang: IX, 281 Bl.

Anmerkung: Kopie, erschienen im Verl. Univ. Microfilms Internat., Ann Arbor, Mich. , Austin, Univ. of Texas, Diss., 1978

Sprache: Englisch

Fachgebiete: Komparatistik. Außereuropäische Sprachen/Literaturen , Romanistik

Schlagwort(e): 1871-1922 À la recherche du temps perdu Proust, Marcel ; 1880-1942 Der Mann ohne Eigenschaften Musil, Robert ; 1871-1922 Proust, Marcel ; Roman ; 1880-1942 Musil, Robert ; Hochschulschrift

UID:

Umfang: 134 S

ISBN: 0824067061

Serie: Garland publications in comperative literature

Anmerkung: Zugl.: Austin, Univ., Diss., 1978

Sprache: Englisch

Schlagwort(e): Hochschulschrift

UID:

Umfang: 1 online resource (238 p.)

Ausgabe: 1st ed.

ISBN: 3-11-042460-6 , 3-11-042442-8

Serie: Paradigms : Literature and the Human Sciences, Volume 3

Inhalt: The logic of modernity is an ironical logic. Modern irony, a flash of genius produced by Romantic theorists, is first discussed, e.g. in Hegel and Kierkegaard, as an ethical problem personified in figures such as the aesthete, the seducer, the flaneur, or the dandy. It fully develops in the novel, the modern genre par excellence: in novels of the early 19th century no less than in those of postmodernity or in those of the masters of citation, parody, and pastiche of classical modernism (Musil, Joyce, and Proust). This book, however, goes one step further. Looking at how such different authors as Schmitt, Kafka, and Rorty identify the political conflicts, contradictions, and paradoxes of the 20th century as ironical and offers a comprehensive account of the constitutive irony of modernity's ethical, poetical, and political logic.

Anmerkung: Description based upon print version of record. , Front matter -- , Contents -- , Introduction -- , Part One: Rhetorologies -- , Introduction -- , 1. Successful Reconciliation -- , 2. A Desire for Art -- , 3. Mad Consciousness -- , Part Two: Ethica -- , Introduction -- , 1. The Irony of Evil -- , 2. Must We Aestheticize? -- , 3. Masking Irony -- , 4. The Melancholic Subject -- , 5. The Joy of Dissimulation -- , Part Three: Novel - Modernity - Irony -- , Introduction -- , 1. The Philosophy of History and the Poetics of Genre -- , 2. The Language of the Novel -- , 3. From Micro-irony (Quotation) to Macro-irony (Genre) -- , 4. Novels of (De)formation and Ironic Autobiographies -- , Part Four: Ironic Politics -- , Introduction -- , 1. The Struggle with Irony -- , 2. Thesis and Antithesis -- , 3. The Irony of the Law (Kafka and Deleuze ) -- , Bibliography -- , Index , Issued also in print. , English

Weitere Ausg.: ISBN 3-11-030220-9

Sprache: Englisch

Fachgebiete: Komparatistik. Außereuropäische Sprachen/Literaturen

Schlagwort(e): Electronic books.

DOI: 10.1515/9783110424423

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Umfang: 1 online resource (328 pages) : , illustrations.

ISBN: 9789004657038 , 9789051839180

Serie: Textxet: Studies in Comparative Literature ; 5

Inhalt: This volume focuses on the flourishing of irony as a primary characteristic of the great era of European narrative sophistication from the Goethezeit to Modernism. Its eighteenth essays explore varieties of ironic consciousness associated with texts especially of northern Europe, and the ways they established a dialogue with and on literature and culture at large. As the volume shows, this interrogation of Europe's self-awareness of cultural identity bound up in reading and writing habits gained a new post-Cervantine complexity in Romanticism and has been of lasting significance for literary theory down to postmodernism. By its comparativistic framing of the issues raised by ironic consciousness, Narrative Ironies duly serves as a Festschrift honoring Lilian R. Furst. Among major writers treated are Sterne, Goethe, Godwin, Schlegel, Hoffmann, Poe, Stendhal, Kierkegaard, Disraeli, Keller, Maupassant, Zola, Huysmans, Wilde, Tolstoi, Hofmannsthal, Strindberg, Proust, Mann, Musil, Kafka, Joyce, Faulkner, and Szczypiorski. .

Anmerkung: Raymond A. PRIER: Introduction. I: NARRATIVE IRONY. Walter A. STRAUSS: In Search of Exactitude and Style: The Example of Proust and Musil. Clayton KOELB: Wrestling with Proteus: Irony in Kierkegaard's Either/Or. Gerald GILLESPIE: The Haunted Narrator before the Gate. Frederick BURWICK: Transcendental Buffoonery and the Bifurcated Novel. II: AMBIGUOUS IRONIES. Lilian R. FURST: Yes and No: Thomas Mann's Lotte in Weimer. Madeline G. LEVINE: Nostalgia for Apocalypse: Andrzej Szczypiorski's The Beautiful Mrs. Seidenman. E.F. KAELIN: If you could just ravel out into time . . . Barry JACOBS: Strindberg's Binoculars: Narrative Perspectives in the The Roofing Ceremony. John and Carol GARRARD: Casting the First Stone: Vengeance and Forgiveness in Anna Karenina. III: MYSTERIOUS IRONIES. Patricia MERIVALE: Gumshoe Gothics: The Man of the Crowd and His Followers. Deborah A. HARTER: Silenced by the City: Maupassant's Flâneur and Uneasy Dreams. Hans EICHNER: Against the Grain: Huysmans' A rebours, Wilde's Dorian Gray, and Hofmannsthal's Der Tor und der Tod. Albert S. GÉRARD: Renée's Tangled Ancestry: Zola's Curée and Racine's Phédre. Willi GOETSCHEL: Love, Sex, and Other Utilities: Keller's Unsettling Account. IV: INTERGENERIC IRONIES. John NEUBAUER: Mimeticism and Intertextuality in Ritter Gluck. George A. KENNEDY: On Reading Disraeli with Stendhal. Gregory MAERTZ: Godwin's St. Leon: A Tale of the Seventeenth Century: Generic Diversity and the Romantic Travel Novel. Raymond Adolph PRIER: Charlotte's Vicar and Goethe's Eighteenth-Century Tale about Werther. Gerald GILLESPIE: Afterword. , English

Weitere Ausg.: Print version: Narrative Ironies. Leiden ; Boston : Brill, 1997. ISBN 9789051839180

Sprache: Englisch

URL: DOI:

URL: lizenzpflichtig